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Home , Augustin Hirschvogel, Elie Nadelman, Hannelore Baron, Herbert Gentry, John Vanderlyn, Jon Whiteley

OF ART

WASHINGTON, D.C. 2003 ANNUAL REPORT

BOARD OF TRUSTEES (as of 30 September 2003) ART & EDUCATION TRUSTEES' COUNCIL Harvey S. Shipley Miller COMMITTEE (as of 30 September 2003) Diane A. Nixon

Victoria P. Sant, Lucio A. Noto, John G. Pappajohn Chairman Chair Sally Engelhard Pingree Earl A. Powell III LaSalle D. Leffall Jr., Mitchell P. Rales Robert F. Erburu Vice-Chair Catherine B. Reynolds Julian Ganz, Jr. Heidi L. Berry Sharon Percy Rockefeller David 0. Maxwell W. Russell G. Byers Jr. Robert M. Rosenthal John C. Fontaine Calvin Cafritz Roger W. Sant Robert F. Erburu Victoria P. Sant Julian Ganz, Jr. Melvin S. Cohen B. Francis Saul II Chairman President FINANCE COMMITTEE William T. Coleman Jr. Thomas A. Saunders III

Victoria P. Sant, Edwin L. Cox Albert H. Small Chairman Robert W. Duemling Michelle Smith John W. Snow, James T. Dyke Ruth Carter Stevenson The Secretary of the Treasury Barney A. Ebsworth Roselyne C. Swig Robert F. Erburu Mark D. Ein Frederick A. Terry Jr. Julian Ganz, Jr. Edward E. Elson Joseph G. Tompkins David 0. Maxwell Doris Fisher Ladislaus von Hoffmann John C. Fontaine Aaron I. Fleischman John C. Whitehead Juliet C. Folger John Wilmerding AUDIT COMMITTEE John C. Fontaine David 0. Maxwell John C. Fontaine William H. Rehnquist Nina Zolt The Chief Justice of Robert F. Erburu, Marina K. French the Chairman Morton Funger EXECUTIVE OFFICERS

John W. Snow, Lenore Greenberg Victoria P. Sant The Secretary of the Treasury Rose Ellen Meyerhoff Greene President Julian Ganz, Jr. Frederic C. Hamilton Earl A. Powell III David 0. Maxwell Richard C. Hedreen Director Victoria P. Sant Teresa F. Heinz Alan Shestack John C. Fontaine H. Holder Jr. Deputy Director Robert J. Hurst Elizabeth Cropper TRUSTEES EMERITI Dean, Center for Advanced Alberto Ibarguen Study in the Visual Arts Ruth Carter Stevenson Linda H. Kaufman Darrell R. Willson Colin L. Powell John W. Snow Lawrence M. Small Alexander M. Laughlin Stephen M. Kellen The Secretary of State The Secretary of The Secretary of the Administrator Robert H. Smith James V. Kimsey the Treasury James E. Duff Mark J. Kington Treasurer Robert L. Kirk Elizabeth A. Croog Alexander M. Laughlin Secretary and General Counsel Edward J. Mathias Joseph J. Krakora Joyce Menschel External and International Affairs Officer For 25 remarkable years the East Building has served to remind us that art possesses a remarkable power to inspire the human spirit." ——* S»"-- " —r^— •

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PRESIDENT'S FOREWORD

t has been an extraordinary pleasure to serve as trustee of the National Gallery Secretary of the Treasury, and the Secretary of the Smithsonian Institution serve of Art for the past eighteen years, the last ten as president. The Gallery's as ex-officio trustees. achievements have been remarkable: the openings of the National Gallery As a national advisory body to the board, the Trustees' Council represents one of Garden, the West Building Sculpture Galleries, and the Dutch the Gallery's greatest resources. On behalf of the trustees and staff, I would like to Cabinet Galleries; the creation of exciting educational initiatives, such as the extend our profound thanks to Trustees' Council chair Lucio A. Noto and vice chair IWeb site and Art Around the Corner; and the significant expansion of the Gallery's LaSalle D. Leffall Jr. for their leadership of the Council. At the close of the fiscal year, national constituency, to name only a few of the many highlights. The growth of the Jack Fontaine was appointed to succeed Lou Noto as Trustees' Council chair. We collection has been extraordinary, with nearly thirteen thousand works of art welcomed the following new members to the Trustees' Council this year: Eric H. acquired over the last decade. At the same time, the Holder Jr., of Washington, D.C.; Robert L. Kirk, also of Gallery's special exhibitions program has flourished, giv- I MARVEL AT THIS Washington, D.C.; and Michelle Smith of Bethesda, ing millions of visitors a deeper appreciation of our Maryland. We were also pleased to welcome the fol- WONDERFUL ENTERPRISE, world's rich cultural heritage. lowing returning Council members: Heidi L. Berry of What is most impressive is the enduring strength of the AMERICA'S NATIONAL Washington, D C.; Melvin S. Cohen of Bethesda, public-private partnership that sustains this institution. GALLERY OF ART, AND Maryland; Robert W. Duemling ofWashington, D C.; This year, and indeed throughout the Gallery's history, THE REMARKABLE Barney A. Ebsworth of Hunts Point, Washington; Linda the President and the Congress have steadfastly supported H. Kaufman of Norfolk, Virginia; and Ladislaus von PARTNERSHIP THAT HAS the maintenance and operations of the nation's art Hoffmann of Washington, D C. The Board of Trustees museum. At the same time, in keeping with Andrew W. MADE IT POSSIBLE. is enormously grateful to all of our Trustees' Council Mellon's original gift, private giving continues to pro- members for their commitment to the Gallery. vide critical funding for art and library acquisitions, exhibitions, conservation, edu- We would like to recognize those who made leadership gifts for programs in fiscal cation outreach, fellowships and internships, and other special programs. year 2003. The Gallery received extremely generous bequests from the estate of Paul To the federal government and to the Gallery's supporters worldwide, I extend Mellon to endow education programs and from the estate of Julienne M. Michel deepest appreciation on behalf of the trustees and staff. I congratulate Victoria P. designated for special exhibitions. We are indebted to Edwin L. Cox for his major Sant of Washington, D C., my successor as president, and John C. Fontaine of gift to establish an exhibitions endowment fund. The Gallery also received a significant City, who was appointed as general trustee upon my retirement from the commitment from the Marshall B. Coyne Foundation to create an endowment for Board of Trustees. I know that Vicki and Jack will provide invaluable service international loan exhibitions and a generous unrestricted bequest from the to the Gallery in their new leadership roles. Robert F. Erburu of Los Angeles estate of Ina Farber. continues as chairman of the Board of Trustees; Julian Ganz, Jr., also of Los My fellow trustees and I are grateful to our Trustees' Council members for their Angeles, and David O. Maxwell of Washington, D C., continue as general ongoing support of the Gallery's mission. We especially would like to acknowledge trustees. The Chief Justice of the United States, the Secretary of State, the Robert M. and Marion G. Rosenthal for their generous unrestricted gift. Our NATIONAL GALLERY OF ART 2003

thanks go also to those who made major gifts for special exhibitions presented in The Circle of the National Gallery of Art, numbering more than one thousand fiscal year 2003: Stephen M. and Anna-Maria Kellen, through the Anna-Maria and members across the country, provides unrestricted annual support for activities ranging Stephen Kellen Foundation, for Ernst Ludwig Kirchner, 1880-1938; Robert L. and from education to conservation to library acquisitions. Our thanks go to Juliet C. Folger, Mary Jo Kirk for Deceptions and Illusions: Five Centuries ofTrompe I'Oeil ; and chair ofThe Circle, and Marina K. French, cochair, for ensuring the ongoing success Catherine B. and Wayne R. Reynolds, through the Catherine B. Reynolds of this important Gallery program. Foundation, for Jean-Antoine Houdon (1741-1828): Sculptor of My fellow trustees, the Trustees' Council, and the staff of the the Enlightenment. We also express warmest thanks to Heidi L. National Gallery have provided unfailing support over the last and Max N. Berry for their commitment to the Millennium eighteen years. Rusty Powell, the Gallery's director, his prede- Fund for Art Acquisition, to Melvin S. and Ryna G. Cohen for cessor J. Carter Brown, and their colleagues deserve highest their generous gift in support of photography exhibitions, and praise for their enthusiasm and hard work in maintaining the to Harvey S. Shipley Miller for his commitment to photog- high standards of excellence set by Andrew W. Mellon and his raphy acquisitions. fellow Founding Benefactors. Corporations and foundations played a key role in making In reflecting on this year, I marvel at this wonderful enterprise, possible many important Gallery programs this year. We partic- America's National Gallery of Art, and the remarkable partner- ularly would like to thank Airbus for its sponsorship of Edouard ship that has made it possible. The federal government's enduring Vuillard, General Dynamics and General Dynamics United support, together with the individual acts of generosity by Kingdom, Ltd. for their sponsorship of Thomas Gainsborough, numerous Gallery friends, enables millions to enjoy freely the 1727-1788, and AT&T for its sponsorship of The Art of Romare heights of human artistic expression. This institution is endowed Bearden. We extend warm appreciation as well to The Andrew with a dedicated board, a tireless staff, and a deep commitment W. Mellon Foundation for its generous grant to establish post- to the American people. I retire as president and trustee of the doctoral curatorial fellowships. National Gallery of Art with heartfelt pride in its accomplishments The Collectors Committee and The Circle of the National and abiding confidence in its future. £ PIETRO MAGNI-f Gallery of Art are crucial sources of funding for vital Gallery The Reading Girl (La Leggitrice), programs. The Collectors Committee is a national group of col- Patrons' Permanent Fund lectors and art patrons who acquire outstanding modern and contemporary works for the nations collection with their pooled annual gifts. This year the Robert H. Smith Committee voted to acquire Tony Smith's Die, 1962/1968, an eloquent sculpture and this distinguished artist's first work in steel. We are deeply grateful to the Collectors Committee cochairs Barney A. Ebsworth and Doris Fisher for their enthusiastic leadership and to all Committee members for their ongoing generosity.

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DIRECTOR'S STATEMENT

iscal year 2003 was marked by celebration and growth as the National American and European art has been enriched by exquisite marble by Gallery of Art pursued its mission to serve the nation by collecting, Antonio Canova and by Asher B. Durand and Alexandre Calame. Our twen- exhibiting, preserving, and encouraging the understanding of great tieth-century holdings were strengthened by the addition of works by Ernst Ludwig Fworks of art. Kirchner.Tony Smith, Francesco Clemente, Luc Tuymans, and Bill Viola. During the year we commemorated the twenty-fifth anniversary of the opening on Our special exhibitions gave millions of Gallery visitors this year the opportunity June 1,1978, of the East Building. Brilliantly designed by architect I. M. Pei and con- to enjoy hundreds of masterpieces loaned by public and private collections throughout structed with funds provided by Paul Mellon, Ailsa Mellon Bruce, and The Andrew the world. These ranged from a delightful exhibition of trompe l'oeil painting at the W Mellon Foundation, the East Building has been a popular destination. The beginning of the fiscal year, and continuing with jewel-like still lifes by Adriaen twenty-fifth anniversary provided us with the opportunity to highlight the building Coorte, Jean-Antoine Houdon's portrait sculptures of leading figures of the American with special tours, public events, and education programs and to explore its history in Revolution and the French Enlightenment, Thomas Gainsborough's portraits and an installation of photographs and archival materials, many landscapes, a retrospective of Edouard Vuillard, and on view for the first time. THE EAST BUILDING HAS haunting nocturnes by Frederic Remingon, to the most Together with the West Building and the National PROVEN TO BE A SETTING comprehensive exhibition ever brought together of works Gallery of Art Sculpture Garden, the East Building has by the American artist at year's end. proven to be a setting worthy of the great works of art in WORTHY OF THE GREAT Preserving the Gallery's outstanding collection for the Gallery's collections. Our holdings were enhanced WORKS OF ART IN THE future generations remains one of the Gallery's critical this year by the addition of nearly eight hundred works GALLERY'S COLLECTIONS. responsibilities and the primary concern of its conser- of art and rare books acquired through the generosity vators and scientific researchers. Twentieth-century art of individuals and private foundations. Gifts received this year include masterpieces has presented a particularly rich and challenging field for their work given the of painting, sculpture, drawings, prints, photographs, and rare books ranging from diversity of materials used in its execution. The study of materials and techniques the fourteenth century to the present. Among the outstanding early works that used in works ranging from outdoor sculpture by Sol LeWitt and Joan Miro, to entered the Gallery's collection this year are the oldest surviving German drawing on photographs by Alfred Stieglitz, to drawings by Jackson Pollock has made it possible paper outside Europe (dating to the early fifteenth century) and a rare polychromed to preserve these works and to understand the processes underlying their creation. wood sculpture of Saint John of the Cross, attributed to the Spanish Renaissance The protection and maintenance of the Gallery's landmark buildings and grounds master Francisco Antonio Gijon. Our Italian baroque holdings have been graced with at the highest level remains a priority. During the year we continued to make progress an altarpiece by Sebastiano Ricci, and our collection of Dutch seventeenth-century on our comprehensive repair, restoration, and renovation program. We are very grateful painting with a luminous and exquisitely detailed by Adriaen Coorte. for the continued federal support that enables us to ensure that the buildings and Eighteenth-century works added to the collection this year include an outstanding grounds continue to serve as examples of our high aesthetic standards. portrait drawing by John Singleton Copley, America's leading colonial artist, and a Creative educational programs were developed and presented throughout the year terracotta by Philippe-Laurent Roland. The Gallery's collection of nineteenth-century to serve children and adults, laymen and scholars, and visitors from around the world. NATIONAL GALLERY OF ART 2003

The Gallery meets the challenge of promoting and encouraging the understanding The continued success of the National Gallery and its many programs and initiatives of art to these many audiences through a variety of means: our special exhibitions, is possible only with the ongoing support of the President and the Congress and publications, the award-winning Web site, a teacher institute, programs for local through federal funds that support operations and maintenance and the protection schools, docent tours, lectures, film series, concerts, and loans of educational materials and care of the works of art. This funding makes it possible for Americans and for nationwide. In addition, access to the Gallery's extraordinary research resources was visitors from around the world to enjoy the works of art on view at the National advanced this year by the inauguration of the library's on-line catalogue. Gallery of Art 363 days a year at no charge. We also are grateful to the many donors This year marked the retirement of Robert H. Smith as and lenders, both public and private, whose generosity president and trustee of the Gallery after nearly two continues to ensure the high quality of the Gallery's decades of service. The first chairman of the Gallery's collections and programs, and to the dedicated staff and Trustees' Council, founding co-chair ofThe Circle, chair of volunteers who contribute to its daily work and ensure the Gallery's fiftieth anniversary gift committee, and chair the vitality of our founder Andrew W. Mellon's vision of the New Century Fund campaign, Mr. Smith presided of excellence. over a period of astonishing progress in the Gallery's programs.Together with his wife Clarice, he has made a profound and lasting impact here through his philan- thropy, support of fellowships and scholarly meetings, Earl A. Powell III and extraordinary gifts and loans of works of art. We are pleased to recognize Victoria P. Sant as the new president of the National Gallery of Art. A trustee since 2000, she served as chairman of the Trustees' Council from 2001 to 2002. She has been a member ofThe Circle since 1987 and of the Collectors Committee since 2000. We also welcome John C. Fontaine as a new trustee of the £ WILLIAM TROST RICHARDS -§ National Gallery of Art. Mr. Fontaine has been chairman October, The William Stamps Parish Fund of the Samuel H. Kress Foundation since 1994 and a member of its board since 1975. In other news this year, Nancy Robinson Breuer was named deputy Secretary and deputy General Counsel and Lynn Russell was appointed to serve as Head of Education. The Gallery's Center for Advanced Study in the Visual Arts, through a grant from the Edmond J. Safra Foundation, welcomed Manfred Leithe-Jasper as the first Edmond J. Safra Visiting Professor.

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NATIONAL GALLERY OF ART 2003

Through the generosity of private donors, the Gallery scene, based on close observation of nature, dates from has been fortunate to add to its renowned collection early in Rousseau's career, before he developed his asso- of American and European painting, sculpture, and ciation with the Barbizon School. The crisply executed works on paper, spanning the early medieval period Swiss Landscape, c. 1830, by Alexandre Calame, the through the present. In 2003, nearly eight hundred leading Swiss landscape painter of the nineteenth works of art and rare books were acquired for the century, purchased with funds provided by Roger and nation's collection. Victoria Sant for the acquisition of nineteenth-century European paintings, seems precociously modern, with AINTINGS Sebastiano Ricci's The Last the blue Lake Neuchatel and distant mountains seen Communion of Saint Mary of Egypt, c. 1695, across a foreground of abstractly patterned fields. Pacquired with the Patrons' Permanent Fund, The Gallery's American collection was enriched by is a major addition to our collection of Italian the addition of three very different nineteenth-century Baroque paintings. The fifth-century hermit saint, paintings. Charles Caleb Ward's His First Appearance in who renounced her life as a prostitute to live as a pen- Public, 1870, purchased with the Avalon Fund, is a small- itent in the desert, is tended by angels while a monk scale, sensitively observed scene of children gathered administers the sacrament of Holy Communion. outdoors to listen to a boy's violin performance. One More somber in mood than Ricci's Venetian paintings, of fewer than forty known works by Ward, it is an this deeply moving altarpiece was probably painted dur- important addition to our holdings in American genre ing a stay in . It is in remarkably fine condition, painting.Two landscape acquisitions illuminate lesser- retaining all of Ricci's rich impasto.The Rizik Family known aspects of their celebrated artists' careers. Asher donated the Neapolitan painter Corrado Giaquinto's B. Durand's sweeping Hudson River landscapes and Winter, c. 1740-50, which joins their donation of his his shadowed forest interiors are his most recognized Autumn in 2002. The cool palette of Winter contrasts works; his explorations of allegorical and poetic themes with the rich autumnal colors of its pendant, bringing have sometimes been overlooked. The addition to the added variety to our Italian eighteenth-century collec- Gallery's collection of Durand's dramatic The Stranded tion. The Patrons' Permanent Fund made possible the SEBASTIANO RICCI { Ship, 1844, a gift of Ann and Mark Kington through purchase of another work from seventeenth-century The Last Communion of Saint Mary of Egypt, Patrons' Permanent Fund The Kington Foundation, is one of the earliest examples Holland: Christoffel Pierson's Niche with Falconry Gear, of a romantic subject that engaged many American 1660s, which was much admired in the Gallery's painters in subsequent decades and immeasurably 2003 exhibition Deceptions and Illusions: Five Centuries increases our understanding of Durand. William Trost ofTrompe I'Oeil Painting.The striking focal point of the Folger Fund. This spare and delicately balanced com- Richards, a generation younger than Durand, began painting—the Gallery's first European trompe l'oeil—is position, a highlight of the Gallery's 2003 exhibition his career by following the well-established formulas of a red-plumed falcon hood that rests atop a cage set in an devoted to Coorte, is the first work by this artist in our the , but for a few years abandoned illusionistic niche. The acquisition of Adriaan Coorte's collection. The Gallery's group of early nineteenth- panoramic compositions in favor of closely focused exquisitely executed Still Life with Asparagus and Red century European landscape paintings has been views of forest interiors. His October, 1867, purchased Currants, 1696—an outstanding example of naturalistic enhanced by the acquisition of Theodore Rousseau's with The William Stamps Parish Fund, is a tour- painting from seventeenth-century Holland—was made Panoramic View of the lie de , c. 1828-30 acquired de-force, filled with precisely rendered rocks, plants, possible through the generosity of the Lee and Juliet with the Chester Dale Fund. This immaculately painted and the resplendent autumn foliage of overarching NATIONAL GALLERY OF ART 2003

trees; it is an extraordinary example of a brief yet highly influential moment in the history of American landscape painting. Our holdings of contemporary European art were strengthened by the acquisition of Dead Skull, 2002, a powerful painting by the Belgian artist Luc Tuymans shown at the last Dokumenta exhibition at Kassel and received as a gift of the Billy Taub Foundation, Jill and Dennis Roach, Directors. David and Gerry Pincus gave Midnight Sun V, 1982, a work from Francesco Clemen tes most critically acclaimed period and the first painting by the artist to enter the Gallery's collection. BillViola's Quintet of the Astonished 2000, a DVD instal- lation and an important addition to our media arts collection, is a partial and promised gift of Mr. and

£ CHRISTOFFEL PIERSON -§ Mrs. Richard Hedreen. Longtime patrons Dorothy and §- ALEXANDRE CALAME -§ Niche with Falconry Gear, Patrons' Permanent Fund HerbertVogel presented the Gallery with several works: Swiss Landscape, Gift of Roger and Victoria Sant Sylvia Plimack Mangolds Collision, 197% an acrylic painting from the artist's series treating the subject of illusion, and a group of thirty-seven reel-to-reel video- tapes from the early 1970s by Lynda Benglis (including an early collaboration with Robert Morris), which constitute the earliest examples of the artist's video output, adding depth to our media arts collection.

CULPTURE This year was marked by major acquisitions of seventeenth-, eighteenth-, and Snineteenth-century sculpture. Among the most spectacular is the Gallery's first example of Spanish polychrome woodcarving: a life-size standing figure of Saint John of the Cross acquired with the Patrons' Permanent Fund. It is attributed to Francisco Antonio Gijon of Seville, who was commissioned to make such a work to commemorate the beatification of the great Carmelite mystic poet in 1675. Two examples of Northern European Baroque ivory carving recently £ CORRADO GIAQUINTO { acquired by the Gallery were complemented by the §-ASHERB. DURAND -§• Winter, Gift of the Rizik. Family The Stranded Ship, Gift of Ann and Mark Kington / The Kingdon purchase this year, with the New Century Fund, of an Foundation through the Millennium Funds

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ivory relief depicting the ecstasy of Mary Magdalen This marble bust of 1874 or 1875 had long been that can be confidently attributed to Frangois von thought lost; it was a gift to the Gallery from the Iris Bossuit (1635-92). It was probably carved by this and B. Gerald Cantor Foundation. Netherlandish master during his stay in and The Gallery's holdings in bronze were enhanced this reflects his knowledge of marble sculpture by Giovanni year by several generous gifts. David and Constance Lorenzo Bernini and followers. Yates have given the Gallery a statuette by Charles The Gallery's strong collection of French eighteenth- Cumberworth titled The Indian Huntress (an example of century sculpture lacked any portrait of a woman before which was exhibited at the Salon of 1841) in honor of this year's purchase with Millennium Funds of Philippe- the re-installation of the European Sculpture Galleries, Laurent Roland's bust of his wife, Therese-Frangoise and a portrait medal, ca. 1870/1892, by Jules-Clement Potain.The terracotta, probably modeled in about 1782, Chaplain. Asbjorn Lunde gave an 1879 portrait statuette when they married, has the graceful elegance and by Vincenzo Gemito of the great French pain- refined sentiment that are ter Jean-Louis-Ernest especially associated with THROUGH THE GENEROSITY Meissonier. Lisa Unger French art of this peri- Baskin, as in previous

§- PHILIPPE-LAURENT ROLAND -§ od. The acquisition with OF PRIVATE DONORS, NEARLY years, donated a group of Therese-Fran;oise Potain Roland, Wife of the Sculptor, the Patrons' Permanent medals from several cen- Millennium Funds 800 WORKS OF ART AN D RARE Fund of Pietro Magnis turies, including examples Reading Girl, carved 1861, BOOKS WERE ACQUlRED FOR by Massimiliano Soldani- adds to the collection a THE NATION'S COLLECTION Benzi and Nicolas-Marie major example of Italian Gatteaux. A small bronze verismo - the technically THIS FISCAL YEAR. container in the form of a astonishing, disconcert- head, probably Etruscan ingly realistic style of carving associated with in and certainly antique —a gift of Mrs. Robert mid-century.This sculpture enjoyed great fame in its Weidenhammer— is of special value as an example of day in part owing to its political content: the maid- the type of antiquity that inspired some of our small en of humble birth is reading a prophecy of the Renaissance bronzes, with which it is now exhibited. expulsion of the Austrians from her homeland. Several significant works of modern and contempo- Italian Neo-Classicism, the style against which Magni rary sculpture were also added to the collection during reacted, is represented by two statues bequeathed by the year. A landmark of post—World War II American Lillian Berkman: the Dancer with a Finger on Her Chin art,Tony Smiths first steel sculpture Die, 1962, a six- and the Naiad, modeled by Antonio Canova in about foot cube fabricated in 1968 to the artist's specifications 1809 and 1815, respectively, both purchased from the by an industrial welding company, was acquired on sculptor's studio by the Marquis of Londonderry soon the Gallery's behalf by the Collectors Committee. after Canova's death in 1822. At the other end of the Ernst Ludwig Kirchner's Head of a Woman, 1913, a century the Gallery's large holdings of works by Auguste rare example of this German Expressionist's innova- Rodin have been enhanced by a unique early portrait tive sculptural work, was purchased with the Patrons' §• ERNST LUDWIG KIRCHNER-§ Head of a Woman, Patrons' Permanent Fund of the artist's friend and patron J. B. von Berckelaer. Permanent Funds.

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RAWINGS The Gallery's collection of double-sided drawing by Charles de La Fosse compris- drawings benefited this year from special gifts ing three charming studies of women, made in about Dand purchases representing an exceptionally 1700, is an excellent example of his work in the trois broad period of more than 650 years. A moving South crayons technique (combining red, black, and white German study of Christ Kneeling in Prayer, c. 1425, chalks) that his protege, Antoine Watteau, soon thereafter appears to be the earliest surviving German drawing on made famous as his own. The drawing was purchased paper not only at the Gallery but in any collection with Millennium Funds/New Century Fund. outside Europe. Purchased through the gift of an Foremost among the additions of major early anonymous donor, the drawing is executed with American drawings was an outstanding 1765 portrait exceptional refinement in brown and black inks and of John Temple by the great colonial American artist, white heightening on paper partially prepared with John Singleton Copley, acquired with the Patrons' pink wash. This rare find was joined by an outstanding Permanent Fund.This beautiful pastel is among Copley's set of figures of ancient, medieval, and biblical kings finest. Thanks to the Anion G. Carter Foundation, two and heroes — the so-called Nine Worthies — drawn on splendid black and white chalk portraits by the eigh- three sides of two sheets in 1492 by another anonymous teenth-century portraitist Thomas Bluget deValdenuit German artist, the Primary Master of the Strasbourg entered the collection. These striking profile portraits, Chronicle. The Chronicle itself is in the Woodner both dating to 1797, reflectValdenuit's French training Collections on deposit at the National Gallery. The and presage the rich legacy of American portraiture. quality of the drawings of the Nine Worthies and the Among nineteenth-century American drawings imaginative treatment of each figure made them highly acquired is a light-filled watercolor by Maurice desirable acquisitions; reuniting these sheets, cut from Prendergast, Cajfe Florian, Venice, c. 1898-99 —a bequest the manuscript long ago, with the other drawings in from Ernest Hillman,Jr.,in memory of his friend, John the Strasbourg Chronicle made their purchase all the Davis Skilton Jr.— and a captivating symbolist female more imperative and rewarding. Our collection of bust, Destiny, c. 1895, by Francis Brooks Chadwick, early Italian drawings was also enriched with several & FRA BARTOLOMMEO i purchased with the Ailsa Mellon Bruce Fund. major additions. The first is a sensitive compositional The Virgin and Child Surrounded by Saints and Crowned by Angels, Building on last year's advances in the Gallery's Anonymous Partial and Promised Gift study for The Adoration of the Shepherds, c. 1505, by collection of Swiss drawings, several important works Raphael's teacher, the Umbrian painter Pietro were added this year, including two exceptional sheets Perugino. This touching and delicately executed by Caspar Wolf, one of the finest Swiss landscape artists study, noteworthy for its sensitive depiction of the 1500-1504, is an exceptionally moving work-expertly of the eighteenth century. The first, his watercolor of figures' relationships to the infant Jesus, was purchased rendered with the fragile pen strokes and precise the falls above Wasserberg—a gift from an anonymous with support from the same anonymous donor who touches of white heightening that are a hallmark of this donor — offers the poetic view of alpine subjects for contributed the South German Christ Kneeling in Prayer. Florentine master's style— and adds a true masterwork which Wolf was most famous. The second is a large Even more spectacular was the partial and promised to the Gallery's representation of this artist. Adding to and handsome gouache featuring a rustic watermill gift from another anonymous donor, of an exquisite the French holdings is an acquisition made with the seen through the tumbledown ruins of a barn. The double-sided sheet by another of the great masters of Ailsa Mellon Bruce Fund: lively sketches on one side of Swiss subject, combined with the Piranesian treatment the High Renaissance, Fra Bartolommeo. His Virgin a sheet of gobbi (hunchbacks) by , one of of the architecture, made this an appropriate purchase and Child Surrounded by Saints and Croivned by Angels, the premier draftsmen of the seventeenth century. A for the Rudolf and Lore Heinemann Fund.Very differ-

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ent in type was the most recent gift from Diane Allen ... deeply personal iconographic themes; one came as a gift Nixon, a sheet of energetic hand studies by Anton from Ruth Cole Kainen, while the other was purchased Graff in preparation for one of his portrait paintings. with the Ailsa Mellon Bruce Fund. Werner H. and Felix Vallotton's study of a male corpse, drawn in Sarah-Ann Kramarsky continue to enrich the Gallery's preparation for his painting of the dead Christ, came as holding of contemporary American drawings with a the gift of Joan and David Maxwell, who also made gift of a delicate sumi ink drawing by Morgan O'Hara, possible the acquisition of the Austrian landscapist 1995, from her Form and Content series. Rudolf von Alt's stunning watercolor of the Piazza San Marco, which bears impressive witness to this artists RINTS AND ILLUSTRATED BOOKS Highlights mastery of light and refined sense of color. of our acquisitions in fiscal year 2003 were The Gallery's collection was enhanced with nine- Peighteenth-century works, in particular an teenth-century French landscapes. A large and extremely rare complete set of the third issue of particularly handsome pen drawing of a fallen tree by Giovanni Battista Piranesi's fourteen Invenzioni Capric Jean-Antoine Constantin came as the gift of Alexander di Carceri. This issue of Piranesi's most famous series M. and Judith W Laughlin. A delicate graphite drawing of etchings, printed between 1758 and 1760, reveals by Jean-Baptiste-Camille Corot, purchased as the gift variations in hand-applied ink wiping as the artist of Evelyn Stefansson Nef, shows a young woman experiments with changes to the copperplates. Its reposing in a tranquil landscape, and evokes the pastoral acquisition through the Patrons' Permanent Fund spirit ofVenetian Renaissance paintings. Helen Porter makes the Gallery the only location in the world in and James T. Dyke made possible the acquisition of an which all four of the first issues of the Carceri can be evocative oil sketch on paper by Theodore Rousseau, seen together. The New Century Fund made possible Sunset from the Forest of Fontainebleau, 1848, a study for §- SOUTH GERMAN 15TH CENTURY •§ the acquisition of a dramatic account of scientific inquiry Rousseau's first masterwork, a commission from the Christ Kneeling in Prayer, Anonymous Gift during the Enlightenment, the Philosopher Shewing an French government. Experiment on the Air Pump, 1769, a penumbral mezzo- Our modernist holdings were enriched by the tint by Valentine Green, after the painting by Joseph addition of three fine drawings by Andre Derain: a Wright of Derby. A major portfolio of seventy-one charcoal drawing of a Woman's Head from Ruth Cole Notable contemporary works were also added to Italian views by Johann Christian Reinhart, Albert Kainen, a 1913 still life from Michel and Viviane the collection. Augmenting previous gifts, Phyllis Christoph Dies, and Jacob Wilhelm Mechau, purchased Kellermann in memory of Leland Bell and Louisa Diebenkorn donated two fine drawings by her late with the New Century Fund, added strength to our Matthiasdottir, and a pencil portrait of Marie Harriman husband, Richard Diebenkorn: Seated Woman, 1966, corpus of German eighteenth-century etchings. Another from Robert and Virginia Stoppenbach in memory and View from a Studio Window, 1967. Two marvelous important addition to our collection of German of Francis and Louise Keyes. A major example of a watercolors by Agnes Denes with metallic silver and romantic prints was Karl Friedrich Schinkel's wistful lesser-known aspect of the German Expressionist photographic film overlays — Map Projections: The Egg, and absorbing lithograph Gothic Church in an Oak Otto Dix's work, Saxon Landscape, 1938, is an impressive 1978, and Map Projections:The Doughnut, 1979— reveal Grove, c. 1810, purchased with the Pepita Milmore panorama drawn in graphite and looping brown and Denes' ingenuity and draftsmanship. These were gifts Memorial Fund. white pen lines on pink paper in the manner of a from Charles J. Tanenbaum with support from the Ailsa Illustrated books acquired this year included a Renaissance master; it was purchased with support Mellon Bruce Fund. Two works by Hannelore Baron, seventeenth-century manual on fire prevention with from an anonymous donor. a master of the collage medium, expand on the artist's dramatic etchings of conflagrations by the Dutch

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master Jan van der Heyden, purchased with the Ailsa Mellon Bruce Fund. A beautiful copy of John Baptist Jackson's treatise on the invention and printing of chiaroscuro woodcuts came as a gift from Ruth Cole Kainen's collection. Among a number of other books, Charles Percier and PEL. Fontaine's Choix des plus Celebres Maisons de Plaisance de Rome, 1809, a hand- somely bound volume with seventy-seven engravings of villas around Rome, was a welcome addition made possible by the William B. O'Neal Fund. The Gallery benefited from a remarkable number of gifts of old master prints this year. Among more than forty old master and modern works, Ruth Cole Kainen gave an exquisite proof of Hendrik Goltzius' Massacre of the Innocents; two excellent etchings by Claude Lorrain;

f-JOHN SINGLETON COPLEY •§ three fine lithographs by Theodore Gericault; Ernst £ GIOVANNI BATTISTA PIRANESI -§ John Temple, Patrons' Permanent Fund Ludwig Kirchner's beautiful 1917 woodcut, Mountain lnvenzioni Capric di Carceri, Patrons' Permanent Fund ; the Gallery's first work by the Grosvenor School artist Claude Flight; three early Graham Sutherland etchings; and a brilliant 1963 color aquatint by Joan Miro. Bert Freidus made it possible for the Gallery to acquire 's haunt- ing masterpiece, Death on a Battlefield, 1648. Ivan and Winifred Phillips donated funds for Frederic Casenave's delicate color etching L'Optique (after Boilly) as well as color prints by Louis-Marin Bonnet and Gilles-Antoine Demarteau. Gregory Mescha and Thompson Ellwanger gave a wonderful set of etch- ings on blue paper heightened in white by Francesco Londonio. Frank Anderson Trapp continued to enrich the Gallery's holdings with twenty-eight French nineteenth- and twentieth-century prints by renowned artists such as Pierre Bonnard, Maurice Denis, and Edouard Vuillard. The Epstein Family Collection carried on its exceptional history of donations by giving two early prints by Edvard §-RUDOLF VON ALT -§ Munch— the delicate color aquatint Female Nude and §- THEODORE ROUSSEAU -§ The Piazza San Marco, Gift of Joan and David Maxwell Sunset From the Forest of Fontainebleau, the rare etching The Suicide, both from 1896. Gift of Hellen Porter and James T. Dyke

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Contemporary print acquisitions this year were The Pepita Milmore Memorial Fund and an highlighted by Brice Marden's portfolio, Ten Days, anonymous gift enabled the Gallery to acquire its first 1971/1972; this series of eight superb etchings with photograph by the Russian avant-garde artist aquatint, purchased with the Nancy Lee and Perry Bass Alexander Rodchenko, his portrait of the poet Vladimir Fund, exemplifies Marden's early minimalist explo- Mayakovsky. Made in 1924, it is one of Rodchenko s rations.Three color lithographs by Agnes Denes came earliest and finest photographs, bristling with fierce as gifts from Charles J.Tanenbaum with support from the intensity. Two works by Charles Negre, including Ailsa Mellon Bruce Fund; The Refection, a mesmerizing Market Scene at the Port de VHotel de Ville, , c. 1851, lithograph from 1981, was a gift from the artist. Gerald widely acclaimed as a groundbreaking unposed tableau Cerny expanded our collection of prints by twentieth- of daily life, were acquired with the Patrons' Permanent century Czech artists with a gift of five compelling Fund, the Eugene L. and Marie-Louise Garbaty Fund, §• ALEKSANDR MIKHAILOVICH RODCHENKO•§ the Pepita Milmore Memorial Fund, and the New etchings by Jaroslav Kralik and a volume of color prints Vladimir Mayakovsky, Pepita Milmore Memorial Fund by Hana Storchova.Thanks to the generosity of Lou and and Anonymous Gift Century Fund. Charles Isaacs and Carol Nigra also Di Stovall, the Gallery acquired its first work by David donated a negative by Negre in memory of Dr. Driskell, Dancing Angel, a color screenprint from 2002, Diamon Gangji. Other notable additions include two and Sam Gilliam's 2003 color screenprint, ARS. albumen prints by Charles Marville, made possible by Joyce and Robert Menschel and an anonymous gift; HOTOGRAPHS The Gallery's collection of photographs by Bill Brandt and Andre Kertesz, acquired photographs was graced with several significant with funding from Walker; and the first work Padditions this year, including a major donation by Germaine Krull to enter the collection, Shadow from the Georgia O'Keeffe Foundation of more of the Eiffel Tower, 1928, a gift of the R.K. Mellon than forty-five photographs by Alfred Stieglitz. Family Foundation. Among the most noteworthy is a palladium print of Georgia O'Keeffe—Hand and Breasts, 1919.This entire I B RARY Significant additions to the rare book collection, which includes several photographs that & HARRY CALLAHAN * collection of the Gallery's library were made Eleanor, , (lift of Mrs. Ann Solomon are not in the Gallery's Key Set, greatly enhances our Lpossible by the generosity of several donors. understanding and working methods of this eminent Our materials on the Dada movement were supple- American photographer. mented by gifts of Thomas Klarner. Completing his The collection also received an important donation donation last year of the journal Dada no. 7 is a very from Mrs. Ann Solomon of twenty-one photographs fine set of the remaining seven issues (nos. 1-6 and 8; by Harry Callahan. This group of exceptional examples Zurich, 1917-21). De nos oiseaux: Poemes by Tristan Tzara of the artist's work from the 1940s and 1950s includes (Paris, 1929) is one of an edition of twenty with illus- ten of Callahan's celebrated portraits of his wife and trations by Jean Arp. Edgar Brenner contributed two daughter as well as several early experimental studies. titles to our holdings in Americana, including a rare This donation was augmented by a gift from Mr. and first edition of Domestic Manners of the Americans by Mrs. David C. Ruttenberg, courtesy of the Ruttenberg Frances Trollope (London, 1832). Patricia England once again enriched our collection of contemporary Arts Foundation, of five dye-transfer prints by Callahan * FRANCIS FRITH-) made between the 1940s and the 1980s. The Ramasseum of El-Kurneh, Thebes, First View, Millennium Funds artists' books with several gifts throughout the year. NATIONAL GALLERY OF ART 2003

The J. Paul Getty Fund in honor of Franklin D. inventory of a renowned civic collection. Subscribers Murphy supported the purchase of seventeen titles, to this publication included many of the leading art of which four are particularly noteworthy for their DM* 3 patrons of the age. » rarity. Vitae duodecim Vicecomitum Mediolani principium # Four titles among several acquired with the support by Paolo Giovo (Paris, 1549) is a first edition of an of the David K. E. Bruce Fund warrant special mention. important biography of the Visconti dukes of Milan that Rosario della glo[rio]sa V[er]gine Maria (Venice, 1521) is a features ten large woodcut portraits of the duchy's rulers. i rare first edition of a popular private devotional known Benedetto Varchi's Due lezzioni (Florence, 1549) is one primarily through later versions with 183 full-page of the earliest known printed texts in the field of art t wood engravings in ornamental borders. A Display of theory. The lessons take the form of a discussion on a f Fr.lba Heraldrie (2nd edition, London, 1632) represents John sonnet by Michelangelo and debate the primacy of Guillim's lifelong study of the subject, with beautifully $- TRISTAN TZARA { painting or sculpture as forms of artistic expression. Dada Number 3 hand-colored woodcut head-pieces and initials Gift ofThomas Klarner Amore prigioniero in Deb by Giacinto Lodi (Bologna, throughout the text that supplement the detailed 1628) is a unique pictorial record of a festival tourna- illustrations of coats-of-arms. Esiquie d'Arrigo quarto ment held in March 1628 in Bologna, commemorating cristianissimo re di Francia, e di Nauarra by Giuliano Giraldi i sasaaszsjes the event with fifteen exceptional double-page (Florence, 1610) commemorates the funeral observances engravings by Giovanna Battista Coriolano. The for Henri IV at San Lorenzo in Florence. A unique unique edition in folio of Disegni del nuovo teatro de edition, this work includes twenty-six etchings by Aloys quattro cavalieri (Pavia?, 1773?) documents the design Rosaccio after paintings of scenes from the monarch's and realization of a theater by Antonio Galli Bibiena, a life displayed in the church during the funeral services. one of the most influential and accomplished theatrical The paintings are considered sources for the Rubens designers of the baroque era. cycle commissioned by Henri IV's widow, Marie de' Resources for the study of classical sculpture were Medici, for the Luxembourg Palace. Monumenta pader- enhanced by two works purchased with funds provided §-JOHN GUILLIM -J bornensia by Ferdinand von Fiirstenberg (, by the J. Carter Brown Memorial Fund. Arcus L. Septimii A Display of Heraldrie 1672) is the first fully illustrated edition, printed by David K.E. Bruce Fund Severi aug. anaglypha by Joseph Marie Suares (Rome, Daniel Elsevier, of the principal landmarks, antiquities, 1676), the first accurate published depiction of the and historical scenes of the diocese of Paderborn in Arch of Septimus Severus following its restoration by Westphalia. The copiously illustrated volume includes Cardinal Francesco Barberini, features six large engraved fourteen etchings signed by Romeyn de Hooghe. plates recording the arch and its sculptural decoration; it is the only known printing of the original plates and text as Suares and Barberini intended. The large folio Delle antiche statue greche e romane (Venice, 1740-43), a pictorial record of antique sculpture owned by the Venetian Republic, features descriptions and fifty engravings after drawings by Anton Maria Zanetti, a collector and antiquary, whose notes on the sculptures & GIACINTO LODI { Amore Prigioniero in Delo blend a connoisseur's appreciation with a detailed . Paul Getty Fund in honor of Franklin D. Murphy

19 Hn

Each year, the Gallery brings together works lent by individuals and institutions throughout the world, as well as works from its own collection, in special exhibitions that highlight the breadth of artistic achievement in all its forms. The Gallery presented fourteen exhibitions in fiscal year 2003.

iscal year 2003 began with the last two weeks of The Quest for Immortality: Treasures of FAncient Egypt, an exhibition of 140 works from Egyptian museums and archaeological sites, many of which had never been seen outside of Egypt; some had never previously been on public display. The largest display of antiquities ever loaned for exhibition by the government of Egypt, The Quest for Immortality attracted more than 430,000 visitors to its inaugural venue in Washington; it will tour the United States §• Drawing on America's Past: Folk Art, , -§ door surround to further the illusion. Charles Willson through 2007. A film produced by the Gallery in and the Index of American Design Peak's 1795 portrait of two of his sons ascending a 2002 to accompany the exhibition won a national staircase was installed in whimsical juxtaposition next Telly Award in the category of arts programming. to I.M. Pel's East Building spiral stair. Several pictures Two exhibitions of works from private collections were removed from their frames and set flush within opened just prior to the beginning of the fiscal year art of"fooling the eye"— depictions so lifelike that they to allow for a heightened illusion: Franciscus and remained on exhibit through the winter: appear to be real-from its origins in classical antiquity Gijsbrecht's Glass Cupboard Door, 1670s, was carefully Renaissance Bronzes from The Robert H. Smith Collection to its impact on twentieth-century artists. Among the installed into the wall to suggest a window left slightly presented fifty extraordinary Italian Renaissance 113 works of painting and sculpture were works by ajar. Specially fabricated "catalogues" made of wood works, most of them dating from the sixteenth and European and American masters of the genre. Gallery were securely fixed to the benches, deceiving many seventeenth centuries, from one of the most important visitors had the opportunity to discover that trompe visitors to the exhibition. collections of bronze sculpture in private hands. An l'oeil transcends technical virtuosity to raise funda- The Gallery celebrated the sixtieth anniversary of its Artist's Artists: Jacob Kainen's Collection from Rembrandt mental questions on the nature of art, representation, 1943 acquisition of the Index of American Design to David Smith featured selections from a group of more illusionism, and perception. The opportunities afforded with Drawing on America's Past: Folk Art, Modernism, and than four hundred prints and drawings bequeathed to by the theme to examine the play between art and the Index of American Design. A vast pictorial archive of the Gallery by Jacob Kainen, revealing the discerning illusion were taken to full advantage throughout the American folk, popular, and decorative art from the eye and broad aesthetic interest of this painter, draftsman, exhibition's prologue and six thematic sections. The time of European settlement to the early twentieth printmaker, curator, and collector. Three monographic opening room contained a copy of a Roman floor century, the Index was produced by a government- exhibitions, devoted to the works of Anne Vallayer- mosaic, guarded by a security officer—one of Duane supported New Deal art project between 1935 and Coster, Willem de Kooning, and Alfred Steiglitz, Hanson's eerily lifelike sculptures.Wendell Castle's Ghost 1942. The more than eighteen-thousand watercolor attracted audiences in the fall, as did An American Vision: Clock, 1985, was displayed in a generously curved niche renderings in the Index portray such archetypal Henry Francis du Pont's Winterthur Museum. that enabled visitors to marvel at all sides of its intricate Americana as weather vanes, quilts, figureheads, toys, The Gallery's international loan exhibition of trompe surface. A 1674 painting attributed to the Dutch artist and cigar-store Indians.The exhibition included eighty l'oeil opened in October. Deceptions and Illusions: Five Jan van der Vaart, depicting a violin hanging from a of the finest of these renderings, along with a selection Centuries of Trompe VOeil Painting, the most compre- knob and incorporating a real door, was set into an of nearly forty of the original objects they represent, hensive study of the genre ever organized, traced the architectural niche, with hardwood flooring and a heavy reunited for the first time since the 1930s.

