DOCSLIB.ORG

The Hilltop 10-16-1998

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Hilltop 10-16-1998 Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 10-16-1998 The iH lltop 10-16-1998 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 10-16-1998" (1998). The Hilltop: 1990-2000. 223. https://dh.howard.edu/hilltop_902000/223 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ILLTOP ,. The Voice ofHoward University Since' 1924 VOLUME 82, No. 9 FRIDAY, O CTOBER 16, 1998 Farrakhan to Speak on Atonement Tonight Students Urged to 'Argue Back' Opponents of Controversial Leader mistreatment of blacks, minorities and immigrants, and Officials said they expect the 1,500-seat Cramton to unfair U.S. foreign po_licy towards African nations. be filled by students and area residents shortly after By RAFIAH DAVIS "Minister Farrakhan will offer his voice so that the doors open at 5:30 p.m. Hilltop Staff Writer government might hear it, and that the government Sabrina Coleman, a broadcast journalism major who might act upon the warning by atoning for her sins," said she planned to stand in line to attend the event, said Controversy-courting Nation of Islam leader Min. said Ishmael Muhammad, a Chicago-based assistant to she fi nds it hard to support Farrakhan because she is Louis Farrakhan will speak tonight at Cramton Audi­ Farrakhan. Jewish. torium at 7 p.m., marking the th.ird anniversary of the Supporters of Farrakhan are urging students to "argue "Some of what he says is true about lhe black popu­ .Million Man March. back" lhose who oppose tonight's event. lation needing to be productive, but he doesn't need to A spokesman for the Nation of Islam said that Far­ "Young black people need to see the greater picture," put down Jews," she said. rakhan's speech, "Atonement and lhe Healing of a Sin­ said doctoral candidate Daniel Muhammad. Several students criticized those who worry about the Sick Nation," will provide solutions to lead the nation "Be defensive. We're not doing anything wrong. We financial backlash the University might receive for out of what the Chicago-based min.ister ca!Js an era of only want what's good for black people." hosting Farrakhan on campus. crisis. Ishmael Muhammad, responding to what he ca!Jed "Sanctions are designed to separate people from Tue spokesman said the minister, who has openly negative publicity about tonight's event, said "Far­ leaders, "Daniel Muhammad said. auacked Jews, Catholics, gays and other groups, will rakhan talks bad about everybody. He talks hardest Hilltop file photo address what he describes as the Federal government's Min. Louis Farrakhan will visit H m,,11rd for the first I about Black people." time since the Oct. 16, 1995 Million Man Mattb. Film Majors Grapple With Film-less Department When Ordering Supplies, Administration Blunde:s seniors who are required to complete By J EAN!QUA FRANCIS film projects for graduation. Hilltop Staff Writer "I chose Howard because it was highly recommended," said film The School of Communications' major Thembi Scott. "f came [to Radio, Tolevision and Film Depart­ Howard) expecting a high quality ment, and acting chair Lamont Gon­ experience, and l'm disappointed lhat zalez, are again being pelted with a something like this could happen." round of questions from film The lack of film has kept the junior majors- this time, about what they from completing a required assign­ charge is a lack of film supplies in the ment for an Introduction to Media embatt.led department. Production course. Film students say the dearth of cel­ Soon and fe llow film department lular film used in motion pictures students are bothered that they were Hilltop $,al'f/Eric Holl has slowed the film production not told why they have yet to receive Jasmine Brown, Mal Pearl Campbell and Races Tunknro (le/I to right) participate in the early learning program in the Roward Unh-ersity Human Erology Building. schedules for many juniors and See FILM,A4 For Tots, Learning Extends Beyond Walls Howard Students little green dots and told the class to stick them class. "Everything is labeled and tagged." By ENJOLI FRANCIS on the capital "A" on their individual papers. Rhonda Beete, another teacher in the pro­ _____;, H..;i..;/1..;to:;.p..;S;.;.ta~iff:.....;~½_n;.;.