Jack Wetherall |

Total Page:16

File Type:pdf, Size:1020Kb

Jack Wetherall | Jack Wetherall AEA/SAG/AFTRA/ACTRA/CAEA Height: 6’ Weight: 165 lbs. Eyes: Blue Hair: Blond Film & Television THIRD MAN OUT Lead: “John Rutka” Insight Prod. Dir. Ron Oliver QUEER AS FOLK Recurring: “Uncle Vic” Showtime Dir. Various THIS TIME FOREVER Lead: “Moose” Feature Film Dir. Larry Kent RELIC HUNTER Principal Fireworks Ent. Dir. Terry Ingram RYAN’S HOPE Cary Edwards ABC GUIDING HOPE Guest Lead CBS ONE LIFE TO LIVE Guest Lead ABC SANTA BARBARA Guest Lead NBC Selected Theatre: Broadway / Off-Broadway THE ELEPHANT MAN Title: Jack Merrick Dir. Jack Hofsiss THE GLASS CAGE Malcolm Mint Theatre LA FILLE DU REGIMENT Le Notaire Metropolitan Opera PRIDE’S CROSSING Gus/Gurey/Porter/Wheels Lincoln Center Dir. Jack O’Brien HENRY VI Warwick Dir. Barry Kyle TAMARA Mario (Original Cast) Dir. Richard Rose HOT LUNCH APOSTLES Rod/Christ The Talking Band at La Mama Theatre (Stratford Festival of Canada, two-time Guthrie Award Winner 1973 & 1977) HENRY V Henry V Dir. Peter Moss TITUS ANDRONICUS Saturninus Dir. Brian Bedford THE SEAGULL Konstantin Dir. Robin Phillips AS YOU LIKE IT Orlando Dir. Robin Phillips MACBETH Malcolm Dir. Robin Phillips JULIUS CAESAR Octavius Dir. John Wood NED AND JACK Ned Dir. Peter Moss A MIDSUMMER NIGHT’S DREAM Demetrius Dir. Robin Phillips THE TEMPEST Ferdinand Dir. Robin Phillips Theatre (Regional) MEASURE FOR MEASURE Escalus Shakespeare Theatre of D.C. THE TEMPEST Prospero North Carolina Shakespeare Festival HAPPY DAYS Willie Westport Country Playhouse TUNNEY / SHAKESPEARE IN SIX Gene Tunney (Solo Show) Merrimack Repertory Theatre ROUNDS HENRY V Chorus Shakespeare Theatre of New Jersey THE RETREAT FROM MOSCOW Edward Cincinnati Playhouse HEARTBREAK HOUSE Shotover Goodman Theatre / Chicago LARRY’S PARTY (THE MUSICAL) Hersh / Questly / Ian Canadian Stage / Dir. Robin Phillips GROSS INDECENCY Oscar Wilde Cincinnati Playhouse THE WEIR Finbar St. Louis Rep THE SOUND OF MUSIC Capt. Van Trapp Art Park JACK WETHERALL WILLI (One Man Show) Willi Cincinnati Playhouse CYRANO DE BERGERAC Cyrano Guthrie Theater THE CHERRY ORCHARD Lopakhin A.C.T. A MAN FOR ALL SEASONS Thomas Cromwell Citadel Theatre THE REAL THING Henry Chautauqua Theater Co. MAN AND SUPERMAN Jack Tanner (Drama-Logue Award) A Noise Within, L.A. THE BACCHAE Dionysus (Drama-Logue Award) Odyssey Theatre, L.A. LES LIAISONS DANGEREUSES Valmont Pittsburgh Public Theater PERICLES Pericles The Hartford Stage TWELFTH NIGHT Orsino Old Globe Theatre THE RIVALS Capt. Jack Absolute Old Globe Theatre MACBETH Macbeth Alabama Shakespeare Festival LOVE’S LABOUR’S LOST Berowne Alabama Shakespeare Festival A MIDSUMMER NIGHT’S DREAM Oberon / Theseus Studio Arena & Theatre Calgary DRACULA Dracula San Jose Repertory THE ROVER Willmore / The Rover The Folger / Goodman Theatre THE GREEKS Orestes Williamstown Festival SEMMELWEIS Michaelis The Hartman Theatre ROMEO AND JULIET Mercutio Long Wharf Theatre KABUKI FAUST Devil Wisdom Bridge Theatre MINOR DREAMS Deke Winters Arizona Theatre Company NORA Torvald Stage West THE MILL ON THE FLOSS Company Soul Pepper / DuMarier World Stage Festival, Dir. Robin Phillips Teacher and Coach Text Study & Performance (NYC / LA / Chicago / Princeton University / UCLA / Williams College / NYU). Most recently he has been teaching Advanced Acting (Shakespeare: Text Study & Performance) at the Stella Adler Studio of Acting in New York. Director Jekyll & Hyde – Broadway, 1997-2000 (Assistant Director) Our Town – Citadel Theatre, Edmonton, Alberta, 1993 Measure for Measure – Centre Theatre, Chicago, 1989 & Shakespeare Theatre New Jersey, 2007 As You Like It – Stella Adler Conservatory Mr. Wetherall also steers THE SHAKESPEARE LAB in New York City Contact United States: Canada: Meg Pantera Debi McGuin The Agency, Inc. McGuin & Associates 138 West 15th St., 1st Floor 20 Shallmar Blvd., Suite 1010 New York City, NY, 10011 Toronto, ON, M5N 1J5 Phone: 212-219-9330 Phone: 416-920-6884 Fax: 646-201-4119 Fax: 416-920-8543 .
