DOCSLIB.ORG

Earplay 24: American Tapestry Monday, October 20, 2008 Elliott Carter, Pablo Furman, Jennifer Higdon, William Kraft, Eric Zivian

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Earplay 24: American Tapestry Monday, October 20, 2008 Elliott Carter, Pablo Furman, Jennifer Higdon, William Kraft, Eric Zivian Earplay San Francisco Season Concerts 2008-09 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 pm Earplay 24: American Tapestry Monday, October 20, 2008 Elliott Carter, Pablo Furman, Jennifer Higdon, William Kraft, Eric Zivian Earplay 24: Time Landscapes Monday, March 2, 2009 Elliott Carter, Alexander Hills, Toshio Hosokawa, Andrew Imbrie, Mei-Fang Lin March 2, 2009 Earplay 24: Lyric Kaleidoscope Wednesday, May 20, 2009 as part of the San Francisco International Arts Festival Linda Bouchard, Elliott Carter, Jonathan Harvey, Olivier Messiaen, Nicolas Tzortzis Earplay 24 Time Landscapes earplay commission/world premiere 2008 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 24th San Francisco season. Our mission is to nurture new chamber music --composition, performance, and audience--all vital Wcomponents. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-four years, Earplay has made an enormous contribution to the bay area music community with new works commission each season. The Earplay ensemble has performed hundreds of works by more than two hundred composers Earplay including presenting more than one hundred world premieres. Donald Aird The 2008-09 season links the rich variety of new Memorial chamber music being created here in our own backyard with Composers Competition the music of the 20th century. A “mini-survey” of music by renowned American composer Elliott Carter serves as a gateway between the traditions of the late 20th century to the new music Downloadable application at: of the 21st century. www.earplay.org/competitions These are difficult financial times and especially so for Deadline: an organization like Earplay that is at the forefront of bringing July 31, 2009 new works to the recital hall. Enjoy this evening and we look to seeing you for the rest of the season. Stephen Ness President, Board of Directors Special Thanks To: Earplay Earplay Staff Board of Directors Nigel Gilchrist, Absolutely Music Advisory Board Dennis Wadlington, Sherman-Clay Stephen Ness, president Aislinn Scofield Jennifer Burke, Industry May Luke secretary executive director Richard Felciano , Scott Koué Dan Scharlin treasurer , Scott Koué Loren Mach William Kraft technical director/stage manager Steve Ness Kent Nagano Terrie Baune musician representative Terrie Baune , Ellen Ruth Rose Wayne Peterson Mary Chun scheduling coordinator Karen Rosenak Christopher Wendell Jones Bill Beckerman Eric Zivian Chen Yi bookkeeping services SAN FRANCISCO WAR MEMORIAL AND PERFORMING ARTS CENTER HERBST THEATRE Monday Evening, March 2 at 7:30 p.m. The Herbst Theatre Owned and operated by the City and County of San Francisco through the Board of Trustees of the War Memorial of San Francisco The Honorable Gavin Newsom, Mayor EARPLAY 24: Time Landscapes TRUSTEES Mary Chun, conductor Nancy H. Bechtle, President Charlotte Mailliard Shultz, Vice President Wilkes Bashford Tod Brody, flutes Terrie Baune, violin Belva Davis Peter Josheff, clarinets Ellen Ruth Rose, viola Bella Farrow Karen Rosenak, piano Thalia Moore, cello Thomas E. Horn Claude M. Jarman, Jr. Mrs. George R. Moscone Guest Artists MajGen J. Michael Myatt, USMC (Ret.) Paul Pelosi Eric Zivian, piano Loren Mach, vibraphone Eleni Tsakopoulos-Kounalakis Elizabeth Murray, Managing Director Jennifer E. Norris, Assistant Managing Director Pre-concert talk 6:45 p.m. A conversation moderated by Bruce Bennett with Mei-Fang Lin Earplay’s season is made possible with funding from the Aaron Copland Fund