·te..;r_____ A girl crossed her eyes and tried to focus on gram, agreed. "Everything is so planned ... we React to Slaying of the green dot she had placed on her nose. try to get to everything." "No throwing the blocks, please," said a stu­ Based in lhe University's Human Ecology The teachers laughed, saying that they dent aide, pulling a plastic construction block Build.ing, the Early Learning Program's cur­ "negate other things" in their attempts to attend from a little boy's hand. His face, looking riculum is thickly enriched, incorporating a all the events on campus. Gay Man embarrassed, erupted in giggles as she picked diversified faculty and the campus of a "The campus activities and experience are him up into her arms. The other boys stopped renowned Historically Black Co!Jege. enriching, and the children get exposed to see Region's Students Hold Vigils, Vow to Pushfor their playing and pleaded to be the next to "fly "Learning is not confined to four walls," what they can be," Ishmael said. high." said Tubitha Ishmael, the p_rogram's director. Besides going to the events like Convocation Stronger Hate Crime Laws "One, two, three, four," the children shouted The children utilize their community through and the exhibits displayed in the Fine Arts sity's Administration. confidently as the teacher placed number cards "exploring" and getting a "feel for themselves." By R,\.FlAH D AVI S and "As long as 11\ere is no written word on the carpet in front of them. "The whole campus is our playground," said See TOTS,A3 ' RASHEMA COLI.INS or acknowledgment of gays and les­ , In anolher classroom, a teacher passed around Theresa Maxie, the teacher of a multi-aged Hilltop Staff Writers bians, it becomes harder to be gay or I lesbian on campus:' said Patrick Wil­ Nearly one week after the assault of son, director of Pride and Respect In Matthew Shepard, the gay Universi­ · Sexual Minorities, or Prism, lhe Uni­ Boston College Reeling from Racist Email ty of Wyoming student who was beat­ versity's gay, lesbian, bisexual and en last Friday and died fytonday, Stu• transgendeted group. Minorities Call for Stronger Action from School's Administration dents at Howard University and Wilson, saying he didn't believe around the nation continue to mourn that gay students at Howard are afraid ncse Ho Chi Minh b----." dent leadership shortly after the incident, stu­ his death, and debate whether states of being murdered because of their By J ASON 'f. SMITH The Boston Co!Jege email message which dents say the 13,200-student college isn't doing and the Federal government should sexual orientation, said the Universi­ Hilltop Staff Writer slurred Asians, Latinos, gays and lesbians, was enough to address the latest blatant act of craft legislation including sexual ori­ ty of Wyoming incident opens the discovered by several underclass officers in the racism. entation in hate crime laws. door for less-severe violent crimes to NEWl'ON, Mass.--Weeks after more than a African American, Hispanic, Native American "l commend the police department, the district Students who say the time has come happen. dozen students here at Boston Co!Jege received and Asian American Leadership Council, or attorney's office, and the FBI, but the adminis­ to bring Jaws against this type of vio­ "You never know what implications a round of racially-charged and homophobic ARANA. tration isn't doing enough. It's at a point now lence to the forefront of national the stigma of being gay will bring," email, student leaders say they are unhappy with The message that was circulated to 13 minor­ where we don't know what to do next, and nei­ attention are pla.nning vigils for Shep­ he said, adding that he and other gay the way the university's administration are react­ ity student leaders read: "Hey monkees and ther do they," said Ayesha Hackman, president ard, who was kidnapped, rob~, pis­ students have faced intolerant stu­ ing to the situation. apes, you all need to go back to where you are of AHANA Leadership·Council. tol-whipped and tied to a fence in dents at Howard who are willing to Here in a region grappling to shrug off its stig­ from. BC is for the white man, not any chinks, "We are still waiting on the administration to near-freezing temperatures, on cam- accept gays and lesbians- as long as ma for being a racia!Jy hostile environment for spies, and niggas or fags," said Aki Mizumoto, react. We made a list of demands, but they puses across the nation. , they are not flamboyant with their ethnic minorities, the Boston College incident president of the university's Asian caucus. A haven't really addressed them yet," said Carolyn Responding to last week's incident, sexuality. comes on the heels of another verbal attack on senior leader of the group received one of the Lai, co-director of public relations for ARANA.
Load more

Recommended publications
  • 3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
    “3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums.
    [Show full text]
  • NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
    01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C.
