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Jennifer Higdon-Large Full
Pulitzer Prize and three-time Grammy-winner Jennifer Higdon (b. Brooklyn, NY, December 31, 1962) taught herself to play flute at the age of 15 and began formal musical studies at 18, with an even later start in composition at the age of 21. Despite these obstacles, Jennifer has become a major figure in contemporary Classical music. Her works represent a wide range of genres, from orchestral to chamber, to wind ensemble, as well as vocal, choral and opera. Her music has been hailed by Fanfare Magazine as having “the distinction of being at once complex, sophisticated but readily accessible emotionally”, with the Times of London citing it as “…traditionally rooted, yet imbued with integrity and freshness.” The League of American Orchestras reports that she is one of America's most frequently performed composers. Higdon's list of commissioners is extensive and includes The Philadelphia Orchestra, The Chicago Symphony, The Atlanta Symphony, The Cleveland Orchestra, The Minnesota Orchestra, The Pittsburgh Symphony, the St. Paul Chamber Orchestra, as well such groups as the Tokyo String Quartet, the Lark Quartet, Eighth Blackbird, and the President’s Own Marine Band. She has also written works for such artists as baritone Thomas Hampson, pianists Yuja Wang and Gary Graffman, violinists Nadja Salerno-Sonnenberg, Jennifer Koh and Hilary Hahn. Her first opera, Cold Mountain, won the prestigious International Opera Award for Best World Premiere in 2016; the first American opera to do so in the award’s history. Upcoming commissions include a chamber opera for Opera Philadelphia, a string quartet for the Apollo Chamber Players, a double percussion concerto for the Houston Symphony, an orchestral suite for the Made In America project, and a flute concerto for the National Flute Associations’ 5oth anniversary. -
Chuaqui C.V. 2019
MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music. -
Roger Sessions: a Biography
ROGER SESSIONS: A BIOGRAPHY Recognized as the primary American symphonist of the twentieth century, Roger Sessions (1896–1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Influenced by both Stravinsky and Schoenberg, Sessions developed a unique style marked by rich orchestration, long melodic phrases, and dense polyphony. In addition, Sessions was among the most influential teachers of composition in the United States, teaching at Princeton, the University of California at Berkeley, and The Juilliard School. His students included John Harbison, David Diamond, Milton Babbitt, Frederic Rzewski, David Del Tredici, Conlon Nancarrow, Peter Maxwell Davies, George Tson- takis, Ellen Taaffe Zwilich, and many others. Roger Sessions: A Biography brings together considerable previously unpublished arch- ival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete bio- graphy charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality. Andrea Olmstead, the author of Juilliard: A History, has published three books on Roger Sessions: Roger Sessions and His Music, Conversations with Roger Sessions, and The Correspondence of Roger Sessions. The author of numerous articles, reviews, program and liner notes, she is also a CD producer. This page intentionally left blank ROGER SESSIONS: A BIOGRAPHY Andrea Olmstead First published 2008 by Routledge 711 Third Avenue, New York, NY, 10017, USA Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2008 Andrea Olmstead Typeset in Garamond 3 by RefineCatch Limited, Bungay, Suffolk All rights reserved. -
Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. -
Now Again New Music Music by Bernard Rands Linda Reichert, Artistic Director Jan Krzywicki, Conductor with Guest Janice Felty, Mezzo-Soprano Now Again