Recommended publications
  • Rodriguez, Luz
    Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA LUZ RODRIGUEZ Interviewed by JOYCE FOLLET June 16 - 17, 2006 Northampton, Massachusetts This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2006 Sophia Smith Collection Voices of Feminism Oral History Project Narrator Luz Marina Rodriquez was born in New York City on March 7, 1956, and grew up on the Lower East Side. She was the eldest of three children of Elsa Rodriguez Vazquez and Luis Rodriguez Nieto, Sr., who had both recently migrated from Puerto Rico as part of Operation Bootstrap. Her father held a variety of jobs, including electronics repair and night security work, while her mother worked as an Avon Lady. After graduating from Seward Park High School in 1974, Rodriguez spent two years immersed in social and cultural activities in her Puerto Rican neighborhood, which became known as Loisaida. She was deeply involved in The Real Great Society, a gang outreach and community empowerment organization created in 1964 to engage youth in addressing local needs, especially sweat equity projects to create affordable housing. She was also an active participant in CHARAS/El Bohio, a cultural center where she taught Puerto Rican folkloric dance. After studying dance at Pratt Institute, Rodriguez graduated from NYU as a dance therapy major in 1982. College research into the sterilization and birth control experimentation on Puerto Rican women planted the seed of later reproductive rights activism. Rodriguez defines herself as a servant-leader. She has continued to combine grassroots social justice work with administrative leadership in non-profit organizations, including Henry Street Settlement, Lower East Side Family Resource Center, Dominican Women’s Development Center, and Casa Atabex.
    [Show full text]
  • The Children of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 The hiC ldren of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre. Tony Earnest Medlin Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Medlin, Tony Earnest, "The hiC ldren of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre." (2000). LSU Historical Dissertations and Theses. 7281. https://digitalcommons.lsu.edu/gradschool_disstheses/7281 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • 2021-02-12 FY2021 Grant List by Region.Xlsx
    New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc.
    [Show full text]
  • 2016 Study Guide 2016 Study Guide
    2016 STUDY GUIDE 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER AS YOU LIKE IT BY WILLIAM SHAKESPEARE DIRECTOR JILLIAN KEILEY TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by M. Fainer and by The Harkins/Manning Families In Memory of James & Susan Harkins INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: Cyrus Lane, Petrina Bromley. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ............................................................................................................... 6 Cast of Characters ...................................................................................................... 7 Sources, Origins and Production History ..................................................................
