CONCERT PROGRAM

I Give You My Home: Rose Standish Nichols Music and libretto by Beth Wiemann

Live Performance: June 2022 (TBA)

SALT An experimental flm Music by Bahar Royaee and written and directed Deniz Khateri

Live Performance: November 17, 2021 Film Screening: TBA

ELLIS Music by Gabriele Vanoni and libretto by Ewa Chrusciel

Live Performance: October 2 & 3, 2021 Film Screening: TBA

FEATURED ENSEMBLE

Aliana de la Guardia Soprano, Artistic Director, Founding Artist

Mike Williams Percussion, Artistic Advisor, Founding Artist

Dr. Alina Betancourt Woman (SALT)

Suono Vivo is a Boston-based recording service focused on all styles of classical music. https://www.suonovivoboston.com/ I GIVE YOU MY HOME: ROSE STANDISH NICHOLS

Rose Standish Nichols

A site specifc chamber opera inspired by the life of Rose Standish Nichols, with music and libretto by Beth Wiemann and in collaboration with the Nichols House Museum of Boston. Learn more online: https://guerillaopera.org/rose-standish-nichols

SYNOPSIS This world premiere opera paints a portrait of a strong-willed, intelligent, and professional Boston woman and highlights her eforts to afect change through the Women’s Peace Movement, Women’s Sufrage and in her professional work as a landscaper.

In this scene, “Formal in Design,” Rose shares secret ambitions and aspirations in her childhood bedroom.

The world premiere of I Give You My Home: Rose Standish Nichols is supported by a Live Arts Boston Grant from The Boston Foundation. With special thanks to the Nichols House Museum and Suonovivo Audio Services. PRODUCTION STAFF (APRIL RESIDENCY) Beth Wiemann, Composer and Librettist Cara Consilvio, Film and Stage Director Nuozhou Wang, Associate Director and Video Editor Craig Incardone, Director of Photography Maxx Finn, Lighting Designer Rebecca Shannon Butler, Costume Designer Sarah Schneider, Production Manager Jefrey Means, Sound Recording and Editing

SCENE TEXT I want to make something true to form, With clarity, and structure. Strengthened by symmetry, Arrayed in proportion. Formal in design. My design.

I need to get the right teachers – Make my own way, go where I need to go. Gardens will be my art, Phlox and larkspur, Foxgloves and Canterbury bells. Evergreens, And someday, roses and dahlias. My garden, my next gardens will take shape, And the shapes will live in beauty.” CREATIVE TEAM

Beth Wiemann (Composer and Librettist) was raised in Burlington, VT and studied composition and clarinet at Oberlin College and Princeton University. Her works have been performed by the New York New Music Ensemble, Continuum, Ensemble 21, Earplay, the Motion Ensemble, Opera Vista, saxophonist John Sampen, singers Paul Hillier, Susan Narucki, D'Anna Fortunato, and others. Her compositions have won awards from Copland House, the Orvis Foundation, Colorado New Music Festival, American Women Composers, and Marimolin as well as various arts councils, and have been featured on the Capstone, Americus, innova and Albany record labels. She teaches composition and clarinet at the University of Maine. (https://bethwiemann.com/)

Cara Consilvio (Stage & Film Director) is currently a guest lecturer at the Boston University Opera Institute where she teaches acting for opera singers to undergraduate and graduate students. At Boston University, Consilvio serves as the stage director for the Fall and Spring semester scenes programs. Consilvio’s recent assistant director credits include American Opera Project’s As One (assisting Ken Cazan), Chautauqua Opera’s Madame Butterfy and The Ballad Of Baby Doe (assisting Jay Lesenger). Consilvio is a stage director and producer for opera, theater, flm and interdisciplinary projects. She is the co-founder of Hup! productions and recently directed Aftermath for Hup!. As a flm producer, Consilvio has produced NEA Opera Honors video tributes, NEA Jazz Masters videos, and the New Works Forum OPERA America videos. Her frst narrative short producing project, Bowes Academypremiered in November 2014 at Berlin’s Interflm International Film Festival. (http://caraconsilvio.com/)

Nichols House Museum - The Nichols House Museum maintains and preserves an original collection that refects the Nichols family's cultural values and changing tastes across two generations. The Museum engages with the social concerns of those who lived and worked in the house. (https://www.nicholshousemuseum.org/) SALT

An experimental opera flm written and directed by Deniz Khateri and music by Bahar Royai. Learn more online: https://guerillaopera.org/salt

SYNOPSIS Inspired by the struggles of women, friends and acquaintances, from Khateri’s homeland of Iran, “SALT” is a portrait of an elder woman who, as she cooks soup for her husband, expounds on her salty life of being trapped in a loveless and abusive marriage.