Network for Now Again New Music Music by Bernard Rands Linda Reichert, Artistic Director Jan Krzywicki, Conductor with guest Janice Felty, mezzo-soprano Now Again Music by Bernard Rands Network for New Music Linda Reichert, Artistic Director Jan Krzywicki, Conductor www.albanyrecords.com TROY1194 albany records u.s. 915 broadway, albany, ny 12207 with guest Janice Felty, tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd mezzo-soprano tel: 01539 824008 © 2010 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. The story is probably apocryphal, but it was said his students at Harvard had offered a prize to anyone finding a wantonly decorative note or gesture in any of Bernard Rands’ music. Small ensembles, single instrumental lines and tones convey implicitly Rands’ own inner, but arching, songfulness. In his recent songs, Rands has probed the essence of letter sounds, silence and stress in a daring voyage toward the center of a new world of dramatic, poetic expression. When he wrote “now again”—fragments from Sappho, sung here by Janice Felty, he was also A conversation between composer David Felder and filmmaker Elliot Caplan about Shamayim. refreshing his long association with the virtuosic instrumentalists of Network for New Music, the Philadelphia ensemble marking its 25th year in this recording. These songs were performed in a 2009 concert for Rands’ 75th birthday — and offer no hope for winning the prize for discovering extraneous notes or gestures. They offer, however, an intimate revelation of the composer’s grasp of color and shade, his joy in the pulsing heart, his thrill at the glimpse of what’s just ahead. -
Guest Artist:Marilyn Nonken, Piano "Signature Pieces"
Illinois State University ISU ReD: Research and eData School of Music Programs Music 10-16-2002 Guest Artist:Marilyn Nonken, Piano "Signature Pieces" Marilyn Nonken Piano Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Nonken, Marilyn Piano, "Guest Artist:Marilyn Nonken, Piano "Signature Pieces"" (2002). School of Music Programs. 2355. https://ir.library.illinoisstate.edu/somp/2355 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I I llinois S-\;crte Univel'si-\;4 -School of Music I I I G ued:: Artist I Mcrr>ilyn Nonken, piano I " I "S. ig natu,-,e Pieces I I I I I Cent..,. fa,, the P.,,fcrrmm~ / ',r•' I 'W ed neda~ {;;;vonir.9 Octob..,.· 16, '200'2 8 :00 p.m. I The t;ighteenth P"°91""'m of the '200'2-'2003 S9Gl<on . P-roqram I I David Rakowski studied at New England Conservatory, Princeton, and Tanglewood with Milton Babbitt, Sliding Scales David Rakowskil I Luciano Berio, Peter Westergaard, Paul Lansky, and Robert Ceely. He has received plenty of awards and 12-Step Program (2002) commissions, is published by C.F. Peters, and was twice a finalist for the Pulitzer Prize in Music: in 1999 for Persistent Memory, commissioned and premiered by the Orpheus Chamber Orchestra; and in 2002 for Ten of a Kind, commissioned and premiered by "The President's Own" U.S. -
Women Pioneers of American Music Program
Mimi Stillman, Artistic Director Women Pioneers of American Music The Americas Project Top l to r: Marion Bauer, Amy Beach, Ruth Crawford Seeger / Bottom l to r: Jennifer Higdon, Andrea Clearfield Sunday, January 24, 2016 at 3:00pm Field Concert Hall Curtis Institute of Music 1726 Locust Street, Philadelphia Charles Abramovic Mimi Stillman Nathan Vickery Sarah Shafer We are grateful to the William Penn Foundation and the Musical Fund Society of Philadelphia for their support of The Americas Project. ProgramProgram:: WoWoWomenWo men Pioneers of American Music Dolce Suono Ensemble: Sarah Shafer, soprano – Mimi Stillman, flute Nathan Vickery, cello – Charles Abramovic, piano Prelude and Fugue, Op. 43, for Flute and Piano Marion Bauer (1882-1955) Stillman, Abramovic Prelude for Piano in B Minor, Op. 15, No. 5 Marion Bauer Abramovic Two Pieces for Flute, Cello, and Piano, Op. 90 Amy Beach (1867-1944) Pastorale Caprice Stillman, Vickery, Abramovic Songs Jennifer Higdon (1962) Morning opens Breaking Threaded To Home Falling Deeper Shafer, Abramovic Spirit Island: Variations on a Dream for Flute, Cello, and Piano Andrea Clearfield (1960) I – II Stillman, Vickery, Abramovic INTERMISSION Prelude for Piano #6 Ruth Crawford Seeger (1901-1953) Study in Mixed Accents Abramovic Animal Folk Songs for Children Ruth Crawford Seeger Little Bird – Frog He Went A-Courtin' – My Horses Ain't Hungry – I Bought Me a Cat Shafer, Abramovic Romance for Violin and Piano, Op. 23 (arr. Stillman) Amy Beach June, from Four Songs, Op. 53, No. 3, for Voice, Violin, and -