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The New Year brought Edouard Vuillard—the largest exhibition ever devoted to the work of this quintes- sentially Parisian artist whose career spanned the fin-de-siecle through the 1930s. Beginning with his earliest academic studies, the Gallery's exhibition brought together the innovative and experimental Nabis paintings of the 1890s for which Vuillard is best known, his provocative, complex interiors, and work associated with the avant-garde theater. Among the 223 works in Edouard Vuillard were a series of large panels constituting The Public Gardens, 1894, considered the grandest and most complex ofVuillard's decorative projects, which had appeared publicly in its entirety only once prior to being dispersed. Eight of the nine panels were reunited as part of this exhibition, which also broke new ground with a selection ofVuillard's photographs, providing a glimpse into the artist's intimate circle and illuminating the ways photography informed his painting. A thirty- minute film produced by the Gallery investigated the artist's entire career, including his early designs for avant-garde theater, evocative paintings of domestic interiors, and his grand mural decorations, with footage of the Parisian gardens that inspired them. Thomas Gainsborough, i 727-1788, the first compre- hensive retrospective ever seen in the United States of works by one of the great masters of eighteenth-century portraiture and landscape painting, illustrated the range, richness, and originality of this British artist. Gainsborough's technically dazzling paintings embody the sophistication and elegance of his age. One of the greatest portrait painters in the heyday of the British Grand Manner, Gainsborough was also a landscape painter of major importance, as well as a painter of rural life. The exhibition, the first of its kind in America, presented more than sixty of Gainsborough's greatest paintings and thirty of his works on paper, covering the full range and exceptional richness of Gainsborough's artistic achievement. The works were laid out to take advantage of the West Building's axial views and the large-scale rooms specifically designed

§- Jean-Antoine Houdon (1741-1828): -§ by John Russell Pope for the Gallery's collection §- Deceptions and Illusions: Five Centuries -§ Sculptor of the Enlightenment of British paintings. ofTrompe l'Oeil Painting

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Ernst Ludwig Kirchner; 1880-1938, the first major subjects and portraits of children. The exhibition international loan exhibition in more than thirty years ranged from Houdon's early works and studies to late of paintings, prints, drawings, and sculpture by one of the works, such as his beautiful portraits of Napoleon and early twentieth century's most important artists, opened Josephine. Realizing Houdon's aspirations to create a at the Gallery in March. Although admired by American gallery of great men in the tradition of ancient Rome collectors since the of 1913, Kirchner and the Italian Renaissance, the exhibition presented has not been as visible to the public as other twentieth- Houdon's portrait sculptures of famous scientists, century German artists. One hundred and forty of philosophers, and artists in their Enlightenment context; Kirchner's brilliantly colored, intense scenes of modern one of the most powerful juxtapositions was the life were installed against spare, white backgrounds placement of portraits of Louis XVI and members of that brought the artist's riotous colors to the fore. his court against a trio of famous Americans: Jefferson, In the spring, Frederic Remington: The Color of Night Washington, and Franklin. opened and took our visitors by surprise with its After nearly three hundred years of obscurity, Adriaen quiet beauty. For eight years, from 1901 until his death Coorte s luminous still lifes are now recognized as mas- in 1909, Remington, long celebrated as one of the terpieces. Small Wonders: Dutch Still Lifes by Adriaen most gifted interpreters of the American West, explored Coorte, on view during the summer of 2003, was the technical and aesthetic the first exhibition in the §- Coining to the Call was among the paintings on view in difficulties of painting THE GALLERY'S SPECIAL United States of works by the exhibition Frederic Remington: The Color of Night. evening and . The this remarkable yet little- Gallery's exhibition was EXHIBITIONS HIGHLIGHT known master. Organized the first devoted entirely by the Gallery to mark the to the artist's nocturnes, THE BREADTH OF ARTISTIC acquisition of its first assembling twenty-nine painting by Coorte, Still paintings tilled, unexpect- ACHIEVEMENT IN ALL Life with Asparagus and Red edly, with color and light: ITS FORMS. Currants, 1696, the exhibi- moonlight, firelight, and tion presented nineteen of candlelight. Several of these works had not been seen the artist's exquisitely detailed still lifes. publicly in nearly a hundred years. To capture the The fiscal year closed with the The Art of Romare dramatic tonalities and somber mood of the nocturnes, Bearden— the most comprehensive retrospective ever new frames were fabricated for many of the works, assembled of the large and diverse body of work by one copying an original heavy black frame designed by of America's preeminent twentieth-century artists. It Remington; the newly framed works were hung on included approximately 130 works - paintings, drawings, walls saturated with color. and watercolors—that document the complexity of the s=~ The exhibition space adjacent to the recently opened artist's evolution. Presented thematically in a roughly * Sculpture Galleries was the venue in the summer chronological sequence, the works represent the places for Jean-Antoine Houdon (1741-1828): Sculptor of the where Bearden lived and worked: the rural south; Enlightenment, the first major monographic exhibition northern cities, principally and New York's devoted to the sculptor. Houdon is universally recog- ; and the Caribbean island of St. Martin. They nized as the greatest European portrait sculptor of the also reflect his wide range of interests and explore second half of the eighteenth century. Among sixty of overlapping themes of religion, ritual practice, every- Houdon's finest sculptures were vivid portrayals of the day life, jazz clubs, brothels, history, mythology, and §- The Gallery's recent acquisition, Adriaen Coorte s Still Life -§ great intellectual, military, and political figures of the literature. A thirty-minute film produced by the with Asparagus and Red Currants, was among the featured works in the exhibition of this Dutch artists oeuvre. Enlightenment, as well as historical and mythological Gallery, narrated by Morgan Freeman with readings

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§• The Art of Romare Bearden '§ Community Media, as well as Berkeley Channel 33, and Ranuccio Farnese, to the major Titian exhibition and was selected for screening at the twenty-second held at the National Gallery, London, and the Museo annual Montreal Festival of Films on Art. Both films Nacional del Prado, Madrid. Also traveling to Madrid received Telly awards for cultural programming. were two Johannes Vermeer paintings, Girl with the Closed-captioned versions were produced in VHS Red Flat and Woman Holding a Balance, along with The by Danny Glover, explored Bearden's blend of cultural format for the Vuillard film and in DVD and VHS Bedroom by Pieter de Hooch, for the exhibition Vermeer influences from Harlem, Europe, and Africa, and formats for the film on Bearden.Videocassette copies y el Interior Flolandes. Four of the Gallery's Turner featured commentary by musician Wynton Marsalis, of the films were donated to each branch of the paintings, including Keelmen Heaving in Coals by writer Albert Murray, and artist Emma Amos, all of District of Columbia's public library system. Moonlight, were on display in Turner: The Last Seascapes whom knew Bearden personally. The recorded tours for Edouard Vuillard and The Art of at the Sterling and Francine Clark Art Institute, Special exhibitions form a key component of the Romare Bearden incorporated musical selections in a non- Williamstown, . The Gallery organized Gallery's educational mission, in support of which linear, random-access format. Narrated by the Gallery's an exhibition of twenty-one Mark Rothko paintings the Gallery produces interpretive materials, including director and incorporating excerpts from interviews and watercolors from the collection for presentation wall texts, illustrated brochures, recorded tours, and with noted scholars and artists, these tours offered visi- by the U. S. Department of State at the State Museum documentary films.The Gallery's films for exhibitions tors a variety of viewpoints on the works of art featured of Art, Riga, Latvia, the country of Rothko's birth are produced in two versions, both subtitled for the in the exhibitions.The tour for Tlte Art of Romare Bearden 100 years ago; the exhibition also traveled to the hearing-impaired: a short version for screening in a included an interview with Wynton Marsalis as well as State Hermitage Museum, St. Petersburg. A major theater adjacent to the exhibition, and a thirty- excerpts of the Branford Marsalis Quartet performing group of 198 of the Gallery's Stieglitz photographs minute version for distribution. The films are shown jazz masterpieces that inspired Bearden. appeared in Alfred Stieglitz: Known and Unknown, a at other venues of the exhibition and are distributed In addition to organizing and presenting fourteen Gallery exhibition that traveled to the Museum of to schools, libraries, community centers, and public temporary exhibitions and numerous permanent instal- Fine Arts, Houston. television networks on a free-loan basis through the lations in its two buildings, the Gallery also provided Gallery's extension service program. Edouard Vuillard essential oversight as seven exhibitions traveled to other aired multiple times onWETA and on Maryland Public venues. Among the 767 works of art lent to 188 sites Television.The Bearden film aired on Maryland Public from the Gallery's collection in fiscal year 2003 are Television, on WETA, and Channel 28, Berkeley two significant Titian paintings, The Feast of the Gods

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NATIONAL GALLERY OF ART 2003

The Gallery fulfills its mission to foster the under- Academic programs at the Gallery attracted more than standing of great works of art through many programs 14,000 participants in 2003; these included thirty-two such as symposia, lectures, tours, teacher workshops, Sunday lectures, a special group of talks about sculpture, publications, films and concerts for a broad range and a works-in-progress series highlighting research by of audiences. Gallery staff and visiting scholars. In conjunction with the Thomas Gainsborough exhibition, thirty scholars DUCATION TO establish and advance life-long gathered to discuss the artist's work during a two-day connections between art and people, the Gallery program that culminated in a public lecture and panel Eserves many constituencies with programs for discussion. In addition, lecture programs for Edouard adults, families and children, school groups, and scholars. Vuillard and Frederic Remington: The Color of Night drew The resources on which we draw include the expertise enthusiastic audiences. On-site experience for the next of the staff, visiting scholars, and volunteers; our col- generation of curators, scholars, conservators, educators, lection and special exhibitions; and the library, special and museum administrators is offered at the Gallery collections, and archives for scholarly research. through internship programs. This year twenty-one In recent years, technology has provided exciting summer interns represented six countries, twelve states, opportunities, making the Gallery's services available $ THE GALLERY AS CLASSROOM { and the District of Columbia, working on projects in to a worldwide audience. During the year, education On school tours, students actively participate in learning. twenty different Gallery departments. The Gallery initiatives drew audiences of more than 20 million. hosted a Lampadia Foundation fellow from the The Gallery's collection constitutes the basis for our Pinacoteca Museum in Sao Paolo, Brazil, and a education programs. In 2003, a month-long celebration Carpenter Foundation fellow from China. The aca- investigated impressionist painting techniques, focusing demic-year interns came from six different states and on specific pictures and including talks by Gallery one foreign country. They contributed to research on curators, conservators, guest scholars, and artists. upcoming exhibitions and delivered public talks. The East Building, a masterpiece of twentieth-century Gallery programs served 56,000 children and families. architecture that houses much of our modern and School-age children are offered programs designed to contemporary art, celebrated its twenty-fifth anniversary encourage close observation and analysis of works of in 2003. We marked the occasion with an exhibition art; this year, interactive sketching and creative writing organized by Gallery Archives of drawings, photographs, components were added to several tours. The Gallery's and a model of the East Building. The installation was award-winning Art Around the Comer program serves accompanied by a series of related lectures, films, and District of Columbia public school fourth-, fifth-, and interpretive tours. sixth-graders and their teachers at four partner schools. A Sunday lecture series during the summer examined At the culminating Showcase Day event students spoke the careers of five African American artists in the collec- about a favorite work of art and selected an art or tion as a prelude to The Art of Romare Bearden exhibition. creative-writing project to display at a student exhi- As part of the series, Washington printmaker Lou Stovall bition. The Teacher Institute, which brings educators offered the public the opportunity to engage a living from around the country to the Gallery each summer, artist in discussion about his career. More than 50,000 focused on storytelling and the visual arts. The first part §- Advanced graduate students present tours -§ adults participated in Gallery tours and lectures this year. of The Art of Romare Bearden of the program explored the role of narrative in learning

28 NATIONAL GALLERY OF ART 2003 and the ways teachers could use art objects with sto- thousand teaching packets were produced, comprising rytelling activities in the classroom. The last three days an eighty-page book, six reproductions, twenty slides, of the program were devoted to an intensive hands-on five transparencies, and a jazz CD specifically keyed to tutorial in which participants told their own stories classroom projects.These packets, made available to each about art by creating short, electronic movies. The museum on the Bearden exhibition's national tour, Gallery's Web site introduced NGA Classroom, a new join a selection of more than one hundred subjects in portal for students and teachers with 140 lessons and the Gallery's inventory of distance-learning materials interactive features. NGA Kids—the Gallery's dedicated distributed free of charge to an estimated audience of area for young Web users —includes a collection of 19 million this year. Closed-captioning was completed games created this year: Collage Machine gives children in 2003 for fifty-two of the videos offered through our tools for making virtual collages, and Pixel Face invites extension service program. them to create virtual portraits. Special exhibitions provide another avenue to engage ILMS AND CONCERTS The Gallery continued the Gallery's audiences. A group of lectures in conjunc- its year-round schedule of weekend film series, tion with Edouard Vuillard, the Gallery's international F:organize d by film scholars, relating to exhibitions loan exhibition, was followed and the history of film as * LEARNING TOGETHER { by a panel discussion with an art form. In the fall of Families create collage projects as part of the THE GALLERY SERVES MANY Romare Bearden Community Festival. curators and guest scholars. 2002, a special program For Thomas Gainsborough, a CONSTITUENCIES, WITH focused on the ground- behind-the-scenes day with PROGRAMS EOR ADULTS, breaking experimental work curators, conservators, scho- of the Ukrainian formalist lars, and graduate students FAMILIES, SCHOOL GROUPS Alexander Dovzhenko and culminated in a lecture pro- AND SCHOLARS. included a new 35mm print gram and discussion. The of his film Earth, 1930, one opening of The Art of Romare Bearden was celebrated of the masterworks of the early Soviet cinema. A ret- with remembrances of the artist by friends and col- rospective devoted to American avant-garde director leagues and a well-attended community street festival Stan Brakhage (1933-2003) comprised ten programs that included a jazz orchestra performing on the East of his short, influential works—from Centuries of June Building's portico and children's art activity tents on (made with artist Joseph Cornell, 1955-65) to Passage Fourth Street. Through: A Ritual (1990). A winter series of restored Special exhibitions also offer an opportunity for the silent classics by master French filmmaker Marcel Gallery's teacher, school, and family programs to engage l'Herbier (1888-1979) was presented in association children. Other events accompanying the Bearden with the exhibition Edouard Vuillard, as were five films exhibition included a family weekend, children's films, by Sacha Guitry from the 1930s. The new restoration of schools tours and docent training, storytelling, and a 's Nana, 1926, accompanied by a chamber community mural project. Children's guides to the orchestra from Paris under the direction ofJean-Frangois Vuillard and Bearden exhibitions delighted young Zigel, also complemented the Vuillard exhibition. g-ART AROUND THE CORNER { A student makes a quilt square as part of the "Art and visitors. For the Romare Bearden exhibition, two Cinema as Trompe I'Oeil, an eclectic weekend of films the African-American Quest for Freedom" lesson.

29 NATIONAL GALLERY OF ART 2003

pated debut; this state-of-the-art system combines ease of use with the most sophisticated search capabilities currently available. The photographic archives acquired more than 12,000 photographs and 17 rare photographic albums this year. Of particular interest are photographs of the work of Donatello and his contemporaries, European drawings, and Russian architecture.The photographic archives is very grateful for gifts from several donors, including William Brumfield, Shirley Glubok-Tamarin, and John O'Brien. The slide library acquired more than 4,000 slides this year, bringing the collection total to nearly 202,000. Of this number nearly half are now represented by records in Mercury. Approximately 20,000 slides cir-

J. Russell Sale, a specialist in Italian Renaissance y German comedies, new documentaries from Canada, culated to the staff and public. Many individuals, art and Gallery lecturer, engages a group during a tour of the collection. and rare treasures from the former Soviet Asian republics. including Gallery staff, remembered the slide library Highlights of the Gallery's sixty-first season of weekly with donations. Dr. Christiane L.Joost-Gaugier once Sunday evening concerts, which ran from October 6, again provided funds to purchase slides for the collec- 2002 through June 29, 2003, included performances tion. Significant gifts of slides were made by the Museum that included such delightful illusionistic works as Sky by the United States Naval Academy Glee Club, bari- of Fine Arts, Houston, the Art Institute of Chicago, Blue Water Light Sign, 1974, and Tlte Automatic Moving tone Jubilant Sykes and guitarist Christopher Barkening, and the Smithsonian's American Art Museum and Company, 1912, was organized in association with the and pianists Gary Graffman, Garrick Ohlson, and Louis National Portrait Gallery. The White House Historical exhibition Deceptions and Illusions. A series of classic Lortie. The concerts in 2002 constituted the Sixtieth Association, in association with the curator of the White American documentaries produced through the American Music Festival and were presented in honor of House, continues to place on deposit selected slide cooperation of federal agencies between 1937 and the exhibition Drawing on America's Past. In honor of holdings of fine and decorative arts. 1941 was shown in association with Drawing on America's Frederic Remington: The Color of Night, nocturnes by To ensure the richness of the future historical record, Past: Folk Art, Modernism, and the Index of American Chopin and other composers were presented. Gallery Archives developed and implemented protocols Design. During the spring of 2003, retrospectives Eighteenth- and early nineteenth-century French to preserve and make available digital photographs, as devoted to Russian filmmaker Andrei Tarkovsky, music marked the exhibition Jean Antoine Houdon well as new systems to organize and preserve electronic American director Dorothy Arzner, and Italian cinema (1741-1828): Sculptor of the Enlightenment. copies of building drawings. The John Rewald Papers of the 1950s and 1960s focused on archival preserva- project was finalized, and a comprehensive illustrated tion efforts around the world. During the summer, esources for scholarly research database of historical photographs among the papers curators and conservators from the Library of Congress In fiscal year 2003, the Library acquired 9,349 was created. Oral histories, an important addition to introduced a series of American classics of the early Rvolumes, welcomed 3,790 visitors, conducted the Gallery's archival holdings, were conducted with, sound era from the Library's Warner Bros, collection. 912 orientations, answered 21,863 reference inquiries, among others, Dan Kiley, landscape architect for the As in other years, working closely with foreign embassies and shared 3,565 volumes with other institutions East Building, longtime Gallery horticulturist Don in Washington, several film series featured works seldom through interlibrary loan. In May 2003 Mercury, the Hand, and attorney Thomas Beddall concerning his viewed in the United States: 's early Library's new online catalogue, made its eagerly antici- long association with Paul Mellon.

30 NATIONAL GALLERY OF ART 2003

ENTER FOR ADVANCED STUDY IN THE in the first volume of a new seminar series, to appear in VISUAL ARTS The Center, now in its twenty- anticipation of the Dada exhibition at the Gallery. A Cthird year, sponsors the study of the visual practicum for emerging curators and scholars on arts in each of its four program areas of fellowships, Renaissance bronze statuettes was directed by Manfred research, publications, and scholarly meetings. Leithe-Jasper, the first Edmond J. Safra Visiting The resident community of scholars at the Center Professor, with the support of members of the Center in fiscal year 2003 included individuals working on and the Gallery's curatorial staff. KirkVarnedoe delivered topics ranging from the art collection of Hermann the fifty-second A. W Mellon Lectures in the Fine Arts, Goering to the Imperial Museum of Japan to titled "Pictures of Nothing: since Pollock." Renaissance portraits, and the pigments of Venetian Guest lecturers Natalie Boymel Kampen and Yiqiang painters. The Center drew scholars from Australia, Cao addressed the topics of "Touching the Emperor: , Bangladesh, Canada, the Czech Republic, The Representation of the Ruler's Body in Roman Germany, India, Israel, Italy, the Netherlands, the Imperial Art" and "Nian Xiyao (?-1739) and His People's Republic of China, the Republic of Korea, Study of Scientific Perspective," respectively. Two Singapore, , and the United Kingdom (see informal meetings were held on "Redefining Italian pages 78-79). Continuing research projects under the Governmental Policy and Legislation on the direction of the deans are dedicated to the development Management and Conservation of Cultural Heritage," of the National Gallery's photographic archives of and '"Pittura gobba?' Conjectures on Caravaggio's Italian architectural drawings made before 1800, the Deposition of Christ." completion of "Keywords in American Landscape Two volumes in the symposium series Studies in Design," and a guide to documentary sources for the the were published in fiscal year 2003: art history and archaeology of the Andes. A new doc- The Treatise on Perspective, Published and Unpublished umentary study of the Accademia di San Luca in and a second edition of The Mall in Washington, Rome from about 1590 to 1630 is underway, as is the 1791-1991. For a complete description of the translation of a series of important early modern texts Center's activities, see Center 23: Record of Activities and on the history of art. The Center convened two Research Programs, fune 2002-May 2003. symposia during the 2002-2003 academic year. "Collecting Sculpture in Early Modern Europe," which was supported by funds from the Frese Foundation, coincided with the exhibition of Robert H. Smith's collection of Renaissance bronzes in the new Sculpture Galleries, and is being prepared for publication. The thirty-third annual session of the Middle Atlantic Symposium in the Flistory of Art was cosponsored with the University of Maryland. Other meetings at the Center in fiscal year 2003 included two gatherings on the subject of Dada.The & The East Building Administrative and Study Center ~§ offers scholars, educators, and staff researchers papers resulting from these discussions will be presented unparalleled library resources as well as office space.

31 88 »s

NATIONAL GALLERY OF ART 2003

In fiscal year 2003, the Gallery's painting, object, Following the opening of the Sculpture Galleries paper, and textile conservators and scientific in September 2002, object conservators turned their researchers undertook treatments and examinations, attention to the comprehensive treatment of the and studied and devised new technologies that further Gallery's outdoor sculpture collection. Several large-scale the Gallery's mission of preserving the works with works received major treatment, including Sol LeWitt's which it is entrusted. Four-Sided Pyramid, Joan Miro's Personnage Gothique, Oiseau-Eclair, and Mark DiSuvero's Aurora.The scope he painting conservation department com- of the annual treatment of Henry Moore's Knife Edge pleted sixteen major treatments during fiscal Mirror Two Piece was expanded this year: removing Tyear 2003. Four recent acquisitions in the deteriorating and discolored wax revealed the work's Gallery's collection of old master Dutch, Flemish and rich patina, and modifying the application of lacquer Italian paintings were treated-Adriaen Coorte's Still to the polished sections created a more subtle and Life with Asparagus and Red Currants, Cornells Janson pleasing color balance. Conservators performed tech- van Ceulens Portrait of Anna Maria van Schumann, nical examinations of new acquisitions, including the Nicholas Maes's Portrait of a Lady, and Corrado seventeenth-century Spanish polychrome Saint John of Giaquinto's Winter-as were three longstanding corner- the Cross,V incenzo Gemito's Portrait of Jean-Louis-Ernest stones of these collections: Pieter de Hooch's A Dutch Meissonier, Charles Cumberworth's The Indian Fluntress, Courtyard, Sir Peter Paul Rubens' Head of One of the and Tony Smith's Die. Technical studies were conduct- Three Kings, and Girolamo da Carpi's The Apparition ed on the Robert H. Smith collection of Renaissance of the Virgin. Conservators treated three early twentieth- bronzes. Working with the Atlanta-based corporation century French paintings: Paul Gauguin's The Invocation, Purafil, object conservators began collaborative Henri Matisse's Palm Leaf, Tangiers, and Georges research on air pollution within exhibition cases; the Seurat's Seascape at Port-en-Bessin. Three American first phase of the project is focusing on cases containing paintings were treated in preparation for exhibitions: Edgar Degas' wax sculpture; the results of this research 's Mrs. Richard Yates and RichardYates and are expected to benefit the entire sculpture collection. Andrew Wyeth's Snow Flurries. In collaboration with Senior painting conservator Ann Hoenigswald -§ Ongoing departmental research projects include the treats Francois Bouchers Consoling Love. the scientific research department, two series of technical examination, with the scientific research twentieth-century paintings were studied and treated department, of the artist's original wax sculpture for a with major or minor interventions in preparation for forthcoming systematic catalogue, an analytical study new installations: Barnett Newman's Stations of the Italian Paintings of the Fifteenth Century; work continued to establish the chronology of a series of tondo reliefs Cross and Mark Rothko's Seagram Mural sketches; the on notes for French Paintings of the Fifteenth through by Andrea della Robbia, and the compositional latter treatment will continue into early fiscal year Eighteenth Centuries, and French Impressionist Paintings. analyses of a Matteo Civitale terracotta sculptural 2004.Joan Mitchell's L<3«rf,Arshile Gorky's Organization, In addition to the general care of the collection and group. Following a year-long study of the aging and Mark Rothko's two Fantasies at Dawn also of paintings on loan, painting conservators play key properties of prepared paint for use on outdoor underwent major treatment. In addition, 35 minor roles in all Gallery exhibitions, participate in numerous sculpture, the object conservators focused on a prom- treatments, 29 in-depth examinations, and 312 minor Gallery research projects, take part in colloquies, and ising compound for use on outdoor sculpture at the examinations were completed. Extensive conservation provide technical information for entries on works on Gallery and formulated by the U.S. Army Research notes were contributed to the systematic catalogue the Gallery's Web site, as well as assisting other museums. Laboratory. Nine major treatments of sculptures, 70

34 NATIONAL GALLtKY OF ART 2003

minor treatments, and 69 technical examinations were completed by the object conservation department, and condition evaluation was performed on 432 works in the Gallery's collection. Treatments begun on 10 sculptures during fiscal year 2003 will continue into the coming fiscal year. Paper conservators participated in preparations for two major exhibitions. Several prints in the Gallery's collection were treated for their exhibition in Colorful Impressions: The Printmaking Revolution in Eighteenth- Century France. Among these were mezzotints —Janinet's La Comparison, and Debucourt's Les Deux Baisers—and Eros and Psyche, an etching with aquatint by Jean Inpainting of The Lavie Children -§ Claude Richard de Saint-Non (after Bouchard). The •§- Objects conservation technician -§ by Johann Zoffany. Caitlin Jenkins performs a cleaning test on the latter, a very rare print and one of the earliest examples recently acquired Tony Smith sculpture, Die. of aquatint, had been cut in two pieces and inaccurately joined. After reducing the staining and discoloration, the two pieces were realigned and repaired with paper pulp from the verso; small gaps on the recto were filled and leveled with cellulose powder toned to match the surrounding original paper. The paper con- servators also provided technical support for the exhibition's catalogue by radiographing more than sixty watermarks. A flaking gouache painting, Chist in Glory, was consolidated for The Art of Romare Bearden. Treatments undertaken of works in the collection during the year include an etching by Andre Dunoyer de Segonzac, Fernande with Arms Crossed, Large Plate; mat-burn around the etching's window and corruga- tion pattern stains from acidic backing board were mitigated by bathing and bleaching. Treatment of Jackson Pollocks Untitled drawing in black enamel paint involved the consolidation of ink and the reduction of stains and creases; during the course of this treatment, conservators had the opportunity to study Pollock's use of painting materials in his drawings. In §- Objects conservator Daphne Barbour examines -§ a collaboration with the scientific research department, §* Objects conservators Katy May and Abilgail Mack -§ the recent acquisition Saint John of the Cross. complete the annual maintenance treatment paper conservators conducted ongoing research into of George Rickey's Cluster of Four Cubes.

35 §• Senior paper conservators Shelley Fletcher and Judith Walsh discuss "§ photographs, 368 Collecting Point plates, §• Assistant frame conservator Richard Ford conserves an -§ treatment of the large fifteenth-century woodcut, Crucifixion. eighteenth-century Rococo frame while frame conservator Steve and three photograph albums. Wilcox gilds a reproduction Italian Gothic altarpiece frame. The Gallery's scientific research staff worked exten- sively with conservators during the year. In collaboration with object conservators, the department's scientists pigments used in early European woodcuts for the studied more than two hundred samples of Degas' forthcoming exhibition Origins of European Printmaking: wax sculptures, revealing the complexity of their Fifteenth-Century Relief Prints and Their Public. Mellon composition and their changes over time. In collabora- Fellow research into John Marin's watercolors revealed tion with painting conseravators, scientists studied media new information about the artists palette and techniques. and coatings used in Barnett Newman's Stations of the The paper conservation department carried out 28 Cross series and in paintings by Joan Mitchell. major treatments, 117 minor treatments, and 1,052 Exhibitions at the Gallery provide several opportu- examinations of condition; 777 objects were matted nities for collaborative research. Examinations of and framed. Conservation efforts with respect to bronzes in the Robert H. Smith Collection through photographs concentrated on implementing cold x-ray fluorescence spectrometry, a technique that does storage for a wide range of the Gallery's important not require sampling, enabled scientists to determine historic photographic film materials, including the alloy composition of the works and to compare archival black-and-white and color still film and x-ray them with bronzes from the Gallery's collection. Gas films. The department's Samuel H. Kress photograph chromatography was used to study the media of several §- Senior photographic conservator Connie McCabe -§ conservator continued conservation of holdings in paintings by EdouardVuillard; the information gathered examines the custom vapor-proof packaging that assures the ideal humidity level for historic the Gallery's photographic archives, treating 568 from these analyses was presented at the Gallery's April photographic film while in frozen storage.

36 NATIONAL GALLERY OF ART 2003

2003 Vuillard symposium. In preparation for an exhibi- discoloration of works of art, all new materials are tion scheduled for 2005, scientists began a comparative tested by the Gallery's scientists before being used. study of painting technique in Rembrandt's late religious The current test protocol takes approximately thirty portraits in Washington, London, and Amsterdam. days to complete, and the results are sometimes Work began on the study of painting materials in Early inconclusive; Gallery researchers are investigating a Netherlandish diptychs, in support of an upcoming technique that will allow rapid and quantitative analysis Gallery exhibition, using samples prepared as cross of trace amounts of these compounds. In collaboration sections to allow comparison of the panels. with American and French research institutes, the The scientists at the Gallery are also involved in sev- department began a project to investigate the effect eral long-term research projects.The department began of variations in surface topography, including those a survey to evaluate the feasibility of using a recently resulting from aging or human intervention, on the acquired microdiffractometer for characterizing appearance of works of art. Current research is focus- pigments in works on ing on model samples; paper without sampling; future work will include preliminary results carried CONSERVATORS FURTHER measurements on actual out on watercolor mockups THE GALLERY'S MISSION OF works of art. indicate that the tech- The Art Materials nique holds promise. Using PRESERVING THE WORKS Collection and Study Fourier-transform infrared OF ART WITH WHICH IT Center at the Gallery was microspectrometry, which established nine years makes it possible to ana- IS ENTRUSTED. ago to provide a reposi- lyze photographic coatings tory for commercially without taking samples or leaving disfiguring marks, produced art materials and supporting documentation. the department determined conclusively for the first The focus of the collection is on materials made in time that Alfred Stieglitz used beeswax to coat his the last several decades. A short-term goal has been to Michael Palmer, conservation scientist, and Gregory Smith, Samuel "§ Golden Research Fellow, use a video link to the light microscope for a photographs. The results of these analyses will be establish an accurate electronic database inventory of discussion of a paint cross-section from Rembrandt's The Apostle Paul published in an upcoming book on photograph more than twelve thousand items currently in the col- conservation. In collaboration with conservation depart- lection. A long-term project involves extracting a small ments at other institutions, and funded by a grant amount of oil and acrylic paints from tubes in the from Golden Artist Colors, Inc., the Gallery's scientists collection to create thin-film samples on inert supports initiated a three-year research project to investigate the that will dry and age naturally. These samples will response of modern acrylic paintings to common clean- provide valuable data for understanding the effects of ing and conservation treatments; this work will be useful time on the physical and chemical properties of paint. in determining cleaning protocols for these paintings. New kinds of exhibition materials are often proposed for use in Gallery exhibitions. Given the risk that these materials might contain damaging volatile and semi- volatile compounds that can cause corrosion and

37

2003 review treasurer's report

iscal year 2003 ended with a real sense of accomplishment. The Gallery providing art education programs to the public and scholars would not be possible greatly benefited from the year's financial markets recovery, restoring a without this support. The Gallery's federal support was provided for with the 1937 significant portion of the resources necessary to continue its quality pro- Joint Resolution of Congress that accepted Andrew W. Mellon's unprecedented gift grams and initiatives. As a result, our ability to focus on the continued to the nation of his art collection, the funds to construct the West Building, and an enhancement of our core programs of collecting, exhibiting, preserving, endowment fund. The Joint Resolution pledged the faith of the United States to Fand educating has been gready improved. provide funds for the operations and maintenance of the Gallery, so that the Gallery With the financial resources restored and the increasing demand to deliver key would be open to the public free of charge 363 days a year. programs to a broader range of audiences, the Gallery continues to explore the use I would also like to thank Robert H. Smith for his support as president and trustee of technology innovation to achieve these objectives. A noteworthy example of this of the National Gallery of Art. His leadership and commitment have remained innovation during the fiscal year was the replacement of constant, including his support this fiscal year for the Center the Gallery's library system which went on-line in May REPLACING OLDER for Advanced Study in the Visual Arts fellowship and 2003. Replacing older technology systems to enhance TECHNOLOGY SYSTEMS scholarly meetings programs and to the Gallery's Bronze the delivery of our key programs in the coming years is IN THE COMING YEARS Research Project, which was a major contribution to this one of our major goals for improved public access to the important scholarly endeavor. TO ENHANCE THE Gallery's collections, special exhibitions, and research and educational materials. DELIVERY OF OUR KEY iscussion of operating results The Gallery also continues to invest in its commitment to PROGRAMS IS ONE OF For fiscal year 2003, the Gallery reported an the repair and restoration of its two landmark buildings, the OUR MAJOR GOALS. Doperating deficit of $3.7 million, the same Sculpture Garden, and the grounds. Maintaining the facili- operating deficit as in the prior year. While the Gallery's ties while presenting to the public great works of art is key to our educational mission. overall revenues increased over 14.8 percent in 2003, this increase was largely offset The Gallery Shops have long provided an unparalled resource in Washington for by 6.5 percent increase in operating costs and expenses.The investment return on our the Gallery's distinguished publications as well as other publishers' art historical and portfolio, while slightly lower than the benchmarks against which it is measured, was architectural works and related educational materials. To concentrate this resource positive for the first time in more than two years; this increase was largely responsible for our visitors, this year the Gallery combined the bookstores into the redesigned for the overall increase of the Gallery's net assets for fiscal year 2003. and enlarged Concourse Bookstore. Fiscal year 2003 appropriated federal funds supported necessary expenditures In fiscal year 2003 the Gallery enjoyed attendance of 3.9 million visitors. including increases in salary costs and fringe benefits of Gallery employees, as well We are grateful to the President and to the Congress for their support and the as the utilities, supplies and repair and maintenance expenses for the operations and ongoing appropriations of federal funds that have allowed the Gallery to flourish maintenance of the Gallery. Work continued on the comprehensive Master Facilities over the years. Our mission in fulfilling our national role of making works of art Plan, which addresses needed improvements to our galleries, public spaces and available to the public, properly caring for the collection, buildings and grounds, and infrastructure and provides for the restoration of the East and West Buildings over a

40 NATIONAL GALLERY OF ART 2003

twelve- to fourteen-year period. Federal renovation funds support this major capital increased in 2003 by $9.5 million when compared to the prior year, due to several project, which during fiscal year 2003 included continuing exterior stone repair of the large endowment gifts received in fiscal year 2003. east and west facades and portico of the West Building, mechanical, electrical, and Operating expenses of $112.6 million for fiscal year 2003 were 6.5 % percent plumbing systems renovations in the West Building, fire risk analysis for the East higher than the previous year, mainly due to increases in salary and benefits costs, Building, and ongoing repair and restoration of both the East and West Buildings. repairs and maintenance, and information technology improvements. Federal appro- As part of the Gallery's mission of serving the nation, great works of art are priated funds totaling $93.4 million were obligated and utilized for the operation, borrowed from public and private collections around the world for special exhibitions maintenance, security and renovation of the Gallery. that are seen by millions of visitors each year. The Gallery's exhibition program began in fiscal year 2003 with the opening of the exhibition Deceptions and Illusions: Five TATEMENT OF FINANCIAL POSITION The Gallery's financial position Centuries ofTrompe L'Oeil Painting and included other major exhibitions such as Edouard grew stronger in fiscal year 2003 with net assets increasing $80.3 million or Vuillard, Thomas Gainsborough 1727-1788, Ernst Ludwig Kirchner 1880-1938, Jean- S13.2%.This was largely due to the strong performance of the investment port- Antoine Houdon (1741-1828): Sculptor of the Enlightenment, and The Art of Romare folio in fiscal year 2003 when compared the portfolio's performance in fiscal year Bearden. The federal government, through its indemnity program of the Federal 2002. The investment portfolio, which includes funds for operations, special purpose Council on the Arts and the Humanities, is a major factor in the international funds and endowment funds, increased $64.9 million in fiscal year 2003 to $505.9 component of the Gallery's special exhibitions program. In fiscal year 2003, four million by September 30, 2003. exhibitions received this Federal indemnity, making it possible for the Gallery to The auditor's report and the statements of financial position, activities and cash present exhibitions of a size and caliber that simply would not be possible without flows for the Gallery for the fiscal years ended September 30, 2003 and 2002 are this crucial program. presented on the following pages.

PERATING RESULTS Fiscal year 2003 operating revenue totaled $113.8 million, an increase of $8.8 million, or 8.4 percent over the previous year. OMost of this increase was a result of increased federal support for salaries and benefits, repairs and maintenance, and information technology improvements as James E. Duff well as several large bequests received in fiscal year 2003. The Gallery's investment Treasurer portfolio greatly benefited from the upturn in the financial markets and gained 18.2 percent overall in fiscal year 2003. A portion of the total investment return is des- ignated annually to support the ongoing operations while the remaining gain, $60.7 million in fiscal year 2003, was used to offset realized and unrealized losses that were recorded in prior years. Non-operating support, including gifts and grants designated for special purposes, art acquisitions and capital projects, and endowment funds also

41 NATIONAL GALLERY OF ART 2003

report of independent accountants

PRICEWATERHOUS^OOPERS @

TO THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART

In our opinion, the accompanying statements of financial position and the related statement presentation. We believe that our audit provides a reasonable basis for our statements of activities and cash flows, present fairly, in all material respects, the opinion expressed above. financial position of the National Gallery of Art (the Gallery) at September 30, In accordance with Government Auditing Standards, we have also issued a report 2003, and the changes in its net assets and its cash flows for the year then ended dated November 14, 2003, on our consideration of the Gallery's internal control in conformity with accounting principles generally accepted in the United States structure and its compliance with laws and regulations. of America. These financial statements are the responsibility of the Gallery's man- agement; our responsibility is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery's 2002 financial statements, and in our report dated

December 6, 2002 we expressed an unqualified opinion on those financial state- Washington, D C. ments. We conducted our audit of these statements in accordance with auditing November 14, 2003 standards generally accepted in the United States of America and Government Auditing Standards issued by the Comptroller General of the United States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial

42 NATIONAL GALLERY OF ART 2003

financial statements ]

STATEMENT OF FINANCIAL POSITION September 30, 2003 and 2002

ASSETS 2003 2002

Cash and cash equivalents $ 30,794,302 $ 26,297,060 Accounts receivable, net 2,128,135 1,736,697 Pledges receivable, net 15,927,859 13,182,036 Investments 505,961,449 441,051,419 Trusts held by others 6,916,071 6,043,422 Publications inventory, net 1,609,870 2,235,321 Deferred charges 795,563 1,063,031 Fixed assets, net 144,974,909 135,129,234 Art collections

Total assets $709,108,158 $ 626,738,220

LIABILITIES AND NET ASSETS

LIABILITIES: Accounts payable and accrued expenses $ 20,134,854 $ 17,966,308 Capital lease obligation 2,528,464 2,625,538

Total liabilities 22,663,318 20,591,846

NET ASSETS: Unrestricted Designated for collections and art purchases 17,307,257 11,162,320 Designated for special exhibitions 5,396,136 5,161,495 Designated for capital projects 29,568,370 26,264,814 Designated for education and public programs 17,981,004 15,844,252 Designated for other operating purposes 22,264,553 13,061,849 Designated for publications, including systematic catalogues 21,458,969 19,933,708 Designated for fixed assets 142,446,445 132,503,696

Total unrestricted 256,422,734 223,932,134

Temporarily restricted 133,588,217 113,048,026 Permanently restricted 296,433,889 269,166,214

Total net assets 686,444,840 606,146,374

Total liabilities and net assets $709,108,158 $ 626,738,220

The accompanying notes are an integral part of these financial statements.

43 NATIONAL GALLERY OF ART 200

STATEMENTS OF ACTIVITIES For the year ended September 30, 2003 and 2002 with summarized financial information for the year ended September 30, 2002

Temporarily Permanently OPERATING Unrestricted Restricted Restricted 2003 Total 2002 Total

SUPPORT AND REVENUE: U.S. Government appropriation I 73,219,930 3,006,331 5 76,226,261 $ 69,709,811 Gifts and grants 6,116,836 8,712,725 14,829,561 12,228,835 Gallery shop sales, net 9,160,342 9,160,342 9,549,241 Investment return designated for operations 2,218,884 9,829,000 12,047,884 11,858,933 Royalties and other income 1,557,558 1,557,558 1,642,963 92,273,550 21,548,056 113,821,606 104,989,783

Net assets released from restrictions to fund operating expenses 16,607,643 (16,607,643) Total support and revenue 108,881,193 4,940,413 113,821,606 104,989,783

OPERATING EXPENSES: Program services: Collections 30,875,221 30,875,221 29,014,840 Special exhibitions 16,274,239 16,274,239 15,183,008 Education, gallery shops and public programs 35,795,334 35,795,334 33,399,307 Editorial and photography 3,364,924 3,364,924 3,620,648

Total program services 86,309,718 86,309,718 81,217,803

Supporting services: General and administrative 22,880,963 22,880,963 21,044,367 Development 3,370,633 3,370,633 3,400,361

Total supporting services 26,251,596 26,251,596 24,444,728 Total expenses 112,561,314 112,561,314 105,662,531 (Decrease) increase in net assets from operating activities (3,680,121) 4,940,413 1,260,292 (672,748)

NON-OPERATING

U.S. Government appropriation 16,124,505 16,124,505 14,792,000 Non-operating gifts and grants 3,219,861 9,357,180 12,577,041 4,369,494 Provision for bad debts (150,000) (208,333) (358,333) (7,697) Changes in value of trusts held by others (24,305) 20,149 780,085 775,929 (993,122) Investment return in excess of amount designated for operations 21,046,440 23,254,713 16,380,410 60,681,563 (35,683,848) Other (366,151) Net assets released from restrictions to fund non-operating expenses 26,061,117 (26,061,117) Change in net assets from non-operating activities before acquisitions of works of art 46,933,252 16,349,778 26,517,675 89,800,705 (17,889,324) Acquisitions of works of art (10,762,531) (10,762,531) (18,732,525) Increase (decrease) in net assets 32,490,600 21,290,191 26,517,675 80,298,466 (37,294,597)

Net assets at beginning of year, before reclassification 223,932,134 113,048,026 269,166,214 606,146,374 643,440,971 Reclassification of prior year net asset balances (750,000) 750,000 Net assets at beginning of year, after reclassification 223,932,134 112,298,026 269,916,214 606,146,374" 643,440,971 Net assets at end of year $256,422,734 $133,588,217 $296,433,889 $686,444,840 $ 606,146,374

The accompanying notes are an integral part of these financial statements.

44 NATIONAL GALLERY OF ART 2003

STATEMENTS OF CASH FLOWS For the years ended September 30, 2003 and 2002

CASH FLOWS FROM OPERATING ACTIVITIES: 2003 2002 Increase (decrease) in net assets $ 80,298,466 $ (37,294,597)

ADJUSTMENTS TO RECONCILE INCREASE (DECREASE) IN NET ASSETS TO NET CASH (USED IN) PROVIDED BY OPERATING ACTIVITIES: Depreciation and amortization 6,611,651 6,318,085 Amortization of discount on pledges receivable (285,572) (428,644) Provision for bad debts 358,333 7,697 Contributions and net investment income for permanently restricted investments (10,076,530) 7,737,492 US Government appropriations for renovation projects (16,124,505) (14,792,000) Gifts and grants for art acquisitions and capital projects (3,219,861) (3,919,257) Changes in value of trusts held by others (775,929) 993,122 Acquisitions of works of art 10,762,531 18,732,525 Realized (gains) losses on sale of investments (4,984,459) 35,813,242 Unrealized gains on investments (58,824,638) (2,283,790) (Increase) decrease in value of trusts held by others (872,649) 918,505 (Increase) decrease in accounts receivable, net (391,438) 1,674,482 (Increase) decrease in pledges receivable, net (3,225,877) 3,594,417 Decrease (increase) in publications inventory, net 625,451 (45,984) Decrease in deferred charges 267,468 193,316 Decrease in accounts payable and accrued expenses (2,377,384) (2,856,188)

Net cash (used in) provided by operating activities (2,234,942) 14,362,423

CASH FLOWS FROM INVESTING ACTIVITIES: Purchase of investments (249,486,643) (247,749,649) Proceeds from sale of investments 248,385,710 259,162,963 Acquisitions of works of art (8,047,070) (15,717,968) Purchase of fixed assets (14,626,857) (14,946,835)

Net cash used in investing activities (23,774,860) (19,251,489)

CASH FLOWS FROM FINANCING ACTIVITIES: Contributions and net investment income for permanently restricted investments 10,076,530 (7,737,492) US Government appropriations for renovation projects 16,124,505 14,792,000 Gifts and grants for art acquisitions and capital projects 3,627,154 4,411,729 Changes in value of trusts held by others 775,929 (993,122) Principal payment on capital lease obligation (97,074) (336,843)

Net cash provided by financing activities 30,507,044 10,136,272 Net increase in cash and cash equivalents 4,497,242 5,247,206 Cash and cash equivalents, at beginning of year 26,297,060 21,049,854 Cash and cash equivalents, at end of year $ 30,794,302 $ 26,297,060

SUPPLEMENTAL DISCLOSURE OF NON CASH INFORMATION: Donated investment securities $ 633,143 $ 758,089 Purchase of equipment under capital lease obligation $ $ 2,962,380 Fixed asset additions included in accounts payable $ 1,830,469 $ 1,362,678 Interest paid on capital lease $ 240,237 $

The accompanying notes are an integral part of these financial statements.

