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Music and Identity Ofthe Cultural Renaissance of Hawai·I A
-022.\ CONNECT BACK TO DIS PIACE: Music and Identity ofthe Cultural Renaissance ofHawai·i A '!HESIS SUBMITTED TO '!HE GRADUATE DIVISION OF '!HE UNIVERSI1Y OF HAWAI·I IN PARTIAL FULFILLMENT OF '!HE REQUIREMENTS FOR '!HE DEGREE OF MASTER OF ARTS IN PACIFIC ISLAND STUDIES MAY 2005 By Andrea A Suzuki Thesis Conunittee: Kater1na Teaiwa. Chairperson George Teny Kanalu Young Jonathan K. 050110 Acknowledgements First and foremost I have to thank my parents. especIally Daddy MIke for the opJX>rtun1ties that they have gtven me and their sUpJX>rt gtven to my endeavors. I have to also thank Daddy Mitch for hIs sUPJX>rt and h1s stortes about "h1s days". I want to especIally thank my mom, an AM.A 1n her own rtght, for all ofher devoted time and sUPJX>rt. Secondly, I would l1ke to gIve my deepest thanks to Mel1nda Caroll wIthout whom th1s jOurney would have been a lot more d1ff1cult. Thankyou for your suggestions, your help, and your encouragement. I would also l1ke to thank my comm11tee, Katertna Tea1Wa, Kanalu Young, and John Osorto for their sUpJX>rt and theIr efforts 1n the completion ofth1s project. I'd l1ke to thank all ofthose that gave their time to me, tell1ng me their stortes. and allowtng me to share those stortes: Jeny Santos, Owana Salazar, Aunty CookIe, Uncle Cyr11. Hemy KapollO, John Demello. Gaylord Holomal1a, Keaum1k1 Akut. Peter Moon, and Joe Atpa. I'd l1ke to gIve my appreciation to the Pac1ftc Island StudIes Program that guIded me every' step ofthe way. F1nallly. I'd 11ke to thank all my frIends for their encouragement and tolerance ofmy 1nsan1ty, espec1ally Kamuela Andrade, for gJ.1nn1ng and beartng It and Kau1 for beIng my personal cheering section. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C. -
Biiiboardtopdecember 19, 1998 TOP R&II a TM "' 48 64 95 6 98 DEGREES MOTOWN 530956 (10.98 EQ/16.98) 98 DEGREES and RISING 48
COMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE SALES REPORTS COLLECTED, COMPILED. AND PROVIDED BY SoundScan° 1111 BiIIboardTOPDECEMBER 19, 1998 TOP R&II A TM "' 48 64 95 6 98 DEGREES MOTOWN 530956 (10.98 EQ/16.98) 98 DEGREES AND RISING 48 49 50 53 10 GANGSTA BOO HYPNOTIZE MINDS 1685 / REL ATIVITY ( ' n0.9768S) ENQUIRING MINDS 15 Y zo ó V) ~ W Nw N NO I 1 w O Y G ARTIST TITLE 50 46 60 28 MASTER P A° LIMIT 53538* /PRIORITY MP DA LAST DON =3 53 G IMPRINT L Nun REL (SUGGESTED LIST PRICE OR EQUIVALENT FOR CASSETTE /CD) áá -111 PACESETTER 1- --.n No. 1 o-- 51 79 - 2 BABYFACE EPIC 69617 (11 )±8 ECbi7.98) CHRISTMAS WITH BABYFACE 51 1 2 2PAC AMARU /DEATH ROW 90301* / INTERSCOPE (19.98/24.98) 2 weeks at No. I GREATEST HITS 52 74 55 11 TRICK DADDY SLIP-N -SLIDE 2802/WARLOCK (10.98 /15.98)® WWW.THUG.COM 52 2 4 4 11 JAY -Z A' ROC- A- FELLA/DEF JAM 558902 * /MERCURY (10,98 EC1/16.98) VOL. 2... HARD KNOCK LIFE 53 41 22 4 GHETTO COMMISSION NO LIMIT 50011 * /PRIORITY (10.98/16.98) WISE GUYS 12 3 5 3 4 R. KELLY A3 JIVE 41625* (19.98/24.98) R. 54 49 52 61 JANET A' VIRGIN 44762 (11.98/17.98) THE VELVET ROPE 2 4 2 4 METHOD MAN DEF JAM 558920* /MERCURY (11.98 EQ/17.981 TICAL 2000: JUDGEMENT DAY 55 48 40 7 KENNY LATTIMORE COLUMBIA 68854 (10.98 EQ/16.98) FROM THE SOUL OF MAN 15 ICE CUBE 56 55 30 9 KURUPT ANTRA 540963/A &M (10.98 EQ/17.98) KURUPTION! 4 5 6 2 3 WAR & PEACE VOL. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