    [Show full text]
  • Nues Herald-Spectator
    Your local source since 1951. - Thursday, January 2, 2014 AW&ArPC»CIS company ACHICAGO SUN-TIMEScorn publication niles.suntimes.com $1 I Nues Herald-Spectator ATHEIST CASH COULD GO TO FOOD PANTRY (C GO FOOD FUTURES: WHAT'S ON THE MENU FOR 2014 MOMMY» NEW YEAR, NEW YOU WITH THESE The minorityvs.the.mayor HOME SPA RECIPES Two village trustees take issue with Przybylo's leadership style i PAGE 6 All rights reserved Nues Herald-Spectator © 2014 'Sun-Times Media I Your guide to the weekend and beyond 930C-$'1L0911 S31IN ISNOL)tD P) 0969 Isla 3DW:N.Lti 5t0099frfrTE 6ro-.jo-iOOOQOO 2 THURSDAY, JANUARY 2, 2014 A PIONEER PRESS PUBLICATION NIL Paid Advertisement Take Advantage of Local Utility Rebates Before Funds RunOut CHICAGO, IL - Local utility companies have made tion around your home. rebate funds available to consumers when insulating and There are many reasons why the foam product is air sealing their home. Chicagoland homeowners are better: encouraged to act quickly and take advantage of these . With an R-Value of 5. per inch, USA Premium funds while they last. For qualified customers financing Foam Insulation provides the highest R-value in a may also be available. Retrofit stud wall application. Brian Carlisle noticed several drafty areas in his 55- . Four inches of insulationactsas a two-hour year-old, 2-story brick Georgian home. He didn't think firewall as it is resistant to flames and will not there was much that could be done to insulate his brick burn. walls and was resigned to another cold Chicago winter.
    [Show full text]
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
    [Show full text]
  • Underground Rap Albums 90S Downloads Underground Rap Albums 90S Downloads
    underground rap albums 90s downloads Underground rap albums 90s downloads. 24/7Mixtapes was founded by knowledgeable business professionals with the main goal of providing a simple yet powerful website for mixtape enthusiasts from all over the world. Email: [email protected] Latest Mixtapes. Featured Mixtapes. What You Get With Us. Fast and reliable access to our services via our high end servers. Unlimited mixtape downloads/streaming in our members area. Safe and secure payment methods. © 2021 24/7 Mixtapes, Inc. All rights reserved. Mixtape content is provided for promotional use and not for sale. The Top 100 Hip-Hop Albums of the ’90s: 1990-1994. As recently documented by NPR, 1993 proved to be an important — nay, essential — year for hip-hop. It was the year that saw 2Pac become an icon, Biz Markie entangled in a precedent-setting sample lawsuit, and the rise of the Wu-Tang Clan. Indeed, there are few other years in hip- hop history that have borne witness to so many important releases or events, save for 1983, in which rap powerhouse Def Jam was founded in Russell Simmons’ dorm room, or 1988, which saw the release of about a dozen or so game-changing releases. So this got us thinking: Is there really a best year for hip-hop? As Treble’s writers debated and deliberated, we came up with a few different answers, mostly in the forms of blocks of four or five years each. But there was one thing they all had in common: they were all in the 1990s. Now, some of this can be chalked up to age — most of Treble’s staff and contributors were born in the 1980s, and cut their musical teeth in the 1990s.
    [Show full text]
  • Planet Earth R Eco.R Din Gs
    $4.95 (U.S.), $5.95 (CAN.), £3.95 (U.K.) IN THE NEWS ******** 3 -DIGIT 908 1B)WCCVR 0685 000 New Gallup Charts Tap 1GEE4EM740M09907411 002 BI MAR 2396 1 03 MON1 Y GREENLY U.K. Indie Dealers ELM AVE APT A 3740 PAGE LONG BEACH, CA 90807 -3402 8 Gangsta Lyric Ratings Discussed At Senate Hearing On Rap PAGE 10 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT MARCH 5, 1994 ADVERTISEMENTS MVG's Clawfinger Grammy Nominations Spur Publicity Blitz Digs Into Europe Labels Get Aggressive With Pre Award Ads BY THOM DUFFY BY DEBORAH RUSSELL Clapton, and k.d. lang experienced draw some visibility to your artists." major sales surges following Gram- A &M launched a major television STOCKHOLM -The musical LOS ANGELES -As the impact of my wins, but labels aren't waiting for advertising campaign in late Febru- rage of Clawfinger, a rock-rap the Grammys on record sales has be- the trophies anymore. Several compa- ary to promote Sting's "Ten Sum- band hailing from Sweden, has come more evident nies have kicked off aggressive ad- moner's Tales," (Continued on page 88) in recent years, vertising and promotional campaigns which first ap- nominations, as touting their nominees for the March peared on The Bill- well as victories, 1 awards. board 200 nearly a have become valu- Says A &M senior VP of sales and year ago. Sting is able marketing distribution Richie Gallo, "It would the top- nominated evil oplriin tools for record seem that people are being more ag- artist in the 36th companies.