    [Show full text]
  • DIGITAL PROGRAM SCROLL to CONTINUE Click on Any Section Below to Jump to the Page
    and Opera on Tap present, in association with Experiments in Opera DIGITAL PROGRAM SCROLL TO CONTINUE Click on any section below to jump to the page. SHOW INFO 3 BIOS 4 RESOURCES 15 DIGITAL PRIVACY KIT 15 PRODUCTION HISTORY 16 ABOUT HERE 18 MEMBERSHIP 20 HERE STAFF 21 FUNDING 22 SURVEY 25 HEREART 26 FOLLOW US 26 and Opera on Tap present, in association with Experiments in Opera Story by Rob Handel, Kristin Marting, and Kamala Sankaram Composed by Kamala Sankaram Libretto by Rob Handel Developed with, Co-Choreographed and Directed by Kristin Marting Music Direction by Samuel McCoy Performers Paul An, Adrienne Danrich, Blythe Gaissert, Eric McKeever, Mikki Sodergren, Brandon Snook, and Jorell Williams* Video Designer David Bengali Technologists Alessandro Acquisti, Ralph Gross Tablet Technologists Joe Holt, Daniel Dickison Scenic Designer Nic Benacerraf Costume Designer Kate Fry Lighting Designer Ayumu “Poe” Saegusa Choreographer Amanda Szeglowski Sound Engineer Nathaniel Butler Production Stage Manager Westie Productions Piano Mila Henry Saxophones Jeff Hudgins, Ed RosenBerg, Josh Sinton, and Matt Blanchard** Production Manager Michaelangelo De Serio Technical Director Eli Reid Assistant Costume Designer Tekla Monson Associate Video Designer Shefali Nayak Projection Animation Assistant Kathleen Fox Assistant Directors Anne Bakan, Sim Yan Ying Assistant Stage Manager/Wardrobe Manager Aoife Hough Stitcher Elise Walsh * 9/15–21 performances only ** 9/21 performances only Looking at You is made possible through the generous support of Carnegie Mellon University; Dashlane; KSF; Mental Insight Foundation; New England Foundation for the Arts; Puffin Foundation; Opera America’s Grants for Female Composers supported by the Virginia B. Toulmin Foundation and Opera America’s Innovation Fund supported by the Ann and Gordon Getty Foundation; and the New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature.
    [Show full text]
  • Steve Paxton and Lisa Nelson, Night Stand, 2004.Pdf
    Lisa Nelson and Steve Paxton Night Stand, 2004 Dia:Chelsea 541 West 22nd Street New York City 212 989 5566 www.diaart.org Dia Art Foundation presents Lisa Nelson and Steve Paxton Night Stand, 2004 Thursday, October 10–Saturday, October 12, 2013, 8 pm Thursday, October 17–Saturday, October 19, 2013, 8 pm Dance, setting, and sound compilation by Lisa Nelson and Steve Paxton Lighting by Carol Mullins performers Lisa Nelson and Steve Paxton production manager Adam Macks music Excerpts from Automatic Writing (1979), eL/Aficionado (1994), and Dust (2000) by Robert Ashley (Lovely Music) and Zvuki Mu (1989) by Pyotr Mamonov (Opal Records). Dia’s presentation of Night Stand marks the United States premiere. Night Stand has been previously performed at Centre chorégraphique national de Montpellier Languedoc–Roussillon, France; Marseille Objectif Danse, France; Side Step Festival, Helsinki, Finland; SESC Belenzinho, São Paulo, Brazil; L’animal a l’esquena, Celrà, Spain; and Spiral Hall, Tokyo, Japan. This program is made possible in part by Dia’s Commissioning Committee: Jill and Peter Kraus, Leslie and Mac McQuown, Genny and Selmo Nissenbaum, and Liz Gerring Radke and Kirk August Radke. Front Cover: Lisa Nelson and Steve Paxton, Night Stand, 2004. Performance at L’animal a l’esquena, Celrà, Spain, 2008. Photo © Jordi Bover. Progress Report: Night Stand Night Stand is the third collaboration between Lisa Nelson and Steve Paxton, Paxton and Nelson’s performing partnership dates back to 1975. Paxton’s after PA RT, which they performed from 1978 to 2002, and Population, which approach to physical improvisation is sourced in an ongoing investigation of the was performed once in 1988.