Twista, Slow Jamz (Feat
Twista, Slow Jamz (feat. Kanye West, Jamie Foxx) [Luther Vandross] Are you gonna be Say that you're gonna be [Jamie Foxx] Oh Oh Oh Oh Oh... [Jamie Foxx - Chorus] She said she wants some Marvin Gaye, some Luther Vandross, a little Anita, will definitely set this party off right (Are u gonna be, are u gonna be, are u gonna be, are you gonna be are you gonna be, well well well well well) She said she want some Ready for the World, some New Edition, some Minnie Ripperton, and definitely set this party off right (Are u gonna be, are u gonna be, are u gonna be, are you gonna be are you gonna be, well well well well well) [Kanye West] I told her to drive over in your new whip Bring some friends you cool with Imma bring da cool whip Then I want you to strip See you is my new chick So we get our grind on She be grabbin, callin me Biggie like Shine home Man I swear she fine homes Why she always lying though Tellin me them diamonds when she know they rhinestones She got a light skinned friend look like Michael Jackson Got a dark skinned friend look like Michael Jackson I play 'Ready for the World' - she was ready for some action My dawg said you aint no freak, so you got to prove my man wrong I'm a play this Vandross You gon' take your pants off Imma play this Gladys Knight Me and you gon' get right [Chorus X2] [Twista] Got you lookin at the gliss at my hands and wrists While i'm layin back smokin on my canibus When it come to rockin the rythm like Marvin and Luther I can tell you aint no messin with Kan-man and Twist From the Chi and I be Sippin -
2004-0501.Pdf
I STtlFLOOR SH.E.lt.MAN OAKS, CALIFOR.N(A 91403·5339 T I!LF'..PIION~ (1t13) 377·5300 PAX (818) 377-5 333 AMERICAN TOP 40 /WITH RYAN SE 4CHEST Show Code: #ll4-18 Show Date: May 1-2, 2004 Disc One/Hour One Seg.1 Open Bhlboards: :05 Wrigley"s Wtnterfresh Content #40 "OCEAN AVENUE"-Yellowcard Insert Local I.D. over intro to Murphy Lee :08 #39 "WAT DA HOOK GON BE" - Murphy Lee f/Jermaine Dupri #38 "I HATE EVERYTHING ABOUT YOU" - Three Days Grace #37 "SLOW JAMZ" - Twista f!Kanye West and Jamie Foxx #36 "DIRT Off YOUR SHOULDER" - Jay Z Commercials: :30 Wrigley's V\linterfresh :30 Tylenol Allergy S :60 Allstate Insurance :30 lmodium :30 Sprint PCS Service Outcue----: ~ - • ... store for details." Segment time: 24:12 Local Break 3:00 Seg. 2 Content #35 "PERFECT"- Simple Plan Insert Local I.D. over intro to Trapt :14 #34 "HEADSTRONG" - Trap! #33 "I'M STILL IN LOVE V'JITH YOU" - Sean Paul f!Sasha #32 "IT'S MY LIFE" - No Doubt #31 "SUGA SUGA" - Baby Bash !/Frankie J Commercials: ;60 Allstate Insurance :30 Sprite Re-Mix :30 Glade Plug-in :30 Tylenol Allergy S :30 JCPenney/Mother's Outcue: • ... inside J.C. Penney." Segment time: 25:48 Local Break 3:00 END OF DISC ONE •·A x \V~'-it~¢: hrt;p:/.lwww.prcmi......._,..QOUI AMERICAN TOP 40 /WIIH RYAll SEACHEST Show Code: #04-18 Show Date: May 1-2, 2004 Disc Two/Hour Two Seg. 1 Content #3{) "AWAY FROM THE SUN" - 3 Doors Down Insert Local I.D. -