45 NATIONAL GALLERY OF ART 2003

potential market declines. The amount designated "no-year" federal appropriations for special exhi- notes (which is computed under the spending policy) and bitions, emergency response, and for the repair, all interest income earned by investing cash in excess renovation and restoration of its buildings are classified of daily requirements are used to support current as temporarily restricted net assets. 1. SUMMARY OF SIGNIFICANT operations (see Note 5). Temporary restrictions may expire as a result of ACCOUNTING POLICIES fulfillment of the donor's wishes or the passage of SUMMARIZED FINANCIAL INFORMATION time. Net assets released from temporarily restricted GENERAL The financial statements include certain summarized net assets to unrestricted net assets occur when The National Gallery of Art (the Gallery) receives an prior-year information in total only, but not by net contributions are expended or time restrictions annual appropriation to cover its core programs as asset class. Such information does not include sufficient lapse and are reported as net assets released from part of the budget approved annually by Congress detail to constitute a presentation in conformity with restrictions in the statement of activities. and signed by the President. This is supplemented accounting principles generally accepted in the United >Permanently restricted net assets have donor-imposed with income from endowments designated for current States of America. Accordingly such information should restrictions which stipulate that the corpus of the operating expenditures as well as gifts and grants des- be read in conjunction with the Gallery's financial gifts be retained permanently. In some cases, the ignated by the donors for specific programmatic statements for the year ended September 30,2002 from donor has also permanently restricted the use of activity (All monies, related activities and balances which the summarized information was derived. excess income and any realized or unrealized gains from federal sources are referred to herein as "federal", attributable to the corpus. while all other monies, related activities and balances NET ASSETS are referred to herein as "private".) All identified The Gallery's net assets, support and revenue, expenses, CASH AND CASH EQUIVALENTS inter-fund transactions have been eliminated from gains and losses are classified based on the existence or Cash and cash equivalents include interest-bearing the financial statements. absence of donor-imposed restrictions. Accordingly, net demand deposits and appropriated amounts remaining assets of the Gallery are classified and reported as follows: on deposit with the U.S.Treasury.The Gallery considers MEASURE OF OPERATIONS all highly liquid investments with an original maturity The Gallery includes in its measure of operations all >Unrestricted net assets include "one-year" federal of three months or less to be cash equivalents, except federal and private support and revenue and expenses appropriations and all other resources, which are not where such cash equivalents are held as part of a long- that are integral to its core program services: collections; subject to donor-imposed restrictions. One-year term investment strategy (see Notes 2 and 5). special exhibitions; education, gallery shops and public federal appropriations which are not obligated or programs; and editorial and photography.The measure expended are retained by the Gallery in accordance PLEDGES RECEIVABLE of operations excludes certain non-operating activities with federal guidelines. At the discretion of the Unconditional promises to contribute to the Gallery in such as non-operating gifts and grants, investment Gallery's Board of Trustees, private funds which the future (pledges receivable) are recorded at the pre- return in excess of amounts designated for operations are not expended for operating activities may be sent value of future cash flows, using a risk free rate of and acquisitions of works of art. set aside in designated reserves and earmarked to return, after providing an allowance for uncollectibility The Gallery's Board of Trustees designates only a cover future program costs or other contingencies. portion of the Gallery's cumulative investment return >Temporarily restricted net assets carry specific donor- for support of current operations; the remainder is imposed restrictions on the expenditure or other use retained to support operations of future years and offset of the contributed funds. In addition, the Gallery's NATIONAL GALLERY OF ART 2003

INVESTMENTS PUBLICATIONS INVENTORY The Gallery acquires its art collections through Investments are generally carried at fair value based Publications inventory is carried at the lower of cost or purchase or by donation-in-kind. Only current year upon quoted market price when available at the end of market. Cost is determined using the retail cost method. purchases made from specifically designated funds, the fiscal year. Certain investments in limited partner- not donations-in-kind, are reflected in the statement ships are valued by the general partner. A portion of DEFERRED CHARGES of activities. The Gallery does not deaccession any of the limited partnerships are invested in non-marketable Deferred charges represent private expenses incurred its permanent collections. securities for which there are no readily obtainable in connection with future special exhibitions and market values, and the valuation of these investments other activities and are recognized in the period in ACCRUED LEAVE may be based on historical cost, appraisals, obtainable which the exhibition or activity occurs. Annual leave is accrued as it is earned by employees and prices for similar assets, or other estimates. Because of is included in personnel compensation and benefit the uncertainty of valuation for the Gallery's investments FIXED ASSETS costs. An unfunded liability as of the date of the finan- in limited partnerships, values for those investments may The land occupied by the Gallery's buildings was cial statements is recognized for earned but unused differ from values that would have been used had a appropriated and reserved by the Congress of the annual leave by federal employees since this annual ready market for the investments existed. Purchases United States for that purpose. No value has been leave will be paid from future federal appropriations and sales of securities are reflected on a trade-date assigned in the accompanying financial statements. when the leave is used by employees. The amount basis. Gain or loss on sales of securities is based on Buildings are recorded at cost and depreciated on a accrued is based upon current pay of the employees. average historical value (cost of securities if purchased straight-line basis over the estimated useful life of fifty or the fair market value at the date of gift if received years. Building improvements, equipment, furniture EMPLOYEE BENEFITS by donation). Dividend and interest income is recorded and computer software are also recorded at cost and The Federal Accounting Standards Advisory Board on the accrual basis. In accordance with the policy of depreciated on a straight-line basis over estimated issued Statement of Federal Financial Accounting stating investments at fair value, the net change in useful lives ranging from five to twenty-five years. Standards No. 5 (SFFAS No. 5), "Accounting for unrealized appreciation or depreciation for the year is Upon retirement of fixed assets, the related cost and Liabilities of the Federal Government", which reflected in the statement of activities (see Note 5). accumulated depreciation are removed from the requires employing agencies to recognize the cost of accounts (see Note 7). pensions and other retirement benefits during their TRUSTS HELD BY OTHERS employees' active years of service. The pension expense The Gallery has been named as beneficiary in several ART COLLECTIONS recognized in the Gallery's financial statements is irrevocable charitable trusts held by third parties. The The Gallery's art collections focus upon European equal to the current service cost for the Gallery's Gallery's share of these trusts is recorded at current and American paintings, sculpture and works on employees for the accounting period less the amount fair value. Income distributions from these trusts are paper. In conformity with accounting procedures contributed by the employees. The measurement of recorded as investment income and changes in the value generally followed by art museums, the value of art the pension service cost requires the use of an actuarial of these trusts are recorded as "changes in the value has been excluded from the statement of financial cost method and assumptions with factors applied by of trusts held by others" in the statement of activities. position. The Gallery's collections are maintained for the Gallery. These factors are supplied by the Office public exhibition, education and research in further- of Personnel Management (OPM), the agency that ance of public service, rather than for financial gain. administers the plan. The excess of the recognized

47 NATIONAL GALLERY OF ART 2003 pension expense over the amount contributed by the Costs that are identifiable to the Gallery and directly includes the expenses associated with individual and Gallery represents the amount being financed directly attributable to the Gallery's operations are paid by corporate gifts and grants, annual appeals and other through the Civil Service Retirement and Disability these Federal agencies. fundraising efforts. Fund administered by OPM. This amount is consid- ered imputed financing by the Gallery. CONTRIBUTED SERVICES ESTIMATES All permanent employees of the Gallery, both federal The Gallery has volunteers who provide assistance in The preparation of the financial statements, in con- and non-federal, hired subsequent to January 1,1984 various departments. Such contributed services do formity with generally accepted accounting principles, participate in both the Social Security Retirement not meet the criteria for recognition of contributed requires management to make estimates and assumptions System and the Federal Employees' Retirement System services contained in Statement of Financial that affect the reported amount of assets and liabilities, (FERS). Employees hired prior to January 1, 1984 Accounting Standards No. 116, "Accounting for disclosure of contingent assets and liabilities, and the had the option of remaining under the Civil Service Contributions Received and Contributions Made", reported amounts of support and revenue and expen- Retirement System (CSRS) or electing FERS. All and, accordingly, are not reflected in the accompanying ses at the date of the financial statements and during employees have the option to make tax-deferred financial statements. the reporting period. Actual results could differ from contributions to a Thrift Savings Plan and, in some these estimates. instances, receive a matching portion from the Gallery. FUNCTIONAL ALLOCATION OF EXPENSES The Gallery funds all retirement contributions on a The cost of providing various programs and other RECLASSIFICATIONS current basis, and accordingly there are no unfunded activities has been summarized on a functional basis Certain prior year balances have been reclassified to retirement costs (see Note 11). in the statement of activities. Certain costs including conform to current year presentation or as a result of SFFAS No. 5 also requires that the Gallery recog- depreciation, utilities, building maintenance, security changes in donor intent. nize a current-period expense for the future cost of and other operating costs have been allocated among post-retirement health benefits and life insurance for program and supporting services. its employees while they are still working. The Gallery Included under the Collections category are the costs 2. CASH AND CASH EQUIVALENTS accounts for and reports this expense in its financial of the care and display of the Gallery's collections. statements in a manner similar to that used for pension Special exhibitions includes travel, transportation of As of September 30, 2003 and 2002, cash and cash expense, with the exception that employees and the items and other services necessary for the display of equivalents include federal cash of $25,240,154 and Gallery do not make current contributions to fund special exhibitions. Education, gallery shops and public $22,340,425, respectively, on deposit with the U.S. these future benefits. programs includes the cost of providing a wide array Treasury representing appropriated amounts yet to be of lectures, tours, films, music, symposia and academic disbursed. There are no reconciling items between IMPUTED FINANCING SOURCES programs to the general public, in addition to gallery the amounts recorded by the Gallery and on deposit In certain cases, the operating costs of the Gallery shop cost of goods sold and expenses. Editorial and with the U.S.Treasury. are paid out of funds appropriated to other Federal photography includes the costs to produce the many agencies. As an example, the law requires certain publications produced by the Gallery. General and costs of retirement programs be paid by OPM and administrative includes expenses for executive manage- certain legal judgments against the Gallery be paid ment, financial administration, information systems, from the Judgment Fund maintained by Treasury. human resources and legal services. Development

48 NATIONAL GALLERY OF ART 2003

3. ACCOUNTS RECEIVABLE In 1942, the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the As of September 30, 2003 and 2002, accounts receivable consisted of the following: U.S. Treasury. This loan bears interest at 1/4% below the average monthly rate for long-term funds paid by 2003 2002 the U.S. Treasury (ranging from 4.0% to 4.75% during Accrued investment income $ 602,212 $ 710,643 fiscal year 2003). Interest income on this loan was Special exhibition and other program receivables 897,796 495,467 Other 680,183 582,643 $218,559 and $253,472 for the years ended September Subtotal 2,180,191 1,788,753 30,2003 and 2002, respectively. Less allowances (52,056) (52,056) Investments in common and preferred stocks Total $ 2,128,135 $ 1,736,697 and mutual funds consist of the Gallery's ownership interest in externally managed investment funds, 4. PLEDGES RECEIVABLE which invest in market-traded equity and fixed income securities. Alternative investments, totaling As of September 30, 2003 and 2002, pledges receivable consisted of the following: $26,956,683 and $4,503,178 at September 30, 2003 and 2002, respectively, represent the Gallery's owner- 2003 2002 ship interest in externally managed funds organized as Due in one year or less 4,702,440 6,820,082 limited partnerships which have been valued by the Due between one year and five years 11,520,800 6,929,806 general partners and which are generally subject to Due in more than five years 710,000 145,000 Subtotal 16,933,240 13,894,888 certain withdrawal restrictions. Less discounts of $705,381 and $562,852 and Included in Other investments are loans to an exec- allowances of $300,000 and $150,000, respectively (1,005,381) (712,852) utive officer which are secured by residential real Total 15,927,859 13,182,036 estate. The first note, totaling $1,130,000, is due eight months after the officer's retirement from the Gallery 5. INVESTMENTS and carries an interest rate of 5% on $130,000 of the note balance; the second note, totaling $600,000, carries As of September 30, 2003 and 2002, investments consisted of the following: an interest rate of 5.3% and is due either the earlier of 2021 or eight months after the officer's retirement 2003 2002 from the Gallery. Cost Fair Value Cost Fair Value According to the Gallery's spending policy set by the Loan to the U.S. Treasury f 5,000,000 E 5,000,000 $ 5,000,000 $ 5,000,000 Government obligations, cash and money market funds 16,493,720 16,493,720 15,480,904 15,480,904 Board of Trustees, only a portion of the total invest- Common and preferred stocks 115,856,474 129,112,962 118,841,480 105,695,193 ment return derived from investments is available to Mutual funds (equity & fixed income) 310,162,877 326,711,601 324,166,978 308,666,977 Alternative investments 26,849,372 26,956,683 4,769,005 4,503,178 support current operations, while the remainder is Other 1,686,483 1,686,483 1,705,167 1,705,167 reinvested. Under this spending policy, five percent

Total $476,048,926 £505,961,449 $469,963,534 $441,051,419 of the average fair value of endowment investments at the end of the previous three-and-one quarter years is available to support operations.

49 NATIONAL GALLERY OF ART 2003

The following schedule summarizes the investment return and its classification in the statement of activities:

Temporarily Permanently 2003 2002 INVESTMENT RETURN DESIGNATED FOR OPERATIONS Unrestricted Restricted Restricted Total Total

Interest on short-term investments $ 486,884 $ $ $ 486,884 $ 299,933 Investment return designated by spending policy for operations 1,732,000 9,829,000 11,561,000 11,559,000 Total investment return designated for operations $ 2,218,884 $ 9,829,000 $ $ 12,047,884 $ 11,858,933

INVESTMENT RETURN IN EXCESS OF AMOUNT DESIGNATED FOR OPERATIONS

Dividends and interest (net of expenses of $1,021,461 and $1,012,895, respectively) $ 2,750,631 $ 5,682,835 $ $ 8,433,466 $ 9,404,604 Net investment appreciation (depreciation) 20,027,809 27,400,878 16,380,410 63,809,097 (33,529,452) Total return on long-term investments 22,778,440 33,083,713 16,380,410 72,242,563 (24,124,848) Investment return designated by spending policy for operations (1,732,000) (9,829,000) (11,561,000) (11,559,000)

Investment return in excess of amount designated for operations $21,046,440 $ 23,254,713 $ 16,380,410 $ 60,681,563 $ (35,683,848)

6. PUBLICATIONS INVENTORY, NET

As of September 30, 2003 and 2002, net publications inventory consisted of the following:

< 2003 2002

Retail $ 843,821 $ 1,173,516 Work-in-process 875,968 921,886 Consignment 569,129 807,570 2,288,918 2,902,972 Less allowance for obsolescence (679,048) (667,651)

Total $ 1,609,870 $ 2,235,321

7. FIXED ASSETS, NET

As of September 30, 2003 and 2002, net fixed assets consisted of the following:

2003 2002

Buildings and improvements $204,123,679 $202,320,007 Equipment 31,303,075 29,220,416 Construction-in-progress 25,716,978 13,181,035 Equipment under capital lease 2,962,380 2,962,380 264,106,112 247,683,838 Less accumulated depreciation and amortization (119,131,203) (112,554,604)

Total $144,974,909 $135,129,234

Depreciation and amortization expense was $6,611,651 and $6,318,085 for fiscal years 2003 and 2002, respectively.

50 NATIONAL GALLERY OF ART 2003

3. UNEXPENDED APPROPRIATIONS

The Gallery's unexpended federal appropriations as of September 30, 2003 and 2002 are as follows:

One-year No-year Renovation No-year Special No-Year Emergency Total 2003 Federal Total 2002 Federal Funds Funds Exhibition Funds Response Funds Appropriated Funds Appropriated Funds

Balance beginning of period: Available $ 4,454,480 234,306 1,184,349 5,873,135 4,048,734 Unavailable 702,569 702,569 616,006 Total beginning unexpended appropriations 702,569 4,454,480 234,306 1,184,349 6,575,704 4,664,740

Unavailable authority returned to U.S. Treasury (132,446) (132,446) (160,567) U.S. Government funds provided for prior years (18,017) (18,017) 244,928 Current appropriation received 73,710,745 16,124,505 3,006,331 92,841,581 85,282,445

Obligations incurred: Art care (25,536,199) (25,536,199) (22,765,543) Operations and maintenance (15,293,940) (15,293,940) (14,627,124) Security (15,013,465) (1,012,897) (16,026,362) (14,788,964) General and administrative (16,438,965) (16,438,965) (13,849,337) Special exhibitions (3,174,414) (3,174,414) (3,208,347) Renovation and equipment (1,425,847) (15,497,657) (16,923,504) (14,216,527)

Total obligations incurred (73,708,416) (15,497,657) (3,174,414) (1,012,897) (93,393,384) (83,455,842)

Net change (148,134) 626,848 (168,083) (1,012,897) (702,266) 1,910,964

Balance end of period: Available 5,081,328 66,223 171,452 5,319,003 5,873,135 Unavailable 554,435 554,435 702,569 Total ending unexpended appropriations 554,435 5,081,328 66,223 171,452 $ 5,873,438 6,575,704

9. NET ASSETS RELEASED FROM RESTRICTIONS

Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2003 2002 Operating Non-operating Operating Non-operating

Acquisition of art $10,562,647 f 18,513,667 Collections 1,653,055 2,266,032 Special exhibitions 6,465,947 8,229,905 Education and public programs 4,854,110 3,894,034 Editorial and photography 144,910 567,325 Capital projects 15,498,470 11,003,595 Operations 3,489,621 3,444,235

Total $16,607,643 $26,061,117 $ 18,401,531 $29,517,262

51 NATIONAL GALLERY OF ART 2003

10. ANALYSIS OF RESTRICTED NET ASSETS 12. INCOME TAXES

As of September 30, 2003 and 2002, temporarily restricted net assets and the investment income from permanendy The Gallery is a nonprofit organization exempt from restricted net assets are restricted to support the following purposes: federal income taxes under the provisions of 501(c)(3) of the Internal Revenue Code. 2003 2002 Temporarily Permanently Temporarily Permanently Restricted Restricted Restricted Restricted 13. LEASE COMMITMENTS Acquisition of art 59,602,016 88,644,249 5 49,758,304 88,112,181 Collections 2,167,102 26,028,435 1,105,177 23,835,661 Special exhibitions 7,465,287 17,152,109 5,111,921 13,172,550 During fiscal year 2002, the Gallery entered into a Education and public programs 26,440,846 54,524,988 23,456,938 43,660,220 Editorial and photography 114,000 138,910 capital lease obligation in connection with the instal- Capital projects 16,314,418 15,528,383 lation of equipment. The Gallery has also entered Operations 21,484,548 110,084,108 17,948,393 100,385,602 into several operating leases for warehouse and office Total S 133,588,217 $296,433,889 5113,048,026 5 269,166,214 space, which continue through January 31, 2013. The terms of these operating leases include additional rent for operating expenses, real estate taxes, utilities and maintenance. Future minimum lease payments under 11. EMPLOYEE BENEFITS these leases for the fiscal years ending September 30 are as follows: Total pension expense recognized in the Gallery's financial statements was $4,639,590 and $4,605,073 for the years ended September 30,2003 and 2002, respectively.These amounts do not include pension expense financed Capital Operating lease leases by OPM and imputed to the Gallery of $1,541,296 and $1,788,453, respectively. To the extent that Gallery 2004 $ 337,793 $ 3,007,180 employees are covered by the thrift savings component of FERS, the Gallery's payments to the plan are record- 2005 338,289 3,281,318 ed as operating expenses. The Gallery's cost associated with the thrift savings component of FERS for the years 2006 338,801 3,347,295 ended September 30, 2003 and 2002, were $1,340,995 and $1,245,795, respectively. 2007 339,327 3,414,790 2008 339,870 3,527,726 In addition, the Gallery makes matching contributions for all employees who are eligible for current health Thereafter 2,740,551 12,241,801 and life insurance benefits. The Gallery's contributions for active employees are recognized as operating expens- Total minimum lease payments 4,434,631 $28,820,110 es. During fiscal years 2003 and 2002, the Gallery contributed $3,243,081 and $2,926,160, respectively. Using Less amount representing interest (1,906,167) the cost factors supplied by OPM, the Gallery has not recognized as an expense in its financial statements the Present value of minimum future cost of post-retirement health benefits and life insurance for its employees. These costs amounted to capital lease payments $2,528,464 approximately $4,672,839 and $4,578,262 during fiscal years 2003 and 2002 respectively, are financed by OPM Rental expense was approximately $2,634,406 and $1,488,300 for the and imputed to the Gallery. years ended September 30, 2003 and 2002, respectively.

52 NATIONAL GALLERY OF ART 2003

Chaplain, Jules-CI6ment, French, German 16th Century Rodin, Auguste, French, 1840-1917 1839-1909 >fohann van Leyden (obverse); >J.B. van Berckelaer, 1874-1875, acquisitions >Henriquel Dupont, c. 1870/1892, >Coat of Arms (reverse), c. 1535, marble, 2002.139.1, Gift of the Iris & [ bronze, 2003.131.1, Gift of David and bronze, 2002.146.7.a-b B. Gerald Cantor Foundation Constance Yates > William V (obverse); Roettiers, Jan, Flemish, 1631-1703 >Coat of Arms (reverse), 1568, gilded Ch6ron, Charles-Jean-Frangois, French, > Charles II (obverse); Ricci, Sebastiano, Italian, 1659-1734 silver, 2002.146 8.a-b PAINTINGS. 1635-1698 > Catherine of Braganza (reverse), > The Last Communion of Saint Mary Gift of Lisa Unger Baskin >Falvio Orsini (obverse); 1662, silver, 2002.146.13.a-b, of Egypt, c. 1695, oil on canvas, Calame, Alexandre, Swiss, 1810-1864 >A Rosebush Growing out of a Rocky Gij6n, Francisco Antonio, Attributed to, Gift of Lisa Unger Baskin 2003.85.1, Patrons' Permanent Fund >Swiss Landscape, c. 1830, oil on paper Terrain (reverse), c. 1655/1675, Spanish, 1653-c. 1721 on canvas, 2003.41.1, Gift of Roger Roland, Philippe-Laurent, French, bronze, 2002.146.3.a-b > Saint John of the Cross (San Juan de Richards, William Trost, American, 1746-1816 and Victoria Sant >Pietro da Cortona (obverse); Fame la Cruz), c. 1675, polychromed and 1833-1905 > Therese-Fratifoise Potain Roland, Wife (reverse), 1669, bronze, 2002.146.4.a-b, gilded wood with sgraffitto decoration, Clemente, Francesco, Italian, born 1952 > October, 1863, oil on canvas, 2003.29.1, of the Sculptor, c. 1782/1783, terracotta, Gift of Lisa Unger Baskin 2003.124.1, Patrons' Permanent Fund >Midnight Sun V, 1982, oil on canvas, The William Stamps Farish Fund 2003.43.1, Millennium Funds 2002.147.1, Gift of David and Rousseau, Theodore, French, Ch6ron, Charles-Jean-Frangois, Attributed Kirchner, Ernst Ludwig, German, Gerry Pincus Selvi, Antonio Francesco, Italian, to, French, 1635-1698 1880-1938 1812-1867 1679-1753 >Filippo Lauri (obverse); >Head of a Woman, 1913, carved and Coorte, Adriaen, Dutch, > Panoramic View of the He-de-France, >Lorenzino de' Medici (obverse); > The Artist at his Easel Painting an painted oak, 2002.143.1, Patrons' active c. 1683-1707 c. 1830, oil on canvas, 2003.40.1, > Cap of Liberty between Daggers (reverse), Antique Sculpture (reverse), c. 1670, Permanent Fund >Still Life with Asparagus and Red Chester Dale Fund c. 1740, bronze, 2002.146.15.a-b, Currants, 1696, oil on canvas, bronze, 2002.146.14.a-b, Gift of Lisa Tuymans, Luc, Belgian, born 1958 Magni, Pietro, Italian, 1817-1877 Gift of Lisa Unger Baskin Unger Baskin 2002.122.1, The Lee and Juliet >The Reading Girl (La Leggitrice), model >Dead Skull, 2002, oil on canvas, Smith, Tony, American, 1912-1980 Folger Fund Cumberworth, Charles, French, 1856, carved 1861, marble, 2003.84.1, 2002.142.1, The Buddy Taub Foundation, >Die, model 1962, fabricated 1968, 1811-1852 Patrons' Permanent Fund Durand, Asher B., American, Jill and Dennis Roach, Directors steel with oiled finish, 2003.77.1, 1796-1886 > The Indian Huntress (La chasseresse Ward, Charles Caleb, Canadian Manzu, Giacomo, Italian, 1908-1991 Gift of the Collectors Committee > The Stranded Ship, 1844, oil on canvas, indienne), model by 1841, cast 1840s, 1831-1896 >John XXIII (Angelo Giuseppe 2003.71.1, Gift of Ann and Mark bronze, 2003.69.1, Gift of David Soldani, Massimiliano, Italian, 1656-1740 >His First Appearance in Public, 1870, Roncalli) (obverse); Kington/The Kington Foundation through and Constance Yates in honor of >Francesco Redi (obverse); oil on wood panel, 2003.42.1, >The Opening of Vatican II (reverse), the Millennium Funds the re-installation of the European >Bacchanal (reverse), 1684, bronze, Avalon Fund 1962, silver, 2002.146.9.a-b, Sculpture Galleries 2002.146.16.a-b, Gift of Gift of Lisa Unger Baskin Giaquinto, Corrado, Italian, 1703-1766 Lisa Unger Baskin Duvivier, Jean, French, 1687-1761 > Winter, c. 1740/1750, oil on canvas, Melone, Giovanni Vincenzo, Italian, >Peter the Great (obverse); Tanner, John Sigismund, German, 2002.155.1, Gift of the Rizik Family SCULPTURE active 1571-1579 >Fame Blowing her Trumpet (reverse), active 1728-1775 Inness, George, American, 1825-1894 Auguste, Henri, French, born 1759 >Cardinal Alessandro Farnese (obverse), 1717, bronze, 2002.146.5.a-b, >Minerva (Jernegan's Lottery >Henri de La Tour d'Auvergne, (obverse); > The Opening for Worship of the Chiesa >Harvest Scene in the Delaware Valley, Gift of Lisa Unger Baskin Medal) (obverse); del Gesu, Rome (reverse), 1575, 1867, oil on canvas, 2002.154.1, >Inscription (reverse), 1800, bronze, > Queen Caroline Watering a Young Palm Probably Etruscan bronze, 2002.146. lO.a-b, Gift of Gift (Partial and Promised) of Ina 2002.146.1.a-b, Gift of Lisa Unger Baskin Tree Grove (reverse), 1736, silver, and Jack Kay >Container in the Form of an African's Lisa Unger Baskin Bossuit, Frangois van, Flemish, 2002.146.17.a-b, Gift of Head, 4th/2nd century BC, bronze, Lambdin, George Cochran, American, 1635-1692 Montauti, Antonio, Italian, Lisa Unger Baskin 2003.132.2, Gift of Nell W. > The Ecstasy of Mary Magdalene, c. 1680, c. 1685-after 1740 1830-1896 Weidenhammer Vivier, Mathias-Nicholas-Marie, >Frederick IV(obverse); > Vase of Flowers, 1875, oil on canvas, ivory, 2003.1.1, New Century Fund French, 1788-c. 1859 2003.38.1, Gift (Partial and Promised) Gatteaux, Nicolas-Marie, French, > Personification of the River Arno (reverse), Burger, Sebastian, Swiss, 1791-1848 >Robert-Joseph Pothier (obverse); of William and Abigail Gerdts 1751-1832 1708, bronze, 2002.146.11.a-b, Gift of >Mechtild von Seedorf and Anna >Justice and Faith (reverse), 1823, >Horatio Gates (obverse); Lisa Unger Baskin Seiler (obverse); bronze, 2002.146.18.a-b, Mangold, Sylvia Plimack, American, > General Burgoyne Surrenders his Sword >Insel Hospital, Bern (reverse), 1818, Pingo, Lewis, British, 1743-1830 Gift of Lisa Unger Baskin born 1938 to General Gates at Saratoga (reverse), tin alloy, 2002.146.2.a-b, Gift of Lisa >1Edward VI (medal for the school >Collision, 1977, acrylic on canvas, 1787, bronze, 2002.146.6.a-b, Waechter, Georg Christian, Linger Baskin of Christ's Hospital, founded 2003.20.1, The Dorothy and Herbert Gift of Lisa Unger Baskin German, 1729-1789 Vogel Collection, Gift of Dorothy Vogel 1553) (obverse); Canova, Antonio, Italian, 1757-1822 > Voltaire (obverse); and Herbert Vogel, Trustees Gemito, Vincenzo, Italian, 1852-1929 >Open Book of Exodus (reverse), designed >Dancer with Finger on her Chin, model > Altar of Fame (reverse), 1770, >Jean-Louis-, 1879, c. 1780/1790, awarded 1846, 1809/1814, carved 1819/1823, marble; bronze, 2002.146.19.a-b, Pierson, Christoffel, Dutch, 1631-1714 bronze, 2003.106.1, Gift of Asbjorn R. silver, 2002.146.12.a-b, >Naiad, model 1815/1817, carved Gift of Lisa Unger Baskin >Niche with Falconry Gear, probably Lunde in honor of Douglas Lewis Gift of Lisa Unger Baskin 1660s, oil on canvas, 2003.39.1, 1820/1823, marble, 2003.62.1,2, Patrons' Permanent Fund Gift of Lillian Berkman

53 NATIONAL GALLERY OF ART 2003

DECORATIVE ARTS Bettati, Giovanni, Italian, 1700-1777 Derain, Andr6, French, 1880-1954 Hir6my-Hirschl, Adolf, Hungarian, Primary Master of the Strasbourg >A Rococo Clock with Sirens, Putti, Masks, > Woman's Head, charcoal, 2002.157.12, 1860-1933 Probably Dutch 19th Century Chronicle, German, active 1490s and a Bird of Paradise Pointer, pen and Gift of Ruth Cole Kainen; >The Triumph of Apollo, c. 1893, black >Stilleto, c. 1850, silver and steel, > Hector of Troy, Alexander the Great, and brown ink with brown and gray wash over > Cloth Bunched on the Edge of a chalk and black, white, and gray gouache 2003.132.1, Gift of Nell julius Caesar; graphite and black chalk, 2003.104.1, Circular Table (recto); A Nude Striding on tan paper, 2003.82.1, Ailsa Mellon > King Arthur, Charlemagne, and Godfrey W. Weidenhammer Katharine Shepard Fund Away (verso), 1913, pencil, Bruce Fund of Boulogne (recto); foshua, King David, 2003.107.1.a-b, Gift of Michel and and Judas Maccabeus (verso), 1492, Borges Salas, Francisco, Spanish, Huber, Johann Caspar, Swiss, 1752-1827 Viviane Kellermann in memory of pen and black ink over traces of MEDIA ARTS 1904-1984 >A Leafy Oak by a Woodland Path, Leland Bell and Louisa Matthiasdottir; black chalk, ruled in lead point, >A Shrouded Figure Seated before a 1780s, graphite, black and white chalk, Benglis, Lynda, American, born 1941 > Study for the Portrait of Marie Harriman, 2003.102.l,2.a-b, Patrons' Fantastic Skyscraper, 1928, black chalk and gray wash on buff paper, 2003.53.2, Thirty-seven reel-to-reel videotapes, early 1935, pencil, 2003.108.1, Gift of Permanent Fund and stumped graphite heightened with Ailsa Mellon Bruce Fund 1970s, 2003.116.1-37, The Dorothy Robert and Virginia Stoppenbach in white chalk on gray paper, 2003.93.1, Raffet, Auguste, French, 1804-1860 and Herbert Vogel Collection, Gift of memory of Francis and Louise Keyes Klein, Johann Adam, German, Ailsa Mellon Bruce Fund >An Elderly Jew and a Muslim Tartar in Dorothy and Herbert Vogel, Trustees 1792-1875 Diebenkorn, Richard, American, the Crimea, 1837, watercolor over Callot, Jacques, French, 1592-1635 >A Shady Arbor in the Valley of Viola, Bill, American, born 1951 1922-1993 black crayon, 2003.81.1, Ailsa Mellon > Gobbi and Other Bizarre Figures (recto), Gragnano, 1820, graphite, 2003.53.3, > The Quintet of the Astonished, 2000, >Seated Woman, 1966, charcoal; Bruce Fund 1616-1617, pen and brown ink; A Leg Ailsa Mellon Bruce Fund DVD installation with projectors and > View from a Studio Window, 1967, and a Pig's Head (verso), red chalk Reiffenstein, Karl Theodor, German, supporting equipment, 2003.64.1, gouache and pencil, 2002.158.1-2, Kdniger, Veit, German, 1729-1792 with pen and brown ink, 2003.6.1.a-b, 1820-1893 Gift (Partial and Promised) of Gift of Phyllis Diebenkorn > Rococo Altar with a Reliquary Tomb, Ailsa Mellon Bruce Fund >A Copse of Trees, 1863, pen and black Mr. and Mrs. Richard C. Hedreen 1760s, pen and black ink with gray wash, Dix, Otto, German, 1891-1969 and brown ink, 2003.31.1, Ailsa Mellon Chadwick, Francis Brooks, American, 2003.46.2, William B. O'Neal Fund >Siichsische Landschaft, 1938, pen with Bruce Fund 1850-1943 brown and black ink and lead white La Fosse, Charles de, French, DRAWINGS >Destiny, c. 1895, oiled charcoal, Roman 18th Century over graphite on prepared pink paper, 1636-1716 2002.131.1, Ailsa Mellon Bruce Fund >An Elderly Man in Classical Drapery, Alt, Rudolf von, Austrian, 1812-1905 2003.47.1, Anonymous Gift > Two Young Women Seated on black and white chalk with stumping > The Piazza San Marco, 1874, watercolor Constantly Jean-Antoine, French, the Ground (recto); Young Woman French 13th Century on oatmeal paper, squared for transfer, over black chalk, 2003.34.1, Gift of 1756-1844 Kneeling and Reaching Forward >Peter with the Keys, c. 1230, pen and 2003.45.1, William B. O'Neal Fund Joan and David Maxwell >An Ancient Tree Fallen beside a Stream, (verso), c. 1700, red and black chalk ink with gouache on vellum, 2002.157.1, c. 1814, pen and black and gray ink heightened with white chalk on light Roshardt, Walter, Swiss, 1897-1966 Baron, Hannelore, American, 1926-1987 Gift of Ruth Cole Kainen over black chalk, 2003.96.1, Gift of brown paper, 2003.87.l.a-b, > Woman Sitting in a Coffin with Flowers >Untitled, 1986, watercolor, printing ink, Alexander M. and Judith W. Laughlin French 19th Century Millennium Funds/New Century Fund in Her Hair, black chalk, 2003.21.1, pen and ink, graphite, and collage, >Allegorical Figure, red chalk, Gift of Mr. and Mrs. Kurt Meissner 2002.157.2, Gift of Ruth Cole Kainen; Copley, John Singleton, American, O'Hara, Morgan, American, born 1941 2003.118.19, Gift of Frank >Untitled, 1986, watercolor, printing ink, 1738-1815 >Form and Content: The Shape of Rousseau, Theodore, French, 1812-1867 Anderson Trapp pen and ink, and collage, 2003.60.1, >John Temple, 1765, pastel on paper Discourse #13, 1995, sumi ink, > Sunset from the Forest of Fontainebleau, Ailsa Mellon Bruce Fund mounted on canvas, 2003.133.1, Fuger, Fried rich Heinrich, German, 2003.109.1, Gift of Werner H. and 1848, oil on paper laid down on canvas, Patrons' Permanent Fund 1751-1818 Sarah-Ann Kramarsky 2003.70.1, Gift of Helen Porter and Bartolommeo, Fra, Italian, 1472-1517 >Embrating Lovers in Classical Dress James T. Dyke > The Virgin and Child Surrounded by Corot, Jean-Baptiste-Camille, French, Orlovskii, Aleksandr Osipovich, (after Raphael), 1785/1790, pen and Saints and Crowned by Angels (recto); 1796-1875 Russian, 1777-1832 SaIath6, Friedrich, Swiss, 1793-1858 black ink with gray wash, black chalk, Kneeling Angel (verso), pen and brown >A Nude Reclining in a Landscape, > The Polish Rider, pen with brown ink and >An Ancient Tree with Figures in a and white heightening on blue paper, ink heightened with white on paper 1825/1828, graphite, 2003.36.1, gray wash over red chalk on blue paper, Landscape, c. 1835, graphite, 2003.21.2, 2003.46.1, William B. O'Neal Fund washed pink, 2003.119.1.a-b, Gift of Evelyn Stefansson Nef 2003.103.1, Ailsa Mellon Bruce Fund Gift of Mr. and Mrs. Kurt Meissner Anonymous Partial and Promised Gift Gonzaga, Pietro, Italian, 1751-1831 Delacroix, Eug6ne, French, 1798-1863 Perugino, Italian, c. 1450-1523 Schellenberg, Johann Rudolph, Swiss, > Fantasy of a Great Hall with Bemmel, Wilhelm von, German, >Male Nude Posing for Figures in the > The Adoration of the Shepherds, c. 1505, 1740-1806 Basketweave Columns; 1630-1708 "Frise de la Guerre", c. 1835, graphite, pen and brown ink over black chalk, >A Field Mouse, from Above; > Fantasy of an Ancient Capitol with > Classical Landscape with a Waterfall, 2003.49.1, Ailsa Mellon Bruce Fund 2003.14.1, Anonymous Gift >A Field Mouse, from Below, watercolor Trophies and Grand Staircases, c. 1800, c. 1660, gray wash with pen and brown over graphite and pen and black ink, Denes, Agnes, American, born 1938 pen and brown ink with brown wash, Prendergast, Maurice Brazil, American, and black ink, 2003.53.1, Ailsa Mellon 2003.48.2-3, Gift of Andrew Robison >Map Projections: The Doughnut, 1979; 2002.138.1-2, William B. O'Neal Fund 1858-1924 Bruce Fund >Map Projections: The Egg, 1978, > Caffe Florian, Venice, 1898/1899, Schubler, Johann Jacob, German, Graff, Anton, Swiss, 1736-1813 Berchem, Nicolaes Pietersz, watercolors with metallic silver and watercolor and graphite, 2003.123.1, Gift 1689-1741 > Hands Holding a Sword and a Tricorn, Dutch, 1620-1683 photographic film overlays, 2003.65.1,3, of Ernest Hillman, Jr., in memory of his >Harlequin and Scaramouche Create a c. 1790, charcoal touched with white >Four Sheep and a Cow, c. 1652, red Gift of Charles J. Tanenbaum and Ailsa friend, John Davis Skilton, Jr. "Fountain", 1729, pen and black ink chalk on brown paper, 2003.57.1, chalk with counterproof, 2002.141.1, Mellon Bruce Fund and gray wash, incised for transfer, Gift of Diane Allen Nixon Ailsa Mellon Bruce Fund 2003.83.1, Ailsa Mellon Bruce Fund

54 NATIONAL GALLERY OF ART 2003

Schwind, Moritz von, Austrian, PRINTS AND Bonnet, Louis-Marin, French, 1736-1793 Ch6ret, Jules, French, 1836-1932 Demarteau the Elder, Gilles, French, 1804-1871 ILLUSTRATED BOOKS >Bust of a Young Woman Looking Down > Waltz of the Blondes and Waltz of the 1722-1776 >Architectural Details for a Wall Decoration (after Frangois Boucher), 1773 or later, Brunettes, 1880s, color lithograph, >Four Cherubs at Target Practice; Aman-Jean, Edmond, French, with Empress Maria Theresia Embracing chalk manner printed in 2 colors, 2003.118.10, Gift of Frank > Three Cherubs Playing on a 1860-1936 the Young Wolfgang Amadeus Mozart, 2003.12.1, Gift of Ivan E. and Winifred Anderson Trapp Dolphinlike Wave (both after > Young Woman with Long Hair, 1898, c. 1864, pen and brown ink, 2003.95.1, Phillips, in memory of Neil Phillips Frangois Boucher), chalk manner, color lithograph, 2003.118.1, Chifflart, Francois-Nicolas, French, Ailsa Mellon Bruce Fund 2002.156.1-2, Ellwanger/Mescha Gift of Frank Anderson Trapp Bresdin, Rodolphe, French, 1822-1885 1825-1901 Collection South German 15th Century >Entree du village, 1866, etching, >Improvisations sur cuivre, 1865, Andrea, Nicolaus, German, active > Christ Kneeling in Prayer, c. 1425, 2002.157.4, Gift of Ruth Cole Kainen complete set of 15 etchings with Demarteau, Gilles-Antoine, French, c. 1573-1606 pen and dark brown ink with dark gray drypoint, 2002.136.1-15, Ailsa Mellon 1750-1802 > Stanislaus Sabinus von Stracza, 1590, Callot, Jacques, French, 1592-1635 wash and white heightening on paper Bruce Fund; >Head of a Woman Looking Down engraving, 2003.25.1, Ailsa Mellon >Christ's Entry into ferusalem, 1635, partially prepared with pink, 2003.67.1, > Grape Harvest; Male Academy, 1865, (after Frangois-Andr6 Vincent), c. 1788, Bruce Fund etching, 2002.157.5, Gift of Ruth Anonymous Gift two etchings from Improvisations chalk manner and tool work, printed Cole Kainen; Bernard, £mile, French, 1868-1941 sur cuivre; in 3 colors, 2003.27.1, Gift of Ivan E. Storer, Johann Christoph, German, >Lux claustri and Vita Beatae Mariae >Couple Standing in Water, 1915, >The Nightmare, 1876, etching, and Winifred Phillips in honor c. 1591-1671 Virginis Matris Dei Emblematibus, 2 color etching; 2003.118.11-13, Gift of Frank of Philip Conisbee >Apollo and the Muses on Mount volumes bound together, with 54 etched >Man Pouring from fug, 1930, Anderson Trapp Parnassus, c. 1650, pen and brown ink illustrations (Paris, 1646), 2003.80.1.a-b, Denes, Agnes, American, born 1938 woodcut, 2003.118.3-4, Gift of Frank and brown wash, heightened with William B. O'Neal Fund Claesz, Allaert, Netherlandish, active >Map Projections: The Egg; Anderson Trapp white, over black chalk, 2003.45.2, 1520/1555 >Map Projections: The Hot Dog; Carracci, Agostino, Italian, 1557-1602 William B. O'Neal Fund Bernard, Johann, Austrian >Death with a Couple, 1562, engraving, >Map Projections: The Snail I, 1976, >Mercury and the Three Graces (after 1784-after 1821 2002.157.8, Gift of Ruth Cole Kainen color lithographs, 2003.65.2, 4-5, ThiSnon, Claude, French, 1772-1846 Jacopo Tintoretto), 1589, engraving, > Querulas praetentat pollice cordas (The Gift of Charles J. Tanenbaum and > Cliffs with a Waterfall at Tivoli, 2002.135.1, Ailsa Mellon Bruce Fund Claude Lorrain, French, 1600-1682 Lute Player) (after Orazio Gentileschi), Ailsa Mellon Bruce Fund; black chalk, 2003.45.3, William B. >Dance under the Trees, c. 1637; 1802, mezzotint, 2003.78.1, Carrifere, Eugfene, French, 1849-1906 >The Reflection, 1981, lithograph dusted O'Neal Fund >Departure for the Fields, 1638/1641, Ailsa Mellon Bruce Fund >Hommage ct Tolstoi, 1901, lithograph, with metallic pigment, 2003.89.1, etchings, 2002.157.9-10, Gift of Ruth Valdenuit, Thomas Bluget de, working 2002.157.6, Gift of Ruth Cole Kainen; Gift of the Artist Besnard, Albert, French, 1849-1934 Cole Kainen in America, born in France, 1763-1846 >Maternity, 1896, lithograph, 2003.118.8, >Ma Famille, 1890; Denis, Maurice, French, 1870-1943 > Gulian Ludlow; Gift of Frank Anderson Trapp Cochin I, Charles-Nicolas, French, >Nude Girl Combing Her Hair, 1887, >At the Foot of the Cross, 1939, color >Maria Ludlow, 1797, black and white 1688-1754 etchings, 2003.118.5-6, Gift of Frank Castiglione, Giovanni Benedetto, Italian, lithograph, 2003.118.14, Gift of Frank chalk on tan paper prepared with pink >Le feu de colin-maillard (after Nicolas Anderson Trapp 1609 or before-1664 Anderson Trapp gouache, 2003.75.1-2, Gift of the Lancret), c. 1738, etching [proof], >Man with a Scroll, c. 1650, etching, Amon G. Carter Foundation Bolswert, Boetius Adams, Flemish, 2003.13.1, Katharine Shepard Fund Desboutin, Marcellin-Gilbert, French, 2002.157.7, Gift of Ruth Cole Kainen; 1580-1633 1823-1902 Vallotton, F6lix, Swiss, 1865-1925 >Noah and the Animals Entering the Ark, Daumier, Honor6, French, 1808-1879, >Le Coup de lance (after Sir Peter Paul >Self-Portrait, 1897, etching and drypoint, >The Corpse, 1893, black chalk on buff etching, 2003.26.1, Gift of Bert Freidus and Edouard Bouvenne, French, Rubens), 1631, etching and engraving, 2002.157.13, Gift of Ruth Cole Kainen; paper, 2003.32.1, Gift of Joan and 19th century 2003.19.1, Ailsa Mellon Bruce Fund Cazenave, Fr6d6ric, French, active >Alphonse Karr, c. 1875, etching David Maxwell >Inconvenient de quitter, 1846; 1793-1843 and drypoint; Bolswert, Schelte Adams, Flemish, >Mr. de Robert Macaire Restaurateur, Wolf, Caspar, Swiss, 1735-1798 >L'Optique (after Louis-Leopold Boilly), >Henri Rochefort, 1880, drypoint, 1586-1659 1836, hand-colored lithographs > Cascade dessus Wasserberg, c. 1774, c. 1793, wash manner, inked <3 la 2003.118.15-16, Gift of Frank >A Landscape with a Village; [proofs], 2003.28.1-2, Ailsa Mellon watercolor and black ink, 2003.55.1, poupee in 3 colors with hand coloring, Anderson Trapp > Rocky Landscape (after Sir Peter Paul Bruce Fund Anonymous Gift; 2002.125.1, Gift of Ivan E. and Winifred Rubens), c. 1638, etching and engraving, Desmazftres, Erik, French, born 1948 > Architectural Fantasy of Antique Ruins Phillips in honor of Margaret Morgan David, Giovanni, Italian, 1743-1790 2003.30.1-2, Ailsa Mellon Bruce Fund >Les Roues, 1974, etching, 2002.157.14, with a Watermill, 1760s, gouache, Grasselli and Andrew Robison > The Adoration of the Magi (after Gift of Ruth Cole Kainen 2003.61.1, Rudolf and Lore Bone, Muirhead, Sir, Scottish, Scarsellino), etching touched with red Chahine, Edgar, French, 1874-1947 Heinemann Fund 1876-1953 chalk, pen and brown ink, and graphite Dies, Albert Christoph, Austrian, >Church Interior, c. 1920, etching, >Spanish Good Friday (Ronda), 1925, [working proof], 2002.132.1, 1755-1822, Jacob Wilhelm Mechau, 2003.118.9, Gift of Frank Anderson Trapp etching and drypoint, 2002.157.3, Ailsa Mellon Bruce Fund German, 1745-1808, Johann Christian Gift of Ruth Cole Kainen Chedel, Quentin-Pierre, French, Reinhart, German, 1761-1847 Davis, Stuart, American, 1894-1964 1705-1763, and Charles Pinot Duclos > Collection ou Suite de vues pittoresques Bonnard, Pierre, French, 1867-1947 >Two Figures and El, 1931, lithograph, (author), French, 1704-1772 de I'ltalie, portfolio of 71 etchings with >Seated Woman with Her Chin in Her 2002.157.11, Gift of Ruth Cole Kainen >Acajou et Zirphile (Paris, 1744), bound text pages, complete except for one Hand, 1930, etching, 2003.118.7, volume with 12 etched illustrations after Delia Bella, Stefano, Italian, 1610-1664 etching by Dies, 2003.86.7,12-13, 23-24, Gift of Frank Anderson Trapp Francois Boucher and Nicolas Cochin the >Death on a Battlefield, 1648, etching, 43-44, 46-51, 54-55, 58-61, 63-67, Younger, 2003.105.1, Katharine Shepard 2003.88.1, Gift of Bert Freidus New Century Fund Fund and an Anonymous Donor