The world premiere of SALT is supported by a Cultural Investment Portfolio Project Grant from the Mass Cultural Council, a state Agency. With special thanks to Puppet Showplace Theater.

PRODUCTION STAFF Bahar Royai, Composer, Sound Recording and Editing Deniz, Khateri, Librettist, and Film and Stage Director Nuozhou Wang, Associate Director, Photography, Video Editor and Efects Maxx Finn, Lighting Designer SCENE TEXT

Almost dinner time… It’s getting late… He will be home soon…dragging his legs…all of his weight on the cane…his muscles dangling from his bones…too old… though younger than me! Always old…since we were 20…his eyes…old….his gaze… old…It’s fnally boiling… now, carrots! No! He doesn’t like carrots… but Dr’s orders!…there! …It’s getting hot…or am I having a hot fash?!

Never mind! Gotta smash those carrots… no teeth! Though he still shows them…he always has… since we were 20… his eyes…

Wild!

Old!

His lips…his hands…wild…old…

Wait! No salt! CREATIVE TEAM

Born and raised in Iran, Bahar Royaee is a composer of concert and incidental music. Her compositions are a mixture of timbral and sound-based atmospheric structures, interspersed with lyrical influences derived from her Iranian background. Her works have been performed worldwide, including Italy, Greece, Germany, Canada, Iran, and the USA. Bahar was recently recognized as a runner-up in National Sawdust's 2018-19 Hildegard Competition. Other awards include the Roger Sessions Memorial Composition Award, Walter W. Harp Music & Society Award, John Bavicchi Memorial Prize, and the Korourian Electroacoustic Award. Bahar received her M.M. in composition from Boston Conservatory, where she studied with Marti Epstein and Felipe Lara, and is currently pursuing a Ph.D. from CUNY where she studies under Jason Eckardt and Suzanne Farrin.

Deniz Khateri (Director Papillon) trained in her hometown Tehran, is an actor, director, playwright, shadow puppetry artist and animator based in New York. Her works attempt to experiment with form and exploring the unique characteristics of the mediums that she uses. She is particularly in search of the elements that highlight theatre from other mediums. Deniz performed extensively in Tehran and has worked with Boston theatre companies including ArtsEmerson, Central Square, Underground railway, Boston University, Apollinaire , etc. as an actor. Her plays have been performed in festivals in Tehran, Boston and New York. In her new work,”The Cellos’ Dialogue”, premiered at NY’s Exponential festival, she experimented using a musical instrument as a puppet. Deniz has made shadow puppetry visuals for several contemporary classical composers and is excited to return to Guerrilla opera for Sept Papillon after their first collaboration on Rumplestiltskin. Deniz has won the NYFA award for her animated web series "Diasporan Series" which is about daily struggles of immigrants. (www.denizkhateri.com) Graduated from Rhode Island School of Design in 2020 with a BFA in Sculpture, Nuozhou Wang 王诺舟 is a Chinese filmmaker, sculptor, and video artist. Her work, featuring women characters invariably, explores class, beauty, and transitional space. She has engaged in the production of works presented at the Museum of Modern Art, Pioneer Works, and Art Basel. Currently working at Massachusetts Institute of Technology, she is a new member of Guerilla Opera associated with the creation of Ophelia’s Life Dream. ELLIS (formerly “Island of Hope, Island of Tears)

SYNOPSIS ELLIS, with music by Gabriele Vanoni and librett by Ewa Chrisciel, breathes life into forgotten voices of our past through the true stories and actual voices of immigrants to the US. Explore themes of the clash of cultural identities, the artifacts immigrants bring to this country, and the acceptance or intolerance of diferent immigrant cultures through time, while experiencing a journey through true stories that are human and touching. Learn more online: https://guerillaopera.org/ellis

A Woman, who is a Nazi concentration camp survivor, arrives on Ellis Island pregnant and gives birth. While on the island she unexpectedly fnds her father, who is also a survivor, and in terrible physical condition. After a period of shock and panic, she decides to give her baby up for adoption.

