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NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Nobody Has to Know
ONRA Nobody Has To Know LP BUMPED TO 3/16 KEY SELLING POINTS • On his fifth album for All City Records, Onra created music that reflects on the various aspects of a secret relationship pulling from R&B, New Jack Swing and Funk • “Nobody Has To Know” picks up from the future Funk style Onra originated on his 2010 album “Long Distance” • Released the third volume of Chinoiseries in May 2017 using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records DESCRIPTION ARTIST: Onra Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, TITLE: Nobody Has To Know living someone else’s experiences as our own, connecting with thoughts CATALOG: CD-ACOLPX5 / C-ACOLPX5 and feelings through melodies, rhythm and words. As a producer working LABEL: All City Records primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade GENRE: Hip-Hop/Instrumental as one of the best of his generation, capable of creating vivid music BARCODE: 7573475306524 / N/A ACOLPX5 that sparks the mind of the listener and brings them along to uniquely FORMAT: CD / Cassette detailed spaces, both real and imagined. On “Nobody Has To Know”, his HOME MARKET: France fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling RELEASE: 3/2/2018 from R&B, New Jack Swing and Funk to soundtrack the passions of LIST PRICE: $12.98 / AL / $12.98 / AL attraction. -
The Hilltop 10-16-1998
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 10-16-1998 The iH lltop 10-16-1998 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 10-16-1998" (1998). The Hilltop: 1990-2000. 223. https://dh.howard.edu/hilltop_902000/223 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ILLTOP ,. The Voice ofHoward University Since' 1924 VOLUME 82, No. 9 FRIDAY, O CTOBER 16, 1998 Farrakhan to Speak on Atonement Tonight Students Urged to 'Argue Back' Opponents of Controversial Leader mistreatment of blacks, minorities and immigrants, and Officials said they expect the 1,500-seat Cramton to unfair U.S. foreign po_licy towards African nations. be filled by students and area residents shortly after By RAFIAH DAVIS "Minister Farrakhan will offer his voice so that the doors open at 5:30 p.m. Hilltop Staff Writer government might hear it, and that the government Sabrina Coleman, a broadcast journalism major who might act upon the warning by atoning for her sins," said she planned to stand in line to attend the event, said Controversy-courting Nation of Islam leader Min. said Ishmael Muhammad, a Chicago-based assistant to she fi nds it hard to support Farrakhan because she is Louis Farrakhan will speak tonight at Cramton Audi Farrakhan. -
Knowledge-Of-Self-CH-One.Pdf
Title Page 1 Dedications C’BS To the one who is greater than me, my son I-Victory, and the Original youth in the Hells of North America learning how to construct Heaven. SUNEZ To the memory of First Born Prince Allah and Dr. Ivan Van Sertima. SUPREME To the people who don’t know why a book like this is needed. Knowledge of Self: A Collection of Wisdom on the Science of Everything in Life. Copyright © 2009 by Supreme Design, LLC. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published in a joint venture by Supreme Design Publishing, PO Box 10887, Atlanta, GA 30310 and Thuro Media, Inc., 555 Fifth Avenue 14th Floor, New York, NY 10017. Although the editors, authors and publishers have made every effort to ensure the accuracy and completeness of information contained in this book, we assume no responsibility for errors, inaccuracies, omissions, or any inconsistency herein. Any perceived slights of people, places, or organizations are not intended to be malicious in nature. Fourth printing 2012. Cover design and layout by Supreme Design Media. Library of Congress Control Number: 2009929677 ISBN 13: 978-0-9816170-2-2 ATTENTION CORPORATIONS, SCHOOLS, BOOK CLUBS, NON- PROFIT ORGANIZATIONS AND GOVERNMENT AGENCIES: Quantity discounts are available on bulk purchases of this book for educational, gift purposes, or as premiums for generating participation in non-profit and for-profit programs. -
