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JAMES MARSTERS FILM Dragonball Evolution 20th Century Fox Dir. James Wong PS, I Love You Warner Bros. Dir. Richard LaGravenese Shadow Puppets Independent Dir. Michael Winnick Chance Independent Dir. Amber Benson House On Haunted Hill Warner Bros. Dir. William Malone Common Ground Independent Dir. Arthur Anderson Smokeless Tobacco Independent Dir. Gil Sorenson TELEVISION Warehouse 13 recurring SyFy Wedding Band Guest Star TBS Supernatural Guest Star CW Three Inches Series Reg pilot SyFy Hawaii Five O Recurring CBS Caprica Recurring Sci-fi Lie To Me Guest Star FOX Numbers Guest Star CBS Alien Western Lead (MOW) Sci-Fi Channel Moonshot Lead (MOW) ITV (UK) Without A Trace Recurring CBS Torchwood Recurring BBC Saving Grace Guest Star TNT Smallville Recurring WB Cool Money Lead (MOW) USA MOW/Dir. Gary Burns The Mountain Guest Star WB Angel Series Regular WB Buffy The Vampire Slayer Series Regular WB/UPN Andromeda Guest Star Syndication Strange Frequency Guest Star VH1 Angel Guest Star WB Millenium Guest Star FOX Moloney Guest Star CBS Northern Exposure Guest Star CBS Medicine Ball Guest Star FOX THEATRE SEATTLE Handing Down The Names ACT Voices In The Dark ACT Tempest Goodman Theatre Red Noses Goodman Theatre Normal Heart Next Theatre Troilus and Cresida Julliard Caucasian Chalk Circle Julliard Camino Real Julliard Twelfth Night Julliard TRAINING: Julliard, PCPA, American Conservatory Theatre STONE MANNERS SALNERS 323-655-1313 HIMBER ENTERTAINMENT 310-276-2500 .

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“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
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Word Search Bilquis (Yetide) Badaki Unite Call (972) 937-3310 © Zap2it
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Friday 23 James Marsters Splits from Wife
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FOR IMMEDIATE RELEASE Contact: Kaitlin Friedmann February 24, 2011 (609) 297-2215 [email protected]
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