The world premiere of Island of Hope, Island of Tears (working title) is supported by the National Endowment for the Arts and Haverhill Cultural Council, a local agency which is supported by the Mass Cultural Council, a state agency. With special thanks to The Gloucester Stage, theatre KAPOW, Ovation Theater Company, Suonovivo Audio Services, and Michael and Sharon Mollerus. PRODUCTION STAFF (APRIL RESIDENCY) Gabriele Vanoni, Composer and Electronic Sound Designer Ewa Chrusciel, Librettist Laine Rettmer, Video and Stage Director Nuozhou Wang, Associate Director & Video Design Pamela Hersch, Projection and Video Design Maxx Finn, Lighting Designer Rebecca Shannon Butler, Costume Designer Sarah Schneider, Production Manager Jefrey Means, Sound Recording and Editing

SCENE TEXT I rest my eyes on waves ahead I can see the Lady from here I see her gentle eyes, her hands

I want to climb into her arms And sleep in her hands. They look like a boat, like a cradle. I have my nest there, my dwelling place.

One day those hands Will carry back a fresh twig, An olive branch. A promise for both of us. The waves are a lullaby For the hope that I bear in my womb. They cradle us all, My missing Father, My gassed mother, My sisters... all the ones I left behind.

My father? My father? Is he here? But now he is here in front of me, His ravenous homesick eyes, And the ficker growing when he sees me. Stretches his hands toward me, The weak hands of a dying man. The tortures. His amputated leg. His weak body is a map of hell. He veiled through. What am I supposed to do? Can I be the mother or both? Like the Lady in my dreams In my womb she leapt. I can feel her clinging to me, pleading: stay, stay, stay. I sing lullabies in my mind and my heart. They bring me papers to sign. They tell me she will be better of where they take her. I recite a psalm my grandmother taught me: My Lord is My Shepherd, I shall not fear. Thy rod, and thy... but the words are mangled, mixed with my tears. The waves swallow me. Oh God, God, why have you forsaken us?

We came from the sea, So I ofered her to the Lady. She will feed her and care for her. My daughter and the ocean. I see both leaving. I carry her eyes within me.

Days pass. I won't speak I remember the ocean, The calls of anxious gulls CREATIVE TEAM

GABRIELE VANONI (Composer) An Italian composer, currently living in the Boston area. He completed a Ph.D. in Music Composition at Harvard University, under the guidance of Julian Anderson, Chaya Czernowin and Hans Tutschku. His music has been performed in several prestigious venues and festivals, such as (Weill Hall), Biennale di Venezia, ManiFeste, Moscow Conservatory, Royaumont Voix Nouvelles, June in Bufalo, IRCAM, Wellesley Composers Conference, NYU, BIT Teatergarasjen in Bergen and Accademia Chigiana di Siena, among many others. Likewise, various soloists and ensembles have now been involved in performing his music, including members of the Ensemble Intercontemporain, San Francisco Contemporary Music Players, Talea Ensemble, Moscow Studio for New Music Ensemble, Ensemble L’arsenale, Mario Caroli, Diotima Quartet, Les Cris de Paris, Nouvel Ensemble Moderne, and many more. Besides his activity as a composer, Gabriele Vanoni served as the artistic director and founder of Suggestioni, a festival of Italian Music in United States, and holds a degree in Business for the Arts, Culture and Communication at Bocconi University. He is currently Assistant Professor in Composition at . Recent and upcoming commissions include a multimedia work with Ensemble Parallax for the New York Encounter, and a recording project with futist Orlando Cela. He lives with his wife and children in Stoneham. (gabrielevanoni.com)