55 NATIONAL GALLERY OF ART 2003

Driskell, David, American, born 1931 Goltzius, Hendrik, Dutch, 1558-1617 Hooghe, Romeyn de, Dutch, 1645-1708 >A Rocky Pond, 1640; Marini, Marino, Italian, 1901-1980 > Dancing Angel, 2002, color screen print, >The Massacre of the Innocents, c. 1584, >AJbeelding en waarachtigh Verhaal..., >A Rocky Pond, 1640; >Rider, c. 1970, color lithograph, 2003.111.1, Gift of Lou and Di Stovall engraving, 2002.157.41, Gift of Ruth 1672, etching and letterpress; >Mountainous Landscape, 1640, etchings, 2002.157.28, Gift of Ruth Cole Kainen Cole Kainen >No Monarchy, No Popery, c. 1690, 2002.157.24-27, 42-48, Gift of Ruth Durer, Albrecht, School of Matta, Roberto, Chilean, 1911-2002 etching, 2003.5.2-3, Ailsa Mellon Cole Kainen; >Saint Christopher, woodcut, 2003.48.1, Green, Valentine, British, 1739-1813 >Figures, 1969, color intaglio, Bruce Fund > The Conversion of Saint Paul, c. 1637, Anonymous Gift >A Philosopher Shewing an Experiment 2002.157.29, Gift of Ruth Cole Kainen etching, 2003.8.1, on the Air Pump (after Joseph Wright), Hooghe, Romeyn de, Dutch, 1645-1708, Dutch 17th Century Ailsa Mellon Bruce Fund Maufra, Maxime, French, 1861-1918 1769, mezzotint, 2003.76.1, New and Servatius Gallaeus (author), Dutch, >De derde Zee-slagh, 1673, etching and >Return of the Boats, 1903, etching, Century Fund 1627-1709 Le Sidaner, Henri Eug6ne, French, letterpress, 2003.5.1, Ailsa Mellon 2002.157.30, Gift of Ruth Cole Kainen >Dissertationes de Sibyllis, earumque 1862-1939 Bruce Fund Gregori, Carlo, Italian, 1719-1759 oracilis (Amsterdam, 1688), bound >La Ronde, 1897, lithograph on blue Mellan, Claude, French, 1598-1688 Niccold Mogalli, Italian, b. 1723, and Flight, Claude, British, 1881-1955 volume with 19 etched illustrations, paper, 2003.118.20, Gift of Frank > Allegory of Intellect, Memory, and Will Giuseppe Buondelmonti (author), >Street Singers, 1925, color linocut, 2003.58.1, William B. O'Neal Fund Anderson Trapp (after Simon Vouet), 1625, engraving, Italian, d. 1766 2002.157.15, Gift of Ruth Cole Kainen 2003.8.2, Ailsa Mellon Bruce Fund >Esequie della Serenissima Elisabetta Huet, Paul, French, 1803-1869 Lhermitte, L6on Augustin, French, Forain, Jean-Louis, French, 1852-1931 Carlotta D'Orleans and Orazione >Orage a la Jin du jour [proof]; 1844-1925 Mezzani, Antonio, Italian, active early >Maison close, 1880, etching, funebre...Elisabetta Carlotta Duchessa >Orage a la Jin du jour, 1868, etchings >An Episcopal Visitation, 1881, etching, 19th century, Antonio Viviani, Italian, 2003.118.17, Gift of Frank Vedova di Lorena (Florence, 1745), 2 with drypoint, 2002.137.1-2, Thomas 2003.110.1, Gift of Andrew Robison 1797-1854, various other artists, and Anderson Trapp volumes bound as 1 with 2 folding etched F. Hancock Memorial Fund Melchior Missirini (author), Italian, Londonio, Francesco, Italian, 1723-1783 illustrations after Giuseppe Chamant, 1773-1849 Fortuny y Carbd, Mariano, Spanish, Jackson, John Baptist, English, > Child Shepherdess with Flock; 2003.91.1, William B. O'Neal Fund >Del tempio.. .da Antonio Canova (Venice, 1838-1874 1701-c. 1780 > Peasant Boy Asleep near Two Sheep 1833), bound volume with 16 etched >Standing Male Figure, etching, Grosz, George, German, 1893-1959 >An Essay on the Invention of Engraving (recto); Goat and Two Kids (verso); illustrations, 2003.59.1, William B. 2003.118.18, Gift of Frank >The Spider, 1914, drypoint with and Printing in Chiaro Oscuro > Seated Peasant Woman with O'Neal Fund Anderson Trapp monotype wiping in two colors [proof]; (London, 1754), bound volume with Sleeping Child; >The Spider, 1914, drypoint [proof], 7 chiaroscuro woodcut illustrations, > Three Goats; Mir6, Joan, Spanish, 1893-1983 Francois, Jean-Charles, French, 2002.140.1-2, Ailsa Mellon Bruce Fund 2002.157.22, Gift of Ruth Cole Kainen >Two Reclining Sheep and One >Fond marin I, 1963, color aquatint, 1717-1769 Standing Sheep (recto); Seated Peasant 2002.157.31, Gift of Ruth Cole Kainen >Louis Quinze, Roy de France, 1767, Guyot, Laurent, French, 1756-1806 Jozsa, Karoly, Hungarian, 1872-1929 Boy Holding a Sheep (verso), 1758- chalk-manner, stipple, and soft-ground or 1808 >Adolf von Menzel, woodcut on japan Moncornet, Balthasar, French, 1759, etchings heightened with white etching printed in red, 2003.50.1, > Twelve Roundels with Landscapes (after paper, 2003.94.1, Ailsa Mellon c. 1600-1668 gouache on blue paper, from the series Gift of A. Thompson Ellwanger III and Jean Henry Alexandre Fernet), c. 1788, Bruce Fund >Le Magnifique Carousel.. .pour le Etchings Dedicated to Cardinal Gregory E. Mescha in honor of Margaret etching and wash manner printed in 4 marriage du grand due Cosimo II Kirchner, Ernst Ludwig, German, Pozzobonelli, 2002.156.3, 4.a-b, 5-6, Morgan Grasselli colors, 2003.72.1, Gift of Mr. and Mrs. (after Remigio Cantagallina), complete 1880-1938 7.a-b, Ellwanger/Mescha Collection Paul S. Morgan in honor of Margaret set of 19 etchings, 2002.135.2-20, Geddes, Andrew, 1789-1844 >Mountain House, 1917, woodcut, Morgan Grasselli Maillol, Aristide, French, 1861-1944 Ailsa Mellon Bruce Fund >Peckham Rye, 1826, drypoint with 2002.157.23, Gift of Ruth Cole Kainen >Female Nude, c. 1938, woodcut, aquatint, 2002.157.16, Gift of Ruth Hartley, Marsden, American, 1877-1943 Moore, Heniy, British, 1898-1986 Kreilik, Jaroslav, Czech, 1924-1999 2003.118.21, Gift of Frank Cole Kainen >Waxenstein, 1933, lithograph, >Reclining Figure II, c. 1971, etching >NewYear's Prints, 1994-1998, Anderson Trapp 2002.157.20, Gift of Ruth Cole Kainen and aquatint, 2002.157.32, Gift of Gericault, Theodore, French, 1791-1824 5 etchings with drypoint and aquatint, Magalhaes, Aloisio, Brazilian, 1927-1982, Ruth Cole Kainen >Cheval mort, 1823; Hartung, Hans, German, 1904-1989, 2003.23.1-5, Gift of Gerald Cerny and Eugene Feldman, American, >Horses Going to a Fair, 1821; and Pierre Daix (author), French, b. 1922 Munch, Edvard, Norwegian, 1863-1944 Kupka, Frantisek, Czechoslovakian, 1921-1975 >The Piper, lithographs, 2002.157.17-19, >Hans Hartung (Paris, 1991), bound >Female Nude, 1896, color aquatint 1871-1957 >Doorway to Brasilia (Philadelphia, 1959), Gift of Ruth Cole Kainen volume with 3 etchings, 2002.157.21, and drypoint; >Les Fous, 1899, color lithograph on bound volume with 18 color photo-offset Gift of Ruth Cole Kainen > The Suicide, 1896, etching and Gessner, Salomon, Swiss, 1730-1788, imitation vellum [proof], 2003.97.1, Irthographs, and text by John Dos Passos, drypoint, 2003.22.1-2, The Epstein and Hieronymus von der Finck, Herkomer, Hubert von, German, Ailsa Mellon Bruce Fund Lucio Costa, and Oscar Niemeyer, Family Collection Swiss, d. 1780 1849-1914 2003.24.1, Gift of Ruth E. Fine La Hyre, Laurent de, French, 1606-1656 >Schrijten (Zurich, 1770-1772), >Max Klinger, 1890s, herkomertype, Pascin, Jules, French, 1885-1930 >Narcissus at the Spring, 1620s; Marden, Brice, American, born 1938 5 volumes bound as 3 with 33 etched 2003.19.2, Ailsa Mellon Bruce Fund >Le Lever, 1925, lithograph, 2002.157.33, >Cephalus and Procris, 1626; >Ten Days (I-VIII), 1971 (published illustrations and 25 woodcut illustrations, Gift of Ruth Cole Kainen Heyden, Jan van der, Dutch, 1637-1712 >Diana Recumbent, 1620s; 1972), complete set of 8 etchings with 2003.90.1-3, William B. O'Neal Fund >Beschryving der nieuwlijks uitgevonden >Four Bacchic Children, 1620s; aquatint, 2003.92.1-8, The Nancy Lee Pencz, Georg, German, c. 1500-1550 Gilliam, Sam, American, born 1933 en geoctrojeerde slang-brand-spuiten... > Three Bacchic Children, 1620s; and Perry Bass Fund >Attilius Regulus, 1535, engraving, >ARS, 2003, color screenprint, (Amsterdam, 1735), bound volume with >Saint Paul, 1620s; 2003.25.2, Ailsa Mellon Bruce Fund 2003.112.1, Gift of Lou and Di Stovall 25 etched illustrations, 2002.134.1, >Pool in a Formal Garden, 1640; Ailsa Mellon Bruce Fund >Diana Recumbent, 1620s;

56 NATIONAL GALLERY OF ART 2003

Percier, Charles, French, 1764-1838, Schmidt, Georg Friedrich, German, Tal-Coat, Pierre, French, 1905-1985 PHOTOGRAPHS Faurer, Louis, American, 1916-2001 and Pierre-Frangois Fontaine, French, 1712-1775 >Seated Man, c. 1950, dry point [proof], >NewYork, NewYork, c. 1947; Bing, Use, American, born Germany, 1762-1853 >TheArtist's Wife Sewing, 1753, etching 2003.118.27, Gift of Frank >NewYork City, c. 1948; 1899-1998 >Choix des plus celebres maisons de with engraving, 2003.73.1, Ailsa Mellon Anderson Trapp >Bus No. 1, NewYork, NY., 1950, >Self-Portrait, 1953, gelatin silver print, plaisance de Roma (Paris, 1809), bound Bruce Fund gelatin silver prints, 1980, 2002.152.6-8, Tamayo, Rufino, Mexican, 1899-1991 2003.68.1, Gift of Judith and Richard volume with 77 etched and engraved Gift of Mr. and Mrs. David C. Ruttenberg SchOnfeld, Johann Heinrich, German, > Tres sandias en rojo, 1970, color Smooke in honor of Sarah Greenough illustrations by various artists after courtesy of the Ruttenberg Arts 1609-c. 1682 lithograph, 2002.157.38, Gift of Ruth Percier and Fontaine, 2003.79.1, Brandt, Bill, British, born Germany, Foundation >Democritus Meditating, 1654, etching, Cole Kainen William B. O'Neal Fund 1904-1983 2003.15.2, Ailsa Mellon Bruce Fund Fichter, Robert, American, born 1939 Tissot, James Jacques Joseph, French, >London (Nude in Chair), 1947, gelatin Piranesi, Giovanni Battista, Italian, >Hand of Man, 1983; Sompel, Pieter van, Flemish, 1836-1902 silver print, 2003.98.1, Gift of 1720-1778 >Journal of Civilization, c. 1982, c. 1600-1643, and Attributed to Pieter > Grand Garde (Souvenir du siege de Diana Walker >Invenzioni Capric di Carceri, c. 1758, cibachrome prints, 2002.149.1-2, Claesz Soutman, Flemish, c. 1580-1657 Paris), 1878, etching and dry point, complete and uniform set of 14 etchings, Burtynsky, Edward, Canadian, born 1955 Gift of Marc Freidus >Marie de Medici (after Sir Anthony van 2003.9.1, Ailsa Mellon Bruce Fund with engraving, sulphur tint, and dry point >Shipbreaking #10, Chittagong, Dyck), etching and engraving, French 19th Century [first edition, third issue], 2003.44.1-14, Valesio, Giovanni Luigi, Italian, 1583-1633, Bangladesh, 2000, chromogenic print, 2003.16.1, Ailsa Mellon Bruce Fund >Duc de Chartres, c. 1856, salted paper Patrons' Permanent Fund and Alfonso Isachi (author), Italian, 2001, 2003.56.1, Fund for Living print from collodion negative, 2003.99.1, Steinlen, ThSophile Alexandre, Swiss, 1561-1643 Photographers Ribera, Jusepe de, Spanish, 1591-1652 Gift of Diana Walker 1859-1923 > Relatione di Alfonso Isachi intorno >Small Grotesque Head, 1622, etching, Callahan, Harry, American, 1912-1999 >Planche de croquis (No. 8), 1902, I'originie, solennita, translatione, et mira- Frith, Francis, British, 1822-1898 2003.26.2, Ailsa Mellon Bruce Fund >Leaf on Snow, 1942; dry point, 2003.118.25, Gift of Frank coli della Madonna di Reggio (Reggio, > The Ramasseum of El-Kumeh, Thebes, > Twig in Snow, c. 1942; Riviere, Henri, French, 1864-1951 Anderson Trapp 1619), bound volume with 11 engraved First View, 1858, albumen print from >Sunlight on Water, 1943; >Du Quai de Grenelle, 1902, color illustrations, 2003.66.1, William B. collodion negative, 2003.35.1, St8r, Lorenz, German, c,1530-after 1621 >Multiple Exposure Trees, c. 1943; lithograph, 2003.118.22, Gift of Frank O'Neal Fund Millennium Funds > Fantasy of Perspectival Forms Set >NewYork, 1945; Anderson Trapp among Ruins, 1567, woodcut, Vallotton, F6lix, Swiss, 1865-1925 > Telephone Wires, 1945; Gibson, Ralph, American, born 1939 Robinson, Henry Harewood, British, 2002.130.1, Gift of Lee G. Rubenstein in >A Edgar Poe, 1894, woodcut, >Wall, Chicago, 1947; > Untitled, 1972, gelatin silver print, active 1884-1896 memory of Mrs. Daryl Reich Rubenstein 2003.118.28, Gift of Frank >Eleanor, Chicago, 1948; 2002.153.1, Gift of Raymond W. Merritt > Forest Glade with Faggot Gatherers, Anderson Trapp >Eleanor, Indiana, 1948; Storchovti, Hana, Czech, born 1936 Gilpin, Laura, American, 1891-1979 c. 1890, color monotype, 2002.133.1, >Eleanor, Lake Michigan, 1948; >Haiku: Basanicky na tri radky, 2000, Valtat, Louis, French, 1869-1952 > Ghost Rock, Colorado Springs, 1919, Ailsa Mellon Bruce Fund > Weeds in Snow, 1948; bound volume with 9 color etchings, >Nude Drying Herself, c. 1910, platinum print, 2002.128.1, Gift of Marvin >Lincoln Park, 1948; Rops, F6licien, Belgian, 1833-1898 2003.23.6, Gift of Gerald Cerny woodcut, 2002.157.39, Gift of Ruth Breckinridge Patterson >Eleanor, Chicago, c. 1948; >Le Vice supreme: Frontispiece, 1884, Cole Kainen; Strang, William, Scottish, 1859-1921 >Eleanor, Chicago, c. 1949; Hagemeyer, Johan, American, etching, 2003.118.23, Gift of Frank >Seated Woman, etching, 2003.118.2, >Death Defeated, 1894, etching, >Barbara, 1952; 1884-1962 Anderson Trapp Gift of Frank Anderson Trapp 2003.118.26, Gift of Frank >Eleanor, Chicago, c. 1952; >Pedestrians, 1921, gelatin silver print Rouault, Georges, French, 1871-1958 Anderson Trapp Vilhelmovd, Lenka, Czech, born 1957 >Eleanor, Chicago, c. 1952; mounted on brown wove paper on >Tropical Landscape, roulette and etching >Dasein:And Future Is the Only Judge, >Eleanor, Chicago, c. 1954; paperboard, 2003.11.1, Gift of Marvin Suavius, Lambert, Flemish, c. 1510-1567 2002.157.34, Gift of Ruth Cole Kainen 2001, complete set of 5 etchings, > Collage, c. 1956; Breckinridge Patterson and Gift of Amy > Saint Philip; 2003.63.1-5, Gift of Lenka Vilhelmovd > Eleanor, Aix-en-Provence, 1958; Rose Silverman Roux-Champion, Victor Joseph, French, > Saint John the Evangelist; > Weeds in Snow, Rhode Island, 1965, 1871-1953 >Saint Paul, c. 1545, engravings, Vinkeles, Reinier, Dutch, 1741-1816 Hill, David Octavius, Scottish, gelatin silver prints, 2002.148.1-21, >Ker Xavier Roussel, 1927, etching and 2002.124.1, 2003.2.1, 2003.3.1, > The Drawing Academy in Amsterdam, 1802-1870, and Robert Adamson, Gift of Mrs. Ann Solomon; aquatint, 2003.118.24, Gift of Frank Ailsa Mellon Bruce Fund 1768, etching and engraving, Scottish, 1821-1848 > Chicago, 1949; Anderson Trapp 2003.97.2, Ailsa Mellon Bruce Fund >A Newhaven Fisherwoman, 1844, Sutherland, Graham, British, 1903-1980 >Eleanor, Chicago, 1951; salted paper print from paper negative, Sallaert, Anthonis, Flemish, c. 1590-1658 >St. Mary's Hatch, 1926; Vlaminck, Maurice de, French, >Chicago, c. 1952; 2003.37.1, Millennium Funds >The Sudarium, woodcut, 2003.15.1, > Warming Camp, 1924, etchings; 1876-1958 > Barbara, Florence, 1957, c. 1980; Ailsa Mellon Bruce Fund > Clegyr-Boia I (Landscape in Wales), >Head of a Woman, color woodcut, >Providence, 1977, 2002.152.1-5, Humbert de Molard, Baron etching and aquatint, 2002.157.35-37, 2002.157.40, Gift of Ruth Cole Kainen dye transfer prints, Gift of Mr. and Mrs. Louis-Adolphe, French, 1800-1874 Schinkel, Karl Friedrich, German, Gift of Ruth Cole Kainen David C. Ruttenberg courtesy of the >La remise j outils, Chdteau d'Argentelle, 1781-1841 Vuillard, Edouard, French, 1868-1940 Ruttenberg Arts Foundation late 1840s, salted paper print from paper >A Gothic Church in an Oak Grove, Suyderhoff, Jonas, Dutch, c. 1613-1686, > Van Rysselberghe, c. 1898, etching, negative, 2002.145.1, Anonymous Gift c. 1810, lithograph on China paper, and Attributed to Pieter Claesz 2003.118.29, Gift of Frank Cohen, John, American, born 1932 2003.33.1, Pepita Milmore . Soutman, Flemish, c. 1580-1657 Anderson Trapp > Tenth Street, , 1959, Kertesz, Andr6, American, born Memorial Fund >John, Count of Nassau (after Sir Anthony gelatin silver print, 2003.18.1, Hungary, 1894-1985 Woensam, Anton, German, active van Dyck), etching, 2003.16.2, Fund for Living Photographers > Communication Building (World's Fair), c. 1500-1541 Ailsa Mellon Bruce Fund 1939, gelatin silver print, 2003.101.1, >Saints Phillip and Bartholomew by Gift of Diana Walker a Spring, 1529, woodcut, 2003.8.3, Ailsa Mellon Bruce Fund

57 NATIONAL GALLERY OF ART 200 3

Krull, Germaine, Polish born, Dutch, N6gre, Charles, French, 1820-1880 >Portraits: Peter Sellers, Monica Vitti, > Georgia O'Keeffe, 1918, gelatin > The Old Mill, 1894, photogravure on 1897-1985 >Scene de marche au port de I'Hotel de , etc., 1962, silver print; cream paper; > Shadow of the Eiffel Tower, 1928, gelatin Ville, Paris (Market Scene at the Port of 1962, album with gelatin silver prints; > Georgia O'Keeffe, 1918, gelatin > On the Seine— Near Paris, 1894, silver print, 2003.10.1, Gift of the R. K. the Hotel de Ville), Paris, before February > Portraits: Portugal, Scotland, Italy, silver print; photogravure on cream paper; Mellon Family Foundation 1852, salted paper print from paper France, NewYork, Spain, 1961-1965, >Geoigia O'Keeffe, 1933, gelatin >Poplars, Lake George, gelatin negative, 2003.74.1, Patrons' Levitt, Helen, American, born 1918 1961-1965, album with gelatin silver print; silver print; Permanent Fund; silver prints; >NewYork, c. 1938, gelatin silver print, >Georgia O'Keeffe, 1918, gelatin silver >Reflections: Night-NewYork, 1897, > Saint John the Evangelist, Chartres 2003.52.1, Gift of the R. K. Mellon >Portraits: Somerset Maugham, Robert print mounted on paperboard; photogravure on cream paper; Cathedral, c. 1854, salted paper print Graves, Henry Moore, 1962, 1962, Family Foundation > Georgia O'Keeffe, probably 1918, >Reflections- Venice, 1894, photogravure from paper negative, 2003.74.2, Eugene album with gelatin silver prints, palladium print; on cream paper; Marville, Charles, French, 1816-c. 1879 L. and Marie-Louise Garbaty Fund, 2003.100.4-9, Gift of Irving Penn > Georgia O'Keeffe, 1918/1919, >Scurrying Home, 1894, photogravure >Rue de la Bdcherie, 1865/1869, albumen Pepita Milmore Memorial Fund and palladium print; on cream paper; Richter, Gerhard, German, born 1932 print from collodion negative, 2002.144.1, New Century Fund; > Georgia O'Keeffe, 1929, gelatin silver >Spring Showers-The Street Cleaner, >Uran, 1989, gelatin silver print, 2003.51.1, Anonymous Gift; > Chateau ofVallambrosa, Cannes, c. 1852, print mounted on paperboard; 1900/1901, photogravure on Fund for Living Photographers >Rue Saint-Jacques, 1865/1869, albumen waxed-paper negative, 2003.113.1, Gift > Georgia O'Keeffe-After Return from cream paper; print from collodion negative, 2003.17.1, of Charles Isaacs and Carol Nigro in Rodchenko, Aleksandr Mikhailovich, New Mexico, 1929, gelatin silver print; >The Steerage, 1907, photogravure; Anonymous Gift and Gift of Joyce and memory of Dr. Diamon Gangji Russian, 1891-1956 > Georgia O'Keeffe-After Return from >The Street-Design for a Poster, Robert Menschel > Vladimir Mayakovsky, 1924, gelatin New Mexico, 1929, gelatin silver print; 1900/1901, photogravure on Nixon, Nicholas, American, born 1947 silver print, in or before 1938, > Georgia O'Keeffe-Hand and Breasts, beige paper; Misrach, Richard, American, born 1949 >The Broum Sisters, 2002, gelatin silver 2002.123.1, Pepita Milmore Memorial 1919, palladium print; >A Venetian Canal, 1894, photogravure >Jupiter over Sarcoplatus Flats 10.23.96 print, 2003.4.1, Fund for Living Fund and Anonymous Gift > Georgia O'Keeffe-Hand and Grape on cream paper; 6:42-10:46 P.M., 1996, chromogenic Photographers Leaf, 1921, palladium print; >A Wet Day on the Boulevard - Paris, print, 1998, 2002.150.1, Gift of James Sekaer, Peter, American, born Denmark, Norman, Dorothy, American, 1905-1997 >Georgia O'Keeffe at 291, 1917, 1894, photogravure on cream paper; and Lucy Danziger; 1901-1950 >Lighthouse, Nobska Point, 1937; platinum print; > Winter, Fifth Avenue, 1893, > Untitled (Desert Scrub), 1996, >Bowling Green, Virginia, 1935, gelatin >Apple Blossoms, Woodstock, 1936; > Georgia O'Keeffe, 1929, gelatin photogravure on cream paper; chromogenic print, 2002, 2003.54.1, silver print, 2003.7.1, Gift of Joyce and > Church, Waquoit, 1935; silver print; >A Winter Sky-Central Park, 1894, Gift of the Collectors Committee and Robert Menschel > Woods Hole, 1932; > Georgia O'Keeffe, 1929, gelatin the Fund for Living Photographers photogravure in green on cream wove >Tree, Woods Hole, 1932; gelatin silver Siskind, Aaron, American, 1903-1991 silver print; paper mounted on paperboard, 1897, Model, Lisette, American, 1906-1983 prints, 2002.153.2-6, Gift of Raymond >Chicago, c. 1950, gelatin silver print, > Georgia O'Keeffe, 1929, gelatin 2003.115.1-46, Gift of The Georgia > Blind Man, Paris, 1933/1938; W. Merritt 2002.151.1, Gift of George and silver print; O'Keeffe Foundation >Famous Gambler, Monte Carlo, 1934; Alexandra Stephanopoulos > Georgia O'Keeffe, 1930, gelatin Penn, Irving, American, born 1917 Teynard, F6lix, French, 1817-1892 >Fashion Show, Hotel Pierre, NewYork Silver print; >Arrangement of 15 Pieces, NewYork, Stieglitz, Alfred, American, 1864-1946 >Karnak (Thebes), Palais-Salle City, 1940/1946; >The Glow of Night—NewYork, 1897, 1980, platinum print, 2003.100.1; > Georgia O'Keeffe, 1920/1922; hypostyle— Colonnade centrale— >French Gambler, Promenade des photogravure on yellow chine coll6 > Cuzco Photographer with Woman palladium print; Decoration d'un fut, 1853, salted paper Anglais, Riviera, 1934; on cream wove paper mounted on Wearing Shoes, Peru, 1948, platinum > Georgia O'Keeffe, 1918, palladium print from paper negative, 2002.151.2, > Little Man, Lower East Side, paperboard; print, 2003.100.3; print, 2003.114.1-2; Gift of George and Alexandra NewYork City, 1939/1942; >The Hand of Man, 1902, photogravure > Vionnet Long Robe (1932-1935), >The City of Ambition, 1910, Stephanopoulos >Newspaper Salesman,Paris, 1933/1938; on cream paper; NewYork, 1974, platinum print, photogravure on cream paper; > Singer at the Cafe Metropole, >In the NewYork Central Railroad Yards, Winogrand, Garry, American, 1928-1984 2003.100.10; >Equivalent, 1925, gelatin silver print; NewYork City, c. 1946; 1903, photogravure on cream paper; >Las Vegas, 1957; > Young Enga Couple, New Guinea, >Equivalent, 1925, gelatin silver print; > Window Reflections, Fifth Avenue, >The Incoming Boat, 1894, photogravure >NewYork City, 1960s; 1970, platinum print, 2003.100.11; >From My Window at the Shelton, North, NewYork City, 1939/1945; in brown on cream wove paper mount- >NewYork City, 1960s; >Crete, 1964, 1964, album with gelatin 1931, gelatin silver print; > Woman at Coney Island, New York, ed on paperboard, 1897; >NewYork City, 1960s, gelatin silver silver prints, 2003.100.2; > Georgia O'Keeffe, 1918, 1939/1941; >The Letter Box, 1894, photogravure in prints, 2002.151.3-6, Gift of George >Portraits:Austria, Sweden, 1963-4, palladium print; > Woman in Flowered Dress, Promenade sepia on cream wove paper mounted and Alexandra Stephanopoulos 1963-1964; album with gelatin > Georgia O'Keeffe, 1929, gelatin des Anglais, Riviera, 1934; Woman on paperboard; silver prints; silver print; with Shawl, New York City, 1942; >Miss S.R., 1904, photogravure from >Portraits: Cameroon, 1969, , > Georgia O'Keeffe, 1929, gelatin > Woman with Veil, San Francisco, 1944, Camera Work; 1971, New Guinea, 1970, Cuzco, silver print; gelatin silver prints, 2002.152.9-20, >Miss S.R., 1904, photogravure from 1948 album with gelatin silver prints; > Georgia O'Keeffe, 1936, gelatin Gift of Mr. and Mrs. David C. Camera Work; Portraits: Nepal, Dahomey, San silver print; Ruttenberg courtesy of the Ruttenberg >November Days, 1887, Francisco, 1967, 1967 album with > Georgia O'Keeffe, 1936, gelatin Arts Foundation gelatin silver print; gelatin silver prints; silver print;

58 NATIONAL GALLERY OF ART 2003

changes of attribution

The following changes of attribution are the result of PAINTINGS 1957.7.4 scholarly research utilizing the latest art historical Singerie: The Picnic investigations and scientific examinations. It is the 1957.7.1 Old: French 18th Century policy of the National Gallery of Art to publish these Singerie: The Concert New: Christophe Huet, c. 1739 changes regularly. The following changes of attribu- Old: French 18th Century tion were made and approved by the Gallery's Board New: Christophe Huet, c. 1739 1957.7.6 of Trustees during fiscal year 2003. Each list is Singerie: The Sculptor arranged in alphabetical order according to former 1957.7.2 Old: French 18th Century attribution. Changes of tide and date are included if Singerie: The Dance New: Christophe Huet, c. 1739 they were a part of the attribution change. Old: French 18th Century New: Christophe Huet, c. 1739

DECORATIVE ARTS 1957.7.3 Singerie: The Fishermen 1957.7.7 Old: French 18th Century Wall Paneling New: Christophe Huet, c. 1739 Old: French 18th Century New: Nicolas Pineau, c. 1739 1957.7.5 Singerie: The Painter 1961.9.185 Old: French 18th Century Coffer New: Christophe Huet, c. 1739 Old: Boas Ulrich, c. 1595/1600 New: Attributed to Boas Ulrich, c. 1595/1600 and later

59 NATIONAL GALLERY OF ART 200 3

>Ernst Ludung Kirchner, 1880-1938 LENDERS TO EXHIBITIONS Courtesy of Ekstrom & Ekstrom, Inc., exhibitions and loans 2 March 2003 to 1 June 2003 Private Collections New York Organized by the National Gallery of Collection Fanny Ellison Art, Washington, and the Royal Anonymous lenders Academy of Arts, London Nancy Ellison and William D. Rollnick Mr. George Abrams Andrew Robison, curator The Walter 0. Evans Collection During the fiscal year, 409 lenders from > The Robert H. Smith Collection of Supported by the Anna-Maria and Mr. and Mrs. Louis K. Adler, of African American Art twenty-four countries and thirty-one states Renaissance Bronzes Stephen Kellen Foundation; also Houston, Texas loaned 1,464 works of art to fourteen exhi- Continued from the previous fiscal year supported by Porsche Cars North Garth Fagan Billie Allen bitions (thirteen special loan exhibitions and to 17 February 2003 America, Inc. Kathy and Richard S. Fuld Jr. one in-house exhibition). The Gallery also Organized by the National Gallery of Art Peg Alston >Frederic Remington:The Color of Night worked on another twenty-eight projects Alison Luchs, curator Jo Ann and Julian Ganz, Jr. 13 April 2003 to 13 July 2003 Ms. Doris Ammann scheduled to open in the next five years >Deceptions and Illusions: Five Centuries Organized by the National Gallery of Dr. Martin L. and Francey A. Gecht and administered the tour of seven exhibi- John P. Axelrod, , Massachusetts ofTrompe I'Oeil Painting Art, Washington, in association with the tions. United States Government Indemnity Beatrice and Philip Gersh Collection 13 October 2002 to 2 March 2003 Gilcrease Museum, Tulsa Dr. and Mrs. Frederick Baekeland was secured for four exhibitions on view in Organized by the National Gallery of Art Nancy Anderson, curator Milly and Arne Glimcher fiscal year 2003, resulting in savings of more Collection of Albert Bauer Sybille Ebert-Schifferer, curator Supported by Target Stores than $1,020,039 in insurance premiums. Priscilla T. Grace, Promised gift Supported by Mary Jo and Robert L. Collection of Hans-Peter Bauer >Jean-Antoine Houdon (1741-1828): to the Philadelphia Museum of Art Kirk; also supported by an indemnity Sculptor of the Enlightenment Harvey and Phyllis Baumann from the Federal Council on the Arts Richard and Mary L. Gray >An American Vision: Henry Francis du 4 May 2003 to 7 September 2003 and the Humanities Collection Merrill C. Berman, courtesy Pont's Winterthur Museum Organized by the National Gallery of Art, Wilder Green Michael Rosenfeld Gallery, New York Continued from the previous fiscal year >Drawing on America's Past: Washington; the J. Paul Getty Museum, Johnny Van Haeften Ltd. to 6 October 2002 Folk Art, Modernism, and the Index Los Angeles; and the Reunion des Collection of Jane and Raphael Bernstein Organized by the National Gallery of Art of American Design mus6es nationaux and I'Etablissement David A. Hagelstein, Bloomfield Hills, Juliette Bethea Frank Kelly, curator 27 November 2002 to 2 March 2003 public du mus6e et du domaine national Michigan Supported by Louisa and Robert Organized by the National Gallery of Art de Versailles, France Ambassador and Mrs. Donald Blinken, Mrs. Duane Hanson Duemling; and by DuPont Virginia Clayton, curator Anne L. Poulet, guest curator New York Supported by the Henry Luce Supported by the Catherine B. Reynolds Collection of halley k harrisburg > The Quest for Immortality: Treasures Frederick L. Brown Foundation Foundation; also supported by an and Michael Rosenfeld, New York of Ancient Egypt indemnity from the Federal Council on Donald Byrd Continued from the previous fiscal year >Edouard Vuillard James R. Haynes, Washington, DC the Arts and the Humanities to 14 October 2002 19 January 2003 to 20 April 2003 Constance R. Caplan, Baltimore, Maryland Mr. and Mrs. Spencer Hays Organized by United Exhibits Group, Organized by the National Gallery of > Small Wonders: Dutch Still Lifes by Collection of Cheryl Chase , and the National Gallery of Art, Washington; the Montreal Museum Adriaen Coorte Mrs. Teresa Heinz and Stuart Bear, USA Art, Washington, in association with the of Fine Arts; the Reunion des mus6es 29 June 2003 to 28 September 2003 Harry Henderson Supreme Council of Antiquities, Cairo nationaux/Mus6e d'Orsay, Paris; and Organized by the National Gallery of Art Jean Albou Conseil, Paris Betsy Bryan, guest curator the Royal Academy of Arts, London Arthur K. Wheelock Jr., curator Samuel and Ronnie Heyman, New York Collection of Dr. and Mrs. Mark Couture, Supported in part by Chevy Chase Bank Kimberly Jones, NGA curator; Guy Supported by Shell Oil Company Cramerton, North Carolina The Grant Hill Collection Film made possible by the HRH Cogeval, Commissiaire g6n6ral Foundation Foundation Supported by Airbus; also supported by Brochure made possible by The Lee Sir Sean and Lady Connery Melvin Holmes Collection an indemnity from the Federal Council and Juliet Folger Fund of African American Art > Willem de Kooning: Tracing the Figure The Viscount Cowdray on the Arts and the Humanities Continued from the previous fiscal year > The Art of Romare Bearden Mr. Ladislaus von Hoffmann Film made possible by the HRH to 5 January 2003 14 September 2003 to 4 January 2004 Allan and Kendra Daniel Foundation Mr. and Mrs. Douglas Houchens Organized by The Museum of Organized by the National Gallery of Art Lucy Danziger Contemporary Art, Los Angeles >Thomas Gainsborough, 1727-1788 Ruth E. Fine, curator Mr. Edward Joseph Hudson Robert and Faye Davidson, Charles Ritchie and Ruth E. Fine, NGA 9 February 2003 toll May 2003 Supported by AT&T; also supported in Los Angeles, California Collection of Earle Hyman, promised curators; Cornelia H. Butler and Paul Organized by Tate Britain in association part by Chevy Chase Bank gift to the National Gallery of Art Schimmel, curators with the National Gallery of Art, Film made possible by the HRH Lord de Saumarez, on loan to Norwich National tour supported by Wells Fargo Washington, and the Museum of Fine Foundation Castle Museum and Art Gallery Paul and Karen Izenberg Arts, Boston >An Artist's Artists:Jacob Kainen's Judy and Patrick Diamond Laura Grosch and Herb Jackson Frank Kelly, NGA curator; Martin Collection from Rembrandt to Myrone, curator David Smith Mr. Pieter C.W.M. Dreesmann Stephane Janssen, Arizona Supported by General Dynamics and Continued from the previous fiscal year Collection of Professor and Marian B. Javits General Dynamics United Kingdom, to 9 February 2003 Ltd.; also supported by an indemnity Mrs. David C. Driskell Organized by the National Gallery of Art Mr. Simon Jenkins from the Federal Council on the Arts Ms. Heidrun Eckes-Chantr6 Andrew Robison, curator Jasper Johns and the Humanities

60 NATIONAL GALLERY OF ART 2003

Josefowitz Collection Collection of Eileen and Peter Norton, Michael and Judy Steinhardt, New York CZECH REPUBLIC Soissons: Mus6e Municipal Ancienne Santa Monica Abbaye Saint-L6ger Ruth and Jacob Kainen Collection Collection of Frank Stewart Olomouc: Archdiocese of Olomouc Mr. and Mrs. Eijk Van Otterloo Versailles: Mus6e National des Chateaux Stephen and Francine Taylor, Ruth Cole Kainen Collection de Versailles et de Trianon Mr. and Mrs. Harry S. Parker Huntington Woods, Michigan DENMARK Richard Kanter Collection of Thomas A. Petrie Thelma Harris Galleries Copenhagen: Statens Museum for Kunst The Harmon and Harriet Kelley GERMANY The Thompson Collection, Foundation for the Arts Mr. and Mrs. David Pincus, Altenburg: Lindenau-Museum Altenburg Wynnewood, Pennsylvania Indianapolis, Indiana EGYPT Rowan Khaleel Berlin: Akademie der Wissenschaften, Sally Engelhard Pingree Glen and Lynn Tobias Cairo: Supreme Council of Antiquities; Collection of William I. Koch, Akademiearchiv; John and Kimiko Powers, Collection of George and Joyce Wein The Egyptian Museum Palm Beach, Florida Brucke-Museum Berlin; Carbondale, Colorado Mr. and Mrs. Henry H. Weldon Luxor: Luxor Museum of Ancient Jack Krumholz Staatliche Museen zu Berlin, Private collection c/o Allan Stone Gallery Egyptian Art Christian A. Kunze, Berlin Collection Malcolm Wiener Gemaldegalerie; Private Collection c/o Jolanda Mr. and Mrs. Pierre Lagrange Frederick R. Weisman Art Foundation Staatliche Museen zu Berlin, Van Nyen Vurpillot FRANCE Kupferstichkabinett; Elisabeth M. and William M. Landes, Dian Woodner and Andrea Woodner, Lord Burton Angers: Mus6e des Beaux-Arts, Angers Chicago, Illinois New York Staatliche Museen zu Berlin, Collection of Stewart and Lynda Resnick Arras: Mus6e des Beaux-Arts, Arras Nationalgalerie; Collection of Stan and Marguerite Lathan Mr. and Mrs. Bagley Wright Catherine and Wayne Reynolds Cherbourg: Mus6e Thomas Henry Staatliche Museen zu Berlin, Beverly Zimmerman Private Collection Mr. and Mrs. H. LeCates Preussischer Kulturbesitz Dr. and Mrs. George Rieveschl Dijon: Mus6e des Beaux-Arts, Dijon Mr. Keith Lee and Dr. Lori Andochick Dresden: Gemaldegalerie Alte Meister Sid Richardson Collection of Western Art Fontaine-Chaalis: Abbaye royale de Richard A. Long LENDERS TO EXHIBITIONS Chaalis - Institut de France Dusseldorf: Museum kunst palast Estate of Romare Bearden, courtesy of Charlote and Duncan MacGuigan Public Collections Romare Bearden Foundation, New York Grenoble: Mus6e de Grenoble Essen: Museum Folkwang Essen V. Madrigal Collection AUSTRALIA Herbert Gentry and Mary Anne Rose Langres: Mus6e d'Art et d'Histoire Frankfurt: Stadelsches Kunstinstitut Manoogian Collection Melbourne: National Gallery of Victoria de Langres und Stadtische Galerie Courtesy of Michael Rosenfeld Gallery, Sir Edwin Manton New York Le Bourget: Mus6e de I'Air et de I'Espace Gotha: Schlossmuseum Gotha AUSTRIA Frangoise Marquet Collection, Paris Courtney Ross-Hoist Montpellier: Mus6e Fabre Hamburg: Altonaer Museum in Hamburg; : Gemaldegalerie der Akademie Wynton Marsalis Roy Lichtenstein Foundation Orleans: Mus6e des Beaux-Arts, Orleans Hamburger Kunsthalle der Bildenden Kunste Mr. and Mrs. Frederick Rudolph Paris: £cole Nationale SupSrieure des Hannover: Sprengel Museum Kunsthistorisches Museum Wien Beaux-Arts; Yvonne and Richard McCracken Mr. and Mrs. Thomas A. Saunders, III Kassel: Staatliche Museen Kassel Le Pantheon, Centre des Monuments Collection of Raymond J. McGuire The Collection of Philip J. and BELGIUM Ludwigshafen: Wilhelm-Hack-Museum Nationaux; Suzanne Schiller, American Social und Stadtische Kunstsammlungen Dr. and Mrs. William McGuire Antwerp: Koninklijk Museum voor Commentary Art 1930-1970 Mus6e d'Histoire de la M6decine; Schone Kunsten Antwerpen Munich: Bayerische Stephen and Barbara McMurray Schorr Family Collection Mus6e d'Orsay; Staatsgemaidesammlungen; : Mus6es royaux des Beaux-Arts Mrs. Paul Mellon Carol Selle de Belgique Mus6e de la Chasse et de la Nature; Bayerische Staatsgemaidesammlungen, Robert and Jane Meyerhoff, Neue Pinakothek Mr. and Mrs. Terry Semel Mus6e de la ComSdie Frangaise; Phoenix, Maryland BRAZIL Potsdam: Stiftung Preussische SchlSsser Jon and Mary Shirley Mus6e du Louvre; James D. Fishel and Barbara L. Micale und Garten Berlin-Brandenburg Sao Paulo: Museu de Arte de Sao Paulo Rob Smeets Mus6e national d'art moderne, Assis Chateaubriand Stuttgart: Staatsgalerie Stuttgart Collection of Liselotte Millard Centre Georges Pompidou; Robert H. Smith Collection Adriana and Robert Mnuchin Weimar: Stiftung Weimarer Klassik Mus6e Cognacq-Jay Beverly Sommer Collection CANADA Goethe-Nationalmuseum Emmanuel Moatti, Paris Puteaux: Fonds National d'Art Sonnabend Collection Ottawa: National Gallery of Canada Wuppertal: Von der Heydt-Museum Dr. David H. Moore Contemporain Ann and Harold Sorgenti Toronto: Art Gallery of Ontario Rouen: Mus6e des Beaux-Arts de Rouen Mr. Jose Mugrabi IRELAND Mr. and Mrs. Sherman H. Starr, Boston S6vres: Mus6e national de C6ramique Albert Murray Dublin: National Gallery of Ireland Sefior Rosendo Naseiro Diaz