    [Show full text]
  • The Long Christmas Dinner Leon Botstein, Conductor
    12-19 ASO_GP 12/2/14 11:22 AM Page 1 Friday Evening, December 19, 2014, at 8:00 in association with the Bard Center presents The Long Christmas Dinner Leon Botstein, Conductor The Long Christmas Dinner One-act play by Thornton Wilder Intermission The Long Christmas Dinner One-act opera by Paul Hindemith Libretto by Thornton Wilder Director: Jonathan Rosenberg Scenic Designer: Zane Pihlstrom Costume Designer: Olivera Gajic Lighting Designer: Peter West Producer: Thurmond Smithgall The play The Long Christmas Dinner is presented by special arrangement with Samuel French, Inc. The opera The Long Christmas Dinner is presented by arrangement with European American Music Distribution Company, sole U.S. and Canadian agent for Schott Music GmbH & Co. KG, publisher and copyright owner. Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. This evening’s event will run approximately two hours including one 20-minute intermission. This project is made possible with the support of The Lanie & Ethel Foundation and The Wilder Family. Alice Tully Hall Please make certain your cellular phone, pager, or watch alarm is switched off. 12-19 ASO_GP 12/2/14 11:22 AM Page 2 Lincoln Center Leon Botstein Lars Berge Arielle Goldman Ryan-James Libby Matthews Hatanaka Hannah Mitchell Claire Moodey Michael Salinas Glenn Seven Allen Kathryn Guthrie Catherine Martin Scott Murphree Sara Murphy Jarrett Ott Josh Quinn Camille Zamora Leon Botstein photo by Ric Kallaher; Arielle Goldman, Ryan-James Hatanaka, and Libby Matthews photos by Deborah Lopez; Hannah Mitchell photo by Michael Medeiros; Claire Moodey photo by Commontiger Photography; Michael Salinas photo by Evan Smith; Kathryn Guthrie photo by Claire McAdams; Catherine Martin photo by Kristen Hoebermann; Jarrett Ott photo by Steve Riskind; Josh Quinn photo by Kate Lemmon Photography; Camille Zamora photo by Liron Amsellem.
    [Show full text]
  • National Endowment for the Arts Annual Report 1989
    National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216
    [Show full text]
  • 1984 Category Artist(S)
    1984 Category Artist(s) Artist/Title Of Work Venue Choreographer/Creator Anne Bogart South Pacific NYU Experimental Theatear Wing Eiko & Koma Grain/Night Tide DTW Fred Holland/Ishmael Cowboys, Dreams, and Ladders The Kitchen Houston Jones Julia Heyward No Local Stops Ohio Space Mark Morris Season DTW Nina Wiener Wind Devil BAM Stephanie Skura It's Either Now or Later/Art Business DTW, P.S. 122 Timothy Buckley Barn Fever The Kitchen Yoshiko Chuma and the Collective Work School of Hard Knocks Composer Anthony Davis Molissa Fenley/Hempshires BAM Lenny Pickett Stephen Pertronio/Adrift (With Clifford Danspace Project Arnell) Film & TV/Choreographer Frank Moore & Jim Self Beehive Nancy Mason Hauser & Dance Television Workshop at WGBH- Susan Dowling TV Lighting Designer Beverly Emmons Sustained Achievement Carol Mulins Body of Work Danspace Project Jennifer Tipton Sustained Achievement Performer Chuck Greene Sweet Saturday Night (Special Citation) BAM John McLaughlin Douglas Dunn/ Diane Frank/ Deborah Riley Pina Bausch and the 1980 (Special Citation) BAM Wuppertaler Tanztheatre Rob Besserer Lar Lubovitch and Others Sara Rudner Twyla Tharp Steven Humphrey Garth Fagan Valda Setterfield David Gordon Special Achievement/Citations Studies Project of Movement Research, Inc./ Mary Overlie, Wendell Beavers, Renee Rockoff David Gordon Framework/ The Photographer/ DTW, BAM Sustained Achievement Trisha Brown Set and Reset/ Sustained Achievement BAM Visual Designer Judy Pfaff Nina Wiener/Wind Devil Power Boothe Charles Moulton/ Variety Show; David DTW, The Joyce Gordon/ Framework 1985 Category Artist(s) Artist/Title of Work Venue Choreographer/Creator Cydney Wilkes 16 Falls in Color & Searching for Girl DTW, Ethnic Folk Arts Center Johanna Boyce Johanna Boyce with the Calf Women & DTW Horse Men John Jesurun Chang in a Void Moon Pyramid Club Bottom Line Judith Ren-Lay The Grandfather Tapes Franklin Furnace Susan Marshall Concert DTW Susan Rethorst Son of Famous Men P.