for Music, the Alice M. Ditson Fund of Columbia University, the Amphion Foundation, the Ann and Gordon Getty Foundation, the Bernard Osher Foundation, the National Endowment for the Arts, the Ross McKee Foundation, the San Francisco Foundation, the San Francisco Grants for the Arts, the William and Flora Hewlett Foundation, the Community Arts Committee of the Zellerbach Family Fund and Generous Donors. Program Donors (since January 2008) $10,000 + $200 + $50 + The San Francisco Jane Bernstein and Linda Allen Toshio Hosokawa Vertical Time Study III (1994) Grants For the Arts Robert Ellis Mark Applebaum Terrie Baune and Karen Rosenak The Aaron Copland John & Mary Caris William Beckerman Raymond Chun Foundation Ann Callaway The William and Flora Patti Noel Dueter David Cole and Linda Hewlett Foundation Ellinor Hagedorn Bouchard Mei-Fang Lin Friction (2008) Mary Montella Chris Concolino World Premiere/Earplay Commission $5,000 + Florence Neuhoff Lori Dobbins Ann and Gordon Getty Wayne Chun Wong Hal Fischer Foundation Guillermo Galindo Tod Brody and Ellen Ruth Rose The National Endowment $100 + Konstantin Gavrilov and for the Arts Tod Brody H. Cross Friction was commissioned by the Earplay The San Francisco William Beck & Yu-Hui Margot Golding New Music Ensemble through the American Foundation Chang Benjamin Harrison Composers Forum’s Northern California Herbert W. Bielawa John and Lee Hause Composers Commissioning Program. $3,000 + James & April Carlson Valerie Herr The Amphion Foundation John & Mary Caris William Kraft The Bernard Osher John Chowning Arthur Kreiger Foundation Marilyn & Jackie Davis Paul & Ellen McKaskle Andrew Imbrie To a Traveler (1971) The Ross McKee Seth Brenzel & Malcolm Nancy & Howard Mel Foundation Gaines Terrie Baune, Peter Josheff, Samuel Nichols & Laurie The Community Arts Chen Yi and Zhou Long San Martin Eric Zivian Committee of the Alena Cowan Pablo Ortiz The Zellerbach Pablo Furman Kurt Rohde Family Foundation Douglas Gong Jerome Rosen intermission Mark Haiman & Ellen Mathew Rosenblum $1,000 + Ruth Rose Allen Shearer & Claudia Alice M. Ditson Fund of Martha Callison Horst Stevens Columbia University Kenneth Johnson Kim Stokoe Alexander Hills Line Study (2004) The Leff Foundation Louis Karchin Applera Antoinette Kuhry & Other Friends Mary Chun Mary Chun, Peter Josheff, Eric Zivian, Thomas A. Haeuser Frances L. Bennion Richard Festinger Loren Mach Richard & Patricia Taylor Kenneth Bruchmeier Yoshiko Kakudo Lee Anne Callaway May Luke Amy Miller Levine Ernestine S. Cohn Bari & Stephen Ness Mary Montella Alice Berg Cronin Karen Rosenak Nora Norden Barbara and Sanford Elliott Carter Cello Sonata (1948) Elizabeth O’Malley Dornbusch $300 + David Periera Donald & Stephanie Anonymous (1) Wayne Peterson Friedman Thalia Moore and Karen Rosenak Terrie Baune C. M. Richards Stephen J. Harrison Andrew W. Imbrie Dan Scharlin Alden Jenks (in memoriam) Sibylle Scholz Arthur Kreiger Christopher Wendell Donald and Phyllis Lin Mantell Jones Sutherland Amelie C. Mel De Ruth Knier Olly & Louise Wilson Fontenay Kevin Neuhoff Wendy Niles Larry Russo Peter Von Der Nahmer Aislinn Scofield William Schottstaedt Thomas White EARPLAY COMPOS E RS : TW E N T Y -FOUR YE ARS Notes on the Program Eliane Aberdam Mirtru Escalona-Mijares Meyer Kupferman Morris Rosenzweig at the Staatlichen Hochschule Sarah Aderholdt Leo Eylar Gyorgy Kurtag Chris Roze TOSHIO HOSOKAWA , Vertical Thomas Adès Fredrik Fahlman Bun-ching Lam Virginia Samuel für Musik in Freiburg. In 1980, he Donald Aird Richard Felciano David Lang Laurie San Martin Time Study III (1994) violin and Eleanor Alberga John Felder Massimo Lauricella Carlos Sanchez-Gutiérrez piano participated for the first time in Richard Aldag Morton Feldman Richard Lavenda Marc Satterwhite Alexis Alrich Richard Festinger