61 NATIONAL GALLERY OF ART 2003

ITALY UNITED KINGDOM-ENGLAND UNITED STATES Hawaii Mississippi

Florence: Museo dell'Opificio Bakewell: Chatsworth House Trust California Honolulu: Honolulu Academy of Arts Tougaloo: Tougaloo College Art Collections delle Pietre Dure Bedford: Cecil Higgins Art Gallery Berkeley: City of Berkeley : Museo Archeologico & Museum Illinois Missouri Fresno: Fresno Metropolitan Museum Nazionale, Naples Birkenhead: Williamson Art Gallery of Art, History and Science Chicago: Chicago Historical Society; Kansas City: The Nelson-Atkins Rome: AcadSmie de France d Rome; and Museum Museum of Art Los Angeles: The J. Paul Getty Museum; The Art Institute of Chicago Galleria Borghese Birmingham: Barber Institute of Fine Arts; St. Louis: The Saint Louis Art Museum Los Angeles County Museum of Art; Birmingham Museums and Art Gallery Indiana The Museum of Contemporary Art, NETHERLANDS New Hampshire Cambridge: The Fitzwilliam Museum Los Angeles; Indianapolis: Indianapolis Museum of Art Amsterdam: Rljksmuseum Hanover: Hood Museum of Art Ipswich: Ipswich Borough Council UC Regents on Behalf of Grunwald Dordrecht: Dordrechts Museum Center for the Graphic Arts Kentucky Liverpool: National Museums and Galleries New Jersey Leiden: Stedelijk Museum De Lakenhal on Merseyside, Walker Art Gallery San Diego: San Diego Museum of Art Harrodsburg: Shaker Village of Pleasant Hill Newark: The Newark Museum Maastricht: Noortman (Maastricht) BV London: Dulwich Picture Gallery; San Francisco: The Fine Arts Museums of San Francisco Maryland Middelburg: Zeeuws Museum English Heritage; Princeton: The Art Museum, Princeton University San Marino: The Huntington Library, Annapolis: United States Naval The Hague: Koninklijk Kabinet van National Portrait Gallery, London; Art Collections, and Botanical Gardens Academy Museum Schilderijen Mauritshuis; Princeton University Library Royal Academy of Arts; Mauritshuis Tate; Connecticut Massachusetts New York

Tate Britain; Hartford: Connecticut Historical Society; Andover: Addison Gallery of American Art : Brooklyn Museum of Art PORTUGAL The British Museum; Museum of Art Boston: Museum of Fine Arts, Boston; Buffalo: Albright-Knox Art Gallery Lisbon: Museu Calouste Gulbenkian The Courtauld Institute Gallery, New Haven: Yale Center for British Art; The Boston Athenaeum Cooperstown: Fenimore Art Museum, Courtauld Institute of Art; New York State Historical Association Yale University Art Gallery Cambridge: Busch-Reisinger Museum; RUSSIA The National Gallery; Ithaca: Herbert F. Johnson Museum Waterbury: The Mattatuck Museum Fogg Art Museum St. Petersburg: State Hermitage Museum of Art, Cornell University The Royal Collection Trust; of the Mattatuck Historical Society : Nantucket Historical Association New York: American Folk Art Museum; Victoria and Albert Museum SPAIN New Bedford: New Bedford Delaware Dahesh Museum; Manchester: The Whitworth Art Gallery Whaling Museum Madrid: Banco de Espana; Winterthur: The Henry Francis du Pont Neue Galerie New York; Museo Nacional del Prado; Oxford: ; Northampton: Smith College Museum of Art Winterthur Museum Solomon R. Guggenheim Museum; Museo Nacional Centre de Arte The Dulverton Trust Salem: Pea body Essex Museum Reina Sofia; The Frick Collection; Southampton: Southampton City Art Gallery District of Columbia Sturbridge: Old Sturbridge Village Museo Thyssen-Bornemisza The Metropolitan Museum of Art; South Gloucestershire: Dyrham Park Washington: Hirshhorn Museum and Williamstown: Sterling and Francine Sculpture Garden, Smithsonian Institution; Clark Art Institute The Museum of ; SWEDEN UNITED KINGDOM-SCOTLAND Smithsonian American Art Museum, Worcester: Worcester Art Museum The New-York Historical Society; : Moderna Museet Smithsonian Institution; Edinburgh: National Gallery of Scotland; The Pierpont Morgan Library; The Corcoran Gallery of Art; Michigan Scottish National Gallery of Modern Art SWITZERLAND The The Phillips Collection Ann Arbor: Clements Library, Ogdensburg: Frederic Remington Davos Platz: Ernst Ludwig Kirchner University of Michigan UNITED KINGDOM-WALES Museum Art Museum Georgia : The Detroit Institute of Arts Cardiff: National Museums & Geneva: Mus6e d'art et d'histoire, Poughkeepsie: The Frances Lehman Galleries of Wales Atlanta: High Museum of Art; Flint: Flint Institute of Arts Ville de GenSve Loeb Art Center at Vassar College Spelman College Museum of Fine Art NeuchStel: Mus6e d'Art et d'Histoire Rochester: Memorial Art Gallery of the Minnesota Savannah: The Walter 0. Evans Foundation Zurich: Kunsthaus Zurich for Art and Literature Minneapolis: Walker Art Center Stony Brook: The Long Island Museum of American Art, History & Carriages

West Point: West Point Museum

62 NATIONAL GALLERY OF ART 2003

North Carolina Virginia Collection of the Artist National Museum of Health and Medicine United States Naval Academy Museum of the Armed Forces Institute of Pathology Charlotte: Mint Museum of Art Newport News: The Mariners' Museum Jasper Johns Jean Joseph Benjamin Constant > Between the Clock and the Bed; Dancers Thomas Eakins >Favorite of the Emir Davidson: Davidson College Richmond: Virginia Museum of Fine Arts on a Plane; Field Painting; No; Target >Dr. John H. Brinton Raleigh: North Carolina Museum of Art The White House Wisconsin Collection of the Artist Patsy Orlofsky Paul CSzanne Ohio : Milwaukee Art Museum Ellsworth Kelly Jim Dine > The Forest; House on a Hill Cincinnati: Cincinnati Art Museum > Color Panels for a Large Wall >Name Painting #1 Erving and Joyce Wolf Cleveland: The Cleveland Museum of Art LENDERS OF WORKS Manoogian Collection John and Mary Pappajohn Oberlin: Allen Memorial Art Museum, DISPLAYED WITH THE NGA Francis Augustus Silva Oberlin College COLLECTION George Caleb Bingham Claes Oldenburg > Indian Rock, Narragansett Bay > The Jolly Flatboatmen > U.S.A. Flag Toledo: Toledo Museum of Art Roger Arvid Anderson Anonymous Youngstown: The Butler Institute of Richard and Jane Manoogian Foundation John and Kimiko Powers American Art Possibly Germain Pilon Willem van Aelst > Veiled Mourner with Torch William Merritt Chase > Grapes in a Basket, Peaches on a Silver >Portrait ofWorthington Whittredge; >200 Campbell's Soup Cans Dish, Chestnuts, a Large White and Two Oklahoma Richard Caton Woodville, Red Admiral Butterflies, a Fly and a Calder Foundation, New York Norman: Fred Jones, Jr. Museum of Art > War News from Mexico Snail on a Vine Tendril, on a Red Velvet U.S. Department of the Interior, National Alexander Calder Cloth over a Partly Draped Ledge-, Oklahoma City: National Cowboy Park Service, Saint-Gaudens National >1 Red, 4 Black plus X White; Aztec Hendrick Avercamp and Western Heritage Museum The Metropolitan Museum of Art, New York Historic Site, Cornish, New Hampshire ; Cheval Rouge; Cheval > Winter Landscape with Golfers-, Tulsa: Gilcrease Museum Rouge (maquette); Object with Red Francesco di Giorgio Martini Augustus Saint-Gaudens Bernardo Bel lotto Ball; Red Panel; Tom's; Tom's > The Nativity > Early Study of the Allegorical Figure for >Pirna, The Fortress of Sonnenstein-, (maquette); Untitled the Shaw Memorial; Nicolaes Pietersz Berchem Pennsylvania > Preliminary Sketch for Shaw Memorial; >An Italianate Landscape with Figures; Robert and Jane Meyerhoff Collection, Bryn Mawr: Bryn Mawr College >Shaw Memorial; Gerrit Adriaensz Berckheyde Catholic University of America, Phoenix, Maryland >Study Head of a Black Soldier >A View of St. Bavo's, Haarlem-, Chadds Ford: Brandywine River Museum Oliveira Lima Library Agnes Martin (6 works) Botticelli Doylestown: Mercer Museum of Bucks Frans Post > Field #2; > Portrait of a Young Man Holding County Historical Society > Brazilian Landscape,Said to Frank Stella Schroder Collection, London a Medallion-, Be Pernambuco >Marquis de Portago (first version) Jan Brueghel, the Elder Hans Mielich Philadelphia: Museum of American Art of >A Road with a Ford in a Wood-, > Portrait of a Woman the Pennsylvania Academy of the Fine Arts; Jean-Charles Cazin Cooper-Hewitt, National Museum Robert and Jane Meyerhoff Philadelphia Museum of Art; > The Quarry of Monsieur Pascal of Design, Smithsonian Institution Modern Art Foundation Candida and Rebecca Smith near Nauterre; The African American Museum Giovanni Domenico Tiepolo Franz Kline Pieter Claesz in Philadelphia David Smith > The Immaculate Conception > Turbin; > Still Life with a Basket of Grapes, > Aggressive Character; Pittsburgh: Carnegie Museum of Art Roy Lichtenstein Chuck Close Collection of the Artist > Black- White Forward; > White Brushstroke II; >Jasper, > Construction December II; Helen Frankenthaler Robert Rauschenberg Aelbert Cuyp Tennessee > Ninety Father >Mountains and Sea > Bypass-, >A Pier in Dordrecht Harbor, Mark Rothko Dirck van Delen Memphis: Memphis Brooks Museum of Art Smithsonian American Art Museum > Untitled (Mauve and Orange)-, > Church Interior with Elegant Figures-, Horvitz Collection, Boston Andy Warhol Sir Anthony van Dyck Arshile Gorky Texas Philippe-Laurent Roland >Small Campbell's Soup Can, 19i >Marchesa Elena Grimaldi-Cattaneo; >Portrait of Master Bill; Fort Worth: Amon Carter Museum >Madame Potain French 13th Century Jan van Goyen >Angel Holding a Cross and the Croum >Dune Landscape with Figures Resting Musee du Louvre, Reunion des Houston: The Museum of Fine Arts, of Thorns; Bishop Blessing; Heraldic by a Path and Shipping on an Estuary Peter A. Jay Musees Nationaux, Paris Houston Panel; Vita Contemplativa in the Background-, Gilbert Stuart Severn da Ravenna Willem Claesz Heda >John Jay >Saint Christopher (Carrying the >Banquet Piece with an Overturned Vermont Ruth Carter Stevenson Christ Child)-, Tazza and Oysters; Shelburne: Shelburne Museum, Inc. Venetian 16th Century, Jan Davidsz de Heem >Boy on a Dolphin > Yarmouth Jetty > Still Life with a Tazza, a Gilt Cup, and a Fruit Pie; Still Life with Fruit,

63 NATIONAL GALLERY OF ART 2003

Oysters and Two Glasses of Wine on NGA LOANS TO TEMPORARY Abraham Bosse Edouard Vuillard Lyonel Feininger a Stone Ledge-, EXHIBITIONS > Gentry Visiting a Prison >Les Soutiens de la sotiktk (Montreal only) > The Bicycle Race* Jan van der Heyden During the fiscal year, the Gallery lent Jacques Callot Edouard Vuillard Albert Gleizes >A View in Amsterdam; 767 works of art to 188 sites. This includes > View of the Louvre >The Square (Montreal only) > Football Players Jan van Huysum the loan of 611 works to 144 temporary > Still Life of Flowers and Fruit; exhibitions at 148 institutions and the Louis Le Nain Edouard Vuillard Willem de Kooning extended loan of 146 Gallery works to 34 >A French Interior >Two Nude Figure Studies Humlebaek, Louisiana Museum > Untitled III; sites. Ten paintings from the collection were (Montreal only) of Modern Art Jean Varin Maker's mark of Andreas Kauxdorf on short-term loan to the collections of three >Armand-Jean Duplessis, Edouard Vuillard Roy Lichtenstein, the Elder foreign and three U. S. museums. > Cardinal de Richelieu, 1585—1642, >La Vie muette (Montreal only) 22 August 2003-18 January 2004 > German Parcel-Gilt Silver Beaker Works in National Lending Cardinal, 1622 (obverse) and Cover, Edouard Vuillard Roy Lichtenstein Service marked * Maker's mark of Andreas Mackensen I. Circulated to Wallraf-Richartz-Museum, > Woman in a Striped Dress >Look Mickey > German Silver-Gilt Tankard) Cologne, 31 January-20 April 2003 Edouard Vuillard Maker's mark of Hans Beutmuller AUSTRALIA > Woman in Bed (Montreal only) FRANCE > German Silver-Gilt Christening Cup; Canberra, National Gallery of Australia Edouard Vuillard, Maker's mark of Jeremias II. Flicker Edouard Vuillard Lille, Palais des Beaux-Arts de Lille 15 May-24 August 2003 > German Silver-Gilt Double Pollock's Blue Poles, No. 11, > Women Sewing (Montreal only) Retrospective Carolus-Duran, Pineapple Cup, 4 October 2002-27 January 2003 Edouard Vuillard Edouard Vuillard (1837-1917), 7 March-9 June 2003 Maker's mark of Johann I. Seutter >Ames solitaires (Montreal only) Jackson Pollock >The Yellow Curtain > German Silver-Gilt Shell-Form Carolus-Duran > Number 7, 1951* Edouard Vuillard Standing Cup; Circulated to Galeries nationales du > Study of Lilia >Au-deld des forces humaines Maker's mark of Johann Karl Bossard Jackson Pollock Grand Palais, Paris, 23 September (Montreal only) Circulated to Mus6e des Augustins, >Nautilus Cup; > Untitled 2003-4 January 2004 Toulouse, 27 June-29 September 2003 Maker's mark of Thomas Stoer the Elder. Edouard Vuillard > German Parcel-Gilt Silver Cup >Au dessus des forces humaines; AUSTRIA Ottawa, National Gallery of Canada and Cover; L'Araignee de cristal (Montreal only) Lyon, Mus6e des Beaux-Arts de Lyon Edouard Manet Vienna, Graphische Sammlung Albertina French Genre Painting in the Edouard Vuillard Alfred Sisley poete de I'impressionisme, > Spring; Age ofWatteau and Fragonard, Edvard Munch —Themes and > Child Wearing a Red Scarf 10 October 2002-6 January 2003 Frans van Mieris 6 June - 7 September 2003 Variations, 17 March-22 June 2003 >Musical Party on a Terrace; Edouard Vuillard Alfred Sisley Louis-L6opold Boilly I sack van Ostade Edvard Munch > The Conversation > Boulevard Heloise, Argenteuil > The Card Sharp on the Boulevard >Halt before the Inn with > Two Women on the Shore (Frauen am Edouard Vuillard a Rider Approaching; Meeresufer) (6 works) Jean Sim6on Chardin >The Enigmatic Smile (Montreal only) Nice, Mus6e Matisse Jacopo Raima II Giovane > The Attentive Nurse > Venus and Cupid at the Forge of Vulcan; >Albrecht Dtirer, Edouard Vuillard Matisse, Une fete en Cimmerie, Jean Sim6on Chardin Mark Rothko 4 September-8 December 2003 >Un Ennemi du peuple (Montreal only) 25 June-21 September 2003 > The House of Cards >No. 9 (White and Black on Wine); Albrecht Durer Edouard Vuillard Henri Matisse Sir Peter Paul Rubens Jean Simeon Chardin >Madonna and Child (obverse) >Four Ladies with Fancy Hats >The Oriental (L'Asiatique) >Landscape with Willows; > The Kitchen Maid (Montreal only) Salomon van Ruysdael Albrecht Durer Jean Simeon Chardin >River Landscape; >An Oriental Ruler Seated on His Throne Edouard Vuillard Paris, Galerie Nationale du Jeu de Paume >Soap Bubbles Pieter Jansz Saenredam >Freres; La Gardienne; Crtanciers Albrecht Durer Rene Magritte, > The Interior of the Saint Peter's Church (Montreal only) Jean-Honor6 Fragonard > Young Woman in Netherlandish Dress 10 February-9 June 2003 in 's-Hertogenbosch; > The Happy Family Edouard Vuillard Frans Snyders >Rene Magritte, The Blank Signature* >Monsieur Bute; L'Amant de safemme; Jean-Honor6 Fragonard > Still Life of Fruit (A Swag of CANADA La Belle operation (Montreal only) Autumnal Fruit); >A Young Girl Reading Montreal, Montreal Museum of Fine Arts Paris, Galeries nationales du Grand Palais Hans Straub I Edouard Vuillard Nicolas Lancret >Renaissance Silver-Gilt Cup; Richelieu: Art and Power, >Place Vintimille > The Picnic after the Hunt Matisse - Picasso, Cy Twombly 8 September 2002-5 January 2003 17 September 2002-6 January 2003 Edouard Vuillard > Orpheus (Thou unending trace); > Une Nuit d'Avril a Ceos; L'image Adriaen van de Velde Abraham Bosse DENMARK Henri Matisse >March of the King and Knights of the (Montreal only) > Venus > Figures in a Deer Park; Copenhagen, Statens Museum for Kunst Holy Spirit in the Courtyard at Willem van de Velde Edouard Vuillard Circulated to The , Fontainebleau The Avant-Garde in Danish >Ships on a Calm Sea; >Rosmersholm (Montreal only) New York, 13 February-19 May 2003 and European Art 1909-19, Philips Wouwerman Abraham Bosse Edouard Vuillard 7 September 2002-19 January 2003 Constable Le choix de Lucian Freud, > Landscape > Banquet Given by the King to >Solness le constructeur (Montreal only) 7 October 2002-13 January 2003 the New Knights

64 NATIONAL GALLERY OF ART 2003

John Constable Edouard Manet Munich, Kunsthalle der Rembrandt van Rijn LATVIA > The Dead Toreador Hypo-Kulturstiftung > Self-Portrait > Salisbury Cathedral from Riga, State Museum of Art Lower Marsh Close Edouard Manet Stille Welt—Italienische >Metafisica, Mark Rothko:A Centennial >Don Mariano Campmbi (Le Bailarin) Stilleben aus Drei Jahrhunderten, 26 September 2003-6 January 2004 Gauguin-Tahiti L'atelier des Celebration, 22 September- tropiques, 30 September 2003 - (New York only) 6 December 2002-9 March 2003 Arshile Gorky 30 November 2003 19 January 2004 Edouard Manet Italian 17th Century > Organization Mark Rothko >The Tragic Actor (Rouvibre as ) > Still Life with Artichokes and a Parrot Paul Gauguin >Aquatic * >Parau na te Varua ino James McNeill Whistler JAPAN (Words of the Devil)* Mark Rothko > Gold and Brown: Self-Portrait* Stuttgart, Staatsgalerie Stuttgart Kyoto, Kyoto National Museum >No. 7 [or] No. 11* Paul Gauguin (New York only) Manet und die Impressionisten, > Te Pape Nave Nave (Delectable Waters) Rembrandt Rembrandt, Mark Rothko Circulated to The Metropolitan Museum 21 September 2002-9 February 2003 3 November 2002-8 January 2003 >No. 10* Paul Gauguin of Art, New York, 4 March-29 June 2003 Edouard Manet > Two Marquesans (recto) Rembrandt van Rijn Mark Rothko > The Railway >A Young Man Seated at a Table >No. 22* GERMANY Auguste Renoir (possibly Govaert Flinck) Paris, Musee d'Art moderne Mark Rothko Bremen, Kunsthalle Bremen >Madame Monet and Her Son de la Ville de Paris Rembrandt van Rijn and Workshop > The Source* Van Gogh: Felder. Das 'Mohnfeld' (Probably Govaert Flinck) Francis Picabia, Singulier ideal, Mark Rothko und der Kiinstlerstreit, ITALY >Man in Oriental Costume 16 November 2002-16 March 2003 > Street Scene* 19 November 2002-26 January 2003 Ferrara, Palazzo Bonacossi Circulated to Stadelsches Kunstinstitut, Francis Picabia Mark Rothko Vincent van Gogh und Stadtische Galerie Frankfurt, > Machine tournez vite Lucrezia Borgia, > Underground Fantasy* > Farmhouse in Provence 1 February-11 May 2003 (Machine Turn Quickly) 5 October-15 December 2002 Mark Rothko Circulated to Toledo Museum of Art, Dosso Dossi > Untitled* (3 works) 23 February -18 May 2003 Nagoya, Nagoya City Art Museum Paris, Mus6e national d'art moderne, > Saint Lucretia Mark Rothko Centre Georges Pompidou Rene Magritte, > Untitled (5 works) Dusseldorf, Stiftung Museum 1 September-20 October 2002 Max Beckmann Retrospective, Rome, AcadGmie de France & Rome Kunst Palast Mark Rothko 10 September 2002-6 January 2003 Ren6 Magritte Maesta di Roma. D'Ingres a Degas: > Untitled (brown and gray) Joan Miro. Schnecke Frau > The Blank Signature* Max Beckmann Les artistes Franfais a Rome, Blume Stern, 13 July-6 October 2002 Mark Rothko > The Argonauts 7 March-29 June 2003 Circulated to Hiroshima Museum of Art, > Untitled (figure staring at a doorway) Joan Mir6 26 October-8 December 2002 Max Beckmann Jules Coignet > The Farm Mark Rothko > Falling Man* > View of Lake Nemi > Untitled (figure wearing a hat) Tokushima, The Tokushima Circulated to Tate Modern, London, Jean-Auguste-Dominique Ingres Essen, Kulturstiftung Ruhr, Villa Hugel Modem Art Museum Mark Rothko 15 February-5 May 2003, and >Pope Pius VII in the Sistine Chapel > Untitled (recto) The Museum of Modern Art, New York, Stadt-Land-Fluss: Die Flamische Maurice Utrillo, Circulated to Dahesh Museum 25 June-30 September 2003 Landschaft 1520-1700, 12 October-24 November 2002 Mark Rothko of Art, New York, 23 August-30 November 2003 > Untitled (seated figure wearing a hat) Les Ateliers de Nicolas De Stael, 3 September-2 November 2003 Maurice Utrillo Antwerp 16th Century (Possibly 5 March-1 July 2003 > The Pont Saint-Michel, Paris* Mark Rothko Matthys Cock) > Untitled (seated woman with short hair Nicolas de StaSI > The Martyrdom of Saint Catherine Rome, Complesso del Vittoriano Maurice Utrillo wearing an orange shirt) > Ballet >Rue Cortot, Montmartre Ritratti e figure. Frankfurt, Schirn Kunsthalle Capolavori impressionisti, MEXICO Paris, Mus6e d'Orsay 7 March-6 July 2003 Tokyo, The National Museum Henry Matisse—Drawing of Western Art Mexico City, Museo Nacional de Arte Manet/Veldzquez:La maniere with Scissors: Masterpieces from espagnole au XIXe siecle, the Late Years, >Peasant Girl with a Straw Hat Rembrandt and the Rembrandt Jose Juarez. Recursos y discursos del 16 September 2002-12 January 2003 20 December 2002-2 March 2003 School: The Bible, Mythology arte de pintar, 20 June -27 October 2002 and Ancient History, Francisco de Goya Flenri Matisse Rome, Scuderie del Quirinale Agostino Carracci after Francesco Vanni 13 September-14 December 2003 > Victor Guye (New York only) > Oceania, the Sea > Saint Francis Consoled by Rembrandt: Dipinti, incisioni Gerard Dou the Musical Angel Edouard Manet Henri Matisse e riflessi sul '600 e '700 italiano, > The Hermit > The Absinthe Drinker (Le buveur > Oceania, the Sky 5 October 2002 - 6 January 2003 d'absinthe) (New York only) Rembrandt Workshop Circulated to Sammlung Berggruen, >Joseph Accused by Potiphar's Wife Berlin, 13 March-9 June 2003

65 NATIONAL GALLERY OF ART 2003

NETHERLANDS Johannes Vermeer Titian London, Tate Britain Barnett Newman >Girl with the Red Hat >Ranuaio Farnese >Tenth Station Amsterdam, Rijksmuseum Thomas Gainsborough (1727-1788), Johannes Vermeer Circulated to Museo Nacional del Prado, Hendrick Goltzius (1558-1611): 24 October 2002-19 January 2003 Barnett Newman > Woman Holding a Balance Madrid, 9 June-7 September 2003 > Eleventh Station Draunngs, Prints and Paintings, > Thomas Gainsborough, Drover with 7 March-25 May 2003 Calves in a Country Cart (Boston only) Barnett Newman Madrid, Museo Thyssen-Bornemisza London, Royal Academy of Arts > Twelfth Station Hendrik Goltzius > Thomas Gainsborough, Miss Catherine > The Fall of Man Tiziano/Rubens: Venus ante el espejo, Ernst Ludwig Kirchner, 1880-1938, Tatton (London only) Barnett Newman 23 September 2002-26 January 2003 28 June-21 September 2003 > Thirteenth Station Circulated to The Metropolitan Thomas Gainsborough Museum of Art, New York, Annibale Carracci Ernst Ludwig Kirchner >Mountain Landscape with Bridge Barnett Newman 23 June-7 September 2003 > Venus Adorned by the Graces >Dancing Couple (Tanzpaar) > Fourteenth Station Thomas Gainsborough Titian Ernst Ludwig Kirchner >Mrs. Richard Brinsley Sheridan Barnett Newman The Hague, Koninklijk Kabinet van > Venus with a Mirror >Dodo Arranging Her Hair > Achilles Schilderijen Mauritshuis Thomas Gainsborough Ernst Ludwig Kirchner >Seashore with Fishermen (Boston only) Barnett Newman Hans Holbein the SWITZERLAND •Fife Tarts (Ftinf Kokotten) >Be II Younger, 1497-1543: Circulated to Museum of Fine Arts, Lausanne, Fondation de I'Hermitage Ernst Ludwig Kirchner Portraitist of the Renaissance, Boston, 15 June-14 September 2003 Barnett Newman >Die Geliebte >Dionysius 16 August-16 November 2003 L'impressionnisme Americain, Constable to Delacroix: British Art 1880-1915, 7 June-20 October 2002 Ernst Ludwig Kirchner Hans Holbein, the Younger and the French Romantics, Barnett Newman >Head of a Woman 5 February-11 May 2003 > Pagan Void > Edward VI as a Child Henry Ossawa Tanner > The Seine* Ernst Ludwig Kirchner Theodore Rousseau Cruel and Tender: The Real in the >Das Mannlein narrt ihn, indem es den >Mountain Stream in theAuvergne SPAIN Twentieth-Century Photograph, Schatten allein bei ihm vorbeispazieren Martigny, Fondation Pierre Gianadda Horace Vernet 5 June-7 September 2003 Barcelona, Museo Picasso liisst, Schlemihl versucht ihn zu fassen >Hunting in the Pontine Marshes Berthe Morisot Retrospective, Walker Evans Picasso de la Caricatura a Ernst Ludwig Kirchner 19 June-19 November 2002 Circulated to The Minneapolis Institute •Subway Portrait (9 works) las Metamorfosis de Estilo, >Nach der Verfolgung des Schattenlosen of Arts, 8 June-7 September 2003 18 February-1 June 2003 Berthe Morisot durch den Mob der Gasse > The Sisters UNITED KINGDOM-SCOTLAND Ernst Ludwig Kirchner London, Tate Modern > Harlequin Musician > Peter Schlemihls wundersame Geschichte Edinburgh, National Gallery of Scotland TAIWAN (Title Page) Barnett Newman, Gainsborough's Beautiful 19 September 2002-5 January 2003 Bilbao, Museo Guggenheim Bilbao Taipei, The National Museum Ernst Ludwig Kirchner Mrs. Graham, 4 April-22 June 2003 of History, Taiwan > Performer Bowing (Beifallheischende Barnett Newman Colder: La Gravedad y la Gracia, Thomas Gainsborough Artistin) > First Station 18 March -17 October 2003 Matisse: The Emotion of >The Hon. Mrs. Thomas Graham Line, The Gift of Space, Ernst Ludwig Kirchner Alexander Calder Barnett Newman 19 November 2002-16 February 2003 > Qualen der Liebe > Second Station > Triple Gong Edinburgh, Royal Scottish Henri Matisse Ernst Ludwig Kirchner Barnett Newman Academy Building >The Oriental (L'Asiatique) > Russian Dancers (Russisches Tdnzerpaar) > Third Station Madrid, Museo Nacional Centro Monet: The Seine and the Sea, de Arte Reina Sofia Ernst Ludwig Kirchner Barnett Newman Vetheuil and Normandy, 1878-1883, UNITED KINGDOM - ENGLAND >Schlemihl versucht mit dem Black Mountain College: >Fourth Station 6 August-26 October 2003 Schatten zufliehen Experimenting with Power, London, The National Gallery Barnett Newman 28 October 2002 -13 January 2003 Ernst Ludwig Kirchner >Fifih Station > The Artist's Garden at Vetheuil Madame de Pompadour: Images > Three Bathers by Stones (Drei Harry Callahan of a Mistress, 16 October 2002- Barnett Newman Badende an Steinen) >Lake Michigan 12 January 2003 > Sixth Station UNITED KINGDOM-WALES Ernst Ludwig Kirchner Francois - Hubert Drouais Barnett Newman Cardiff, National Museum & Gallery > Two Nudes (obverse) Madrid, Museo Nacional del Prado >Madame du Barry* >Seventh Station Thomas Jones (1742-1803), Ernst Ludwig Kirchner Vermeer y el interior holandes, Barnett Newman 21 May-10 August 2003 Titian, 19 February-18 May 2003 > Verkauf des Schattens 19 February-18 May 2003 >Eighth Station Thomas Jones Giovanni Bellini and Titian Pieter de Hooch Barnett Newman >Larici from the Convent of the Galoro > The Feast of the Gods > The Bedroom >Ninth Station

66 NATIONAL GALLERY OF ART 2003

UNITED STATES Christo Christo Painting Women: Fragonard New Britain, New Britain Museum >Double Store Front Project, > Wrapped Book to Bouguereau, of American Art Alabama Orange and Yellow 23 November 2002-27 April 2003 Christo Winslow Homer's America, Mobile, Mobile Museum of Art Christo > Wrapped Reichstag, Project for Berlin Jean-Honor6 Fragonard 26 March -13 July 2003 Picturing French Style: Three > , Project for Central Park, (2 works) >A Young Girl Reading Winslow Homer Hundred Years of Art and Fashion, New York City (2 works) Christo >Dad's Coming! 6 September 2002-5 January 2003 Christo > Wrapped Roman Sculpture, Project for San Francisco, California Palace of the Captain Edward H. Molyneux >The Mastaba of Abu Dhabi, Project for Die Glyptothek - Munchen Legion of Honor District of Columbia >Artist on a Quay* United Arab Emirates Christo Casting a Spell: Winslow The Corcoran Gallery of Art Christo, > Wrapped Trees, Project for the Fondation Homer:Artist and Angler, Montgomery, Montgomery Museum > Orange Store Front Project Beyeler, Riehen, Switzerland 7 December 2002-9 February 2003 Whistler and His Circle in Venice, of Fine Arts 8 February-30 April 2003 Christo Christo Winslow Homer Albrecht Dtirer, > Over the River, Project for the Arkansas > Wrapped Walk Ways, Project forJacob > Casting, Number Two James McBey 14 September-20 October 2002 River, Colorado (2 works) L. Loose Memorial Park, > Barcarole Winslow Homer Kansas City, Missouri Albrecht Durer Christo >Red Shirt, Homosassa, Florida James McBey > The Last Supper > Package 1961 Christo > Palazzo dei Cammerlenghi Winslow Homer > Wrapped Walk Ways, Project for Loose Albrecht Durer Christo > The Rise Joseph Pennell Park, Kansas City, Missouri >Melencolia I > Package 1965 > Rebuilding the Campanile, Venice, No. I Circulated to Amon Carter Museum, (Washington only) Albrecht Durer Christo Fort Worth, 11 April-22 June 2003 Los Angeles, The J. Paul Getty Museum > The Nativity >Package 1914 Joseph Pennell Greuze the Draftsman, >Rebuilding the Campanile, Venice, No. II Circulated to Joslyn Art Museum, Omaha, Christo San Francisco, San Francisco Museum 10 September-1 December 2002 (Washington only) 18 January-9 March 2003 > Packed Coast, Project for Australia, of Modern Art near Sydney Jean-Baptiste Greuze John Singer Sargent Dreaming in Pictures: The > The Angry Mother >Street in Venice (Washington only) Arkansas Christo Photographs of Lewis Carroll, > Packed Coast, Project for Little Bay, Jean-Baptiste Greuze 3 August-10 November 2002 James McNeill Whistler Little Rock, Historic Arkansas Museum New South Wales, Australia >The Ungrateful Son > The Balcony Lewis Carroll Colonial Arkansas before the Christo >Xie Kitchin James McNeill Whistler Louisiana Purchase: 1541-1803, > The Pont Neuf Wrapped, Project for Los Angeles, Los Angeles County > T7ie Doorway 2 May-31 December 2003 Circulated to The Museum of Fine Arts, Paris (2 works) Museum of Art Houston, 22 February-18 May 2003 James McNeill Whistler George Catlin Christo Bartolome Esteban Murillo >Doorway and Vine ( 2 works, one to >La Salle Taking Possession of the Land > The River, Project (2 works) (1617-1682): Paintings from Washington only) at the Mouth of the Arkansas. San Marino, The Huntington Library, American Collections, March 10, 1682* Christo Art Collections, and Botanical Gardens James McNeill Whistler 14 July-6 October 2002 >Running Fence, Project for Sonoma and >The Little Mast (Washington only) George Romney (1734-1802), Marin Counties, California Bartolom6 Esteban Murillo California 15 September-1 December 2002 James McNeill Whistler > The Return of the Prodigal Son Christo >Uttle Venice (Washington only) La Jolla, Museum of Contemporary Art, George Romney >Running Fence, Project for the Bartolom6 Esteban Murillo San Diego >Mrs. Thomas Scott Jackson James McNeill Whistler West Coast—USA > Two Women at a Window >Long Lagoon Christo and Jeanne-Claude Christo in the Vogel Collection, Connecticut James McNeill Whistler > Surrounded Islands, Project for Biscayne San Diego, San Diego Museum of Art 22 September 2002-5 January 2003 >Nocturne: Palaces Bay, Greater Miami, Florida (2 works) Hartford, Wadsworth Atheneum Vital Forms: American Art and Christo Museum of Art James McNeill Whistler Christo Design in the Atomic Age, >Abu Dhabi Mastaba, Project for the > The Palaces >The Umbrellas, Joint Project for Japan 1940-1960, 17 November 2002- Marsden Hartley: A Retrospective, United Arab Emirates and U.S.A. (18 works) 23 February 2003 17 January-20 April 2003 James McNeill Whistler Christo > The Rialto Christo Alexander Calder Marsden Hartley > A it Package, Project for the Garden of the >The Umbrellas, Project for 6-8 >Four White Petals > The Aero James McNeill Whistler Museum of Modern Art, New York City Miles - 3,000 Umbrellas > The Riva, No. I Circulated to Phoenix Art Museum, Marsden Hartley Christo Christo 4 April-29 June 2003 >Mount Katahdin, James McNeill Whistler > Corridor Store Front Project > Valley Curtain, Project for Colorado, >San Biagio (Washington only) Circulated tn The Phillins P.nllprtinn Grand Hogback vm vuiaicu IV MIC I I WUIIGVUUI I, Washington, 7 June-7 September 2003

67 NATIONAL GALLERY OF ART 2003

James McNeill Whistler The Folger Shakespeare Library George Catlin Louis Faurer Maryland >San Giorgio (Washington only) > Catlin Painting the > Globe Theater Elizabeth I, Then and Now, Annapolis, The Mitchell Gallery, St. Portrait of Mah-to-toh-pa—Mandan * James McNeill Whistler 21 March-3 August 2003 Louis Faurer John's College >Two Doorways George Catlin >NewYork, New York Studio of Marcus Gheeraerts, the Younger The Sweet Uses of Adversity, >Entrance to a Lagoon, Shore James McNeill Whistler > Robert Devereux, 2nd Earl of Essex Circulated to Philadelphia Museum of Images of the Biblical Job, of the Amazon* > Upright Venice Art, 14 June-7 September 2003 21 August-2 November 2002 George Catlin Alfred Stieglitz Hirshhorn Museum and Sculpture Garden William Blake >Lengua Medicine Man with >A Venetian Canal Kansas >Job and His Daughters Gerhard Richter: Forty Years of Two Warriors* Alfred Stieglitz Painting, 14 February-18 May 2003 Lawrence, Spencer Museum of Art William Blake George Catlin >A Venetian Well >Job and His Wife Restored to Prosperity Gerhard Richter > Three Distinguished Warriors Milk and Eggs: The Revival Alfred Stieglitz >Abstract Painting 780-1 of the Sioux Tribe* of Tempera Painting in William Blake > Venice America, 1930-1950, >Job's Sacrifice 21 September-17 November 2002 Circulated to The Grolier Club, New York, The Phillips Collection Florida William Blake 17 September-22 November 2003 Andrew Wyeth >The Lord Answering Job out Pierre Bonnard: Early and Late, Naples, Naples Museum of Art >Snow Flurries of the Whirlwind Robert Frank: London /Wales, 21 September 2002-12 January 2003 Frankenthaler: The Woodcuts, 10 May- 14 July 2003 William Blake Pierre Bonnard 8 November 2002-23 March 2003 Louisiana >Satan Before the Throne of God Robert Frank > The Cab Horse Helen Frankenthaler > Black White and Things New Orleans, New Orleans William Blake Pierre Bonnard. >Freefall Museum of Art >Satan Smiting Job with Boils Robert Frank >From the Land ofTouraine Circulated to Center for Contemporary >City of London (3 works) (Du pays tourangeau) Jefferson's America and Napoleon's Dirck Volckertz. Coornhert after Art and Tyler Graphics Archive France: An Exhibition for the Maerten van Heemskerck Robert Frank Pierre Bonnard Collection, Sukagawa, Japan, Louisiana Purchase Bicentennial, >Triumph of Job > City of London 5/Lines of My Hand 43 >Posterfor "France-Champagne" 28 June-7 September 2003 12 April-31 August 2003 Fritz Eichenberg Robert Frank Pierre Bonnard, American 19th Century >The Book of Job > City of London 14 /Black White >Studyfor "Du pays tourangeau" North Miami, Museum of Contemporary >Liberty* and Things 10 (From the Land ofTouraine) Art, North Miami Maerten van Heemskerck George Catlin >The Triumph of Job Robert Frank Pierre Bonnard Frankenthaler: Paintings on Paper >La Salle Erecting a Cross and Taking > London (4 works) >Study for "France-Champagne" (recto) (1949-2002), 14 February-8 June 2003 Augustin Hirschvogel Possession of the Land. March 25, 1682* >Job Learns of His Misfortunes Robert Frank Pierre Bonnard Helen Frankenthaler George Catlin >Near Victoria Station, London > Unfortunate Adele (Malheureuse Adele) > Untitled Alphonse Legros >Mandan War Chief with His >Job, 1st plate Robert Frank Pierre Bonnard and Alfred Jarry (author) Favorite Wife* > Wales 28 >Almanach illustre du Pare Ubu Illinois Benton Murdoch Spruance Rembrandt Peale (XXe sikle) (2 works) >After Blake's Job Robert Frank Chicago, The Art Institute of Chicago >Rubens Peale with a Geranium > Wales 39 / Lines of My Hand 41 Circulated to Denver Art Museum, Magnificenza! The Medici, Gilbert Stuart 1 March-25 May 2003 ' Baltimore, The Baltimore Robert Frank Michelangelo, and the Art >Eleanor Parke Custis Lewis Museum of Art > Welsh Miners of Late Renaissance Florence, (Mrs. Lawrence Lewis)* Renwick Gallery 9 November 2002-2 February 2003 Painted Prints: Renaissance and Baroque Hand-Colored Engravings, Embassy of Canada George Catlin and his Indian Gallery, Medici Porcelain Factory Maine Etchings, and Woodcuts, 6 September 2002-19 January 2003 >Flask Edward Burtynsky In the Wake Portland, Portland Museum of Art 6 October 2002-5 January 2003 of Progress: Images of the Industrial George Catlin Pontormo Neo-:Artists on Landscape, 12 June-19 September 2003 >Assinneboine Warrior and His Family* >Monsignor della Casa the Edge, 27 June-20 October 2002 >The Beautiful Virgin of Regensburg Edward Burtynsky George Catlin Circulated to The Detroit Institute (Baltimore only) Henri Edmond Cross > Shiphreaking #10, Chittagong, >Boy Chief- Ojibbeway* of Arts, 16 March-8 June 2003 >Coast nearAntibes* German 15th Century Bangladesh George Catlin Louis Faurer Retrospective, >Christ on the Cross with Angels Georges Seurat >A Caribbe Village in Dutch Guiana* 1 February-27 April 2003 (Baltimore only) >Seascape at Port-en-Bessin, Normandy* Louis Faurer German 15th Century > "Champion," New York City >The Last Judgment with the Apostles (Baltimore only)

68 NATIONAL GALLERY OF ART 2003

Netherlandish 15th Century James McNeill Whistler New York, Whitney Museum Rembrandt van Rijn >Christ as the Man of Sorrows >A View of the Mountain Pass Called >Mother of Pearl and Silver: of American Art > Self- Portrait Drawing at a Window (Baltimore only) the Notch of the White Mountains The Andalusian Elie Nadelman, 27 March-30 July 2003 Rembrandt van Rijn (Crauford Notch) Hartmann Schedel (author) and James McNeill Whistler >The Triumph of Mordecai Elie Nadelman Workshop of Michel Wolgemut and Jasper Francis Cropsey >The Muff >Studyfor "Man in the Open Air" Workshop of Wilhelm Pleydenwurff >Autumn-On the Hudson River James McNeill Whistler Ohio >Liber Chronicarum ( Elie Nadelman Fitz >Rag-Shop, Milman's Row Chronicle) (Baltimore only) > Woman's Head in Profile, Facing Left Cleveland, The Cleveland >Becalmed off Halfway Rock James McNeill Whistler Museum of Art Circulated to The Saint Louis Art >The Seamstress Museum, St. Louis, Rochester, Memorial Art Gallery of the Battle of the Nudes: Poltaiuolo's New Mexico 14 February-18 May 2003 James McNeill Whistler University of Rochester Renaissance Masterpiece, Santa Fe, Georgia O'Keeffe Museum >Standing Female Figure 25 August - 27 October 2002 Leaving for the Country: Massachusetts Debating American Modernism: James McNeill Whistler George Bellows at Woodstock, Christofano Robetta after Antonio Stieglitz, Duchamp, and the >Study in Black and Gold 13 April-22 June 2003 del Pollaiuolo Williamstown, Sterling and Francine New York Avant-Garde, (Madge O'Donoghue) >Hercules and Antaeus Clark Art Institute George Bellows 24 January-20 April 2003 James McNeill Whistler >Nude with Hexagonal Quilt Turner: The Late Seascapes, Max Weber > Weary Pennsylvania 14 June - 8 September 2003 George Bellows >Rush Hour, New York* >Sketch for the Arms and Hands Lancaster, Heritage Center Museum Joseph Mallord William Turner Circulated to Des Moines Art Center, New York, Hall & Knight of Mrs. Philip Wase of Lancaster County >The Evening of the Deluge 9 May-1 August 2003, and Terra Procaccini in America, George Bellows Jacol Eichholtz's Lancaster, Joseph Mallord William Turner Museum of American Art, Chicago, 15 October-23 November 2002 >Studies of Jean 14 April-31 December 2003 >Keelmen Heaving in Coab by Moonlight 29 August-30 November 2003 Giulio Cesare Procaccini George Bellows Jacob Eichholtz Joseph Mallord William Turner > The Ecstasy of the Magdalen >Study for Nude with Hexagonal Quilt > William Clark Frazer* >Rotterdam -Boat New York George Bellows Jacob Eichholtz Joseph Mallord William Turner Albany, Albany Institute of New York, The Metropolitan > Woodstock Road, Woodstock, New York >Phoebe Cassidy Freeman > Venice: The Dogana and San History and Art Museum of Art (Mrs. Clarkson Freeman)* Giorgio Maggiore Matters of Taste: Food and Drink in A Very Private Collection: Janice H. North Carolina Jacob Eichholtz 17th-Century Dutch Art and Life, Levin's Impressionist Pictures, >Henry Eichholtz Leman* Michigan 20 September-8 December 2002 Raleigh, North Carolina Museum of Art 19 November 2002-9 February 2003 Detroit, The Detroit Institute of Arts Gerret Willemsz. Heda Jan Miense Molenaer: Claude Monet Lancaster, Lancaster County >Still Life with Ham Painter of the Dutch Golden Age, Degas and the Dance, >The Artist's Garden inArgenteuil Historical Society 13 October 2002-5 January 2003 20 October 2002-12January 2003 (A Corner of the Garden with Dahlias) Jacob Eichholtz, From Artisan New York, Adelson Galleries, Inc. Judith Leyster Edgar Degas to Artist, 9 April - 31 December 2003 Leonardo Da Vinci, Master >Self-Portrait >The Dance Lesson Maurice Prendergast-.Paintings Draftsman, 22 January-30 March 2003 Jacob Eichholtz of America, 15 May-20 June 2003 Rembrandt's Etchings of the Bible, Edgar Degas >Mr. Kline Leonardo da Vinci 13 October 2002 - 23 February 2003 >Dancers Backstage Maurice Brazil Prendergast >Grotesque Head of an Old Woman Jacob Eichholtz >Docks, East Boston Rembrandt van Rijn Edgar Degas >Jacob (?) Leman Leonardo da Vinci >Adam and Eve >Spanish Dancers and Musicians >Sheet of Studies (recto) Jacob Eichholtz New York, The Frick Collection Rembrandt van Rijn Circulated to Philadelphia Museum of >Joseph Leman >Christ Crucified between the Two Art, 12 February-11 May 2003 Whistler, Women, and Fashion, El Greco: The Illumination and Thieves:An Oval Plate Jacob Eichholtz 22 April-13 July 2003 Quickening of the Spirit, >Miss Leman 29 September 2003-11 January 2004 Rembrandt van Rijn Minnesota James McNeill Whistler >Christ at Emmaus: The Larger Plate >Arrangement in Black-No.3 El Greco (Domenikos Theotokopoulos) Minneapolis, The Minneapolis Lancaster, Phillips Museum of Art, >Laocoon Rembrandt van Rijn Institute of Arts James McNeill Whistler Franklin & Marshall College >The Flight into Egypt >A Lady Seated El Greco (Domenikos Theotokopoulos) American Sublime: The Artistic World of Jacob Eichholtz, >Madonna and Child with Saint Martina Rembrandt van Rijn Landscape Painting in the James McNeill Whistler 24 April-20 December 2003 and Saint Agnes >Peter and John Healing the Cripple United States 1820-1880, >Maud, Standing (2 works) at the Gate of the Temple Jacob Eichholtz 22 September-17 November 2002 El Greco (Domenikos Theotokopoulos) >James P. Smith* >Saint Martin and the Beggar