Press Release April 30 Paul Sacher
! 6 Meyersville Road Chatham, New Jersey 07928 USA Ph/Fax 800.706.4182 [email protected] www.orchestranextcentury.org ! ! ! FOR IMMEDIATE RELEASE Contact: Gary Schneider 973-457-5724 March 15, 2013 [email protected] To the Point: Orchestra for the Next Century pays tribute to Paul Sacher in concert at New York’s Merkin Concert Hall. Orchestra for the Next Century, Gary M. Schneider, Music Director, follows up its acclaimed NY debut in February at the Ecstatic Music Festival with a tribute to the great Swiss conductor and musical philanthropist Paul Sacher in a concert on April 30, 2013 at 8:00 pm at Merkin Concert Hall in New York City. The concert features two works Sacher commissioned from Stravinsky and Martinů paired with recent works by distinguished American composers Margaret Brouwer and Paul Moravec. Tickets are $25 / $20 for students. For information and tickets, call 212- 501-3330 or online at www.kaufmanmusiccenter.org. Igor Stranvinsky’s Concerto in D for String Orchestra and Bohuslav Martinů’s Double Concerto for Two String Orchestras, Piano and Timpani are among the many important works Sacher commissioned for his Basel Chamber Orchestra. Through his commissioning of new works from many of the most important composers of the 20th century, Sacher is responsible for the existence of an amazing number of landmark compositions, many of which entered the repertory and are performed every year in concert halls around the world. The concert will also include the New York premier of Margaret Brouwer’s Concerto for Violin and Orchestra, featuring the acclaimed Japanese-American violinist Michi Wiancko, for whom it was written. -
T H E P Ro G
Sunday, December 3, 2017, at 11:00 am m a Sunday Morning Coffee Concerts r g o r Conrad Tao, Piano P BACH Chromatic fantasia and fugue in D minor (c. 1720) e h JASON ECKARDT Echoes’ White Veil (1996) T RACHMANINOFF Étude-tableau in A minor (191 6–17) BEETHOVEN Sonata No. 31 in A-flat major (1821 –22) Moderato cantabile, molto espressivo Allegro molto Adagio, ma non troppo—Fuga: Allegro, ma non troppo This program is approximately one hour long and will be performed without intermission. Please join the artist for a cup of coffee following the performance. Please make certain all your electronic devices are switched off. Refreshments provided by Zabar’s and zabars.com This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Walter Reade Theater Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, December 6 at 7:30 pm in Alice Tully Hall Bach Collegium Japan Masaaki Suzuki, conductor Sherezade Panthaki, soprano Jay Carter, countertenor Zachary Wilder, tenor Dominik Wörner, bass BACH: Four Cantatas from Weihnachts-Oratorium (“Christmas Oratorio”) Pre-concert lecture by Michael Marissen at 6:15 pm in the Stanley H. -
Composer Symposium with Bright Sheng & Bernard Rands
the philadelphia music project presents new frontiers in music: Composer Symposium with Bright Sheng & Bernard Rands thursday, may 27 registration deadline: monday, may 24, 2010 The Pew Center for Arts & Heritage This event is free, but registration is required. 1608 Walnut Street, 18th floor To register, please call PMP at 267.350.4960 Philadelphia, PA 19103 or email Elizabeth Sayre at [email protected] moderated by Melissa Smey Executive Director, Miller Theatre 4:15 – 4:30 pm Sign-in 4:30 – 6:30 pm Symposium 6:30 pm Reception More than two centuries of ongoing international and cross-cultural encounters have had a profound influence on the music of the United States. In this PMP Composer Symposium, Bernard Rands and Bright Sheng—both preeminent North American composers, both born overseas—discuss their music and careers. Rands and Sheng will share recordings and insights into their compositional processes and influences, including their studies around the world and here in the States. They will also address the business of composition: commissioning, publishing, recording, and