Mario Lavista Eric Sawyer the Internationale Ferienkurse für Allen Anderson Irving Fine Anne LeBaron Ralph Shapey Mark Applebaum Tom Flaherty Yinam Leef Salvatore Sciarrino Neue Musik in Darmstadt, where Robert Basart Andrew Frank Fred Lerdahl David Schiff VE R T I C AL TIM E ST UDY III (1994) Ross Bauer David Froom Peter Scott Lewis David Schober his work was performed. Since then, Bruce Christian Bennett Pablo Furman Jorge Liderman Philippe Schoeller The violin symbolizes in the 1994 Arthur Berger Beat Fürrer Peter Lieberson Arnold Schoenberg Hosokawa has presented his works Jonathan Berger Guillermo Galindo Roger Sessions composed “ Vertically Study III” the György Ligeti in Europe and Japan, gaining an Luciano Berio Michael Gandolfi Liza Lim Allen Shearer internal voice of humans, the piano Christophe Bertrand Guy Garnett Mei-Fang Lin Sheila Silver international reputation and winning Herb Bielawa Stacy Garrop Scott Lindroth Reynold Simpson stands for nature and for the universe, Susan Blaustein John Gibson David Liptak Paul Siskind numerous awards and prizes. In Stephen Blumberg James Giroudonv Zhou Long Ronald Bruce Smith which surround humans. The silence Linda Bouchard Glenn Glasow Jing Jing Luo David Soley 2001, Hosokawa became a member Pierre Boulez Daniel Godfrey Witold Lutoslawski Harvey Sollberger corresponds to the boundless depths Martin Boykan Alexander Goehr Drake Mabry Claudio Spies of Akademie der Künste, Berlin. He Carolyn Bremer Perry Goldstein John MacDonald Jeff Stadelman of the human soul. It is a part of the Benjamin Britten Michelle Green Steven Mackey Kurt Stallman has been invited to nearly all of the Christopher Burns Mark Grey Katherine Malyi Dorrance Stalvey Vertical Time series begun in 1992 Ann Callaway Stephen Michael Gryc Eitan Steinberg Ursula Mamlock aiming to express a design of time major contemporary music festivals Ronald Caltabiano Susan Harding Donald Martino Frank Stemper Edmund Campion Lou Harrison David Meckstroth Mark Stickman in Europe as composer in residence, Ellen Ruth Harrison based upon the vertical elements James Carr Marjorie Merryman Igor Stravinsky Stephen Hartke Elliott
Load more

Recommended publications
  • Draft Schedule Revised
    ICMSN/SurreyMAC 2017 Provisional Schedule at 16 June 2017 Monday 11 September 1330–1500 Session 1A Post-tonal form Robert Baker, ‘Progressive Forms: Pitch, Notation, and Time in Two Works by Henri Dutilleux’. Anabel Maler, ‘Hearing Function in Post-Tonal Context’. Cecilia Taher, ‘J.C. Paz’s Concreción: A three-dimensional dynamic form’. Session 1B Following Wagner Charlotte Armstrong, ‘Max Nordau and the diagnosis of musical degeneracy: “unhealthy” music in the operas of Richard Wagner and Franz Schreker’. Peter Atkinson, ‘Dancing Wagnerism: Rutland Boughton’s “Dancing Scenery” and the English Reinvention of the Gesamtkunstwerk’. Malcolm Miller, ‘Wood’s “Wagner – Dreams”: New light on Henry Wood’s orchestration of Träume for violin and orchestra’. 1500–1630 Session 2A China David Ho-Yi Chan, ‘Lingustic Parameters in Contemporary Choral Music’. Cheong Wai-Ling and Hong Ding, ‘Reception of twelve-note music in China — foes turned friends?’ Na Li, ‘Masculinity without men? The multiple gendered images presented by female performers of Northwest Wind’. Session 2B Electronics Nino Auricchio and Paul Borg, ‘New modular instruments and approaches to music generation’. Jo Langton, ‘Musical Analysis of Glass Art Sculptures: The Baschet Brothers’ Sculptures Sonores in the electroacoustic composition of Beatriz Ferreyra’. Laurence Willis, ‘Approaches to Electronics in Haas’s String Quartets No. 4 and No. 7’. 1630–1700 Tea/coffee 1700–1800 Session 3A Schubert Mark Hutchinson, ‘Wandering through history: distorted temporalities in Zender’s Schubert’. Anne Hyland, ‘Rehabilitating Schubert’s Early Sonata Forms: the Overture for String Quintet in C minor, D. 8 and Romantic Form’. Session 3B Feminist perspectives Anna Terzaroli, ‘Teresa Rampazzi, a woman in the Electronic Music’.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2001, Tanglewood