BRK-CR 093 SUPERSTAR QUAMALLAH 88 Jordans with a 93
1. North American Pie Intro 2. The Comeback 3. Its A Go featuring Torae 4. Nothing Less featuring Ab Soul, Jay Rock and K Dot 5. C.O.D. 6. Move featuring Darien Brockington 7. Something Like Stars featuring Big Treal 8. Step Up 9. Reality Check featuring Big Dho, D. Black & Mykestro 10. Problems featuring Jozeemo 11. Amo A Su Papi De La Barra (skit) 12. Roll Call featuring Jozeemo, Chaundon, and Joe Scudda 13. The Life featuring Mushinah 14. Rearview Mirror 15. Empanada Norte Americana Outro As one half of the critically acclaimed duo Little Brother, Rapper Big Pooh has toured the globe and back, dropped three critically acclaimed albums, The Listening (2003), The Minstrel Show (2005) and Getback (2007), numerous classic mixtapes, his own solo record Sleepers (2005) and has worked with some of the biggest and most respected names in the industry including Lil Wayne, Kanye West, Pete Rock, Consequence, Big Daddy Kane, Buckshot, 9th Wonder, MURS, Mos Def, Bun B, Kurupt, Nottz, Rhymefest, Talib Kweli, Cormega, Kardinal Offishal, and Hi-Tek, among others. Big Pooh’s latest vehicle is a street-LP entitled The Delightful Bars. The lead-single is the Khrysis produced track called “The Comeback”. The album is further bolstered by guest spots from Pooh’s Justus League cohorts Chaundon, Joe Scudda, Jozeemo, Big Dho and Darien Brockington. Production from Khrysis, 9th Wonder, Jake One, Illmind, Young RJ, The Co-Op and OhNo makes this release a must own for any fan of Little Brother, Rapper Big Pooh, North Carolina Hip Hip or good music in general. -
UNOFFICIAL Hip-Hop Sticker Book FREE! I Am Only Looking for Your Email
Download the UNOFFICIAL Hip-Hop Join the Readers Group and get the UNOFFICIAL Hip-Hop Sticker Book FREE! I am only looking for your email. You will receive emails with updates on new releases, exclusive images, original audio, and be eligible for free advance copies of se- ries books. You can opt out at any time. http://eepurl.com/cku-12 i Praise for Harris Rosen “This guy! I plead the fifth. This guy is nuts.” - Eminem “Dope questions, man. Very insightful, very thoughtful.” Guru (Gang Starr) “You like a Psychiatrist or some shit? This shit is just coming out but go ahead.” - Mary J. Blige “Definitely a real interview! Digging deep up in there, man. Not afraid to ask questions!” - K-CI Hailey (Jodeci) “The Wizard asked me for a copy of your magazine.” - Guy-Manuel de Homem-Christo (Daft Punk) “You didn’t wear your glasses and you haven’t carried your hearing aid. What else is wrong with you?” - Bushwick Bill “Peace and blessing, Brother Harris. Thank you for inspiring my words. Keep ‘yo balance.” - Erykah Badu “Can I see that pen?” - Bobby Brown “What else do you want to know? Talk to me.” - Aaliyah 2 My Archives are Deep! There are hundreds of exclusive interviews and images with dozens of books to follow. The Behind the Music Tales series has al- lowed me to share my extensive archive of exclu- sive interviews with you in much greater depth. Original Chef Raekwon Only Built For Buban Linx... die-cut promotional sticker Some of the upcoming series books are: Daft Punk: Behind the Robots The Reasonings of Buju Banton, Bounty Killer & Sizzla -
Officials Vow to Untangle Parking Knot
nom 1P,0 ;47W.77-741 After humble pie from Oregon, Spartans' Shirley Manson and Garbage rouse crowd defense skips dessert and roasts Lobos at Event Center with mix of old, new songs See page 6 See page 4 SPART DAILY Volume 111, No. 21 Serving San Jose State University Since 1934 September 29, 1998 CMS TIME Smoothing out life's wrinkles A Special Report Graphic by James S. Gunsalus Officials vow to untangle parking knot By Shane Lewis how the parking garage will be Senior Staff Writer run is still undecided. "We haven't determined who Ryan Olein/ Spartan Daily With the proposed joint will park in it or how it will be library project between San managed," Forsberg said. "We Amanda Finch, a ceramics major, works