more. Melissa Smey, director of New York City’s groundbreaking contemporary music presenter Miller Theatre, leads the discussion. about the composers: Bright Sheng’s music is noted for its lyrical melodies, propulsive Bartokian rhythms, and dramatic theatricality. Many of the Shanghai-born composer’s works exhibit strong Asian influences, a result of his decades-long study of folk music from China to Tibet. The MacArthur Foundation proclaimed Sheng “an innovative composer who merges diverse musical customs in works that transcend conventional aesthetic boundaries.” He has been the recipient of MacArthur and Guggenheim fellowships and the Naumberg Award. -
Peace, Love, Mozart & Beethoven
Peace, Love, Mozart & Beethoven January 22, 2017 California Symphony Peace, Love, Mozart & Beethoven Lesher Center for the Arts, Hofmann Theatre January 22, 4:00 PM Donato Cabrera, Music Director Maria Radutu, piano Theofanidis (b. 1967) .......................Peace Love Light YOUMEONE (2001) 5 minutes Mozart (1756–1791) .........................Piano Concerto No. 23, KV 488 26 minutes Maria Radutu, piano INTERMISSION Beethoven (1770–1827) ..................Symphony No. 4, Op. 60 34 minutes The total running time for this concert is approximately 1 hour and 30 minutes, including a 20-minute intermission. Please silence your cell phones. Support for this concert is provided by January 2017 5 The California Symphony Orchestra Dan Flanagan VIOLA Paul Hale Sergi Goldman-Hull Marcel Gemperli, Robert Hoexter Principal Holly Heilig-Gaul Leslie Meeks Darcy Rindt, Acting Laurien Jones Elizabeth Struble Assistant Principal Christina Knudson Nicole Welch Daria D’Andrea Akiko Kojima Patricia Drury is in Katy Juneau BASS her 28th season as Michelle Maruyama Andy Butler, Principal a violinist in the Betsy London California Symphony. Patricia Miner Michel Taddei, Janet Lynch In addition to her Assistant Principal performing career, David Steele Catherine Matovich Patty is the Orchestra Timothy Spears Sarah Wood Director at Dougherty Elizabeth Prior Valley High School in Carl Stanley SECOND VIOLIN San Ramon where her CELLO Orchestra students Philip Santos, Principal Raymond Vargas Leighton Fong, have established a Kristin Zoernig mentorship with the 3Patricia Drury Principal children of our Sound Minds program. Noah Strick Julie Feldman Sharon Wood Dawn Foster-Dodson FIRST VIOLIN Jennifer Cho, Acting William Harvey has been performing with the California Concertmaster Symphony since 1994. -
N E W Y O R K F L U T E F a Ir 2020
The New York Flute Club Nancy Toff, President Deirdre McArdle, Program chair 2020 The New York Flute Fair 2020 2020 VISION Looking back and moving forward with guest artists Seth Morris, Chelsea Knox, Stephanie Mortimore, Maron Khoury, and Koren McCaffrey, flutists of the Metropolitan Opera Orchestra Saturday, February 29, 2020 W83 Ministry Center 150 West 83rd Street, NYC (between Amsterdam and Columbus Avenues) 8:30 am-7:00 pm NEW YORK FLUTE FAIR BOARD OF DIRECTORS NANCY TOFF, President PATRICIA ZUBER, First Vice President KAORU HINATA, Second Vice President DEIRDRE MCARDLE, Recording Secretary KATHERINE SAENGER, Membership Secretary RIE SCHMIDT, Treasurer AMY APPLETON JEFF MITCHELL JENNY CLINE LINDA RAPPAPORT DIANE COUZENS JAYN ROSENFELD FRED MARCUSA NICOLE SCHROEDER JUDITH MENDENHALL MALCOLM SPECTOR ADVISORY BOARD JEANNE BAXTRESSER ROBERT LANGEVIN STEFÁN RAGNAR HÖSKULDSSON MICHAEL PARLOFF SUE ANN KAHN RENÉE SIEBERT PAST PRESIDENTS Georges Barrère, 1920-1944 Eleanor Lawrence, 1979-1982 John Wummer, 1944-1947 John Solum, 1983-1986 Milton Wittgenstein, 1947-1952 Eleanor Lawrence, 1986-1989 Mildred Hunt Wummer, 1952-1955 Sue Ann Kahn, 1989-1992 Frederick Wilkins, 1955-1957 Nancy Toff, 1992-1995 Harry H. Moskovitz, 1957-1960 Rie Schmidt, 1995-1998 Paige Brook, 1960-1963 Patricia Spencer, 1998-2001 Mildred Hunt Wummer, 1963-1964 Jan Vinci, 2001-2002 Maurice S. Rosen, 1964-1967 Jayn Rosenfeld, 2002-2005 Harry H. Moskovitz, 1967-1970 David Wechsler, 2005-2008 Paige Brook, 1970-1973 Nancy Toff, 2008-2011 Eleanor Lawrence, 1973-1976 John McMurtery,