69 NATIONAL GALLERY OF ART 2003

Reading, Reading Public Museum Houston, The Museum of Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Fine Arts, Houston >A Dutch Waterway >Georgia Engelhard, Georgia O'Keeffe, >Helen Freeman (2 works) All the Art in Me: Selma Stieglitz, and Joseph Obermeyer In Search of Horace Pippin, Over The Line: The Art and Alfred Stieglitz Alfred Stieglitz 1 February-20 April 2003 Life of Jacob Lawrence, >Early Mom (2 works) Alfred Stieglitz >Hodge Kirnon 6 October 2002 - 5 January 2003 > Georgia O'Keeffe (13 works) Horace Pippin Alfred Stieglitz Alfred Stieglitz >Interior Jacob Lawrence >Emmy at Oaklaum, Lake George Alfred Stieglitz >Homeward >Daybreak-A Time to Rest >Geoigia O'Keeffe and Donald Davidson Alfred Stieglitz Alfred Stieglitz Tennessee Circulated to Seattle Art Museum, >Emmy Obermeyer, Agnes Stieglitz, Alfred Stieglitz >House and Poplars, Lake George 6 February-4 May 2003 and Flora Small at Oaklaum >Georgia O'Keeffe and Waldo Frank Memphis, The Dixon Galley and Gardens Alfred Stieglitz Alfred Stieglitz: Known and Unknown, Alfred Stieglitz Alfred Stieglitz >An Icy Night Degas, Forain and Toulouse- 6 October 2002-5 January 2003 >Emmy Obermeyer, Lake George >Georgia O'Keeffe at 291 Lautrealmages of Dancers, Alfred Stieglitz 13 October 2002-5 January 2003 Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz >An Idyll >At Anchor >Emmy Obermeyer, Tea Island, >Georgia O'Keeffe-Feet Jean-Louis Forain Alfred Stieglitz Lake George (2 works) >Behind the Scenes* Alfred Stieglitz Alfred Stieglitz >lmpression Winter >At Biarritz Alfred Stieglitz > Georgia O'Keeffe-Hand and Wheel Alfred Stieglitz >Equivalent (5 works) Texas Alfred Stieglitz Alfred Stieglitz >In Full Sunlight >At Lake Como Alfred Stieglitz >Geotgia O'Keeffe-Hands (2 works) Dallas, Dallas Museum of Art Alfred Stieglitz >Equivalent Ki Alfred Stieglitz Alfred Stieglitz >In the Lowlands Anne Vallayer-Coster: Painter to >At Oaklawn Alfred Stieglitz >Georgia O'Keeffe-Hands and Grapes the Court of Marie-Antoinette, Alfred Stieglitz >Equivalent K2 13 October 2002-13 January 2003 Alfred Stieglitz Alfred Stieglitz >In the Park >At Rockledge, Florida (2 works) Alfred Stieglitz >Georgia O'Keeffe—Torso Jean Sim6on Chardin Alfred Stieglitz >Equivalent K3 >Still Life with Game Alfred Stieglitz Alfred Stieglitz >In the Suburbs of Paris >Autumn Alfred Stieglitz > Goethe, Berlin Alfred Stieglitz >The Fisherman's Return El Paso, El Paso Museum of Art Alfred Stieglitz Alfred Stieglitz >Indoors, Katuryk >Barn and Snow Alfred Stieglitz >Gossip-Katwyk Idol of the Moderns: Pierre-Auguste Alfred Stieglitz >From the Back-Window -291 (5 works) Renoir and American Painting, Alfred Stieglitz Alfred Stieglitz >Italian Mason, Bellagio 3 November 2002 -16 February 2003 >Before the Smithy's Alfred Stieglitz > Gossip, Venice Alfred Stieglitz >From the Fields William Slackens Alfred Stieglitz Alfred Stieglitz >J. Nilsen Laurvik >Family Group* >Before the Tavern Alfred Stieglitz >Gutach Children Alfred Stieglitz >From the Hoheweg, Interlaken Alfred Stieglitz Alfred Stieglitz >The Jungfrau Fort Worth, Modern Art Museum >A Bit of Gutach Alfred Stieglitz >Gutach Houses Alfred Stieglitz of Fort Worth >From a Lenbach Sketch Alfred Stieglitz Alfred Stieglitz >TheJungfrau Group Philip Guston Retrospective, >A Bit of Katuryk Alfred Stieglitz >A Gutach Peasant Girl Alfred Stieglitz 30 March-8 June 2003 >From My Window at An American Alfred Stieglitz Alfred Stieglitz >Katherine Place, North (2 works) Philip Guston >A Bit of Venice > The Hand of Man Alfred Stieglitz >Painter's Table Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz >Katharine Dudley (3 works) >From My Window at An American Circulated to San Francisco Museum >Bly and Venus >The Harvest, Mittenwald (2 works) Place, Southwest (4 works) Alfred Stieglitz of Modern Art, Alfred Stieglitz Alfred Stieglitz >Katuryk 28 June- 28 September 2003 Alfred Stieglitz >Car 2F-77-77 >Harvesting >From My Window, New York Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz >Katwyk Dunes Houston, The Menil Collection Alfred Stieglitz >Charles Demuth >Hasemann's Studio >From "Room 303 "-(Intimate Gallery)- Alfred Stieglitz James Rosenquist:A Retrospective, Alfred Stieglitz New York Alfred Stieglitz >Kitty at 291 17 May-17 August 2003 >Dorothy True (2 works) >The Hay Wagon Alfred Stieglitz Alfred Stieglitz James Rosenquist Alfred Stieglitz >Geotge F. Of Alfred Stieglitz >Lake George (3 works) > Circles of Confusion >Dutch Study >Hedwigspath, Oaklawn, Lake George Alfred Stieglitz >Lake George from the Hill

70 NATIONAL GALLERY OF ART 2003

Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Washington >Lake Lucerne >Old and New New York >Sime Hermann (2 works) >The Wanderer's Return Seattle, Seattle Art Museum Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz The View from Here: The Pacific > The Last Joke—Bellagio >The Old Mill >Sime Hermann, Mr. and Mrs. Mann, > Wash Day, Katwyk Northwest 1800-1930, Dr. Brown, Mr. McGibbon, Miss Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz 8 August 2003 - 29 February 2004 Lonthicum and Emmy— On Board the >The Last Load >On the Bridge-Chioggia > Water Tower and Radio City, New York Bourgogne May 5-14, 1896 George Catlin Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz >A Whale Ashore-Klahoquat* Alfred Stieglitz >Legs (Elizabeth and Donald Davidson) >On the Dunes > Weary >Sketching in the Bois Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Tacoma, Tacoma Art Museum Alfred Stieglitz >Leone, Bellagio >On the Piazza, 6A.M. >A Wet Day on the Boulevard, Paris >The Steerage Northwest Mythology: The Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Interactions of Mark Tobey, Morris Alfred Stieglitz >The Letter Box >On the Seine > Winter (Central Park) Graves, Kenneth Callahan and Guy >The Street, Fifth Avenue Anderson, 3 May-10 August 2003 Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz >The Little Milkmaid >Outward Bound > Winter—Fifth Avenue Kenneth Callahan >A Street in Bellagio >Scenefrom Logging Industry Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz >Long Underwear, Lake George > Outward Bound, The Mauretania > Wrinkles Kenneth Callahan >A Street in Sterzing, The Tyrol >Seated Woman Wearing Hat Alfred Stieglitz Alfred Stieglitz Alfred Stieglitz and Edward Steichen Alfred Stieglitz and Reading >Ma, Aunt Rosa, Selma, Ag, Emmy, >Picabia >John Marin >A Study, Gutach (2 works) Ralph Bernheim, Hans Wetzler and Alfred Stieglitz Minnie Wetzler, Lake George Alfred Stieglitz EXTENDED LOANS FROM THE >Poplars, Lake George Virginia >Sun Rays-Paula Alfred Stieglitz NGA COLLECTION Alfred Stieglitz Norfolk, Chrysler Museum of Art All works are part of the National >Margaret Treadwell Alfred Stieglitz >Portrait of Georgia, No. 1 Lending Service unless indicated by" >A Sunday Morning, New York Alfred Stieglitz Dutch and Flemish Treasures Alfred Stieglitz from the National Gallery of Art, >Marina Alfred Stieglitz >Portrait of Georgia, No. 2 11 July-31 December 2003 BELGIUM >Sunlight Effect, Gutach Alfred Stieglitz Alfred Stieglitz Sir Anthony van Dyck Brussels, United States Embassy >Marius de Zayas Alfred Stieglitz >Portrait of Georgia, No. 3 >Doiia Polyxena Spinola Guzman Residence, North Atlantic Treaty >The Terminal Alfred Stieglitz de Leganes Organization Alfred Stieglitz >Mending Nets Alfred Stieglitz >Professor Vogel Frans Hals Gilbert Stuart, Catherine >The Truant (Mittenwald) Alfred Stieglitz >Portrait of a Member of the Haarlem > Yates Pollock (Mrs. Geroge Pollock) Alfred Stieglitz >Mid Snow and Ice Alfred Stieglitz Civic Guard > Professor Werner Gilbert Stuart >Twilight Alfred Stieglitz Adriaen Hanneman > George Pollock Alfred Stieglitz >Miss Isaacs Alfred Stieglitz >Henry, Duke of Gloucester >Rebecca Salsbury Strand Thomas Sully >Unloading Alfred Stieglitz Rembrandt van Rijn >Ann Biddle Hopkinson Alfred Stieglitz >Mittenwald Alfred Stieglitz >Saskia van Uylenburgh, the Wife >Reflections Thomas Sully >The Unwilling Bath of the Artist Alfred Stieglitz >Francis Hopkinson Alfred Stieglitz >Moses Ezekiel Alfred Stieglitz >Relief of Queen Louise, Berlin Thomas Sully > Venetian Doorway Richmond, Agecroft Hall Alfred Stieglitz >The Leland Sisters Alfred Stieglitz >Mr. Randolph Alfred Stieglitz Gloriana: Elizabeth 11533-1603, >Santi Giovanni e Paolo, Venice >A Venetian Gamin (2 works) 3 June-5 October 2003 Alfred Stieglitz FRANCE Alfred Stieglitz >My Father (2 works) Alfred Stieglitz Dominicus Gustos after Crispijn >Savoy Hotel, New York Paris, Musee du Louvre >A Venetian Well (2 works) Alfred Stieglitz de Passe I Alfred Stieglitz > Queen Elizabeth Severn da Ravenna >NewYork from An American Place Alfred Stieglitz >Scurrying Home >The Christ Child** (returned) > Venice (2 works) Martin Droeshout Alfred Stieglitz Alfred Stieglitz > Queen Elizabeth >A Nook in Pallanza Alfred Stieglitz > Self-Portrait >The Village Philosopher Alfred Stieglitz Alfred Stieglitz >November Days > Self-Portrait, Cortina

71 NATIONAL GALLERY OF ART 2003

IRELAND Montgomery, Montgomery Office of the Vice President George Catlin Secretary of Agriculture Museum of Fine Arts of the United States >Distinguished Crow Indians Dublin, United States Embassy American 19th Century Residence Mark Rothko American 18th Century George Catlin >Farmhouse in Mahantango Valley >Untitled >Attack on Bunker's Hill, with the >Excavating a Canoe-Nayas Indians Gilbert Stuart American 19th Century Burning of Charles Town > Counsellor John Dunn George Catlin >Leaving the Manor House California American 19th Century >A Flathead Chief with His Family Gilbert Stuart Georgia Timken Fry >Imaginary Regatta of America's >John Bill Ricketts Oakland, Oakland Museum George Catlin >Flock of Sheep Cup Winners >Four Dogrib Indians Mark Rothko Henri-Joseph Harpignies Lydia Field Emmet ITALY >Untitled George Catlin >Landscape > Olivia >Making Flint Arrowheads- Apachees Florence, Casa Buonarroti A.A. Lamb A. Hashagen Connecticut George Catlin >Emancipation Proclamation After Michelangelo Buonarroti >Ship "Arkansas" Leaving Havana >Ojibbeway Indians >Damned Soul** Hartford, Wadsworth Atheneum John Wesley Jarvis Museum of Art George Catlin Secretary of Defense > Commodore John Rogers >An Ojibbeway Village of Skin Tents UNITED KINGDON-ENGLAND Mark Rothko George Catlin Walt Kuhn >Untitled (returned) George Catlin >Fort Union London, United States Embassy > Green Apples and Scoop >Osage Chief with Two Warriors Residence George Catlin John Neagle District of Columbia George Catlin >Prairie Dog Village Sir William Beechey > Colonel Augustus James Pleasonton >An Osage Indian Pursuing a Camanchee >Lieutenant-General Sir Thomas Picton National Museum of African Art John Vanderlyn George Catlin Secretary of Education Francis Cotes Nigerian, Court of Benin >John Sudam >Pawnee Indians Approaching Buffalo >Mrs. Thomas Home >Fowl** American 19th Century Alexander Helwig Wyant George Catlin > Washington at Valley Forge Frederick Carl Frieseke >PeaceJul Valley >A Small Cheyenne Village >Memories National Museum of American History A. M. Randall George Catlin >Basket of Fruit with Parrot Thomas Gainsborough Charles Peale Polk The White House > Three Mandan Warriors Armed for War > William Yelverton Davenport >General Washington at Princeton Mark Rothko American 19th Century George Catlin >Untitled (2 works) Walt Kuhn >Abraham Lincoln >Three Navaho Indians >Pumpkins National Trust for Historic Preservation American 19th Century George Catlin Administrator, Environmental Gari Melchers Bernard Hailstone >Indians Cooking Maize >Three Young Chinook Men Protection Agency >The Sisters >David E. Finley American 19th Century George Catlin Joseph Bartholomew Kidd after Michiel van Miereveld >Stylized Landscape >Tu>o Unidentified North John James Audubon >Portrait of a Lady with a Ruff Blair House George Catlin American Indians >Black-Backed Three-Toed Woodpecker John Singleton Copley >An Aged Minatarree Chief George Catlin Joseph Bartholomew Kidd after London, Wallace Collection >Harrison Gray and His Family > View of the Lower Mississippi John James Audubon Sir Thomas Lawrence Style of Benjamin Marshall George Catlin > Orchard Oriole Thomas Chambers > Francis Charles Seymour-Conway, >Race Horse and Trainer >Antelope Shooting-Assinneboine >Boston Harbor Auguste Renoir 3rd Marquess of Hertford Gilbert Stuart George Catlin >Landscape between Storms Thomas Chambers >Dr. William Hartigan (?) >Battle between the Jiccarilla >New York Harbor with Pilot Boat Douglas Volk UNITED STATES Apachees and Camanchees "" >Abraham Lincoln Alabama The Library of Congress George Catlin Raoul Duty >Buffalo Chase Birmingham, Birmingham Museum of Art Carl Milles >The Basin at Deauville** Director, Office of Homeland Security >Head of Orpheus George Catlin Veronese Henri Matisse Franklin C. Couter >Camanchee Chief, His Wife, >Saint Jerome in the Wilderness** >Still Life with Pineapple >Lincoln and His Son, Tad** (returned) and a Warrior Washington, Office of the Majority Anders Zorn Mark Rothko Leader, United States Senate George Catlin >Hugo Reisinger >The Party >Camanchee Chief with Three Warriors Franklin C. Courier Mark Rothko >Lincoln and His Son, Tad** >Vntitled

72 NATIONAL GALLERY OF ART 2003

Secretary of Housing and L.M. Cooke George Catlin Indiana NETHERLANDS Urban Development >Salute to General Washington >An Apachee Village Indianapolis, Indianapolis The Hague, Koninklijk Kabinet van in New York Harbor American 19th Century George Catlin Museum of Art Schilderijen Mauritshuis >The End of the Hunt Hugues Merle > Buffalo Chase, Sioux Indians, 15 September 2002-30 June 2004 Max Beckmann >Children Playing in a Park Upper Missouri American 19th Century > Christ in Limbo Aelbert Cuyp >The Start of the Hunt Rene Pierre Charles Princeteau George Catlin >Horsemen and Herdsmen with Cattle Mark Rothko >Horses >A Crow Village and the Salmon American 19th Century > Sketch for Mural H River Mountains >Twenty-two Houses and a Church UNITED KINGDON-ENGLAND Secretary of the Treasury George Catlin American 20th Century Maryland London, The National Gallery >Two Blackoot Warriors and a Woman >After the Wedding in Warren, Mark Rothko 15 May 2003-30 June 2004 Hagerstown, Washington County Pennsylvania >Untitled Museum of Fine Arts Frans Hals Justice Scalia Thomas Chambers James McNeill Whistler >Willem Coymans Frederick Kemmelmeyer >Bay of New York, Sunset >Alice Butt Gilbert Stuart >First Landing of Christopher Columbus Judith Leyster > George Washington > Self-Portrait Attorney General of the United States Supreme Court of the United States Thomas Sully Pennsylvania Jan Steen >Henry Pratt Thomas Chambers Chief Justice Rehnquist > The Dancing Couple Doylestown, James A. Michener >Packet Ship Passing Castle Williams, Augustus Vincent Tack George Cuitt, the Younger Art Museum New York Harbor > Charles Evans Hughes >Easby Abbey, near Richmond UNITED STATES American 19th Century Winslow Homer Captain Edward H. Molyneux >Profile Portrait of a Lady** California >Sunset Justice Souter >Chapel in Provence (returned) American 19th Century San Marino, The Huntington Library, Rembrandt Peale Thomas Sully > Profile Portrait of a Man** Art Collections, and Botanical Gardens >Lake Albano, Sunset > George Washington >Thomas Alston 17 October 2002-14 September 2003 Joseph Goodhue Chandler Adam Pynacker Gilbert Stuart Frits Thaulow > Girl with Kitten Sir Anthony van Dyck > Wooded Landscape with Travelers > Captain foseph Anthony >River Scene** (returned) >Henri II de Lorraine, Due de Guise Edward Hicks Edward Savage After Gilbert Stuart Eugene Lawrence Vail > The Landing of Columbus Sir Joshua Reynolds > George Washington > William Constable >The Flags, Saint Mark's, >John Musters Venice—Fete Day After Gilbert Stuart Virginia United States Trade Representative >James Lloyd District of Columbia Fairfax, George Mason University American 19th Century Justice Ginsburg Augustus Vincent Tack The Folger Shakespeare Library >Spring on the Range (returned) >Harlan F. Stone Alfredo Halegua Mark Rothko 4 August 2003-31 January 2004 >America Thomas Chambers >The Omen Studio of Marcus Gheeraerts, >Felucca off Gibraltar Justice Stevens Li la Pell Katzen Mark Rothko the Younger >Antecedent Thomas Chambers > Untitled American 19th Century > Robert Devereux, 2nd Earl of Essex >Storm-Tossed Frigate > Portland Harbor, Maine TEMPORARY LOANS TO OTHER T. Davies Justice Kennedy George Catlin Ohio MUSEUM COLLECTIONS >Ship in Full Sail > Scene from the Lower Mississippi Jean B6raud Cincinnati, Cincinnati Art Museum J.G. Tanner > Paris, rue du Havre Alphonse Legros 24 October 2002-14 September 2003 GERMANY >Engagement between the "Monitor" >Hampstead Heath Dutch 17th Century Joseph Mallord William Turner and the "Merrimac" Frankfurt, Stadelsches Kunstinstitut > Flowers in a Classical Vase C. Gregory Stapko after John Constable > The Dogana and Santa Maria della und SWdtische Gaterie >A View of Salisbury Cathedral** Salute, Venice Walt Kuhn 12 May 2003-30 June 2004 Secretary of Transportation > Zinnias Maurice Utrillo Rembrandt van Rijn Circle of Jacob Adriaensz. Bellevois > Street at Corte, >A Young Man Seated at a Table >Dutch Ships in a Lively Breeze Justice O'Connor Franz Xaver Winterhalter (possibly Govaert Flinck) Follower of Claude Lorrain > Queen Victoria George Catlin Rembrandt van Rijn and Workshop >Harbor at Sunset >After the Buffalo Chase-Sioux (Probably Govaert Flinck) >Man in Oriental Costume

73 NATIONAL GALLERY OF ART 2003

AWARDS NGA CLASSROOM • Brown, David Alan. Leonardo da Vinci: Art and Devotion in the Madonnas of publications >Alfred Stieglitz: The Key Set A new educational section with lessons, His Pupils, Milan: Silvana, 2003. (collection catalogue) interactives, and a resource finder for [ Art Libraries Society of North America, teachers and students; "Ancient Arcade" • . Exhibition review: "Leonardo 24th Annual George Wittenborn Memorial awarded the Exploratorium's Ten Cool Drawings: New York and Paris." Book Award; Kraszna-Krausz Foundation, Sites Award for educational excellence The Burlington Magazine 145 EXHIBITION CATALOGUES > The Art of Romare Bearden finalist, 2002; Kraszna-Krausz Book (August 2003), 613-15 Ruth E. Fine with contributions by > Deceptions and Illusions: Five Centuries Awards for the best books on photogra- Mary Lee Corlett, Nnamdi Elleh, ART ZONE • . Una Pieta del Correggio a ofTrompe I'Oeil Painting phy; AIGA 50 Books/50 Covers of 2002; Jacqueline Francis, Abdul Goler, and Correggio / A Pietci by Correggio in Sybille Ebert-Schifferer with contribu- American Association of Museums, A new section of interactive features Sarah Kennel (348 pages, 224 color, Correggio. Quaderni della Fondazione II tions by Wolf Singer, Paul Staiti, Alberto 2003; Museum Publications Design within NGAkids 86 b/w; hardcover published in Correggio: Letture allegriane no. 6. Veca, and Arthur K. Wheelock Jr. (408 Competition, Books, honorable mention; association with Harry N. Abrams, Print brochure redesigned for the Web: Milan: Silvana, 2003. pages, 190 color, 10 b/w; hardcover Art Directors Club of Washington 82nd Inc., New York) Resources available in the Gallery's published in association with Lund Annual Awards, 2003 Silver Award; •Conisbee, Philip. Chardin's Tetes Photographic Archives Humphries, London) Association of American University d'Etudes au Pastel. Exh. cat., Presses 2003 Book, Jacket and Matthiesen Fine Art. London: EXHIBITION BROCHURES >Drawing on America's Past: Folk Art, Journal Show Matthiesen Fine Art, 2003 Modernism, and the Index of >Drawing on America's Past: Folk Art, STAFF PUBLICATIONS >Christo andfeanne-Claude in the Vogel • . Essay in Personal Viewpoints: American Design Modernism, and the Index of Collection (exhibition catalogue) • Balta, I. Z., and L. Robbiola. "Study of Thoughts about Paintings Conservation, Virginia Tuttle Clayton with contribu- American Design Association of American University Black Patinas on Copper and Bronze edited by Mark Leonard, 73-78. tions by Elizabeth Stillinger, Erika Doss, >Edouard Vuillard Presses 2003 Book, Jacket, and Obtained by Using Nineteenth-Century Los Angeles: Getty Conservation and Deborah Chotner (254 pages, 134 Journal Show Western Traditional Techniques of Institute, 2003 color, 38 b/w; hardcover published in >Thomas Gainsborough 1727-1788 Artificial Patination." In NACE association with The University of North • . "The Ones That Got Away." In > Frederic Remington: The Color of Night International 2003 Conference Carolina Press, Chapel Hill and London) Saved! One Hundred Years of the WEB SITE AND WEB Proceedings. Ottawa: NACE >Small Wonders: Dutch Still Lifes National Collections Fund, edited by PUBLICATIONS International, 2003 >Edouard Vuillard. by Adrien Coorte Richard Verdi, 26-33. Exh. cat., Hayward Guy Cogeval with contributions by 11,235,602 visits to www.nga.gov in • Belman, Michael. "Three Case Studies Gallery, London. London: Hayward Gallery > The Art of Romare Bearden Kimberly Jones, Laurence des Cars, fiscal year 2003 (daily average: 30,782) of Outdoor Sculpture with Problematic and the National Art Collections Fund, MaryAnne Stevens, Dario Gamboni, Intent Issues." American Institute for in association with Scala, 2003 Elizabeth Easton, and Mathias Chivot (520 Conservation of Historic and Artistic STUDIES IN THE HISTORY •Corlett, Mary Lee. The Prints of Roy pages, 463 color, 95 b/w; copublished EXHIBITION FEATURES Works, Objects Specialty Group OF ART AND OTHER CASVA Lichtenstein: A Catalogue Raisonne with The Montreal Museum of Fine Arts Postprints, vol. 9 (2002-2003) >ln-depth study, teaching program, and 1948-1997. New York: Hudson Hills and Yale University Press, New Haven PUBLICATIONS children's guide for The Art of •Berns, Roy S., and E. Ren6 de la Rie. Press in association with the National and London) >The Mall in Washington, 1791-1991 Romare Bearden "A Methodology for Analyzing the Gallery of Art, 2002 Edited by Richard Longstreth, with a Effect of Varnishes on the Appearance > Frederic Remington: The Color of Night new introduction by Therese O'Malley >ln-depth study for Frederic Remington: • de la Rie, E. Ren6. See Berns; of Paintings." Studies in Conservation Nancy K. Anderson with contributions by (328 pages, 46 color, 103 b/w; distrib- The Color of Night Maines; Watt 48 (2003), 73-82 William C. Sharpe and Alexander uted by Yale University Press, New •Selected highlights for Deceptions and • Dickerman, Leah. "Dada Gambits." Nemerov (228 pages, 136 color, 24 b/w; Haven and London) • Berns, Roy S., Jay Krueger, and Michael Illusions: Five Centuries ofTrompe In October 105, edited by Leah hardcover published in association with Swicklik. "Multiple Pigment Selection I'Oeil Painting; Edouard Vuillard; Dickerman (Summer 2003), 3-12 Princeton University Press, Princeton > The Treatise on Perspective: Published for Inpainting Using Visible Reflectance Thomas Gainsborough 1727-1788; and Oxford) and Unpublished Spectrophotometry." Studies in • . "El Lissitzky's Camera Corpus." Ernst Ludwig Kirchner, 1880-1938-, Edited by Lyle Massey Conservation 47 (2002), 42-60 In Situating El Ussitzky: Vitebsk, Berlin, and Jean-Antoine Houdon: Sculptor of >fean-Antoine Houdon: Sculptor (376 pages, 194 b/w; distributed by Moscow, edited by Nancy Perloff and the Enlightenment • Brodie, Judith. Entries in The Eunice and of the Enlightenment Yale University Press, New Haven Brian Reed, 153-76. Los Angeles: Hal David Collection of Nineteenth- Anne L. Poulet with contributions and London) Getty Research Institute, 2003 and Twentieth-Century Works on Paper, by Guilhem Scherf, Ulrike D. Mathies, COLLECTION FEATURES edited by Cynthia Burlingham and • Doumato, Lamia. "Patriarch Michael Christoph Frank, Claude Vandalle, Dean >Center 23 (Annual Report) Lee Hendrix. Exh. cat., UCLA Hammer the Great: Iconoclast or Art Patron?" Walker, and Monique Barbier (384 pages, >In-depth study, including history, tours, Museum, Los Angeles. Los Angeles: Cahiers Archeologiques 49 (2003), 29-38 140 color, 203 b/w; published in asso- and archival material, for Index of Grunwald Center for the Graphic ciation with the University of Chicago American Design • . Review of Byzantine Women Arts, 2003 Press, Chicago and London) and Their World by loll Kalzvrezou et al. >ln-depth study of Edward Ruscha's Lisp In Choice (September 2003), 14-15 Special feature for West Building Sculpture Galleries

74 NATIONAL GALLERY OF ART 2003

> . Review of Verdura:The Life and •Hand, John Oliver. Review of Felix • . "Plaquette," In The • Penny, Nicholas. "A Lunch in Walton •Toye, Vicki, and Nathalie Ryan. "Books Work of a Master Jeweler by Patricia Thurlemann, Robert Campin:A Encyclopedia of Sculpture, edited by Street." Saggie e Memorie 25 (2001 Come Alive at Weston Woods." Corbett. In Choice (April 2003), 98-99 Monographic Study with Critical Antonia BostrOm, vol. 3: 1308-09. New [published 2003]), 351-53 Washington Parent (June 2003), Catalogue. The Burlington Magazine York, 2003 . 60-61, 66-67 > Dupont, Anne-Laurence. "Study of • . "Diary." London Review of 145 (May 2003), 374 the Degradation of Gelatine in Paper • Luchs, Alison. "The London Woman in Books, February 6, 2003, 37 •Watts, Siobhan, and E. Ren6 de la Rie. upon Aging Using Aqueous Size Exclusion •Jones, Kimberly. "Behind Closed Doors," Anguish, attributed to Cristoforo Solari: "GCMS Analysis of Triterpenoid Resins: • . "Journey to Arezzo" [review of Chromatography." Journal of "The Decorative Impulse," and "Vuillard Erotic Pathos in a Renaissance Bust." In-situ Derivatization Procedures Using Roberto Longhi, Piero della Francesco, Chromatography A 950 (2002), 113-24 and the 'Vill6giature'." In Edouard Artibus et Historiae 47 (2003), 155-76 Quaternary Ammonium Hydroxides." translated by David Tabbatl. London Vuillard, by Guy Cogeval et al., 129-62, Studies in Conservation 42 (2003), > . " The Role of Gelatine/Alum • Mack, Abigail, Shelley Sturman (National Review of Books, April 17, 2003, 3-5 163-204, and 439-57. Exh. cat., 257-72 Sizing in the Degradation of Paper: A Gallery of Art); John Escarsega, Kes National Gallery of Art, Washington, • . "The Rack, the Rapier, the Ruff, Study by Size Exclusion Chromatography Chesonia, Dawn Crawford, and Charles •Weiss, Jeffrey. "Modernism and Memory." and the Montreal Museum of Fine Arts. and the Fainting Nun" [review of Gary in Lithium Chloride/IN,N-dimethylac- Pergantis (Army Research Laboratory). In The Art and Spirit of Paris, edited by Washington, D.C.: National Gallery of Art, Tinterow and Genevi6ve Lacambre, etamide Using Multiangle Light Scattering "Novel Water-Dispersible High Michel Laclotte, vol. 2:1078-259. New Washington, and Montreal Museum Manet/Velazquez: The French Taste for Detection." In Works of Art on Paper - Reflectance Polyurethane Formulations York and London: Abbeville Press, 2003 of Fine Arts, in association with Yale Spanish Painting], London Review of Books, Documents and Photographs, for Painted Outdoor Sculptures." University Press, New Haven and Books, July 10,2003, 27-28 • . "Space Opera: The Dia in edited by V. Daniels, A. Donnithorne, In Proceedings of the Thirty-first London, 2003 Beacon." Artforum International, and P. Smith, 59-64. London: International Waterborne, High-Solids, •Ryan, Nathalie. See Toye September 2003 International Institute for Conservation • . "Inner Light" and select object and Powder Coatings Symposium, •Schmidt, Eike D. "New York: Willem van of Historic and Artistic Works, 2002 commentaries in Edouard Vuillard, New Orleans, February 18-28, 2003. •Yeide, Nancy H. Review of Stuart Tetrode." The Burlington Magazine 145 special issue, Beaux-Arts Magazine Hattiesburg: University of Southern Eizenstat, Imperfect Justice: Looted Assets, > Fine, Ruth E. Introduction to The Prints (September 2003), 680-82 (2003) Mississippi, 2003 Slave Labor, and the Unfinished Business of Roy Lichtenstein: A Catalogue • . Entry in The Medici, of World War II. In Museum News 82, Raisonne 1948-1997, by Mary Lee • ."Les audaces de la p6riode •Maines, Christopher A., and E. Ren6 de Michelangelo, and the Art of Late no. 4 (July-August 2003), 20-23 Corlett. New York: Hudson Hills Press nabie." In Vuillard, special issue, la Rie. "Size-Exclusion Chromatography Renaissance Florence, 188-90. Exh. in association with the National Gallery Dossiers de I'Art no. 100 (2003), 22- 39 and Differential Scanning Calorimetry of cat., The Art Institute of Chicago and of Art, 2002 Low Molecular Weight Resins Used as • Krueger, Jay. "Responding to the Loan The Detroit Institute of Arts. New Haven Varnishes for Paintings." In 2003 Athens > . "A Game of Hopscotch [Romare Request: Assessing the Risk for Paintings." and London: Yale University Press, in Conference on Coating Science and Beardenl." Art Neu/s 102, no. 8 In Guernica and the Ethical and Technical association with the Detroit Institute Technology, 91-97 Shrewsbury, Mass.: (September 2003), 90, 92 Problems of Handling Works of Art. of Arts, 2002 Institute of Materials Science, 2003 Madrid: Museo Nacional Centra de Arte > . "John Marin: The Wonderful • . "Furor und imitatio: Visuelle Reina Sofia, 2002. See also Berns • Mann, Donna. "George Catlin: Pioneering Everlasting Road." In The John Marin Topoi in den Laokoon-Parodien Rosso Painter of American Indians." Collection at the Colby College •La France, Robert G. "A Source for Goya's Fiorentinos und Tizians." In Visuelle Washington Parent (October 2003), Museum of Art. Waterville, Maine: Disparate volante." Print Quarterly 20, Topoi: Efindung und tradiertes Wissen 36-37,80-81 Colby College Museum of Art, 2003 no. 3 (2003), 249-54 in der italienischen Renaissance, edited • Metzger, Catherine. "Portrait of aYouth- by Ulrich Pfisterer and Max Seidel, > . "Lou Stovall: Double Vision." • . "Bachiacca's Formula for A Recent Restoration at the National 351-83. Munich and Berlin: Deutscher International Review of African American Success." In The Art Market in Italy, Gallery of Art." In Early Italian Paintings: Kunstverlag, 2003 Art 18, no. 3 (2002), 38-42 15th-17th Centuries/Il mercato dell'arte Approaches to Conservation (Proceedings in Italia, sea. XV-XVII, edited by •Sprague, Abbie N.. "The British Tempera > . "Off the Continental Divide and of a Symposium at the Yale University Marcello Fantoni, Louisa C. Matthew, Revival: A Return to Craftsmanship." Other Risky Journeys." In James Art Gallery, April 2002), edited by and Sara F. Matthews-Grieco, 237-52. British Art Journal 3, no. 3 Rosenquist:A Retrospective, edited by Patricia Sherwin Garland. New Haven Modena: Franco Cosimo Panini, 2003 (Autumn 2002), 66-74 Walter Hopps and Sarah Bancroft. Exh. and London: Yale University Press, 2003 cat., Guggenheim Museum. New York: • Lemke, Melissa Beck. "The National •Sturman, Shelley. See Ozone; Mack • . "Death and the Miser. Guggenheim Museum, 2003 Gallery of Art Photographic Archives." Alterations and Implications." In Jerome • Swicklik, Michael. See Berns Visual Resources Association Bulletin 29, •Grasselli, Margaret M. Review of Bosch et son entourage et autres etudes, no. 4 (Winter 2002), 42-46 •Tangires, Helen. Public Markets and Catalogue of the Collection of Drawings edited by H. Verougstraete and R. Van Civic Culture in Nineteenth-Century in the Ashmolean Museum, 7: French •Lewis, Douglas. "II primo disegno di Schoute. Leuven: Peeters, 2003. America. Creating the North American School by Jon Whiteley. In Master Andrea Palladio (e II suo seguito)." In •Ozone, Judy, and Shelley Sturman. Landscape Series. Baltimore and Drawings 41, no. 1 (Spring 2003), 62-68 Studi in Onore di Franco Barbieri, "Technical Investigation of the Mellon London: The Johns Hopkins University 54-66. Vicenza: Civici Musei e Centra Venus and Bacchus and a Faun. In Press, 2003 Palladio, 2003 Large Bronzes in the Renaissance, edited by Peta Motture. New Haven and London: Yale University Press, 2003

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Lighting Shop Staff Northern Baroque Paintings MODERN AND CONTEMPORARY ART Robert Benoit staff list Curator and Head of Department Curator and Head of Department Head of Paint Shop Arthur K. Wheelock Jr. Jeffrey Weiss Dennis Bult Assistant Associate Curator Painters/Finishers Molli Kuenstner Leah Dickerman DESIGN AND INSTALLATION Robert Barnett Staff (as of 30 September 2003) Maryland Museum Fellow Assistant Curator Joseph Richardson Senior Curator and Chief of Design Sohee Kim Molly Donovan OFFICE OF THE DIRECTOR Mark Leithauser Summer Intern Volunteer Research Associate Director Devin Fitzpatrick Deputy Chief and Head of Anneke Wertheim Jessica Stewart Earl A. Powell III Exhibition Production Summer Intern Assistants Gordon Anson OFFICE OF THE DEPUTY Deputy to the Director Elizabeth Nogrady Anna Lakovitch Carol W. Kelley DIRECTOR Design Coordinators Lindsay Macdonald Deputy Director and Chief Curator Executive Assistant Jame Anderson AMERICAN AND BRITISH PAINTINGS Intern Alan Shestack Angela M. LoR6 Marl Forsell Matthew Witkovsky Donna Kirk Senior Curator and Head of Department Administrator for Policy and Programs Staff Assistants Franklin Kelly Elizabeth Driscoll Pochter Dianne D. Stephens Design Assistant PRINTS AND DRAWINGS Allison McElheny Curator Debra S. Tatman Administrative Assistants Nancy K. Anderson Andrew W. Mellon Senior Curator Nancy Deiss Internal Auditor Production Coordinators of Prints and Drawings Amie House Assistant Curators Larry L. Lewis William Bowser Andrew Robison John Olson Charles Brock Auditor Nathan Peek Deborah Chotner Office Manager EUROPEAN PAINTINGS Orin Wolf Susanne L. Cook Office Administrator Assistant Senior Curator of European Paintings Gina O'Connell Abbie N. Sprague Staff Assistant and Head of French Paintings EXHIBITIONS Erin McSherry Business Coordinator Philip Conisbee Academic Year Intern in the Museum Chief of Exhibitions Julia Gates Profession Associate Curator, French Paintings D. Dodge Thompson Anna 0. Marley Old Master Prints Summer Intern Kimberly A. Jones Exhibition Officers Christian Santos Summer Intern Curator and Head of Department Assistant Curator, French Paintings Jennifer F. Cipriano Mora Beauchamp-Byrd Peter Parshall Naomi R. Remes Maquette Production Florence E. Coman Ann B. Robertson Deborah Clark-Kirkpatrick Associate Curator Assistant SCULPTURE AND DECORATIVE ARTS Virginia Grace Tuttle Assistants for Exhibition Administration Photographer Michelle Naimo Bird Jennifer Overton Robert Shelley Senior Curator and Head of Department Assistant Curator Graduate Curatorial Intern Tamara Wilson Nicholas Penny Gregory Jecmen Head of Silkscreen Benedict Leca Assistant to the Chief of Exhibitions Barbara Keyes Curator, Early European Sculpture Summer Intern Summer Intern Wendy Battaglino Alison Luchs Paige North Silkscreen Production Trevor Boyd Lisa Farrell Curator, Sculpture and Decorative Arts Exhibition Programs Glenn Perry Douglas Lewis Old Master Drawings Jeffrey Wilson Renaissance Paintings Head of Department Assistant Curator Curator and Head of Department Stefan Wood Susan MacMillan Arensberg Curator and Head of Italian Paintings Eleonora Luciano Margaret Morgan Grasselli Summer Intern David Alan Brown Assistant Curator Assistant Assistant Curator Claudio Nakai Lynn Matheny Curator, Northern Renaissance Timothy Chapin Stacey Sell Head of Exhibits Shop John Oliver Hand Video & Film Productions Volunteer Intern Summer Intern James Payne Carroll Moore Assistant Curator, Italian Renaissance William Whitaker Nicole Bensoussan Carpenters Hirschauer Research Assistant Volunteer Melvin Brown Elizabeth Laitman Assistant Debra Pincus Richard Bruce Elizabeth Concha Staff Assistant Lester Dumont Summer Intern Virginia Sweet Dupuy Paul Heath Graduate Curatorial Intern Martha McLaughlin Miller Mack Kathleen Wren Christian Summer Intern Thomas Piddington Claire Yearwood University of Maryland Museum Fellow Marina Galvani

76 NATIONAL GALLERY OF ART 2003

Modern Prints and Drawings Registrar for Exhibitions Supervisory Shipping Technician, Program Developer and PUBLISHING OFFICE Michelle Fondas Extension Programs Production Specialist Curator and Head of Department Editor in Chief Roland Young Rachel K. Richards Judith Brodie Collections Manager Judy Metro Lauren Mellon Media Scheduling Coordinator Coordinating Curator, Art Information Assistant Curators Production Manager Martha H. Aspron Christopher With Carlotta J. Owens Collections Information Systems Coordinator Chris Vogel Charles Ritchie Susan Finkel Affiliate Loan Coordinator Senior Art Information Specialist Design Manager Frances Duhart John Cogswell Assistant Associate Registrar for Loans Margaret Bauer Amy Johnston Judith L. Cline Program Shipping Technician Supervisor, Art Information Web Site Manager Michael G. Bryant Volunteer Operations Assistant Registrar for Exhibitions Phyllis Hecht Marta Horgan PHOTOGRAPHS Melissa Stegeman Senior Editor and Manager of Adult Programs Program Assistant Curator and Head of Department Assistant Registrar for Collections the Systematic Catalogue Lesley Keiner Sarah Greenough Theresa Beall Head of Department Mary Yakush Wilford Scott Assistant Curators Staff Assistant Senior Editor Teacher, School, and Family Programs Julia Thompson Michelle Matuszak Lecturers Karen Sagstetter Matthew Witkovsky Eric Denker Head of Department Art Services Manager Managing Editor of CASVA Publications Philip Leonard Heidi Hinish Research Associate Daniel B. Shay Carol Eron J. Russell Sale Sarah Kennel Assistant Supervisory Museum Specialist Editors Lecturer and Acting Coordinator of Tours, Gina O'Connell Assistant Gary L. Webber Ulrike Mills Lectures, and Adult Program Docents Sara Cooling Coordinator of Teacher Programs Julie Warnement Senior Art Services Specialists Sally Shelburne Julie A. Springer Academic Year Intern James Clark Designer Adult Programs Tour Scheduler, Sarah Dennis Robert Cwiok Coordinator of School Docent Program Wendy Schleicher Smith Docent Liaison Andrew Krieger Elisa Patterson Summer Intern C. Arlette Raspberry Web Site Designers Johnnie Mizell Marcie Hocking School Docent Educator Melissa Front Graduate Lecturing Fellows Art Services Specialists Elizabeth Diament Guillermo Sa6nz Douglas Dow Douglas Jackson SPECIAL PROJECTS IN MODERN ART Sara Morasch Coordinator of Art Around Permissions Coordinator, Multimedia Dan Randall the Corner Program Ira Bartfield Curator and Head of Department Pierre Richard Summer Intern Paige Simpson Ruth E. Fine David Smith Anne-Celine Lambotte Permissions Coordinator, Print Media Coordinator of Family and Youth Programs Sara Sanders-Buell Research Associates Art Services Technician Nathalie Ryan Mary Lee Corlett Goven J. Martinez Academic Programs Budget Coordinator Laili Nasr School Tour Scheduler and Linda Mosley Head of Department Program Assistant Research Assistant Loans and the National Lending Service Faya Causey Production Assistant Jennifer Cross Ren6e Maurer Rio DeNaro Head of Department Administrator Art Around the Corner Program Assistant Academic Year Interns Stephanie T. Belt Ana Maria Zavala Production Editor Jennifer Reklis Carmenita Higginbotham Mariah Shay Loan Officer Program Assistant, Lecture Programs Marcie Hocking Teacher Programs Assistant Alicia B. Thomas Allison Benedetti Editorial Assistants Marget Van Horn Summer Intern Amanda Mister Sparrow Assistant Program Assistant, Intern Programs Katherine Guevarra Family Programs Assistant Caroline Weaver Lisa M. MacDougall Jennifer Wagelie Nicole Anselona Summer Intern CURATORIAL RECORDS AND FILES Summer Interns Michelle Dokko EDUCATION Education Publications Jessica Capitano Head of Department Volunteer Head of Division Head of Publications and Art Information Ojeni Lambson Nancy H. Yeide Lindsay Thomas Lynn Pearson Russell Barbara Moore Mairead O'Rourke Associate Staff Assistant to the Head of Education Senior Production Manager Anne L. Halpern LIBRARY Pamela Chewning Donna Mann FILM PROGRAMS Executive Librarian Program Assistant Senior Writer Curator REGISTRATION AND LOANS/OFFICE Neal T. Turtell Carol Bridges Carla Brenner Margaret Parsons OF THE REGISTRAR Administrative Librarian Supervisory Resource and Program Program Coordinator, Media Assistant Curator Chief Registrar Roger C. Lawson Production Specialist Stephanie Burnett Victoria Toye Sally Freitag Leo J. Kasun Automation Coordinator Summer Intern Karen P. Cassedy Nadia Gomez