    [Show full text]
  • 0 Musical Borrowing in Hip-Hop
    MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.
    [Show full text]
  • Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS and DISCOURSES
    Chaney and Brown: Representations and Discourses of Black Motherhood in Hip Hop and REPRESENTATIONS AND DISCOURSES . Representations and Discourses of Black Motherhood in Hip Hop and R&B over Time Cassandra Chaney and Arielle Brown This study will examine how representations and discourses regarding Black motherhood have changed in the Hip Hop and R&B genres over time. Specifically, this scholarly work will contextualize the lyrics of 79 songs (57 Hip Hop songs; 18 R&B songs; 2 songs represented the Hip Hop and R&B genre; 2 songs represented artists who produce music in 5 or 6 genres) from 1961-2015 to identify the ways that Black male and Black female artists described motherhood. Through the use of Black Feminist Theory, and by placing the production of these songs within a sociohistorical context, we provide an in-depth qualitative examination of song lyrics related to Black motherhood. Results gave evidence that representations and discourse of motherhood have been largely shaped by patriarchy as well as cultural, political, and racial politics whose primary aim was to decrease the amount of public support for poor, single Black mothers. In spite of the pathological framing of Black mothers, most notably through the “welfare queen” and “baby mama” stereotypes, a substantial number of Hip Hop and R&B artists have provided a strong counter narrative to Black motherhood by highlighting their positive qualities, acknowledging their individual and collective struggle, and demanding that these women be respected. How has patriarchy influenced the production and release of Hip Hop and R&B songs related to Black motherhood? In what ways has Hip Hop and R&B supported and challenged dominant representations and discourses surrounding Black 1 motherhood? How has Black Feminist Theory validated the experiences of Black mothers in Hip Hop and R&B? This manuscript will respond to these three questions by examining how societal changes have directly influenced how Black mothers in Hip Hop and R&B2 are intellectualized.
    [Show full text]
  • City of Angels
    ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.
    [Show full text]
  • Nobody Has to Know
    ONRA Nobody Has To Know LP BUMPED TO 3/16 KEY SELLING POINTS • On his fifth album for All City Records, Onra created music that reflects on the various aspects of a secret relationship pulling from R&B, New Jack Swing and Funk • “Nobody Has To Know” picks up from the future Funk style Onra originated on his 2010 album “Long Distance” • Released the third volume of Chinoiseries in May 2017 using analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese music records DESCRIPTION ARTIST: Onra Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, TITLE: Nobody Has To Know living someone else’s experiences as our own, connecting with thoughts CATALOG: CD-ACOLPX5 / C-ACOLPX5 and feelings through melodies, rhythm and words. As a producer working LABEL: All City Records primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade GENRE: Hip-Hop/Instrumental as one of the best of his generation, capable of creating vivid music BARCODE: 7573475306524 / N/A ACOLPX5 that sparks the mind of the listener and brings them along to uniquely FORMAT: CD / Cassette detailed spaces, both real and imagined. On “Nobody Has To Know”, his HOME MARKET: France fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling RELEASE: 3/2/2018 from R&B, New Jack Swing and Funk to soundtrack the passions of LIST PRICE: $12.98 / AL / $12.98 / AL attraction.