EWA CHRUSCIEL (Librettist) A poet, teacher and translator. She has published eight books: three book sof poems in English: Of Annunciations (Omnidawn 2017), Contraband of Hoopoe (Omnidawn 2014), Strata (Emergency Press 2009, reprinted by Omnidawn in April 2018);three books in Polish: Tobołek, Sopiłki, Furkot, as well as a book in Italian Contrabbando di Upupe (Contraband of Hoopoe translated into Italian by Anna Aresi) with Edizioni Ensemble. She also published a book of Selected Poems by Jorie Grahamin co-translation with Milosz Biedrzycki. She also translated selected books by Jack London, Joseph Conrad, I.B. Singer and selected poems of Kazim Ali, Lyn Hejinian, Cole Swensenand other American poets into Polish. She is an Associate Prof. of Humanities at Colby-Sawyer College. Laine Rettmer (Stage Director/Video Artist) A North American visual artist and opera director. Their work explores performance, gender, desire, and methods of social control. Rettmer’s work has been presented nationally and internationally at the Vizcaya Museum; Manifesta; MoMA Public, curated by Mel Logan and Jakob Boeskov; the Museum of Fine Art, Boston; Massachusetts Institute of Technology Museum for the exhibition, Hot Steam; the Illuminus Festival; the Boston Independent Film Festival; the Yuan Art Museum; Yve Yang Gallery; Perkins and Ping; Present Company; NADA NY, NADA Presents; and AREA gallery, among others.

Rettmer's opera productions have been praised as “wickedly smart” and “devastatingly funny” by The New York Times, and “not only profound but also shattering” by the Observer. Their, Barber of Seville, was named one of the top 10 classical music productions of 2014 by the New York Times and La Bohème one of the best operas of the decade by the Observer. For four years Rettmer was the resident stage director for the New York based company LoftOpera, with whom their last production, Macbeth, received a Freddie Award for Best New Production and was nominated for Best Director. Rettmer has also worked extensively on new opera with such companies as New York City Opera, Ecce Ensemble, Guerrilla Opera, and Rhymes with Opera. They are currently on the Artistic Advisory Board of On-Site Opera.

Recent awards include a National Endowment for the Arts Grant and a MAP Fund grant for the collaborative opera, Standby Snow: Chronicles of a Heat Wave, an Art Alliance Fellowship from HFBK Hamburg, a research fellowship from the Center for Arts Design and Social Research, and residences at Skaftfell Center for Visual Arts in Iceland, Robert Wilson's Watermill Foundation on Long Island, and MassArt’s Brant Gallery.

In addition to teaching performance and digital media in the Sculpture Department at RISD, Rettmer has served as a residential scholar at Massachusetts Institute of Technology. They were a Post Graduate Fellow at Tufts University in Video and Digital Media. They hold a BFA in stage direction from and an MFA in digital media from the School of the Museum of Fine Arts at Tufts. (lainerettmer.com) Recently we asked our community to do something extraordinary, to match a $10,000 grant from the National Endowment for the Arts.

We are overwhelmed to have received gifts from supporters all over the country that feel a kinship to the subject of this opera - immigrants that have come through Ellis Island.

Please join our nation wide community with a gift that is meaningful to you, so that we can give voice to and celebrate the joy, love, struggles and successes of immigrants past and present.

>> CLICK TO JOIN OUR NATION-WIDE COMMUNITY <<

Text GOHOPE to 44-321 to make a matching gift!

Let’s share this beautiful human experience, bring unity to the world, and celebrate our cultures together! PERFORMERS Aliana de la Guardia (Artistic Director/ Soprano) A multifaceted artist-producer that has garnered acclaim for her “dazzling fights of virtuosity” (Gramophone) in “vocally fearless” performances that are “fzzing with theatrical commitment” (The Boston Globe). This voracious Cuban-American artist enjoys a multifaceted career as a vocalist, actor, educator, and entrepreneur in New England and beyond.

A co-founding artist and now Artistic Director of Guerilla Opera, she has produced more than twenty fve world premiere operas with roles tailor-made for her ferocious stage presence. Specializing in new music and garnering skills as a theater artist she is especially ft for premiering new experimental operas, genre-bending performance art, devised works, intimate performances and flm projects. She has enjoyed new music and new opera collaborations with American Lyric Theater, Beth Morrison Projects, Boston Modern Orchestra Project, Boston New Music Festival, Dinosaur Annex, Enigma Chamber Opera, Ludovico Ensemble, Monadnock Music, New Gallery Concert Series, the PARMA Festival, Transient Canvas, and Winsor Music, among others.