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • Chuaqui C.V. 2019
    MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • TOSHIO HOSOKAWA Gardens
    TOSHIO HOSOKAWA gardens Ukho Ensemble Kyiv Luigi Gaggero TOSHIO HOSOKAWA (*1955) 1 Drawing (2004) for eight players 14:30 Ukho Ensemble Kyiv Inna Vorobets, flutes 1 2 4 5 2 Im Frühlingsgarten (2002) Yuriy Khvostov, oboe and English horn 4 5 for nine players 08:14 Maxim Kolomiiets, oboe 1 Dmytro Pashinsky, clarinets 1 2 5 3 Nachtmusik (2012) Artem Shestovsky, bass clarinet 2 and clarinet 5 for cimbalom 11:54 Vladimir Antoshin, bassoon and contrabassoon 5 Yevgen Churikov, horn 2 5 4 Singing Garden (2003) Sergiy Cherevatenko, trumpet 5 for six players 11:10 Renat Imametdinov, trombone 5 Dina Pysarenko, piano and celesta 4 5 5 Voyage V (2001) Maria Aleksandrova, piano 1 for flute and chamber orchestra 16:17 Yevgen Ulyanov, percussion 1 5 Anastasia Sabadash, percussion 5 Oleg Pakhomov, percussion 1 TT 62:05 Léa Mesnil, harp 4 5 Rachel Koblyakov, violin 1 2 4 5 Igor Zavgorodnii, violin 2 5 Zenon Dashak, viola 1 2 5 Mario Caroli, flute Victor Rekalo, cello 1 4 5 Luigi Gaggero, cimbalom 3 and conductor 1 2 4 5 Nazar Stets, double bass 2 5 2 3 The Sound of Nature The words which Toshio Hosokawa uses Many works of Hosokawa’s circle around to describe the view from his workspace, gardens and flowers, including the two tells a lot about his relationship with nature. ensemble pieces Im Frühlingsgarten and Therefore, it is not at all surprising that na- Singing Garden, which have been so beau- ture features in his music. But this is not tifully recorded by the Ukho Ensemble done in an illustrative way, as it would be for this CD.
    [Show full text]
  • AMERICAN ACADEMY in ROME PRESENTS the SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 at VILLA AURELIA Exclusive Concert
    FOR IMMEDIATE RELEASE January 11, 2011 AMERICAN ACADEMY IN ROME PRESENTS THE SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 AT VILLA AURELIA Exclusive Concert Dates in Italy for the Scharoun Ensemble Berlin Courtesy of the Scharoun Ensemble Berlin Rome – The American Academy in Rome is pleased to present a series of three concerts by one of Germany’s most distinguished chamber music ensembles, the Scharoun Ensemble Berlin. Comprised of members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble Berlin specializes in a repertoire of Classical, Romantic, 20th century Modernist, and contemporary music. 2011 marks the third year of collaboration between the Ensemble and the American Academy in Rome, which includes performances of work by current Academy Fellows in Musical Composition Huck Hodge and Paul Rudy, as well as 2009 Academy Fellow Keeril Makan. Featuring soprano Rinnat Moriah, the Ensemble will also perform music by Ludwig van Beethoven, John Dowland, Antonin Dvořák, Sofia Gubaidulina, Heinz Holliger, Luca Mosca, and Stefan Wolpe. The concerts are free to the public and will take place at the Academy’s Villa Aurelia from 14-16 January 2011. Event: Scharoun Ensemble Berlin (preliminary program*) 14 January at 9pm – Ludwig van Beethoven, John Dowland, Huck Hodge, and Stefan Wolpe 15 January at 9pm – Sofia Gubaidulina, Huck Hodge, Heinz Holliger and Keeril Makan 16 January at 11am – Antonin Dvořák, Luca Mosca, and Paul Rudy *subject to change Location: Villa Aurelia, American Academy in Rome Largo di Porta San Pancrazio, 1 Scharoun Ensemble Berlin The Scharoun Ensemble Berlin was founded in 1983 by members of the Berlin Philharmonic Orchestra.