    [Show full text]
  • ALBUMS NEW NIP HOP RELEASES by Kelly
    Retail Research: Ivan Rodriguez Rodney Edwards Janien Harrison 2W LW TW SINGLES 2W LW TW ALBUMS 1 1 1 DR. DRE - Nuthin' But A... (Death Row/Intrscp/Priority/Atl) 1 1 1 DR. DRE - The Chronic (Death Row/Intrscp/Priority/AtI) 2 2 2 NAUGHTY BY NATURE - Hip Hop Hooray (Tommy Boy) 2 2 2 NAUGHTY BY NATURE - 19 Naughty III (Tommy Boy) 3 3 3 ICE CUBE - It Was A Good Day (Priority) 12 7 3 THE GETO BOYS - Till Death Do Us Part (Rap-A-Lot/Priority) 5 4 4 ONYX - Throw Ya Gunz (JMJ/RAUChaos) 3 3 4 DIGABLE PLANETS - Reachin' (Pendulum/Elektra) 10 5 5 RUN-D.M.C.- Down With The King (Profile) 5 5 5ICE CUBE - Predator (Priority) 4 6 6 DIGABLE PLANETS - Rebirth Of Slick (Pendulum/Elektra) 6 6 6 2 PAC - Strictly 4 My N.I.G.G.A.Z... (Interscope/Atlantic) 7 7 7 BLACK MOON - Who Got The Props (Nervous) 4 4 7 BRAND NUBIAN - In God We Trust (Elektra) 23 16 8 LORDS/UNDERGROUND - Funky... (Pendulum/Elektra) 15 11 8 CB4 - CB4 Soundtrack (MCA) 16 15 9 JAMES BROWN - Can't Get Any Harder (Scotti Brothers) 7 8 9 HEAVY D. & THE BOYZ - Blue Funk (Uptown/MCA) 13 10 10 THE GETO BOYS - Crooked Officer (Rap-A-Lot/Priority) 10 10 10 APACHE - Apache (Tommy Boy) 6 8 11POSITIVE K- I Got A Man (Island/PLG) 9 9 11 KAM - Neva Again (Street Knowledge/eastwest) 9 9 12 SNOW - Informer (eastwest) 16 12 12 WRECKX-N-EFFECT - Hard Or Smooth (MCA) 14 1313 BRAND NUBIAN - Love Me Or Leave Me Alone (Elektra) 13 13 13 REDMAN - Whut? Thee Album (Def Jam/Chaos) 15 1414 DIAMOND AND THE ..
    [Show full text]
  • A Day to Remember
    SEND MONEY USING THE BFC APP AND Today we come together in recognition of women at home WIN WEEKLY & around the globe. We cel- PRIZES ! ebrate women’s achievements, past & present, & pledge to MOIC/PC/6680/2018 empower women to reach their full economic potential for generations to come. When women thrive, we ALL succeed. #InternationalWomensDay @IvankaTrump Friday, March 9, 2018 Issue No. 7680 Today’s Weather 200 Fils Max Min Tel: 1722 8888 www.bfc.com.bh www.newsofbahrain.com www.facebook.com/nobonline newsofbahrain 38444680 nob_bh 29°C 19°C A Day to Remember JO3968_BFC_SM_APP_Online_Campaign_DT_Hamper_6.7cmX4cm.indd3/1/18 3:45 PM 1 Ambassador to Germany presents credentials Manama bdullah Abdullatif Abdullah has presented hisA credentials as Ambassador Extraordinary and Plenipotentiary of Bahrain to the Federal Republic of Germany. President of the Federal Republic of Germany, Frank-Walter Steinmeier, received the credentials at the Schloss Bellvue Presidential Palace. The Ambassador conveyed greetings of the Leadership to Steinmeier. Lalla is goodwill ambassador of OIC Jeddah ecretary-General of the Organisation of Islamic CooperationS (OIC), Dr Yousef Al-Othaimeen, has handed Princess Lalla Meryem of Morocco, daughter to the late King Hassan II credentials designating her the first OIC Goodwill Ambassador, during his meeting with her on the sidelines of the International Women’s Day celebration held yesterday in Indian sand artist Sudarsan Pattnaik giving the final touches to the sand sculpture of Her Royal Highness Princess Sabeeka bint Ibrahim Al Khalifa, Marrakesh, Morocco. wife of His Majesty King Hamad and Supreme Council for Women president, on a local beach to mark the International Woman’s Day.
    [Show full text]