She was recently selected as a protégée for OPERA America’s Women’s Opera Network Mentorship Program for Women in Opera, paired with Lee Anne Myslewski from the Wolf Trap Foundation, as well as the recipient of a Public Art Learning Fund grant from the New England Foundation for the Arts to pursue mentorship with the renowned Double Edge Theatre. She is the owner and founder of Dirty Paloma Voice Studio in Haverhill, MA, treasurer of Granite State National Association of Teachers of Singing, and was on the 2020 Haverhill Multicultural Festival planning committee. Aliana has a BM in vocal performance, emphasis in opera and an MM, vocal performance from the Boston Conservatory [at Berklee], and additional studies with SITI Company and New Repertory Theater. (alianaelaguardia.com)

Mike Williams (Percussion) Hailed by The Boston Globe as “one of the city’s best percussionists,” Mike Williams is an advocate for contemporary music, a member of the new music sinfonietta Sound Icon, the Calithumpian Consort, and is a co-founding artist of Guerilla Opera as well as former co-artistic director, with whom he has commissioned and premiered many new chamber operas since 2007. Williams has worked directly with many of the leading composers of our time including Pierluigi Billone, Philippe Leroux, Salvatore Sciarrino, Gunther Schuller, and Roger Reynolds. Dr. Alina Betancourt (Woman, SALT) A native-born Cuban, Dr. Alina Betancourt left the country with her family at age 14 and after a two-year waiting period in Spain arrived in the US in 1974. She graduated from Tenafy Highschool in New Jersey in 1975 and continued through higher education with a BS in Animal Science and a minor in Spanish Literature (1979) and an MS in Animal Physiology (1981) from . She received her DMD from Fairleigh Dickinson University School of Dentistry, and practiced dentistry in Elizabeth, NJ from 1985 through 2019. She is the proud mother of Aliana and Michael de la Guardia.

ABOUT GUERILLA OPERA

Guerilla Opera is one of Boston’s most exciting young companies creating brave new works. Founded in 2007, the ensemble has accumulated a repertoire of 40 new works by the most exciting composers of our generation with a track record of over 100 performances in Boston and beyond. In daring performances Guerilla Opera has garnered a national reputation for innovative contemporary opera with The Boston Globe raving that “radical exploration remains the cornerstone of everything it does.”

This artist-led ensemble has a mission to commission and reenvision new and experimental works that are custom-tailored to their artists; to champion cutting-edge music and immerse audiences in profound experiences; to be a model for creative authenticity and inclusion, diversity, equity, and accessibility (IDEA) in order to inspire, infuence and amplify emerging generations of artists.

Their vision is to generate a unique body of work that ferociously confronts the status quo, eschews antiquated and stereotypical traditions of opera, examines stories through culturally focused and contemporary lenses, and brings new music to new audiences. Learn more online: https://guerillaopera.org

LEADERSHIP BOARD OF DIRECTORS Aliana de la Guardia, Artistic Director Nathan Troup, president Julia Noulin‐Mérat, Artistic Advisor Aliana de la Guardia, treasurer Mike Williams, Artistic Advisor Mike Williams, clerk Sarah Schneider, Artistic Projects and Dana Grider Production Manager Susan Larson Keithlyn Parkman, Production Coordinator S P E C I A L T H A N K S To Our 2020-2021 Season Donors and Sponsors ** Updated May 17, 2021

FOUNDATIONS: Amphion Foundation, City of Boston Arts & Culture COVID-19 Fund Grant, Essex County Creative Resiliency Grant, Boston Cultural Council & Haverhill Cultural Council, local agencies, Mass Cultural Council, a state agency, Mass Humanities, National Endowment for the Arts, Network of Ensemble Theaters, Amazon Smile, and PayPal Giving Fund

IN-KIND: The Gloucester Stage, theatre KAPOW, Ovation Theater Company, HC Media, Suonovivo Multimedia Services and Uncommon Catalyst

FIREBRAND( < $7,500): Mike & Sharon Mollerus

AVANT ( < $3000): Martin Cohn, Robert Henry, Thomas & Katherine Kush, Jim Haber & Susan Larson, Esther Nelson, and Peter Wender

VISIONARY ( < $1000): John Loder, and Susan Porter Tall

UPSTART ( < $500): Amelia LeClair, Elaine Otsuka, Michael Pollock, Julie Rohwein & Jonathan Aibel, Ann Texeira, and Nathan Troup