    [Show full text]
  • Guest Artist:Marilyn Nonken, Piano "Signature Pieces"
    Illinois State University ISU ReD: Research and eData School of Music Programs Music 10-16-2002 Guest Artist:Marilyn Nonken, Piano "Signature Pieces" Marilyn Nonken Piano Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Nonken, Marilyn Piano, "Guest Artist:Marilyn Nonken, Piano "Signature Pieces"" (2002). School of Music Programs. 2355. https://ir.library.illinoisstate.edu/somp/2355 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I I llinois S-\;crte Univel'si-\;4 -School of Music I I I G ued:: Artist I Mcrr>ilyn Nonken, piano I " I "S. ig natu,-,e Pieces I I I I I Cent..,. fa,, the P.,,fcrrmm~ / ',r•' I 'W ed neda~ {;;;vonir.9 Octob..,.· 16, '200'2 8 :00 p.m. I The t;ighteenth P"°91""'m of the '200'2-'2003 S9Gl<on . P-roqram I I David Rakowski studied at New England Conservatory, Princeton, and Tanglewood with Milton Babbitt, Sliding Scales David Rakowskil I Luciano Berio, Peter Westergaard, Paul Lansky, and Robert Ceely. He has received plenty of awards and 12-Step Program (2002) commissions, is published by C.F. Peters, and was twice a finalist for the Pulitzer Prize in Music: in 1999 for Persistent Memory, commissioned and premiered by the Orpheus Chamber Orchestra; and in 2002 for Ten of a Kind, commissioned and premiered by "The President's Own" U.S.
    [Show full text]
  • Paul Jacobs, Elliott Carter, and an Overview of Selected Stylistic Aspects of Night Fantasies
    University of South Carolina Scholar Commons Theses and Dissertations 2016 Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies Alan Michael Rudell University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Rudell, A. M.(2016). Paul Jacobs, Elliott aC rter, And An Overview Of Selected Stylistic Aspects Of Night Fantasies. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3977 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PAUL JACOBS, ELLIOTT CARTER, AND AN OVERVIEW OF SELECTED STYLISTIC ASPECTS OF NIGHT FANTASIES by Alan Michael Rudell Bachelor of Music University of North Carolina, Chapel Hill, 2004 Master of Music University of South Carolina, 2009 _____________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2016 Accepted by: Joseph Rackers, Major Professor Charles L. Fugo, Committee Member J. Daniel Jenkins, Committee Member Marina Lomazov, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Alan Michael Rudell, 2016 All Rights Reserved. ii ACKNOWLEDGEMENTS I wish to extend my thanks to the members of my committee, especially Joseph Rackers, who served as director, Charles L. Fugo, for his meticulous editing, J. Daniel Jenkins, who clarified certain issues pertaining to Carter’s style, and Marina Lomazov, for her unwavering support.
    [Show full text]
  • Ear and There Monday, February 8, 2010
    Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create.
    [Show full text]
  • T H E P Ro G
    Sunday, December 3, 2017, at 11:00 am m a Sunday Morning Coffee Concerts r g o r Conrad Tao, Piano P BACH Chromatic fantasia and fugue in D minor (c. 1720) e h JASON ECKARDT Echoes’ White Veil (1996) T RACHMANINOFF Étude-tableau in A minor (191 6–17) BEETHOVEN Sonata No. 31 in A-flat major (1821 –22) Moderato cantabile, molto espressivo Allegro molto Adagio, ma non troppo—Fuga: Allegro, ma non troppo This program is approximately one hour long and will be performed without intermission. Please join the artist for a cup of coffee following the performance. Please make certain all your electronic devices are switched off. Refreshments provided by Zabar’s and zabars.com This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Walter Reade Theater Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, December 6 at 7:30 pm in Alice Tully Hall Bach Collegium Japan Masaaki Suzuki, conductor Sherezade Panthaki, soprano Jay Carter, countertenor Zachary Wilder, tenor Dominik Wörner, bass BACH: Four Cantatas from Weihnachts-Oratorium (“Christmas Oratorio”) Pre-concert lecture by Michael Marissen at 6:15 pm in the Stanley H.