on a sculpture of a woman's body Monday afternoon in the Industrial Studies Building. Jose State University and the just know right now that we city of San Jose set to be com- will need significant parking." pleted by 2003 and the upcom- However, the university has ing closure of Lots 4 and 20, not addressed the issue of Lots officials seek to curb concerns 4, located by the ATMs, and 20, CFA gives thumbs down to parking plan on future parking problems. located on Eighth Street "Whatever parking you have between San Salvador and By Heidi Marie ransom The association is unhappy about this scheduled to hold an executive board meet- for the university will remain William streets, closing Staff Writer part of the proposal because it feels convert- ing today at 11 a.m. -
Apéndice 1. Para Llevar a Cabo Nuestra Investigación No Solo
Apéndice 1. Para llevar a cabo nuestra investigación no solo tuvimos la necesidad de procesar los datos en su versión oral, sino que nos apoyamos en las letras de los raps para poder explotarlos y procesarlos textualmente. En esta sección aportamos las letras de todas las canciones que formaron parte de este proyecto. Debemos señalar que estos temas fueron modificados posteriormente para adaptarlos a las necesidades del estudio. Es decir, los títulos, las anotaciones técnicas, las partes cantadas por autores que no se correspondía con los patrones buscados, etc. fueron eliminados para preservar la autenticidad de los hablantes y no contaminar los resultados. 1. Raperos europeoamericanos. 1.1. Beastie Boys. Artist: Beastie Boys Album: Licensed to Ill Song: Brass Monkey (chorus) Brass Monkey - that funky Monkey Brass Monkey - junkie That funky Monkey Got this dance that's more than real Drink Brass Monkey - here's how you feel Put your left leg down - your right leg up Tilt your head back - let's finish the cup M.C.A. with the bottle - D. rocks the can Adrock gets nice with Charlie Chan We're offered Moet - we don't mind Chivas Wherever we go with bring the Monkey with us Adrock drinks three - Mike D. is D. Double R. foots the bill most definitely I drink Brass Monkey and I rock well I got a Castle in Brooklyn - that's where I dwell (repeat chorus) Cause I drink it anytime - and anyplace When it's time to get ill - I pour it on my face Monkey tastes Def when you pour it on ice Come on y'all it's time to get nice Coolin' by the lockers getting -
Diversification and Post-Regionalism in North American Hip-Hop Flow
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
A&E October, 1999
I this; sue: It s all about the benjarnins/ Reviezos of nelO n1usic Mark Wahlberg and Ice Cube star in tThree Ruff Ryder memeber Eve recently dropped Kings'. George Clooney also starts in the her rookie release. Check out her review drame about three men attempting to steal along with many other new discs. gold during the Gulf War. See page 2 See page 7 Page 2 cJlut Current. - October 1999 Eve hi it big Is Puff Daddy really a rapper? after paying dues PUff Daddy: ftForever" Bad Boy Records catogrize her and compare her \vith rappers like, the great Ask any 13 year old boy from Queen Latifah, MC Lyte, Foxy Iowa about Puff Daddy and they will have heard of the man, also "And Adam called his wife Brown and Lil Kim, to find name Eve; because she was the where she tIts in. But is it that known as Sean Combs of Bad mother of all living." Genesis simple for Eve? Does she have a Boy Records. He owns one of the 3:20. Eve has been blamed political message in her lyrics? newest and phattest clothing throughout the centuries for the Yeah, she is sexy, and has no lines, Sean John and a New York down fall of humankind, when problem showing off her thick restaurant, Justin's. But is he she gave her husband., Adam, the physique, but does she exploit it? really a rapper? apple from the forbidden tree. Will she have more than one hit? There is no questioning that How appropriate the newest Unlike female rappers of the Puff Daddy's new album, female rapper would be Eve, past, EVE has been able to bal "Forever", has some hot beats a.k.a.