Lucy Pearl Album Download Lucy Pearl - Lucy Pearl
lucy pearl - lucy pearl album download Lucy Pearl - Lucy Pearl. Lucy Pearl is the eponymous studio album by supergroup Lucy Pearl released on May 23, 2000 by EMI Records. Lucy Pearl's Way contains an interpolation of Ask of You by Raphael Saadiq and a sample from Electric Relaxation by A Tribe Called Quest. Hollywood contains an interpolation of Cry For The Bad Man by Lynyrd Skynyrd. They Can't contains a sample from Long Kiss Goodnight by The Notorious . Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 2000 CD от Lucy Pearl на to music from Lucy Pearl like Don't Mess with My Man, Dance Tonight & more. Find the latest tracks, albums, and images from Lucy Pearl. Lucy Pearl was an R&B supergroup formed in 1999 as the idea of former Tony Toni Toné member Raphael Saadiq. The other members of Lucy Pearl were Dawn Robinson En Vogue and Ali Shaheed Muhammad A Tribe Called Quest. They released their self-titled debut album Lucy Pearl in 2000. Afte read more. Текст песни: Man: Yo Sadik: I used to play in this marching band man, you gonna think Im lying, cause Im telling you, I did. Man: Not you Sadik: Alabama A& in album Lucy Pearl - Lucy Pearl 2000. Lucy Pearl - Lucy Pearl's Way Lost. Lucy Pearl - Trippin' Lost. Lucy Pearl - Dance Tonight Lost. Lucy Pearl - Lala Lost. Lucy Pearl - Everyday Lost. Lucy Pearl - Can't Stand Your Mother Lost. Lucy Pearl - Good Love Lost. Lucy Pearl - Without You Lost. Lucy Pearl - Don't Mess With My Man Lost. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
30 BRANN DAILOR Mastodon Hasn’T Risen to the Top 48 JAMISON ROSS of the Rock Heap by Following the by Jeff Potter Heavy Metal Handbook
BECOME A BETTER DRUMMER, FASTER When you’re serious about drumming, you need a kit to match your ambition. The V-Drums TD-17 series lets your technique shine through, backed up with training tools to push you further. Combining a TD-50-class sound engine with newly developed pads results in an affordable electronic drum kit that’s authentically close to playing acoustic drums – accurately mirroring the physical movement, stick coordination and hand/foot control that every drummer needs. Meanwhile, an array of built-in coaching functions will track your technique, measure your progress and increase your motivation. Becoming a better drummer is still hard work, but the TD-17 can help you get there. TD-17 Series V-Drums www.roland.com BASS HEADS ARE ONE-SIZE-FITS-ALL.* * IF WE BELIEVED THIS, WHY WOULD WE MAKE THREE BRAND NEW CUTTING-EDGE BASS HEADS? This series brings you the same UV-coating that made drummers switch to UV1 tom and snare heads, featuring the UV1 for a wide open sound, the UV EQ4 for balance and sustain, and the UV EMAD for a more focused attack. Because we know not all drummers agree on their bass drum sound. Now you can have your bass and kick it too. FIND YOUR FIT AT UV1.EVANSDRUMHEADS.COM HEAR THE ENTIRE TRUE-SONIC™ SNARE COLLECTION PLAYED BY STANLEY RANDOLPH AT DWDRUMS.COM. WHY SO SENSITIVE? Because all-new Collector’s Series® True-Sonic™ wood snare drums employ a pre-tensioned SnareBridge™ system with a complementary snare bed to provide dry, sensitive articulation.