    [Show full text]
  • Prism Quartet Dedication
    PRISM QUARTET DEDICATION WITH GUEST ARTIST GREG OSBY PRISM Quartet Dedication 1 Roshanne Etezady Inkling 1:09 2 Zack Browning Howler Back 1:09 3 Tim Ries Lu 2:36 4 Gregory Wanamaker speed metal organum blues 1:14 5 Renée Favand-See isolation 1:07 6 Libby Larsen Wait a Minute... 1:09 7 Nick Didkovksy Talea (hoping to somehow “know”) 1:06 8 Nick Didkovksy Stink Up! (PolyPrism 1) 1:06 9 Nick Didkovksy Stink Up! (PolyPrism 2) 1:01 10 Greg Osby Prism #1 (Refraction) 6:49 Greg Osby, alto sax solo 11 Donnacha Dennehy Mild, Medium-Lasting, Artificial Happiness 1:49 12 Ken Ueno July 23, from sunrise to sunset, the summer of the S.E.P.S.A. bus rides destra e sinistra around Ischia just to get tomorrow’s scatolame 1:20 13 Adam B. Silverman Just a Minute, Chopin 2:21 14 William Bolcom Scherzino 1:16 Matthew Levy Three Miniatures 15 Diary 2:05 16 Meditation 1:49 17 Song without Words 2:33 PRISM Quartet/Music From China 3 18 Jennifer Higdon Bop 1:09 19 Dennis DeSantis Hive Mind 1:06 20 Robert Capanna Moment of Refraction 1:04 21 Keith Moore OneTwenty 1:31 22 Jason Eckardt A Fractured Silence 1:18 Frank J. Oteri Fair and Balanced? 23 Remaining Neutral 1:00 24 Seeming Partial 3:09 25 Uncommon Ground 1:00 26 Incremental Change 1:49 27 Perry Goldstein Out of Bounds 1:24 28 Tim Berne Brokelyn 0:57 29 Chen Yi Happy Birthday to PRISM 1:24 30 James Primosch Straight Up 1:24 31 Greg Osby Prism #1 (Refraction) (alternate take) 6:49 Greg Osby, alto sax solo TOTAL PLAYING TIME 57:53 All works composed and premiered in 2004 except Three Miniatures, composed/premiered in 2006.
    [Show full text]
  • Hie-Yon Choi Piano ______
    Indiana University Summer Music 2014 EDWARD AUER PIANO WORKSHOP FACULTY RECITAL Hie-Yon Choi Piano _______________________ Sonata in C Minor, Op. 10 No. 1 ......................... Ludwig van Beethoven Allegro molto e con brio (1770-1827) Adagio molto Finale: Prestissimo From Monogramme (1998-2003) ..................................... York Höller Entrée (for Bernd Alois Zimmermann) (born 1944) Artikulation (for György Ligeti) Elegia giocosa (for Hans Werner Henze) Fluktation (for Elena Bashikirova) Intermission Sonata No. 3 (2010-11) ............................................... York Höller Sonata in C Minor, Op. 111 .............................. Ludwig van Beethoven Maestoso – Allegro con brio ed appassionato Arietta: Adagio molto semplice e cantabile _________________ Auer Concert Hall Friday Evening June Thirteenth Eight O’Clock IU Jacobs School of Music Fifth Program of the 2014-15 Season Indiana University Summer Music 2014 Hie-Yon Choi is established as one of the most sought-after pianists in Korea and is a rising presence in many of the world’s music festivals and concert houses. Since her first public appearance at the age of six with the Incheon Symphony, her solo and concerto performances have encompassed all the major halls and orchestras in Korea, as well as appearances with the National Symphony Orchestra in the Kennedy Center in Washington, D.C., and halls throughout the United States and the world. She has been a regular guest at the Seoul Spring Chamber Music Festival since 2010, as well as at the Musik Sommer in Ost Friesland (Germany) since 2007. She was the inaugural artist-in-residence at the Tong-Yeong International Music Festival in 2009. She participated as faculty in 2011 and 2012 at the CCM Prague International Piano Institute.
    [Show full text]