TROUBLE MAKERS ( < 300): Amy Advocat & Matt Sharrock, Charles Anderson, Alina Betancourt, John Bowen, Mary Chamberlain, Miguel & Donna de la Guardia, Judson Evans, Lloyd Fillion, Dana Grider, Pauline Ho Bynum, Particia Krol, Bob Lord, Patrick McGovern, Julia Noulin-Mérat & Patrick McGovern, Karen Oakley, Enid Quioñes & Wendy Blackfeld Quiñones, Dan VanHassel, and Beth Wiemann

FRIENDS (< $150): Anahita Abbasi, Akiko Aizawa, Jonathan Bailey Holland, Janna Baty, John Berg, Stephen Block, Aaron Trant & Sarah Bob, Alex Boyd, David Brune, Becky Butler, Renata Cathou, Carole Charnow, Leslie Colburn, Alison Colby-Campbell, Richard & Ruth Colwell, Melissa Coombs, Gillian Encore Series, Sharon Daniels, Ashi Day, Aliana de la Guardia, Mark DiGiovanni, Gloria DiMino, Pamela Drexel, Larry & Arlene Dunn, Marti Epstein, Mary Jean Farrington, James Garner, Alexander Golob, Ryan Gunsalus, Ray Hardin, John Dan Harris, Garen Hartunian, Rose Hegele, Hubert Ho, Daniel Jackman, Rob Jaret, Christopher Johnson, Amanda Keil, Danielle Kravetz Smida, Anna Labykina, Charline Lake, Stefanie Lubkowski, Karin Ludlow, Mary Mackenzie, Rebecca & Hugues Marchand, Carole Marotto, Rafaela Martinelli, Odaline Martinez Mijares, Leslie Meeker, Caroline Miller, Rane Moore, Roxanna Myhrum, Tracy Newirth, Rachel Newsam, Alex Nishibun, Nick O'Leary, Erin Padilla, Alison Palmer, Keithlyn Parkman, Per Bloland, Ted Pietras, Sid Richardson, Olga Richter, Ed Richter, Gail Rodgers, Jason Rogers, Kurt Rohde, Elena Ruehr, Karen Ruymann, Daniel Ryan, Norman Ryan, Felicity Salmon & Nathaniel Hansen, Peggy Samuels, Danna Solomon, Philipp Stäudlin, Geofrey Steadman & Danielle Masson, Keturah Stickann, Faith Tobon, Ken Ueno, Luis Valls, Gabriele Vanoni, Mark Warhol, Monte Washington, Gretchen Werda, and Majie Zeller

AGENTS PROVOCATEURS - PATREON MEMBERS REVOLUTIONARY ($15.00 p/mo.): J.Ed Araiza, John Bowen, David Lloyd Brown, Julia Noulin-Mérat, Krista Gadarowski, Aliana de la Guardia, Miguel A. de la Guardia, and Susan Larson.

RADICAL ($10.00 p/mo.): John Berg, Sharon Daniels, Jennifer Miller, Patrick McGovern, Tina Tallon, Sébastien Vigneau, and Mike Williams

REBEL ($5.00 p/mo.): Dana Pellitteri and Michael Pollock

All donors and foundations are listed online at https://guerillaopera.org/support. SUPPORT RADICAL IMAGINATION BY BECOMING A PATREON MEMBER!

For the cost of a cup of cofee a month, our Agents Provocateurs monthly memberships give you exclusive access to our work, our artists, and insider info curated just for you! You will directly empower, embolden and inspire us to create more for you!

https://www.patreon.com/guerillaopera Land & Blood Acknowledgement

I would like to acknowledge the land on which we will premiere this work and the land that we’re all occupying as we share space on Zoom.

We acknowledge the ancestral lands of the Massachusett people together. We pay respect to the Massachusett people past and present, whose land we occupy. We acknowledge the truth of violence perpetrated to Native People in the name of this country.

We acknowledge the truth of the enslavement of African people and the violence perpetrated to them in the name of this country.

Land carries memory. The land we each stand on, wherever we are, holds deep history. It holds success, pain, connection, partnership, life, death, abuse, genocide, growth, discovery, and community.

Even the shared space of The Internet carries deep connections. We can welcome neighbors here, but it also holds trauma and fear.

By acknowledging the land and all that it holds, I invite us all to learn more deeply about the places we occupy and the people who are our neighbors. In these next moments, let us please refect together on the history of the space that we occupy, and what that has meant for diferent people who have occupied that same space throughout its history.

- Aliana de la Guardia, Artistic Director

#HonorNativeLand