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Staff Assistant Vertical Files Student Assistant Intern for the Art Materials Collection Conservators Conservators of Frames Kate M. Allen Alex Hodges Meg McLemore Daphne Barbour Stephan Wilcox Katherine May Richard Ford Serials Assistants Summer Intern Technical Services Bruce B. Hebblethwaite Brigid O'Brien Conservation Technician Summer Intern Inge F. Newstead Technical Services Librarian Sheila Payaqui Elisabeth Christensen Anna M. Rachwald Painting Conservation Andrew W. Mellon Advanced Photographic Archives Training Fellow Acquisitions Assistants Head of Department CENTER FOR ADVANCED Angela Chang Susan Clay Curator Sarah Fisher STUDY IN THE VISUAL ARTS David Diaz Ruth R. Philbrick Summer Intern Dean Senior Conservators Jeffrey Leone Ozge Gencay Elizabeth Cropper Archivist of Architecture Ann Hoenigswald Mary A. Masters Andrea R. Gibbs Jay Krueger Associate Deans Acquisitions Student Assistant Catherine Metzger Textile Conservation Peter Lukehart Archivist of American and English Art Bonnie Bowes Michael Swicklik Therese O'Malley Richard W. Hutton Head of Department Cataloguers Conservators Julia Burke Center Administrator Archivist of Modern and Contemporary Art Jane D. Collins Carol Christensen Helen Tangires Meg Melvin Bary Johnson Elizabeth Walmsley Scientific Research Department Research Associates J. Bryan Lane Archivist of Italian Art Conservation Technician Frances Gage Trudi W. Olivetti Melissa Lemke Head of Department Kristin Holder Robert LaFrance Cathy F. Quinn E. Ren6 de la Rie Museum Technician Elizabeth Pergam Marsha D. Spieth Charles E. Culpeper Advanced Carrie A. Scharf Senior Conservation Scientist Mary Pixley Paula L. Zech Training Fellow Barbara H. Berne Eike Schmidt Samuel H. Kress Photograph Conservator Pamela Betts Cataloguing Assistant Sarah Wagner Research Conservator for Project Staff Amy Sanftleben William R. Leisher Memorial Fellow Paintings Technology Karen Binswanger Staff Assistant Bonnie Rimer Bindery Assistant E. Melanie Gifford Sabine Eiche Debra K. Massey Jane E. Higgins Interns Organic Chemist Program Assistants Summer Intern Joanna Dunn Suzanne Quillen Lomax Francine Chip Amy Verheide Christina Milton Reader Services Colleen Harris Barbara Schoonhoven Conservation Scientists Elizabeth Kielpinski Head of Reader Services Lisha Deming Glinsman Slide Library Laura Kinneberg Lamia Doumato Christopher Maines Paper Conservation Kimberly Rodeffer Chief Slide Librarian Michael R. Palmer Reference Librarian Lynn Shevory Gregory P. J. Most Head of Department Frances P. Lederer Science Technician Shelley Fletcher Administrative Assistant Associate Slide Librarians Kathryn Morales Reference Assistant Nicole Anselona Nicholas A. Martin Senior Conservators George (Ted) T. Dalziel Jr. Samuel Golden Research Fellow Thomas A. O'Callaghan Jr. Yoonjoo Strumfels Gregory Dale Smith Interlibrary Loan Assistant Judith Walsh Members, Center for Advanced Study in the Assistant Slide Librarian Thomas F.J. McGill Jr. Charles E. Culpeper Advanced Visual Arts/Academic Year 2002-2003 Lisa M. Coldiron Photograph Conservator Training Fellow Interlibrary Loan Technician Constance McCabe Samuel H. Kress Professor Summer Intern Jean-Philippe Echard Maria L. Sampang Wolf-Dieter Dube Brent Mitchell Conservation Technician Circulation Supervisor Lehua Fisher Andrew W. Mellon Professor Loans and Exhibitions Conservation Jeannette Canty Caroline Elam CONSERVATION Permanent Collection Matting/Framing Head of Department/Deputy Circulation Technician Elaine Vamos Edmond J. Safra Professor (spring term) Chief of Conservation Chief of Conservation Yuri Long Manfred Leithe-Jasper Ross Merrill Andrew W. Mellon Advanced Mervin Richard Circulation Assistants Training Fellow Fifty-second Andrew W. Mellon Conservation Administrator Senior Conservator Sirena Blake Cyntia Karnes Lecturer in the Fine Arts Michael Skalka Michael Pierce Joseph Hamilton Kirk Varnedoe Conservation Programs Assistant Assistant Conservator Circulation Student Assistants Object Conservation Paul Mellon Senior Fellow (spring term) Jessica Shaffer Bethann Heinbaugh Andrew Buckalew Hal Foster Head of Department Susan Moritz Staff Assistants Coordinator of Preservation Services Shelley Sturman Samuel H. Kress Senior Fellows Christina Rich Hugh Phibbs Vertical Files Librarian Alfred Acres Sarah Feinstein Senior Conservator Roberta Geier Exhibition Specialist-Matting and Framing Joanna Woods-Marsden Judy L. Ozone Jenny Ritchie

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Ailsa Mellon Bruce Senior Fellows Predoctoral Fellows Not in Residence OFFICE OF CAPITAL PROJECTS Staff Assistants Mason Shop Sheryl Reiss Marcy Bmiles Paul Mellon Fellow Assistant to the Administrator for Capital Supervisor Carla Yanni Linda Milliard Guendalina Ajello Projects and Senior Architect Roland Martin Frese Senior Fellow Susan Wertheim David E. Finley Fellow Mason Leader Cinzia Sicca Bursill-Hall Engineering Department Kyung-hee Choi Program Manager Gino Ricci Ailsa Mellon Bruce National Gallery Alison Hunt Supervisor Paul Mellon Fellow Masons of Art Sabbatical Curatorial Fellow William Burns Sabina de Cavi Staff Assistant Conrad Solomon Nancy H. Yeide Lauren Huh Engineering Technicians Patrick Verdin David E. Finley Fellow Podhorsky Guest Scholars Eric Chamberlain Nina Dubin Construction Field Engineer Mason Worker Olga PujmanovS James Cromwell Dennis Donaldson Christopher Baumann Stanko Kokole Samuel H. Kress Fellow Gary llko Meredith Hale Construction Field Representative Rodney Lough Mason Helpers Paul Mellon Visiting Senior Fellows Michelle Gilbert Glenn Wright Betty Holmes David Marshall Andrew W. Mellon Fellow Lamont Lee Anita Moskowitz Yu Jiang Fire Protection Engineer Building Automated System Manager Robert Wilson Brian McGivney Production Shop Coordinator, Warehouse Ailsa Mellon Bruce Visiting Senior Fellows Chester Dale Fellow Reginald Kellibrew Gregory Maertz Jordan Kantor Interior Design Specialist Dennis P. Doordan Susan A. Ritterpusch Work Control Center Ittleson Fellow Thomas Brown Building Services Department Kate Lingley Project Architect Supervisor Paolo Scrivano Christopher Ruffing John Haughey General Foreman Chester Dale Fellow Starr Foundation Visiting Senior Charles Boone Morna O'Neill Work Control Coordinators Research Fellows DEPARTMENT OF ARCHITECTURAL Gwendolyn Arnold Supervisors Sadasiba Pradhan Robert H. and Clarice Smith Fellow SERVICES Judith Williams Marshall Cunningham Tapati Guha-Thakurta Leopoldine Prosperetti Sylvia Dorsey Assistant to the Administrator for Samuel H. Kress Paired Fellows for Wyeth Fellow Frank Ford Architectural Services and Senior Architect Building Maintenance Department Research in Conservation and the History Alison Syme Angela Lee James M. Grupe of Art and Archaeology Manager Mary Davis Fellow Leaders Barbara Hepburn Berrie Assistant Senior Architect Craig MacFarlane Adriaan Waiboer Paul Cotton Louisa C. Matthew Carl M. Campioli Geraldine Crawford J. Paul Getty Trust Paired Fellows for Project Architects Carpenter Shop Raymond Henson Research in Conservation and the History OFFICE OF THE Bruce D. Condit Sheila Sanders Supervisor of Art and Archaeology ADMINISTRATOR William H. Cross Jr. Alvin Adams Housekeepers Zhengyao Jin Administrator Architect/CAD Manager Maurice Anderson Elizabeth Childs-Johnson Wood Crafter Leaders Darrell R. Willson Martin A. Livezey Kenneth Betts Dorson Abney Samuel H. Kress Postdoctoral George Bridges Deputy Administrator Staff Assistant George McDonald Curatorial Fellow Rowna Camper Charles H. Schneider Michele D. DuBois Alona Nitzan-Shiftan Wood Crafters Gerald Carthorne Executive Assistant Francis Dyson Jr. James Clark Predoctoral Fellows in Residence Anne Valentine EQUAL EMPLOYMENT OPPORTUNITY Anthony Givens Lewis Dobbs David E. Finley Fellow ATTORNEY AND OFFICER Willard Menson Emma Faison Program Analyst Fabio Barry Robert Motley Vanassa Fenwick Jennifer McStay Lindsay Patterson John Rogers Oliver Fowler Samuel H. Kress Fellow Assistant to the Administrator Carolyn Harvey Kevin Chua for Budget Analysis FACILITIES MANAGEMENT Brock Hawkins Paint Shop Andrew W. Mellon Fellow Andrew McCoy Alice Holloman Chief of Facilities Yukio Lippit Supervisor Anthony Inabinet Assistant to the Administrator for Kurt Sisson Rhonda McCord Lawrence Jackson Mary Davis Fellow Business Activities Deputy Chief of Facilities Pearly Janifer Teresa Nevins Stephanie Topolgus Rice Painters Michael Giamber Michon Jenkins Joseph Copeland Wyeth Fellow Dorothy Johnson Budget/Automated Data Processing Kenneth Lindsay Adnan Morshed Larry Johnson Dan Hamm Marc Makle Teresa Johnson Ittleson Fellow James Miller Assistant Special Projects Coordinator Sheldon Malloy Alice Tseng Lester Smith Darrell Waytes Theodora McCard Paul Mellon Fellow Darlene Middleton Pamela Warner

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Cassandra Pixley Electric Shop Identification Office Console Operator Supervisor Edward Chapman Leora Richardson James Carlton Frank Ebb Luther Clark Jr. Supervisor Henry Rivers Brannock Reilly Venus Cristwell Chuck Herndon Betty Rufus John Davis Safety & Health Manager Console Operators Evelyn Scott Leader Jerry Doss Linda Schilder Lorraine Staggs Daniel Smith Philip Arnett Carlos Dubose Angeline Sutton Fire Protection Specialist Kenneth Bristow Ernest Edwards Electricians Gloria Thomas Billy Joe Norman Winston Franklin Edward Foster David Cole Diana Wells Derrick Hairston Alonzo Fountain Jason Rosenbaum Technical Services Supervisor James Wells Barbara Height Robert Gayleard Carlton Williams Angelo Catucci Zilphia Wright Ernest Reynolds James Hairston Electrical Helper Electronics Mechanics James Townsend George Hamilton Leslie Raspberry Patrick Parrett David Weston Peter Henderson Building Operations Department William Shaw Laverne Whitted Jimmie Hines Elevator Mechanic Manager Nathaniel Stroman Donna Hinton Willie Parker Dave Gilson Edgar Hopson Locksmiths Commanders High Voltage Electrician Edward Johnson Assistant Manager Robert Brown Mike Case Cleven Brown Frank Johnson John Bixler Ty Cullins Ricky Manuel Felisha Jones Supervisors Karen Perry John Jones HORTICULTURAL SERVICES Zery Mingo Administration Jeroboam Powell Lee Jones William Sutton Chief of Horticultural Services Veronica Jones Deputy Chief Donald Young Dianne Cina Elizabeth Thomas Lieutenants Franklin Lewis Leaders Deputy Chief Program Analyst Harry Grace Joe Lewis James Phillips Cynthia Lawless Alison Reither Armando Hartley David Logan Larry Smith Horticulturists Quellan Josey Marvin Mallard Anthony Thomas Supply Clerks Margaret Church Lawrence Marshall Quinyardo McClain Michelle Cameron Control Technicians David Gentilcore Joshua Mewborn Victor McCrea Chris Privott Anthony Brooks Julianna Goodman Daniel Miller Frank Meyer Jr. Kevin Cockrell James Kaufmann Administrative Assistant John Palmer Joseph Midgette Eugene Givens Sherry Shaw-Johnson Kathy Sutton Charles Moody Gardener Leader Wayne Valentine Marlene Tucker James Murphy Office Assistant Beverly North Operating Engineer Zoya Mussienko Gardeners Chris Privott James Hamilton Sergeants Anthony Ferrell Office Automation Assistant Ronald Randall Maintenance Engineers Brian Johnson Sandra Powell Bernard demons Jerry Reaves Noel Ashton Ronald McGill Timothy Fortt William Richardson Summer Intern Nathaniel Bethune Michael Peters Emanuel Goddard Dana Roberson Amy Dodson Roger Dunning Adam Sklar Dennis Hill Loretta Roy Ronald Terrell Joseph Hudson Ronald Sewell Operations Unit Willie Townes Visitor Services William Johnson Calvin Simmons Larry Brown Derrick Williams Alonzo Kennedy John Smith Eugene Guthrie Deputy Chief Roger Kraft Leroy Smith Frank Lim Sandra Creighton Dexter Moten Timothy Smith John Ott PROTECTION SERVICES Staff Assistant Ronnie Sloan Jr. Michael Strong Utility Systems Repair Operators Chief of Protection Services Mendi Cogle Anthony Thompson Altina Sumter Walter Coehins James J. Lucey Gerald Walker Edward Thomas Varon Lee Sheila Wright Reginald Thornton Deputy Chief of Information Te Operations Clifton Mutts Larry Turner and Security Projects Charles Strickland Deputy Chief Raymond Tyndle Stephen Lockard Gallery Protection Officers II Mark Teed Cliff P. Deckard Eugenio Velazquez Alexander Tonic Investigations Daniel Bailey Lynn Williams Major James Deas Latina Bailey Willie Wright Pipefitters Larry Kaylor Enis Pinar Leonard Bashful James Yancey Michael Casasanto Office Assistant Ludwig Bednar Jr. Levern Jacobs Secretary Anna Howard Vander Blount Robert Lowry Geri Green-Smith Gallery Protection Officers Ronald Brown Security Driver Wayne Buckner William Abrams Alvin Hawkins Alvin Burts Rukan Ahmed Joseph Callahan James Allison Jr.

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Cedric Baker John Jackson Gregory Watson Training Specialist Warehouse & Distribution Kenneth Baker Errick James Michael Webster Edward Watson Supervisory Distribution Facilities Specialist Gwendolyn Bell Victor Jamison Verda Whitlow Summer Intern Paul Rodriguez Larita Best Alan Jenkins Agnes Whittle Sasha Paroff Vincente Best Jesus Jimenez Ronald Wilkins Warehouse Leader Ronald Bond Jr. Wayman Johnson Barry Williams Samuel Baugh John Boone Yamashita Johnson Harold Williams ADMINISTRATIVE SERVICES Materials Handlers Steve Brock Kenneth Jones Vincent Williams Chief of Administrative Services Darnell Brandon Michael Brower Micah Jones Phillip Williamson Cathy Yates Lemuel Jamison Corey Brown John Kennedy Sr. Andre Wilson Roy Brown Hector Landron Pamela Wood Staff Assistant Receiving Clerk Wayne Bryant Albert Lawrence Warren Woodson Stephanie V. Lott Alfred Cohen Benjamin Burgess John Legrand Anthony Wright Computer Specialist Felesia Burgess Robert Lewis Mable Wright Scott Stephens Phyllis Burton Tyrone Lewis Anne Wyder Technical Support Branch Otis Butler Dora Under Lawrence Yancey Branch Chief Richard Byrd Fransonia Littles Logistics Support Branch Thomas Valentine David Caldwell Larry Macalino Gallery Security Officers Branch Chief Albert Carr Jr. Augustine Maldonado Rick Pleffner Audio Visual Services Jesus Castro-Alvarez Ramesh Malhotra Jason Brown Paul Cawley Rodney Mathew Russell Gaskins Radio Production Specialist David Clark Isaac Math is Beth Knight Travel & Transportation John Conway Thomasine Cloude Henry McKinnon Eddie Richburg Program Assistant and Travel Coordinator Audio Visual Technician Walter Colbert Ardella Miller Maxine Simmons Barbara Caldwell Hugh Colston Robert Conyers Leroy Miller "Timothy Gulp Vernon Morton Transportation Assistant Motion Picture Projectionists PERSONNEL Victor Davis Petey Mosley Dora Barksdale Jeannie Bern hards Dennis Diggs Jacob Neal Personnel Officer Karl Parker Driver Alexander DuBoise Steven Nicholas Michael Bloom Lawrence Pryor Maintenance Technician Patrick Dumsch Willie Norman Deputy Personnel Officer Lester Barry Altwan Edwards Joyce Palmer Meredith Weiser Robert Edwards Nolen Paulk Records Management Roby Ellis Leopoldo Perdomo Systems Specialists Printing & Duplicating Information Management Specialist Charles Eubanks Michelle Perry Michele Caputo Victoria Emerson Off-Set Press Operators Neil Floyd Joe Peterson Darryl Cherry Patrick Beverly Patrick Foley Pamela Pitts Fiscal Clerk Personnel Specialist Frank Schiavone Johnnie Gallop Michael Pope Christy Williams Terrence Snyder Gene Garrett Willie Pugh Equipment/Copier Operator Antone Gatewood Marcus Reeves Staffing Specialists James Morris Mailroom Dionne Gilbert Robert Rice Jr. Rick DeCuir Debra Graham Edward Roberts Linda Pettiford Lead Mail Clerk Telecommunications Cynthia Greene James Roberts Felton Byrd Personnel Staffing Assistant Paul Gresham Andrew Robinson Telecommunications Specialists Janie Cole Mail Clerks Sharman Gresham Michael Robinson Ron Despres James Arnold Mark Griffith Linda Roche Employee Relations Advisors Mark Ranze Clifton Fleet Carolyn Groce Harold Rodman Luis Baquedano Jose Vallecillo Supervisory Telephone Operator Mark Habermehl John Sherrill Eric Janson Minnie Barbour Shelton Hall Willie Sims Staff Assistant Lome Harleston William Smallwood Supply & Property Telephone Operators Tammy Bennett Dorothy Harper Vladimir Solomykov Barbara McNair Inventory Management Officer Burley Harris Alexander Stephens Administrative Intern for Personnel Juanita Walker Ted Harper Marjorie Harvey Gregory Stevenson Miriam Berman Thomas Hebb Earl Stewart Inventory Management Specialist Receptionist Photography Services Elvis Hernandez Geraldine Stewart Charles Williams Annette Brown Mildred Holeman Wilbert Thompson Supervisory Photographer Supply Technicians Fred Holmes William Thome Training Officer Dean Beasom Paul Fortune Priscilla Hopkins Joselito Tungcod Judith Frank Sheila Humphrey Thomas Tyson Kevin Grays Photographers Training Administrator Ina Hunter William Walker Anthony Sean Hilliard Ricardo Blanc George Martin Robert Hyer David Watchorn Nathan Howell Lorene Emerson Ulrick Vilmenay Lyle Peterzell

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Photographers/Lab Assistant to the Treasurer for Risk IT Specialist/Web Developer Cashiers Doris Alston Management and Special Projects Neal Johnson David Blango David Applegate Nancy Hoffmann Christine Chu IT Specialist/Web Systems Programmer James Locke Pamela Coleman Financial Program Specialist Ric Foster Denis Donovan Secretary Rosa E. Jackson IT Specialist/Applications Developer Bonnie McBride Geneva Rosenboro Staff Assistant Susan Y. Hsia Kim Peacock Eileen Ng Jeanette Ramsaroop IT Specialist/IT Security Digital Imaging Services Chandra Rolle Jack M. Tucker Angela Single Supervisor GENERAL ACCOUNTING Computer Operators Robert Grove Merchandise Stock Clerks Comptroller Karen J. Estacio Steve Corbin Visual Information Specialists Dale C. Rinker John H. McNeil Linda A. Hunt Deborah Adenan Roddie Worth ington Deputy Comptroller Christina Moore David J. Rada Kristen Quinlan GALLERY SHOPS Warehouse & Mail Order Operations Operating Accountants Division Chief Operations Supervisor Ruth E. Lewis PROCUREMENT AND CONTRACTS Ysabel L. Lightner Stephen Richardson Linda K. Smith Chief of Procurement Deputy Division Chief/Operations Manager Lead Materials Handler Accounting Technicians Elaine Larison Karen Boyd Marvin M. Walton Cynthia W. Czubat Deputy Chief of Procurement Dyann Nelson-Reese Materials Handlers Jeffrey P. Petrino Brenda M. Stevenson Office Administration Mike Nichols Stephanie L. Thorpe Angela Johnson Contract Specialists Office Manager Valerie M. Wright Terrence Smith Kristin S. Fuller Laura A. Fitzgerald Claudine A. Harper Retail System Manager Truck Driver Staff Assistants Stan Johnson Michael Chapman James B. Everett Miriam Davis Robert L. Lawrence Accounts Payable Technician Jonathan Walz Fulfillment/Shipping Clerk Tarasia Remhoff Kevin C. Oberman E. Jean Mitchell Purchasing Agents Sales Audit Merchandising Shipping Clerk Barbara G. Manley Earlene Bright Todd Osborn Grayling Reaves Visual Information Specialist Inventory Accounting Technician Noriko K. Bell Accounts Receivable Clerk Staff Assistant Richard Eckert Carol L. Messineo Patricia Barber Product Development Payroll Visual Services OFFICE OF THE TREASURER Specialist/Buyer Payroll/Personnel Specialist Judy C. Luther Coordinator of Visual Services Treasurer Emma G. Moses Barbara Bernard James E. Duff Book Buyers Civilian Pay Technicians Dennis E. Callaghan Museum Specialist Deputy Treasurer Brenda Carmichael Donald L. Henderson Barbara Goldstein Wood George-Ann Tobin Margaret Myers Buyers Museum Technician Executive Assistant Suzanne M. Haycock Peter Huestis Judy Shindel DATA PROCESSING Janet B. Kerger Assistant Treasurer/Investment Nancy A. Sanders Chief Information Officer OFFICE OF THE SECRETARY Management Linda K. Stone Program Specialist AND GENERAL COUNSEL Michael W. Levine Vasily Lazarenko Deputy Chief Information Officer Secretary and General Counsel Supervisory Operating Accountant Greg Swift Elizabeth A. Croog Kelly Liller Retail Systems IT Specialist/Manager, Customer Support Deputy Secretary and Budget Officers Susan E. Farr Systems Manager Deputy General Counsel William W. McClure G. Lee Cathey Nancy Robinson Breuer William H. Roache IT Specialist/Manager, Network Infrastructure Systems Analyst/Programmer Associate General Counsel Budget Analyst Katherine Green Alexander Bloshteyn Lara Levinson Jean Krevinas Financial Systems Manager Technology Specialist Carol Ann Proietti Martin Rudder

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Assistant General Counsels Associate for Development Operations Staff Assistant/Calendar Editor Sue Beddow Marilynn Goldsmith Isabelle Raval Elizabeth A. Hutcheson Laurie Tylec B. J. Beers Hilary Gordon Julian Saenz Valerie Bernat Enza Gorges Associate for Foundation Relations Administrative Secretary Susan Bollendorf Joan Gottfried Legal Assistant Salina R. Muellich Barbara Lennhoff Marlene Bolze Jonathan Gray Sarah E. Fontana Development Officer, Research Irene Bortolussi Gail Gregory Assistant Secretary Rita P. Monner SPECIAL EVENTS Maureen Fallon Bridgeland Deborah Griffith Kathryn K. Bartfield Gail Briggs Nancy Hafer Development Officer, Collectors Committee Assistant to the Director for Special Events Florence B rod key Pamela Gulley Hardin Staff Assistant Kara Ramirez Mullins Genevra 0. Higginson Ana Maria Brown Joyce Harmon Carol A. Christ Development Officer, The Circle Assistants Debra Brown Mary Harms Administrative Assistant Jeffrey W. Hale Bethann Burns Susan Brown Melissa Harris Montrue V. Conner Nora Connolly Susan Bruce Susan Hinsdale Development Associate, Stewardship Mindy P. Hawkins Roberta Buchanan Jane Hochberg Susan L. Redford Claire T. Ruppert Carol Burton Nira Hodos GALLERY ARCHIVES Development Associates, Annual Giving Anne K. Sawkiw James Byron Sally Hoffmann Chief Peggy Beavers Carissa E. South Mary Ann Cameron Beth Holland Maygene F. Daniels Laurie Martens Liza Tanner Nancy Cammack Jennifer Hollings Maria Tousimis Karen Campbell Adriana Hopper Deputy Chief Development Specialist Sheila Campbell Marta Horgan Anne G. Ritchie Kimberly Y. Camuel Valerie Carleton Sandy Horowitz SPECIAL PROJECTS Archivist Development Associate Jane Casazza Marilyn Horwood Michele Willens Suzanne R. Pilet Special Projects Officer Sara Cherner Merry Hunt Pamela Jenkinson Mary Ann Coffland Mary Hurd Archives Technicians Development Associate, Research Leslie Cohen Patricia Jacobs Jean Henry Katherine M. Fritzsche Special Projects Associates David Cooper Francesca Janni Lauren Melo Carol Koelemay Staff Assistant Marjorie Coward Marilyn Johnson Beth Sherrard Researcher Wayne Henson Nancy Cummings Cynthia Juvan Jorgelina Orfila Dina D'Arcangelo Candace Kaller Development Assistant, The Circle MUSIC Joy Dale Rebecca Kara Anna K. White Raul Damas Louise Karpicus OFFICE OF EXTERNAL AND Assistant to the Director for Music Summer Intern Kitty Davis Nancy Keefe INTERNATIONAL AFFAIRS George Manos Nancy Anderson Gerard de la Cruz Carolyn Kelloff External and International Affairs Officer Music Program Specialists Claire deGri-Ricard Marney Kennedy Joseph J. Krakora Stephen Ackert Rutgera de Rivera Carol King CORPORATE RELATIONS Juliana Munsing Anna Dixon llze King Deputy to the Executive Officer Chief Corporate Relations Officer Margaret Doole Phyllis Knight Ellen Bryant Music Librarian Christine M. Myers Judy Doyle Gunter Koenig George Gillespie Special Assistant Paula Duggan Patricia Kraemer Executive Assistant Francine Linde Program Note Annotator Sandra Dugoff Audrey Kramer Catherine C. La bib Elmer Booze Helga Ehudin Andrea Kraus External and International Affairs Associates Research and Multimedia Specialist Alice Ellington Bonhee Ku Erin Fisher Concert Aides Jeanette Crangle Beers Elizabeth Farrell Olga Kushnir Adrienne Gennett Vrejoohie Armenian Leslie Farrell Marie Kux Sponsorship Manager Mary Carter Marilyn Farrington Rita Landers Susan McCullough Cathy Kazmierczak DEVELOPMENT Sharon Feldman Anne-Marie Lee Angela Rooney Victoria Feldman Hillary Lee Chief Development Officer PRESS AND PUBLIC INFORMATION Paula Ferdinand Rosalie Lesser Ruth Anderson Coggeshall Volunteers Sima Ficks Georgia Lewis Chief Press Officer Senior Associate for Development Harriet Finkelstein Kimiko Lipsitz Deborah Ziska Docents Cathryn Dickert Scoville Sandra Fischer Paula Litvak Publicists Ann Allen Virginia Flavin Janet Lloyd Senior Associate for Planned Giving Anabeth Guthrie Lee Allen Eleanor Foulger Doris Loftness F.A. Bonnie Hourigan Sarah Holley Satomi Aoki Stephanie Frasher Jean Loper Senior Associate Mary Jane McKinven Diane Arkin Phyllis Freirich Rody Lopez Patricia A. Donovan Donna Aubinoe Maureen Gevlin Issac Lyumkis Web Designer/Systems Developer Hannah Aurbach Mary Gibb Ana Maria Macchetto Senior Associate for Annual Giving Dwayne Franklin Barbara Baker Thomas Gilday Barbra Mann Betsy O'Brien Office Assistant/Clips Coordinator Rosalie Baker Marcia Gilman Anne Marie Marenburg David Wojcinski Jane Barton Dawn Glass Patricia Martin

83 NATIONAL GALLERY OF ART 2003

Marylin Math is Judy Shulman Joan Davis Berger Claire Horowitz Howard Sanders Marget Maurer Ruth Sickel Catherine Beyer Mark Huey Brooke Sartory Ursula McKinney Milton Silveira Marian Binder Gail Huh Audri Schiller Mary Ellen McMillen Iris Silverman Barbara Bluestone Eileen Hurley Roberta Schneidman Irma J. McNelia Joan Silverman Janet Boccia Florence Imburg Sonja Schulken Joseph McPhillips Beatriz Slotkoff B.J. Boudreau Carmen Iribarren Marilyn Schwaner Amy Meadows Trudi Small Denise Boxberger Bernice Jacobsen Frances Short Alberto Melo Sally Smyser Greta Brown Barbara Jensen Carl Shugaar Elaine Miller Langley Spurlock Amy Bruins Lyn Jonnes Margaret Sickels Sandra Mitchell James Stein Marian Carroll Nancy Kane Nancy Silverman Marjorie Mitzner Celia Steingold Patricia Casson Jill Kasle Esther Slaff Sally Molenkamp Jem Sullivan Elizabeth Catron Bonnie Kleinhans Joan Steigelman Ellen Moore Mary Ann Sures Nancy Center Elaine Krassner Adele Stevens Joan Morton Hiroko Tada Joan Chapin Sally Kreisberg Janet Sugg Mary Mossop Michelle Tager Evelyn Childs Marjorie Kress Linda Sundberg Joan Mulcahy Hiroko Takagi Kimball Clark Adel La bib Bonnie Sweet Laureen Nicholson Etsuko Takeichi Nancy Clarke Julie LaFave Wei Tang Elizabeth Niederman Victor Tang Simone Clarke Stephen Lake Victor Tang Akemi Nishida Lillian Taylor Lynn Cleary Shirley Lavine Joan "fimberlake Saka Noma Carolyn Thayer Pat Clopper Mary Lawler Marylee Tinsley Olga Nosova Ruth Thomas Marlene Conner Marion Lebanik Alicia Tisnado Nur Nossuli Laurie Trusty Janet Cooper Use Lewy Ward Van Wormer Titiana O'Blazney Susan Van Nice Marcia Corey Susan Lightsey Barbara Vondy Lucy O'Brien Margaret Vanderhye Sherry Cross Karen Livornese Frances Walls Mary Catharine O'Connell Pastel I Vann Elizabeth des Cognets Joyce MacCorquodale Moon-Shia Wang Mary O'Neill Suzanne Vegh Therese des Rosiers Rosetta Maguigad Diane Wapner Mary Lee O'Neill Rosario Velasquez Joanne DeSiato Donald Markle Micheal Weaver Mariko Oka Joy Vige Verda Deutscher Geraldine Markle Robert Wegener Yasuko Okuno Stella Walters Janet Donaldson Harriett Mathews C6cile West Gail H. Ostergaard Josephine Wang Kimberly Doyle Virginia McCormick Mary Westfall Patty Owens Momoko Watanabe Donna Edmondson Rebekah McKenna Eleanor Williams Hedwig Pasolini Maria Elena Weissman Estelle Eisendrath Barbara Meyers Eileen Winkelman Maxie Phillips Emo Osawa Wellsteed Rose Evans Lynne Middleton Frances Winston Deborah Pietras Michael Weyl Susana Fainbraun Dena Moglia Sally Wise Karen Piper William Whalen Judith Feldman Dale Moran Maria Wood Gay Pirozzi Sue White Maureen Ferguson Barbara Morris Merriam Wood house Gwenaella Pole Sue Wickwire Barbara Fisher Yolanda Morris Gerry Wyche Judith Pomeranz Brooke Wilding Marjorie Fisher Nika Moscalionov Antoine Yared Nancy Porter Thomas Winans Barbara Freeman Susan Murphree Rubye Youngblood Teresa Preville Michael Winer Sue Fretts Gabriele Nanda Joyce Zegen Christine Prichard Maria Wood Marguerite Fry Mary Neves Pamela Fry Ronald Niemann Ludmila Pruner Dorothy Wright Library Volunteers Maria Amelia Ramaciotti Laura Wyman Stephanie Gagnon Darvine Noel Ross Randall Fred Yamada John Garneski Joan Novell Satomi Aoki Pickett Randolph Dora J. Young Agnes Gavin Sharman O'Neill Alexandra Cardarelli Alyson Redden Lois Young Joyce Gentile Arnold Palley Pat Clopper Mary Jane Rensler Joan Zeizel Jean Gerhardt Ursula Pariser Mary Ellen Descheneaux Lucia Jean Reynolds Kathryn Zoeller Carla Augustina G6is Roberta Peel James Early Nancy Richardson Gianna Zucchi Annette Goldschmidt Anthony Piantes Diane Horowitz Cynthea Riesenberg Edward Green berg Karin Regan Gale Kaufmann Jo Roland Helena Gunnarsson Annette Rich Adel M. Labib Art Information Volunteers Eileen Romano Harvey Hale Donna Richards Ellen McVicker Layman Deborah Rucci Claire Ackerman Mary Hanrahan Bette Richardson Doris Rauch Susan Rudy Elsie Aranda Tawney Harding Gail Ridgway Lilly Rosen Sheila Ruffine Mary Anne Arbo Betty Hatch Arlene Ring Rose Trippi Lois Sacks Eleanor Augustine Josephine Hearld Alix Robinson Suzanne Schiffman Rosalie Baker Jean Holder Wynefred Rogerson Tazuko Schmitz Edith Ball Leonard Holder Melissa Roover Joyce Schwartz Valerie Ballard Suzannah Hopkins Eugene Rosenfeld Nancy Searles Barbara Behr Drucilla Hopper Shirley Rosenfeld

84 NATIONAL GALLERY OF ART 200 3

LIBRARY GIFTS The Lee and Juliet Folger Fund Mr. and Mrs. Robert M. Rosenthal gifts/donors The following donors made significant The Florence Gould Foundation Mr. and Mrs. B. Francis Saul II donations to the National Gallery of Art Anna-Maria and Stephen Kellen Foundation Mr. and Mrs. Albert H. Small Library in fiscal year 2003. Ann and Mark Kington / The Kington George Wasserman Family Foundation, Inc. Edgar Brenner Foundation The partnership of the federal government Richard C. and Elizabeth A. Hedreen Wyeth Endowment for American Art David and Amy Dufour and the private sector enables the Gallery Mary Jo and Robert L. Kirk Ernest Hillman Jr. Pat England to carry out its mission of service to the Samuel H. Kress Foundation $25,000 *49,999 American people. The Gallery's daily opera- Mr. and Mrs. Raymond J. Horowitz Thomas Klarner tions and maintenance are funded through The Andrew W. Mellon Foundation August!nus Foundation Charles Isaacs and Carol Nigro Alan Shestack federal appropriation while all acquisitions Prince Charitable Trusts Bikuben Foundation of works of art in the collections as well Ruth Cole Kainen as the buildings and many programs are Catherine B. Reynolds Foundation Clark-Winchcole Foundation Ina and Jack Kay CORPORATE GIFTS made possible through private gifts. Many The Connors Foundation The Gallery is grateful to the following local, generous individuals, foundations, and Michel and Viviane Kellermann $100,000-$199,999 corporations have supported the Gallery national, and international corporations, Dr. Mark R. Epstein and Amoretta Hoeber Ellsworth Kelly whose generous support allowed us to Anonymous over the past six decades, including those Mr. and Mrs. Robert F. Erburu listed below who made gifts during this present special exhibitions and related Werner H. and Sarah-Ann Kramarsky Iris and B. Gerald Cantor Foundation fiscal year. Their gifts have enhanced every programs of the highest quality in fiscal Estate of Walter Fitch Judith W. Laughlin year 2003: Marshall B. Coyne Foundation, Inc. aspect of the Gallery's programs and have GE Foundation touched the lives of millions of visitors, in Asbjorn Lunde Airbus The Arthur Vining Davis Foundations person and online. The Gallery extends Golden Artist Colors Mrs. Charles Marwick warmest appreciation to its supporters and AT&T Foundation The Charles Engelhard Foundation The Honorable C. Boyden Gray to the federal government for their enduring Kurt Meissner Chevy Chase Bank The Horace W. Goldsmith Foundation commitment to the nation's art museum. Estate of Lore Heinemann Raymond W. Merritt General Dynamics Teresa & H. John Heinz III Foundation Estate of Susan Morse Hilles The Georgia O'Keeffe Foundation General Dynamics United Kingdom, Ltd. HRH Foundation GIFTS TO THE NATIONAL Horning Family Fund of The Community GALLERY OF ART Irving Penn Lockheed Martin Corporation The Henry Luce Foundation Foundation for the National Capital Region David and Gerry Pincus Porsche Cars North America, Inc. R. K. Mellon Family Foundation Gail and Benjamin Jacobs GIFTS OF ART J. Randall Plummer Shell Oil Company Foundation Lucio and Joan Noto Johnson Family Foundation The Gallery extends its thanks to those who Philip and Jacqueline Rizik gave works of art from 1 October 2002 Target Stores Robert H. and Clarice Smith Estate of Ellen F. Karpf through 30 September 2003. These gifts and Maxine Rizik Tanous The Buddy Taub Foundation Dr. Cyrus Katzen Foundation enhance the collections and carry on the Mary and David Robinson MILLENNIUM FUNDS tradition of generosity begun by the found- Diana Walker Edward J. Lenkin ing benefactors more than sixty years ago. Andrew Robison Gifts of $10,000 or more for art acquisition, Mars Incorporated special exhibitions, education, outreach, Anonymous Mr. and Mrs. David C. Ruttenberg $50,000-$99,999 conservation, scholarship and research The Morningstar Foundation Lisa Unger Baskin The Honorable Arnold A. Saltzman initiatives, and unrestricted support were The Ahmanson Foundation The Honorable John D. Rockefeller IV and Mrs. Saltzman received from the following generous Lillian Berkman Helen Porter Dyke and James T. Dyke and Mrs. Rockefeller Irma S. Seitz donors during fiscal year 2003. Gerald Cerny The Honorable Edward E. Elson The Judith Rothschild Foundation Ann Solomon and Mrs. Elson Catherine G. Curran $1,000,000 or more Charles J. Tanenbaum Alice F. Steiner Greg and Candy Fazakerley James and Lucy Danziger The Annenberg Foundation Jay and Toshiko Tompkins George Stephanopoulos Arnold D. Frese Foundation Agnes Denes Estate of Paul Mellon Mrs. Robert M. Weidenhammer Donald D. Stone Funger Foundation, Morton Phyllis G. Diebenkorn Estate of Julienne M. Michel and Norma Lee Funger Robert and Virginia Stoppenbach $ 10,000-$24,999 A. Thompson Ellwanger III The Frederic C. Hamilton Family Lou and Di Stovall $200,000-$499,999 Anonymous Foundation for the Epstein Foundation Munch Collection Frank Anderson Trapp Anonymous Beckett Foundation Robert J. Hurst Foundation II Ruth E. Fine Lenka VilhelmovA Edwin L. Cox The David and Janet Brashear Foundation Virginia Cretella Mars Marc Freidus Dorothy and Herbert Vogel Estate of Ina Farber Carolyn and Kenneth D. Brody Park Foundation William H. Gerdts and Abigail Booth Gerdts Nell V. Weidenhammer The William Stamps Parish Fund Parnassus Foundation David and Constance Yates Stephen Hahn

85 NATIONAL GALLERY OF ART 2003

Ann, Don, Cathy, and Laura Brown Fund COLLECTORS COMMITTEE Mimi and Peter Haas* Faye and Herman Sarkowsky* Bloomberg* of The Community Foundation for the (as of 30 September 2003) National Capital Region Mr. and Mrs. Frederic C. Hamilton* Louisa Stude Sarofim* Katherine and David Bradley The Gallery gratefully acknowledges mem- Richard C. and Elizabeth A. Hedreen* Mr. and Mrs. William N. Cafritz Andrew and Denise Saul* The Honorable John Landrum Bryant bers of the Collectors Committee for their and Patricia Bauman Mrs. Charles W. Ireland* Mr. and Mrs. B. Francis Saul II The Capital Group Companies annual gifts of $15,000, $30,000, or more. Mr. and Mrs. Richard I. Burnham* Charitable Foundation Their role is vital in helping the Gallery to Mrs. Sydney Irmas Jon and Mary Shirley acquire modern and contemporary art. Mr. and Mrs. Carter Cafritz Estate of Mrs. Terrence F. Catherman Mr. Philip H. Isles Mr. and Mrs. Peter B. Smith A. James and Alice B. Clark Joseph M. & Barbara Cohen George F. Jewett Jr. and Lucille M. Jewett* Mr. and Mrs. Richard C. Stoker* Cochairs Foundation, Inc. Dr. and Mrs. David A. Cofrin Ms. J. Lisa Jorgenson Shirley Ross Sullivan and Charles Sullivan Doris Fisher* The Cole Family Foundation and Mr. David D. Doniger Judith and Richard Cohen Joan and Tom Swift Barney A. Ebsworth* Mr. and Mrs. Leo A. Daly III Linda H. Kaufman* Melvin and Ryna Cohen Roselyne Chroman Swig The Charles A. Dana Foundation Mrs. Janet W. Ketcham* Naomi & Nehemiah Cohen Foundation Members Dr. and Mrs. Jacob Y. Terner in memory of Lillian Solomon Geraldine R. Dodge Foundation Robert P. and Arlene R. Kogod* Anonymous* Mr. Richard E. Thompson The Honorable William T. Coleman Jr. The Max and Victoria Dreyfus Ronald and Anstiss Krueck* Mr. Robert E. Abrams and Foundation Ms. Diana von Mueffling and Mrs. Coleman* Ms. Cynthia Vance-Abrams* Judith and Alexander Laughlin Irwin P. Edlavitch Foundation Mr. and Mrs. Matthew T. Weir Marshall B. Coyne Foundation, Inc. Ann and Steven Ames* The Honorable Marc E. Leland Mr. and Mrs. Wallace S. Wilson Brittain Bardes Cudlip* Betty and Wes Foster and Mrs. Leland* Anne H. Bass* Ms. Dian Woodner The Darby Foundation The Getty Conservation Institute Melvin and Thelma Z. Lenkin Anne T. and Robert M. Bass* Mr. and Mrs. Robert J. Woods Jr.* Mr. and Mrs. Leo A. Daly III Mr. and Mrs. Louis Glickfield Mary and Robert Looker Michele and Lawrence Beyer Mr. and Mrs. C. Bagley Wright Jr. Mr. and Mrs. Leslie Douglas* GrouplVSalck The Honorable Frederic V. Malek Eli and Edythe Broad* Margaret Mellon Hitchcock Foundation and Mrs. Malek* Mr. and Mrs. Alan Wurtzel Robert W. Duemling and Louisa C. Joseph Cohen* Duemling* Joan and David Maxwell Mr. and Mrs. Raymond J. Horowitz (* indicates donors who have given for 5 Edwin L. Cox* or more consecutive years) Mr. Barney A. Ebsworth* Mr. Henry S. McNeil Jr.* The Mark and Carol Hyman Fund David L. Davies and John D. Weeden* Mr. Mark D. Ein Mr. and Mrs. Edwin Van R. Milbury* George F. Jewett Jr. 1965 Trust THE CIRCLE OF THE NATIONAL Mr. and Mrs. John R. Donnell* Dr. Mark R. Epstein and Amoretta Hoeber* Harvey S. Shipley Miller Irene and Edward H. Kaplan GALLERY OF ART Mr. Patrick GastonAferizon Foundation* Mr. and Mrs. Robert F. Erburu* Kimsey Foundation Mr. Raymond D. Nasher (as of 30 September 2003) Mr. Barney A. Ebsworth* The Honorable Melvyn J. Estrin Nancy B. Negley* The Gallery extends thanks to contributors Thomas G. Klarner and Mrs. Estrin Mr. James A. Elkins Jr.* to The Circle for their generous annual Ms. Judith E. Neisser Lampadia Service Corporation gifts. Their support at the level of $1,000, Mr. and Mrs. Donald G. Fisher* Mrs. Norman Farquhar* Lucio and Joan Noto $2,500, $5,000, or $10,000 or more Mrs. Harry Lenart Jean-Marie and Raul Fernandez/The Mr. Aaron I. Fleischman provides funding for a range of activities Barbara R. Palmer Fernandez Foundation, Inc. Mars Foundation and Mr. Lin Lougheed* throughout the Gallery. John and Mary Pappajohn* Jeffrey and Jane Marshall Cynthia Friedman* John D. Firestone* Sally Engelhard Pingree Chair Gilbert and Jaylee Mead Family Funger Foundation, Morton The Honorable W. H. G. FitzGerald and Mrs. FitzGerald* Foundation and Norma Lee Funger The Honorable Leon B. Polsky Juliet C. Folger* and Mrs. Cynthia H. Polsky* Robert and Joyce Menschel Jo Ann and Julian Ganz, Jr.* The Lee and Juliet Folger Fund* Family Foundation Mr. and Mrs. Frederick H. Prince* Cochair Robin Quist Gates and Milo S. Gates* John C. and Elizabeth E. Fontaine* Miller & Long, Co., Inc. Mitchell P. Rales Marina K. French* Mr. and Mrs. Gordon P. Getty* Patricia and Michael Forman Evelyn Stefansson Nef Wayne and Catherine Reynolds Mr. and Mrs. Carl S. Gewirz Carl M. Freeman Foundation Patron ($10,000 or more) Jonathan D. Schiller Catherine B. Reynolds Foundation Lenore and Bernard Greenberg* Mr. and Mrs. John French III* Margaret Robson Patricia A. and Paul G. Stern Mr. and Mrs. George C. Andreas* Peggy and Richard Greenfield Jo Ann and Julian Ganz, Jr.* The Honorable John D. Rockefeller IV Mr. and Mrs. David B. Anthony washingtonpost. com Bernard and Sarah Gewirz Agnes Gund and Daniel Shapiro and Mrs. Rockefeller Mr. and Mrs. Geoffrey B. Baker* Andrea and Stephen Weiswasser Mrs. John T. Gibson* Mr. and Mrs. Robert M. Rosenthal Mr. and Mrs. Norman Bernstein Dr. John and Cathie Gill Vicki and Roger Sant The Honorable Max N. Berry Mrs. Barbara K. Gordon and Mrs. Berry