    [Show full text]
  • John Ambrosone Lighting Designer ______508-641-0461 Russ Rosensweig, Agent [email protected] Summit Entertainment 10 Potter Hill Dr
    John Ambrosone Lighting Designer ______________________________________________________________________________ 508-641-0461 Russ Rosensweig, Agent [email protected] Summit Entertainment www.johnambrosone.com 10 Potter Hill Dr. Guilford, CT. 06437-2176 203-453-0188 203-453-6532 (fax) [email protected] Broadway BOOTH THEATRE, The Old Neighborhood, directed by Scott Zigler Off-Broadway 59E59 THEATER, Uncanny Valley, directed by Tom Dugdale NEW YORK THEATRE WORKSHOP, Nocturne, directed by Marcus Stern National Tour U.S. TOUR, The King Stag (1), directed by Andrei Serban International BRAZIL, TEATRE MUNICIPAL SAO PAULO, When We Dead Awaken (3), directed by Robert Wilson FRANCE, STRASBOURG 3 STUDIOS, Eh Joe, directed by Bob Scanlon; Ghost Trio, directed by Bob Scanlon; Nacht Und Traume, directed by Bob Scanlan GERMANY, THEATRO DES WESTENS BERLIN, Grand Hotel (4), directed by Tommy Tune JAPAN, TOKYO GLOBE THEATRE, The King Stag (1), directed by Andrei Serban LONDON, ROYAL COURT THEATRE, Fires in The Mirror, directed by Anna Deveare Smith LONDON, ROYAL SHAKESPEARE BARBICAN, The King Stag (1), directed by Andrei Serban MEXICO, MANUEL DOBLADO THEATRE LEON, The Judgement Day (2), directed by Diamanda Galas RUSSIA, MOSCOW ART THEATRE, When the World Was Green, directed by Joseph Chaikin; The King Stag (1), directed by Andrei Serban; Six Characters in Search of An Author (1), directed by Robert Brustein SINGAPORE FESTIVAL OF THE ARTS, When the World Was Green, directed by Joseph Chaikin; Nobody Dies on Friday, directed by David Wheeler TAIWAN,
    [Show full text]
  • 2016 Study Guide
    2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ..............................................................................................................
    [Show full text]
  • M4mprogram.Pdf
    STC Board of Trustees Board of Trustees W. Mike House Emeritus Trustees Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman John Hill, Treasurer Scott Kaufmann James B. Adler Pauline Schneider, Secretary Abbe D. Lowell Heidi L. Berry* Michael Kahn, Artistic Director Eleanor Merrill David A. Brody* Melissa A. Moss Melvin S. Cohen* Trustees Robert S. Osborne Ralph P. Davidson Nicholas W. Allard Stephen M. Ryan James F. Fitzpatrick Ashley M. Allen George P. Stamas Dr. Sidney Harman* Stephen E. Allis Bill Walton Lady Manning Anita M. Antenucci Lady Westmacott Kathleen Matthews Jeffrey D. Bauman Rob Wilder William F. McSweeny Afsaneh Beschloss Suzanne S. Youngkin V. Sue Molina Landon Butler Walter Pincus Dr. Paul Carter Ex-Officio Eden Rafshoon Chelsea Clinton Chris Jennings, Emily Malino Scheuer* Dr. Mark Epstein Managing Director Lady Sheinwald Andrew C. Florance Mrs. Louis Sullivan Miles Gilburne Daniel W. Toohey Barbara Harman Sarah Valente John R. Hauge Lady Wright Stephen A. Hopkins Lawrence A. Hough * Deceased 2 Dear Friend, Table of Contents Welcome to the first mainstage show of our 2013-2014 The Invention of Sex season, Measure for Measure. by Drew Lichtenberg 6 I am thrilled that Jonathan Title Page 9 Munby has returned to direct William Shakespeare’s About the Playwright 10 bracingly modern and human Synopsis 11 play after his excellent work on The Dog in the Manger here in 2009. By placing this story in a Cast 13 decadent 1930s Vienna, in an Austria on the brink Cast Biographies 14 of Fascist annexation, Jonathan brings enduring Direction and questions to the forefront of his production: Design Biographies 18 How do you reign in a society of excess while preserving justice? How far does the responsibility About STC 20 of our leadership extend into social life? What is Support 22 the role of government and religion in policing sexuality? All of these debates are very much alive For STC 30 in Washington, D.C.
    [Show full text]