86 NATIONAL GALLERY OF ART 2003

Donald and Mary Graham Jan and Frederick Mayer* Dr. and Mrs. Lubert Stryer* Mr. and Mrs. Donald de Laski* Mr. and Mrs. David A. Metzner

Harold and Sylvia Greenberg* Gilbert and Jaylee Mead* Eugene and Clare Thaw* Mrs. Paul Flicker* Mr. and Mrs. Robert E. Meyerhoff*

Lenore and Bernard Greenberg* Mr. and Mrs. Philip Merrill Mr. and Mrs. H. Brian Thompson Mr. and Mrs. Jonathan S. England* Ina and Fenner Milton*

Monica and Mermen Greenberg* The Honorable G. William Miller Sam Turner* Shannon and Richard Fairbanks Frederick W. and Linda K. Moncrief* and Mrs. Miller* Corbin Gwaltney* Mr. and Mrs. L. von Hoffmann Robert T. and Carol C. Foley* Mrs. Pat Munroe* Harvey S. Shipley Miller Mr. and Mrs. Newman T. Halvorson Jr.* The Nancy Voorhees Fund of the Mrs. Nancy M. Folger The Honorable William A. Nitze II Mary V. Mochary Montgomery County Community and Dr. Sidney Werkman* and Mrs. Nitze* Mr. and Mrs. Frederic C. Hamilton* Foundation* Carol and Alfred Moses Elizabeth and Michael Galvin* Dr. Jeffrey D. Nuechterlein and Dr. John and Tucker Harris Mr. and Mrs. Mallory Walker* Abigail R. Spangler James and Zoe Moshovitis The Honorable Joseph B. Gildenhorn Christopher A. Havener Jr. Mr. and Mrs. David Warnock and Mrs. Gildenhorn* Commander Les Ogilvy, USN (retired)* Evelyn Stefansson Nef* The John and June Hechinger Advised Mrs. Robert M. Weidenhammer* Mr. and Mrs. Joseph Goldstein* Parnassus Foundation, courtesy of Fund of The Community Foundation for Diane A. Nixon* Jane and Raphael Bernstein* the National Capital Region* Mr. George A. Weiss Alexandra and John Graubert Dr. and Mrs. Ronald A. Paul Lt. Col. and Mrs. Norman S. Portenoy* Clark Hoyt and Linda Kauss* Mrs. Edward K. Wheeler* Mr. and Mrs. Andrew S. Gundlach PEPCO Mrs. Charles P. Price* The Ivor Foundation/The Thomas A. The Honorable John C. Whitehead* Jeanne and Herbert Hansell* Mr. and Mrs. Gerald Petitt Saunders III Family Mrs. Milton Ritzenberg Diane B. Wilsey* Mrs. Morris B. Hariton Sally Engelhard Pingree Gail and Benjamin Jacobs Mr. and Mrs. Joseph E. Robert Jr.* Mr. John C. Wohlstetter Heidi Hatfield Irene and Abe Pollin* Dr. and Mrs. Cyrus Katzen Mr. David Rockefeller* The Honorable James D. Wolfensohn Helen Lee Henderson* Sheila Proby and Patrick W. Gross* Linda H. Kaufman and Mrs. Wolfensohn* Mrs. Stanley J. Sarnoff* Mr. and Mrs. Joseph W. Henderson III* Mr. Thomas C. Quick Jack Kay* Judy and Leo Zickler Mr. and Mrs. B. Francis Saul II* Catherine Winkler Herman* Rick Rickertsen* Mr. and Mrs. Stephen M. Kellen Nina Zolt and Miles Gilburne Mrs. Muller Sheppard Mr. and Mrs. Joseph F. Horning Jr.* Sylvia Ritzenberg Mark and Ann Kington* Stephen and Bonnie Simon / Esther Mr. and Mrs. Raymond J. Horowitz* The Honorable John D. Rockefeller IV Sustaining ($5,000 to $10,000) Simon Charitable Trust Mary Jo and Robert L. Kirk and Mrs. Rockefeller* Margaret Stuart Hunter* Anonymous (2) Mr. and Mrs. Lawrence M. Small* Lee G. Kirstein* David and Alice Rubenstein Anne Hale and Arthur Johnson* Mr. and Mrs. Herschel L. Abbott Jr. Ms. Barbara Spangenberg Mr. Thomas G. Klarner* Vicki and Roger Sant* Mr. and Mrs. Thomas H. Johnston Mr. and Mrs. Dana T. Ackerly II* Mr. and Mrs. Benjamin F. Stapleton III Lt. Col. and Mrs. William Karl Konze* Mr. Michael J. Saylor Ruth Cole Kainen* Daniel and Karin Akerson John and Eunice Thomas Mr. and Mrs. Chiswell D. Langhorne Jr.* James H. Scheuer and Emily Malino Mr. and Mrs. Edward H. Kaplan* Mr. and Mrs. Harry Alverson Mr. and Mrs. W. Reid Thompson* Jo Carole and Ronald S. Lauder Scheuer* Mr. and Mrs. David T. Kenney* Miss Gillian Attfield* Norma Kline Tiefel Foundation* Mr. and Mrs. Leonard A. Lauder Mr. Christopher Schroeder Alice Lawrence Foundation Inc.* and Ms. Alexandra H. Coburn The Honorable William Bader Jay and Toshiko Tompkins* Judith and Alexander Laughlin* and Mrs. Bader Sperry and Anna Lea* Tod and Kate Sedgwick* Sandy and Ellie Trowbridge* Paul Leach and Susan Winokur Terri and Tom Barry* Judith and Gerson Leiber Admiral Tazewell Shepard Jr. William and Sarah Walton* Dr. and Mrs. LaSalle D. Leffall Jr.* and Mrs. Shepard* Mrs. Lyn K. Berger* The Lemon Foundation* Emily and Stephen Ward Mr. Edward J. Lenkin* James and Masako Shinn Mrs. Patti Cad by Birch The Honorable John D. Macomber The Washington Post Company The Philip and Janice Levin Foundation and Mrs. Macomber* Raja W. Sidawi Mr. and Mrs. Robert 0. Blake Sr.* Mrs. Henry H. Weldon Manatos & Manatos Lynn C. Magruder* Mr. and Mrs. Gerald R. Sigal* Jean R. Bower* Mr. and Mrs. John R. Whitmore The Marks Foundation, Inc. in memory Mr. and Mrs. John F. Mars Leonard and Elaine Silverstein* Frances Ann Bufalo* of Dorothy H. Marks* Williams Family Foundation of Georgia, Inc.* Mrs. Thomas E. Marston* David Smith and Debra Lehman-Smith* Mr. and Mrs. Calvin Cafritz* Mr. and Mrs. Richard E. Marriott Dr. and Mrs. Edward T. Wilson* Mr. Frederick P. Mascioli* Mr. and Mrs. James S. Smith* Mrs. Warwick Montgomery Carter* Mr. and Mrs. Forrest E. Mars Jr.* Ken and Dottie Woodcock* Mayo Charitable Foundation Robert H. and Clarice Smith* Giuseppe and Mercedes Cecchi* Jacqueline Badger Mars Betty Rhoads Wright Mrs. James R. McAlee* Mr. and Mrs. Robert N. Snyder Mrs. Ellen M. Charles* Virginia C. Mars* Mr. and Mrs. Alan Wurtzel* David and Cynthia K. McGrath* Mr. and Mrs. Andrew Stephen* Ron and Barbara Cordover Mr. and Mrs. Timothy B. Matz* James F. and Christine M. Young* Mr. and Mrs. Robert B. Menschel* Dr. and Mrs. Barry S. Strauch* Andrea B. Currier Joan and David Maxwell* Nancy and Harold Zirkin

87 NATIONAL GALLERY OF ART 200 3

Supporting ($2,500 to $5,000) Ruth and Bruce Dayton J. W. Kaempfer Jr. Bridgette Robinson and Dennis R. Weitzel* Mrs. John R. Alison

Anonymous (5) John and April Delaney Kip and Janet Killmon Margaret Robson Richard Small Alper

Jan and Warren Adelson* Mrs. Douglas Dillon* William and Elena Kimberly* Mr. and Mrs. Alfred M. Rotondaro Dr. and Mrs. Clement C. Alpert

Carolyn Small Alper* Mr. and Mrs. F. Eugene Dixon Jr.* Robin and Carol Hallene King* Nancy and Clive Runnells Joan and Peter Andrews

Mr. and Mrs. Samuel A. Alward* Dr. and Mrs. William H. L. Dornette* Mr. and Mrs. Norman V. Kinsey* Alison and Mark Russell Cicely d'A. Angleton

Mr. M. Francis Anders Raymond and Melina Dunn Mr. and Mrs. James R. Kleeblatt Mr. David E. Rust* Mr. and Mrs. John H. Ariail Jr.

Fran and Lenox Baker* Lynn E. Eccleston Michael Klein and Joan Fabry Mr. and Mrs. Thomas D. Rutherfoord Jr.* Alexandra A. Armstrong and Jerry J. McCoy* Mr. and Mrs. Albert H. Barclay Jr.* Anita and William Edwards Polly Kraft and Lloyd Cutler Mr. and Mrs. Derald H. Ruttenberg* Linda L. Arret* Mrs. Edwin S. Bell Mr. and Mrs. Richard England* Mr. and Mrs. Anthony A. Lapham* Mike and Sheila Ryan* Allie and Ellen Ash* Marguerite H. Benson* Mr. and Mrs. James W. Evans* David and Connie Lawson James J. Sandman and Elizabeth D. Mullin* Joseph S. Asin Mr. and Mrs. Wayne L. Berman John and Heidi Fahey Gigi and Arthur Lazarus Jr.* Mr. and Mrs. Bruce W. Sanford* Ann M. Askew Susan and Allen Bloom* Robert and Betsy Feinberg* Susan B. Levine and James W. Lauer* Jean Schepers* Aileen Athy Count and Countess Peder Bonde* Mrs. James J. Ferguson Jr.* William J. Levy Foundation* Mr. and Mrs. Charles C. Shelleman Jr.* Mr. Andrew Athy Jr. The Honorable Daniel J. Boorstin Betsy and Peter Forster* Lawrence S. and Marion Lewin Mr. and Mrs. David W. Simone and Mrs. Boorstin* Mrs. Martin * Mr. and Mrs. Eric P. Fraunfelter* Willee and Finlay Lewis* Ira Spanierman Mr. and Mrs. George M. Brady Jr.* Marilyn and David Austern Peter A. and Barbara W. Freeman* Mr. and Mrs. Jerome B. Libin* Ms. Polly Surrey* Bob and Vivian Braunohler* Mr. and Mrs. William Backer* David Morgan Frost Dr. and Mrs. Bruce K. MacLaury* Mr. and Mrs. Edward Symes III Mr. and Mrs. Edgar H. Brenner and Galina Riven Frost* Rhoda Baer Charlene C. and Tom F. Marsh* Mr. and Mrs. Alexander C. Tomlinson* Mrs. Hilda Ochoa Brillembourg Patricia Garcia and Kenneth Golding* Colonel Owen C. Baker and Barbara Baker Daniel and Karen Mayers Fund* The Honorable Russell E. Train and Mr. Arturo Brillembourg* Professor Joseph L. Gastwirth* and Mrs. Train* Dr. and Mrs. G. A. Balfour Mrs. Susan McCabe* Marc H. and Vivian S. Brodsky* John A. Geissman The Truland Foundation Alicia B. Ballard Mr. and Mrs. James A. McKenna* William R. and Wendyce H. Brady* Mr. and Mrs. Jon Gerstenfeld Antoine and Emily van Agtmael* Mr. and Mrs. Michael Baly III Dr. Robert and Laurel Mendelsohn* Mr. and Mrs. Raymond C. Brophy* Nancy Glassman* Michael and Victoria Vergason Gwendolyn Baptist* Jim and Tracy Millar The Wiley and Janis Buchanan Foundation The Honorable Kingdon Gould Jr. Millicent Adams Vesper Memorial to Marian Tobery Barnes* Mr. and Mrs. Herbert S. Miller* and Mrs. Gould Philomena Burke Peggy and Ted Weidlein* Mr. and Mrs. Edmund Bartlett Iris and Lawrence Miller Pam and Tom Green* Mrs. Jefferson D. Burrus* Marvin F. Weissberg* Michael and Rose Bartlett Mr. and Mrs. James K. Mitchell* Nancy W. Harding* Mr. and Mrs. Daniel J. Callahan III* Edward Foss Wilson Charitable Trust* Drs. Jordan and Rhoda Baruch Joan and Dan Mulcahy* Drs. Bernadine Healy and Floyd D. Loop Constance R. Caplan Foundation Inc. Frances C. Winston* Anne Susan and Nevins Baxter* Catherine Murray* ' HECHT'S David Carliner* Mr. and Mrs. Alan F. Wohlstetter* Amy Bayer Nespola Charitable Foundation Kay and J. Roderick Heller* Mr. and Mrs. Keith Armistead Carr* John and Priscilla Becker Dr. and Mrs. Frederick I. Ordway III* Mrs. Charles T. Hellmuth Sr.* Contributing ($1,000 to $2,500) Kelly Carr and Bryan Sherbacow Mr. and Mrs. Thomas H. Beddall Jr.* Sandra H. Payson Patti and Mitchell D. Herman Anonymous (9) The Honorable Robert Carswell Steven and Jane Beering C. Wesley and Jacqueline Peebles and Mrs. Carswell Mr. and Mrs. Robert N. Herman* Iris Aberbach Mr. and Mrs. James R. Beers* Nicole H. Perry and Andrew T.C. Stifler* The Honorable John E. Chapoton Dr. John and Dori Holaday Carolyn G. Adams Jim Bell and Mrs. Chapoton* Mr. and Mrs. John Ely Pflieger* Wallace and Wilhelmina Holladay* Hugh Trumbull Adams* Mrs. Malcolm Bell Jr. Mrs. Robert H. Charles* Mr. and Mrs. Benjamin Thompson Pierce* Mr. and Mrs. Timothy Howard* Mr. and Mrs. Robert Bentley Adams Mr. and Mrs. Eliezer Benbassat Kate and Robert Chartener Mr. and Mrs. Charles L. Poor* Mr. and Mrs. R. Bruce Hughes* Theodore Adamstein and Olvia Demetriou Ellen and Robert Bennett* Bonnie and Louis Cohen Mr. and Mrs. Stephen W. Porter* Mr. and Mrs. Edward C. Johnson 3rd Sylvia and Christopher Addison Mrs. William Tapley Bennett Jr.* Louise and Wendell Grain* Dr. and Mrs. Jerold J. Principato* The Honorable R. Tenney Johnson Adrienne and Errol Adels Mr. and Mrs. John C. Bennison Mrs. Catherine G. Curran* and Mrs. Marilyn Johnson* Mr. and Mrs. Whayne S. Quin* Mr. and Mrs. Mario A. Aguilar Anne and Stephen Bent Lou Hill Davidson and Ralph P. Mr. and Mrs. Peter H. Jost* Earl and Carol Ravenal* Patricia Aiken-O'Neill Davidson Foundation Katherine M. B. Berger Peter W. Josten* Dr. and Mrs. F. Turner Reuter and Dr. John F. O'Neill

88 NATIONAL GALLERY OF ART 2003

Mrs. Edwin A. Bergman* Mr. and Mrs. Richard Gerard Brown* The Coca-Cola Company Mimi and Chris Dorment Barbara G. Fleischman*

Mrs. Ellen R. Berlow Mr. and Mrs. David S. Bruce* Mr. and Mrs. Andrew Cockburn Mr. and Mrs. Paul C. Dougherty Mr. and Mrs. Christopher Forbes

C. Bruce Berry Mr. and Mrs. E. Edward Bruce Ms. Sara J. Cofrin Mr. John L. Dreyfuss Richard E. Ford*

Michael and Afsaneh Mashayekhi Susan C. Bruce and Frederick H. Hauck Suzanne F. Cohen* Mr. and Mrs. John Driggs* Mr. and Mrs. John 0. Forrer* Beschloss Joseph M. Bryan Jr. Mrs. Francis G. Coleman Mr. and Mrs. Larry D. Droppa David and Jackie Fowler* Judah Best Sam and Susan Buffone Mr. and Mrs. Terence Winslow Collins* Douglas D. Drysdale* Florence Bryan Fowlkes* Mark and Shelley Betts Dr. Bruce W. Bunting Mr. and Mrs. James Conaway Elizabeth Dubin Charlton Gillet Fried berg* Mr. and Mrs. Albert J. Beveridge III* and Ms. Jessie A. Brinkley David and Patricia Cooper* Helen and Ray DuBois Mr. and Mrs. Alvin Friedman* Thomas L. Birch Mr. and Mrs. I. Townsend Burden III Richard Cooper and Judith Areen* Mr. and Mrs. Weaver Dunnan* Stephen and Barbara Friedman Mr. and Mrs. Arthur A. Birney* Leonard and Frances Burka* Lt. Col. (Ret.) and Mr. and Mrs. Alan P. Dye James T. Fuller III and Catherine T. Porter* Brent W. Bitz and Dion E. Lapham* Gahl Hodges Burt Mrs. Richmond J. Cooper* Helen Porter Dyke and James T. Dyke* Mr. Arthur W. Gardner* Mr. and Mrs. James I. Black III* Ms. Elizabeth A. Burton* Ted Cooper, Adams Davidson Galleries* Mr. and Mrs. Jonathan Nathaniel Dyke Wendy True Gasch John and Jennifer Blackburn Mr. and Mrs. Dwight L. Bush Jay and Margaret Costan Merritt P. Dyke Mr. and Mrs. Edward H. Gerry* The Honorable and Mrs. William Patricia Dwinnell Butler* Deborah C. Costlow and Gary M. LaCroix E & B Family Trust Mr. and Mrs. Michael K. Gewirz* McC. Blair Jr.* Susan L. and Dixon M. Butler* Mr. and Mrs. Donald M. Cox* Bill and Donna Eacho* Steven B. and Katrina H. Gewirz* Mr. and Mrs. Roger W. Block* Mr. and Mrs. C. Michael Buxton Warren and Claire Cox Lindsay and Terry Eakin* Mr. and Mrs. William T. Gibb* Mr. and Mrs. Thomas H. Boggs Russell and Anne Byers* Mr. and Mrs. Robert H. Craft Jr.* Mr. and Mrs. C. Franklin Eck Jr. Mr. and Mrs. Lawrence B. Gibbs* Frances B. Bolton The Honorable John Thiers Calkins Mr. and Mrs. Earle M. Craig Jr. Mrs. Arthur B. Edgeworth Jr.* Mr. and Mrs. Kenneth W. Gideon Bennett Boskey* Mr. and Mrs. Juan M. Cameron Jerome and Audrey Cramer Patricia and Arthur Edwards Maria D. Gilbert and Jackson B. Gilbert Edward C. Bou, Esq. Brig. General and Mrs. T. James Camp Jr.* Mrs. Dillon-Smyth Crocker* Dr. Daniel and Marina Ein Mr. and Mrs. Richard D. Gluck* Mr. and Mrs. Stephen A. Bou Mrs. Daniel S. Campbell Cheryl and George Crowley Jr. Mr. and Mrs. Robert Einhorn Gene and Patricia God ley Jay Bowyer Drs. Jerome and Dorothy Canter* Comtesse Alain d'Eudeville* Mr. and Mrs. Julian Eisenstein* Mary Anne Goley* John G. Boyd* Mrs. Woolsey Carmalt* G. Allen and Yvette Dale Mr. and Mrs. Anthony Elson* Dr. Margaret A. Goodman Stuart and Lotta Brafman Mrs. Neil Carothers III* Mrs. John Charles Daly Carter and Arline Eltzroth Elizabeth Marsteller Gordon* David and Janet Brashear* John F. Carr* Francesca Danieli and Gary Gensler* Catherine Bentley Elwell* llene and Tom Gordon Mr. and Mrs. Allan Bratman* Mr. and Mrs. Charles Carroll Carter Peggy and Richard M. Danziger Mr. and Mrs. Edward L. Ernes Jr.* Jill S. Gore Rita Braver and Robert Barnett Ken and Jane Casazza Mrs. Stuart C. Davidson* Harold and Louise Engle* Jamie Gorelick and Richard Waldhorn* John and Joan Bray* The Honorable Henry Catto Jr. Mr. and Mrs. Robert P. Davis Lionel C. and Elizabeth P. S. Epstein* William and Gail Gorham Isabella G. Breckinridge* and Mrs. Catto* Mr. and Mrs. Porter G. Dawson* Dr. and Mrs. John Esswein Mr. and Mrs. M. Anthony Gould Mrs. Abner Brenner* Carroll J. Cavanagh and Candida N. Smith* Mr. and Mrs. Whitney Debevoise The Honorable Thomas B. Evans Jr. Kathleen and Austin Graff Mr. and Mrs. Charles S. Bresler Ms. Mary Challinor and Ed and Karren DeSeve and Mrs. Evans Mr. Henry Richardson Mr. and Mrs. Temple Grassi* Ms. Edith H. Brewster* Mr. Bosworth Dewey and Mr. and Mrs. Thomas M. Evans Jr. Aldus H. and Dolly Langdon Chapin* Richard and Mary L. Gray* Mr. and Mrs. John D. Briggs III Ms. Liz Barratt-Brown Frank and Mary Fahrenkopf* Mr. and Mrs. G.M. Chester Jr. Greenfield/Belser Ltd.* Margot Brinkley* Sally and Edison Dick* Mrs. Elaine Fein* Mrs. Pierre Paul Childs Mr. and Mrs. George G. B. Griffin* Suzanne S. Brock Dr. Ann Hayes Die Mike and Adrienne Feldman* Drs. Thomas M. and Judith F. Chused Mrs. Richard B. Griffin Jr. The Honorable Kenneth D. Brody Phyllis G. Diebenkorn* Li la Fendrick and Michael Dreeben and Mrs. Brody* Bruce and Cynthia Clark Mr. Vincent J. Griski* Mr. and Mrs. Michael D. Dingman* Peter and Alison Fenn Jere and Bonnie Broh-Kahn* Kate Clark and Joe Tydings* Mrs. Nina B. Griswold* Saundra and Bill Dockser Mr. and Mrs. Jeffrey B. Ferrill Helen Brooks* Thomas and Robin Clarke* John Grotta Mrs. Clarence Dodge Jr.* Mr. and Mrs. John K. Figge Dr. Peter F. Brass and Dr. Lisa Rarick Mr. and Mrs. Catesby Clay Mrs. Charles Guggenheim Joyce and Steven Doehler Susan Paul Firestone Andrew Brown The Honorable Raymond C. Clevenger III The Honorable Gilbert Hahn Jr. Mrs. Stanley Donovan and Mrs. Clevenger* Richard P. Fishman and Dina R. Lassow and Mrs. Hahn* Arlene Brown and Eugene Bialek

89 NATIONAL GALLERY OF ART 20

Mrs. Najeeb E. Halaby* Mr. and Mrs. James K. Hoi man Christian K. Keesee Francine Schear Linde Mrs. Charles A. Meyer

Mr. and Mrs. Edwin K. Hall Mr. and Mrs. Stephen A. Hopkins* Mr. and Mrs. Kevin Kelley Mr. and Mrs. Russell Lindner Mrs. Cord Meyer

Mr. and Mrs. Ridgway M. Hall Jr.* William Logan Hopkins The Richard and Mary Kelly Lindsay Lexus of Alexandria Dr. and Mrs. Frederick Meyers Family Donor Fund Elizabeth B. Hamilton* Mr. and Mrs. S. Roger Horchow* Jan and Eli Li peon Mr. David Michaelis Arleen and Edward Kessler and Ms. Clara Bingham Dr. Sidney and Mrs. Jane Harman Charles and Jane Luxton Horn* Dave Lloyd/Weichert Realtors Paul and Joelle Killian Julie B. Middleton Gail and John Harmon* Dr. Sari R. Hornstein and Janet and Wingate Lloyd* Dr. David W. Lightfoot Roger and Madeleine Kirk Edward T. and Noel C. Miller Ambassador and Mrs. Anthony S. Mrs. Edith S. S. Loebs* Harrington Lawrence D. Horowitz Mimi and Steven Kirstein Karl and Elaine Miller Joe and Pat Lonardo Mr. and Mrs. Douglas Hart* Mr. and Mrs. Outerbridge Horsey Mrs. Elizabeth L. Klee* Linda A. Miller Mr. and Mrs. Meredith J. Long* Terry Hartle and Susan Quantius John K. Hoskinson and Ana I. FSbregas Rebecca Klemm Henry and Judith Millon Jack and Betty Lou Ludwick* Arthur and Donna Hartman Mr. and Mrs. Jay W. Howard Mr. and Mrs. Robert H. Knox* Mr. and Mrs. Robert K. Molloy* Wally and Sylvia Lukens Mrs. Horace Havemeyer Jr.* James R. and Rosemarie R. Howe* Allan and Mary Kollar Mr. Jonathan T. Molot Dr. and Mrs. George P. Lupton and Ms. Hattie Ruttenberg Anne Hawley* Richard H. Howland* Mr. and Mrs. James L. Koltes* Mrs. Kenneth S. Lynn* Dr. and Mrs. Allen Mondzac* Mones and Eunice Hawley* Helen M. Hubbard Mr. and Mrs. Daniel Korengold Mr. and Mrs. James E. Lyons* Mrs. Edward P. Moore* Gale Hayman-Haseltine Ms. Frankie Hughes Dr. and Mrs. Man/in Korengold* Sandylee and Michael Maccoby* and William Haseltine Margaret Moore and Robert Wilson Mr. and Mrs. Hadlai A. Hull* Mr. and Mrs. Thomas E. Korengold Mary MacPherson Mr. and Mrs. Spencer Hays Mr. and Mrs. Robert L. Moore Jr.* Mrs. Randall C. Hunt John and Patricia Koskinen Mr. ahd Mrs. James T. Magee Mr. and Mrs. Daniel Hazel Joanna Moorhead and Ralph Taylor* R. Bruce Hunter* Stephen P. Koster* Mrs. William S. Mailliard* Mr. and Mrs. John T. Hazel Jr.* Lucy G. Moorhead* Barbara and Allan Hurwitz* Mary Lynn and Nick Kotz Mr. and Mrs. Peter L. Malkin Ms. Jo Ann Hearld Bill and Sue Moran Mr. Breckenridge Ingles Mr. and Mrs. Robert Edmund Kramer* Claudine B. Malone Mr. and Mrs. Anthony Hecht* Mr. and Mrs. F. Joseph Moravec Mrs. Walter Deane Innis* Robert M. Krasne and Hale A. Krasne* Mr. and Mrs. Phillip L. Mann* Lenore Hecht Foundation, Inc.* David B. and Nancy G. Morgan* Mr. John Peters Irelan* Mr. and Mrs. Peter L. Kreeger The Honorable Jan W. Mares Mrs. John M. Heckler Donald and Irene Morgan* Shirley and Marshall Jacobs* Suzanne D. Kuser* and Mrs. Mares* Barbara and David Morowitz* John and Eleanor Hedden* Bruce and Nora James Mr. and Mrs. Cameron La Clair* Lydia and Michael Marshall* Cynthia Helms* Pearl and Seymour Moskowitz Mrs. Mary D. Janney* Sheela K. Lampietti and Mr. and Mrs. James B. Martin* Francois M.J. Lampietti* Scott and Caroline Muller M. Henderson-Rubio* Gayle and Ken Jensen Lanny Martin Mr. and Mrs. W. Loeber Landau* Mr. and Mrs. Donald B. Murphy Mr. and Mrs. Robert J. Hermann Giselle Theberge Jeppson and John Mrs. William McChesney Martin Jr.* Jeppson III Bill and Marilyn Lane* James J. and Susan D. Murphy* Mrs. Anita G. Herrick* Jane and Arthur Mason* Helen and Philip Jessup Mr. and Mrs. Edward W. Lane Jr.* Lorraine E. Murphy Mr. and Mrs. George G. Herrick* Mrs. Michael M. Massie Joan and Garry Jewett* Janet E. Lanman* Phillipps Murray Foundation The Honorable Christian A. Herter Jr.* Michael and Hannah Mazer James A. Johnson Jr.* Richard and Carol Le Pere E. Michael and Karen Magee Myers Julio E. Heurtematte Jr. Violet McCandlish* Willow Johnson in memory of Mr. LaSalle D. Leffall III Mr. and Mrs. Arthur H. Nash Mr. and Mrs. Henry L. Heymann Ms. Sandra McElwaine and Mrs. Wynant D. Vanderpool Jr.* Mrs. Egbert Leigh* Mr. and Mrs. John N. Nassikas III Mr. and Mrs. Carl F. Hicks Jr. Dr. Jill E. McGovern and Dr. Steven Muller* Barbara J. Jones* Margaret and Terry Lenzner* Selma Nettles Mary L. Hildreth* Darina and Allan McKelvie* Mrs. Carol Joynt Mr. and Mrs. Herbert J. Lerner* Mrs. Henry Newbill The Honorable Roderick M. Hills Roderick R. McKelvie Mrs. Ford A. Kalil and The Honorable Carla A. Hills* Judy and Mark Lerner* and Claire M. McCarthy Jill Newhouse Hemant Kanakia and Sonalde Desai Mr. and Mrs. Richard deCourcy Hinds* Mr. and Mrs. Charles Lettow* Arnold and Oriana McKinnon Louisa and Bill Newlin* S. Kann Sons Co. Foundation* Robert and Nancy Hinton Jack and Laura Levengard* Dr. and Mrs. Donald H. McKnew Jr. Ms. Dane A. Nichols Jeffrey Kaplan Jane Stanton Hitchcock and Jim Hoagland* Dr. and Mrs. Alec C. Levin* Steven L. and Harriet V. Meltzer Henry E. and Mary Ann Nichols* Louis M. and Sally B. Kaplan Foundation* Frank and Lisina Hoch* Dr. and Mrs. Jerome H. Levy* Rona and Allan Mendelsohn Akemi Nishida and S. Paul Selavko Mr. and Mrs. Steven L. Kaplan* Christian and Nora Hohenlohe Jeanne G. Lewis* Richard and Ronay Menschel The Honorable Paul H. Nitze Sherman E. Katz and Ms. Elisabeth Scott Porter* Grace M. Holden* Donald V. Lincoln* Richard M. Merriman*

90 NATIONAL GALLERY OF ART 2003

Amy Weinberg and Norbert Hornstein* LEGACY CIRCLE George and Ina Farbert Julie LaFave Mrs. Walter Salant

Mr. and Mrs. Caspar W. Weinberger* The Gallery is pleased to recognize the Lee and Ann Fensterstock Evelyn and Leonard Lauder The Honorable Arnold A. members of the Legacy Circle for their and Joan Saltzman Gregory M. Weingast Aaron I. Fleischman Jo Carole and Ronald S. Lauder decision to include the Gallery in their Mark Samuels Lasner Mr. and Mrs. Eric W. Weinmann* estate plans, as well as making irrevoca- Mrs. Daniel Fraad Alexander M. and Judith W. Laughlin ble life income gifts such as charitable Mrs. Stanley J. Sarnoff Mr. and Mrs. Howard T. Weir III David Morgan Frost The Honorable Marc E. Leland gift annuities. With their gifts, these indi- and Mrs. Leland Jean Schepers in memory of J. Robertson Rebecca Weistock* viduals uphold a legacy of philanthropy to Jo Ann and Julian Ganz, Jr. Schepers and E. Beeson Bruce Schepers the benefit of future generations. Janice H. Levint Susanne and Harrison Wellford* William H. and Abigail Booth Gerdts Charles and Helen Schwab Anonymous (43) Francine Schear Linde in honor of her The Honorable Allan Wendt Mr. and Mrs. Carl S. Gewirz parents Herbert and Blanche Schear Joyce Pomeroy Schwartz and Ms. Que D. Nguyen* Lee Allen Mr. and Mrs. William T. Gibb Kathryn A. Looneyt Mrs. Muller Sheppardt Mr. and Mrs. Frederic P. Werner Lora Lee Allums in honor of her sister Mr. and Mrs. John T. Gibson Angela M. LoR6 in honor of her Albert and Shirley Small Ms. Dorothy B. Wexler Anne Lee Parrisf Katharine Grahamt parents Charles and Alice LoR6 Robert H. and Clarice Smith Mr. and Mrs. George Y. Wheeler* Carolyn Small Alper Sarah Greenough Helen Lillie Marwickt Mrs. Rudolf Sobernheim Ed and Kathy White M. Francis Anders Agnes Gund and Daniel Shapiro Joan and David Maxwell John and Alice Steinert James K. White and Catherine Hirsch* Mrs. Martin Atlas Helena Gunnarsson Frederick R. Mayer Shelby White* Mr. L. Graeme Bell III Ruth Carter Stevenson The Stephen Hahn Family Collection Sameeran Yonan McAlee Jaan Whitehead* The Honorable and Mrs. William Donald D. Stone McCormick Blair Jr. Mr. and Mrs. Nathan L. Halpern Julienne M. Michelt Mrs. Charles S. Whitehouse* Shirley Ross Sullivan Ambassador and Mrs. Donald Blinken Harold Halpert Mrs. Liselotte Millardt Professor Frank Anderson Trapp Janet Whitehurst in memory of Maurice H. Blinken Mrs. B. Lauriston Hardin Jr. Mr. Harvey Shipley Miller and Mr. J. Jack and Margrit Vanderryn Joan B. Williams* J. Carter Brownt Randall Plummer Richard C. and Elizabeth A. Hedreen AndrS-Frangois H. Villeneuve Kathe and Edwin Williamson Gilbert Butler Kent and Marcia Minichiello Lore Heinemann in memory of her Professor John Wilmerding* Dorothy and Herbert Vogel Mr. and Mrs. W. Russell G. Byers Jr. husband Dr. Rudolf J. Heinemannt Diane L. Morris Joanne and Walter C. Wilson* Bettye S. Walker Mrs. Charles Francis Carr Helen Lee Henderson The Patsy R. and Raymond D. Nasher Mr. Robert W. Wilson* Collection Mrs. Robert M. Weidenhammer Mrs. Terrence F. Cathermant Benjamin and Lilian Hertz berg Mr. and Mrs. Thomas J. Winans Evelyn Stefansson Nef John C. Whitehead Dr. Gerald Cerny Susan Morse Hillest Ambassador and Mrs. Curtin Winsor Diane A. Nixon Malcolm Wiener Robin Rowan Clarke Ernest Hillman Jr. in memory of Mr. and Mrs. David Legendre Winstead* his friend John Davis Skilton Jr. t Stephen and Claudine Ostrow Professor John Wilmerding Ian and Annette Gumming Ms. Gale Witoonchatree Margaret and Raymond J. Horowitz John T. Overbeck Frances C. Winston Catherine Gamble Curran Sally and Sam Witt* Dora Donner Idet Sari Podhorskyt Christopher and Beverly With in Roy and Cecily Langdale Davis memory of Karl and Gerda With Mavis and Hal Wylie Ira and Virginia Jackson Mrs. John Alexander Popet Dr. Lois de M6nil and Dr. Georges de M6nil Richard S. Zeisler Mr. and Mrs. David N. Yerkes Mr. James A. Johnson Jr. Judy Lynn Prince Mrs. Adolph Dehn (t Deceased) Captain USN (Ret.) Ruth Cole Kainen in honor of Gaillard F. Ravenel II and Frances P. Robert W. and Louisa C. Duemling and Mrs. Curtis T. Youngblood* Beuford and Teden Cole Smyth-Ravenelt Helen Porter Dyke and James T. Dyke Every effort has been made to create a complete Mr. and Mrs. Robert K. Zelle* Ellen F. Karpft Mr. and Mrs. George W. Riesz and accurate list of contributors. Due to limited Mr. and Mrs. Barney A. Ebsworth The Zients Family Foundation Jak Katalan The Rizik Family space, gifts under $1,000 are not listed. Robertt and Mercedes Eichholz Gifts to the Gallery may be made in the form of Lenore G. Zinn Inat and Jack Kay Mary and David Robinson cash, securities, and real and personal property, Mr. and Mrs. Gerry Elliott Dario and Gianna Zucchi* Ellsworth Kelly Andrew Robison and may be directed toward specific programs or Virginia F. Harrison Elliott may be unrestricted. Some donors make outright Donald and Barbara Zucker Foundation Mr. Thomas G. Klarner David Rockefeller and George W. Elliott gifts, while others elect to make deferred gifts to (* indicates donors who have given for 5 Robert P. and Arlene R. Kogod Mr. Laura nee S. Rockefeller help provide for the future. All gifts and bequests Mr. A. Thompson Ellwanger III or more consecutive years) are deductible, within the limits prescribed by law, and Mr. Gregory E. Mescha Trina and Lee G. Rubenstein Alice S. and William K. Konze for applicable federal tax purposes. For further Ms. Jane Engle Mrs. Rush H. Kress in memory Gwendolyn Russell information, please call Ruth Anderson Coggeshall, of her husband Rush Kresst chief development officer, at (202) 842-6447. The Epstein Family Collection David E. Rust

92 NATIONAL GALLERY OF ART 2003

Gerson Nordlinger Jr.* Ms. Marsha Ralls Mrs. Donald H. Rumsfeld Ms. Jane Slate Siena and Stacy and Daniel Stryer* Dr. M. Kirby Talley Jr. Floyd L. Norton IV and Major General and Mrs. James G. Steven and Lindsey Rupp Mr. and Mrs. Robert D. Stuart Jr. Kathleen F. Patterson Randolph* David Silver and Ann R. Schwartz The Honorable Philip E. Ruppe Mr. A. Michael Sullivan Jr. Peter Norton Sylvia and Coleman Raphael* and Mrs. Lorei Ruppe Caroline T. Simmons Mr. and Mrs. Brendan V. Sullivan Jr. Ms. Lucy O'Brien The Honorable Donald Rappaport Dr. and Mrs. Paul S. Russell* Dr. and Mrs. Richard A. Simms* Patrick and Christine Suppes and Mrs. Rappaport* Mr. Michael D. O'Dell Mrs. Victor Sadd* J. L. H. Simonds David W. Swearingen and Dr. Judith E. Grass* Mr. and Mrs. Raymond J. Rasenberger Louise and Arnold Sagalyn Charles J. Simpson Jr. and Mary H. D. Swift* Colonel and Mrs. Joseph E. O'Leary Mary and Alan Raul Pamela Raymont-Simpson Mr. and Mrs. Robert Salomon Mrs. John K. Tabor Bill O'Neill and Mary Richardson Mr. and Mrs. William P. Rayner William K. Simpson The Honorable Arnold A. Saltzman Mr. and Mrs. Mollis C. Taggart Mr. and Mrs. John Oberdorfer* Mrs. Elizabeth Beach Rea and Mrs. Saltzman Sylvia Turover Sittenfeld Marjo Talbott and Mark Vershbow Oehme, van Sweden and Associates, Inc.* Mr. Robert C. Rea* Mr. and Mrs. Gerald S. Savitsky Dr. Lionel J. Skidmore and Dr. Jean M. Karle Patricia P. Tang Roger H. Ogden* Virginia O'Brien Record Mr. and Mrs. J. Andrew Scallan II* Mr. and Mrs. Christian B. A. Slavin Mr. and Mrs. Crawford L. Taylor Jr. Mr. and Mrs. David M. Osnos Cynthia T. Redick and Robert Brent Richard and Karen Schaeffer Mr. and Mrs. Sanford Slavin Topsy Taylor* Betty Ann Ottinger* Miss Berenice Anne Reed* Alison Schafer and Matt Herrington Dr. Gerald D. Slawecki and Ms. Mrs. Waverly Taylor* Ms. Mary Noble Ours Henry S. and Anne S. Reich Family John and Edith Schafer Constance H. Slawecki* Foundation, Inc. David and Adena Testa John T. Overbeck Susan Schaffer and Michael Rogan Mr. and Mrs. David Bruce Smith* Sarah Carey Reilly Mrs. Benjamin W. Thoron* Patty and Carroll Owens Dr. and Mrs. Stephen K. Scher* The Honorable J.T. Smith II and Mrs. Smith Anita and Burton Reiner Mr. and Mrs. Wallace Tillman Barbara R. Palmer Barry B. Scherr Matthew C. and Jamie Beth Smith Lola Reinsch and Al Pierce Ann V. and Lewis R. Townsend* Mr. and Mrs. Thomas A. Parrott* Mr. and Mrs. S. Jacob Scherr Mr. and Mrs. Robert B. Smith Jr.* Mr. and Mrs. Stanley R. Resor* Mrs. Cuthbert Train* Judge and Mrs. Michael T. Paul* Douglas and Suzanne Schiffman Mr. and Mrs. T. Eugene Smith Mr. and Mrs. Robert P. Reznick Susan E. Trees Mr. and Mrs. Malcolm E. Pea body* Dr. Robert Milton Schmidt and Family* Elaine and Jerry Snider* Mr. and Mrs. Donald H. Richardson* Thurston and Sharon Twigg-Smith Muriel Miller Pear Mr. and Mrs. Samuel A. Schreiber Richard and Catharine Snowdon* Mr. and Mrs. John D. Richardson* Lynde B. Uihlein Mr. and Mrs. Ronald Peele Jr. Richard and Geane Schubert* Mr and Mrs. John W. Snyder Richard and Pearl Richardson Candy and Steve Umin* H.O. Peet Foundation* Alan and Marianne Schwartz Mr. and Mrs. Leonard A. Solomon* Ms. Cary Ridder and Jennifer Urquhart and Michael Edwards Simmy and Haven Pell* Rhea S. Schwartz and Paul Martin Wolff Mr. David Alberswerth* Howard and Susan Sosin* Mr. and Mrs. Semih 0. Ustun The Honorable Charles H. Percy Mr. David M. Schwarz Marie W. Ridder* Emily and Jerry Spiegel and Mrs. Percy* Ms. Laura van Roijen Stephen and Louise Schwebel Cara W. Robertson Victoria Stack Mr. Bruce C. Perkins Heather A. Vance Mr. and Mrs. Anthony E. Scoville* Alix I. Robinson* Mrs. Frederick M. Stafford* Mr. and Mrs. Phillips S. Peter Mrs. Herbert A. Vance* Katharine and Richard Scully Jane Washburn Robinson* Mrs. Benjamin F. Stapleton* Hilary and Lars Peterson Mr. William C. Vance* J. Seligson and A. Green berg* Doris Rohner Rogers Christine J. and Robert L. Steiner Patricia and James Peva Margaret Vanderhye* The Nina and Ivan Selin Family Wynefred W. Rogerson S.S. Steiner, Inc.* Mr. and Mrs. Devereaux J. Phelps* Foundation, Inc. * Jack and Margrit Vanderryn Mr. and Mrs. Felix G. Rohatyn* Mr. and Mrs. George Stelljes III Lt. Col. (Ret.) and Mrs. Joseph T. Pisciotta Mr. Willis H. Shapley* Gordon VeneKlasen Mr. and Mrs. Frederick S. Rolandi III* The Honorable Malcolm Sterrett Mr. and Mrs. H. Gregory Platts Deane and Paul Shatz* Philip and Melanne Verveer* and Mrs. Sterrett* C. Rolde* The Honorable Trevor Potter* Brooke Shearer and Strobe Talbott Mr. and Mrs. C. Woods Vest Jr. * Mr. and Mrs. Guy T. Steuart II* The Honorable James S. Rosebush Judy Lynn Prince* Stanley and Linda Sher Mr. and Mrs. William von Raab and Mrs. Rosebush Mr. and Mrs. George C. Stevens Jr.* Ms. Kathleen H. Pritchard Stephen and Barbara Sherwin* Dr. Jeremy P. Waletzky* Michael L. Rosenberg Mrs. John R. Stevenson* Mr. and Mrs. William A. Pusey* Joan and Ev Shorey* Ambassador Jenonne Walker Michael Rosenfeld Gallery, NY Mr. and Mrs. Richard P. Stifel Jr. Quatt Associates Judith and Jerry Shulman Irene and Bill Wallert* Helen G. Ross Mr. and Mrs. Robert D. Stillman* Munther and Janet Qubain Dr. Irwin Shuman and Joy Jacobson and Gerald Warburg* Sheldon and Ruth Ruben* Mr. and Mrs. Luther M. Stovall Mrs. Elaine Feidelman* Dr. and Mrs. Charles E. Rackley* David and Judith Ward Lilly Gray Rubin Dara and Lewis Strauss* Ruth and Hugh Sickel Eden and Gerald Rafshoon Suzan Reed Weaver* Frederick and Dorothy Rudolph* Mrs. Lewis L. Strauss*

91 Copyright © 2004 Board of Trustees, Pages 32-33 National Gallery of Art, Washington. •Jay Krueger, senior conservator of All rights reserved. modern painting, inpaints Arshile Gorky's Organization. Produced by the National Gallery of Art, Washington Page 38 • The East Garden Court www.nga.gov

ISBN 0-89468-328-4 Page 39 >A young visitor peers into one Inside Front Cover the tetrahedrons on the Fourth •The 2003 Collectors Committee's Street Plaza. acquisition, Tony Smith's sculpture, Die, is prominently installed on the Photographs by Rob Shelley Mezzanine level of the East Building. • Pages 22, 23, 24, 25

Pages 2-3 Photographs by Dennis Brack/Black Star >The West Building of the National • Cover, inside front cover, pages 2-3, Gallery of Art. 6-7, 10-11, 20-21, 26-27, page 28, 31, 32-33. 34, 35, 36, 37, 38, 39 Pages 6-7 •The East Building of the National Photographs by Objects Gallery of Art. Conservation department • Page 35 Pages 10-11 • The recent acquisition Saint John Works of art in the collection of the National of the Cross, attributed to Francisco Gallery of Art have been photographed Antonio Gijon. by the department of photography and digital imaging and pages 28-30. Pages 20-21 •Visitors enjoy Thomas Cole's paintings Design: Pentagram The Voyage of Life.

Page 24 • Frederic Remington, Cowing to the Call, c.1905, Collection of William I. Koch, Palm Beach, Florida

Pages 26-27 • A tour of the East Building collection, including paintings by Amedeo Modigliani. A NATIONAL GALLERY OF ART

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