1980'S Or Later.Pre-Owned Sheet Music
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Master's Thesis
I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Songs by Artist
Sunfly (All) Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Comic Relief) Vanessa Jenkins & Bryn West & Sir Tom Jones & 3OH!3 Robin Gibb Don't Trust Me SFKK033-10 (Barry) Islands In The Stream SF278-16 3OH!3 & Katy Perry £1 Fish Man Starstrukk SF286-11 One Pound Fish SF12476 Starstrukk SFKK038-10 10cc 3OH!3 & Kesha Dreadlock Holiday SF023-12 My First Kiss SFKK046-03 Dreadlock Holiday SFHT004-12 3SL I'm Mandy SF079-03 Take It Easy SF191-09 I'm Not In Love SF001-09 3T I'm Not In Love SFD701-6-05 Anything FLY032-07 Rubber Bullets SF071-01 Anything SF049-02 Things We Do For Love, The SFMW832-11 3T & Michael Jackson Wall Street Shuffle SFMW814-01 Why SF080-11 1910 Fruitgum Company 3T (Wvocal) Simon Says SF028-10 Anything FLY032-15 Simon Says SFG047-10 4 Non Blondes 1927 What's Up SF005-08 Compulsory Hero SFDU03-03 What's Up SFD901-3-14 Compulsory Hero SFHH02-05-10 What's Up SFHH02-09-15 If I Could SFDU09-11 What's Up SFHT006-04 That's When I Think Of You SFID009-04 411, The 1975, The Dumb SF221-12 Chocolate SF326-13 On My Knees SF219-04 City, The SF329-16 Teardrops SF225-06 Love Me SF358-13 5 Seconds Of Summer Robbers SF341-12 Amnesia SF342-12 Somebody Else SF367-13 Don't Stop SF340-17 Sound, The SF361-08 Girls Talk Boys SF366-16 TOOTIMETOOTIMETOOTIME SF390-09 Good Girls SF345-07 UGH SF360-09 She Looks So Perfect SF338-05 2 Eivissa She's Kinda Hot SF355-04 Oh La La La SF114-10 Youngblood SF388-08 2 Unlimited 50 Cent No Limit FLY027-05 Candy Shop SF230-10 No Limit SF006-05 Candy Shop SFKK002-09 No Limit SFD901-3-11 In Da -
Programa-Dirty-Dancing.Pdf
TEATRO DANCING CINE AHORA EN EN AHORA CINE EL CLÁSICO DEL DEL CLÁSICO EL DIRTY DIRTY OCT. 18 OCT. ELENCO Productor Magic Hour Ayudante de Dirección Giuseppe Musmarra Frances “Baby” Houseman Asistentes de coreografía Marta Melchiorre y José Laura Enrech / Eva Conde / Fanny Corral Antonio Domínguez Johnny Castle Programador de Luces Andrea Burgaretta Christian Sánchez /Pablo Ceresuela / Sergio Arce Director Musical Pedro Arriero Penny Johnson Director de Actores Esteve Ferrer Fanny Corral / Raquel Caurín /Alba Feliu Ayudante de Dirección de Actores Miguel Foronda Jake Houseman Director de Casting Daniel Anglés Antonio Reyes / Manuel Martínez / Raúl Pardo Marjorie Houseman EQUIPO TÉCNICO Lucía Torres / Alba Feliu Lisa Houseman Responsable de producción May Collado Lilian Cavale / Eva Conde/ Aroa García Adjunta de producción Cristian Bofill Max Kellerman Dirección Técnica José Luis Alonso Alvaro Blazquez / Manuel Martínez Directora Residente Sara Pérez Neil Kellerman Gerencia de Compañía Sara Pérez-May Collado Jorge Galaz / Sergio Arce / Álvaro Forcen Regidor Raúl Marrero Billy Kostecki Segundo de regiduría Marcos Gómez Javier Ramos / Sergio Arce / Jorge Galaz Jefe de Maquinaria Lorgio Reyes Elisabeth Segundo de Maquinaria Omar Andrés Soleto Juls Sosa / Lilian Cavale / Lucia Torres Maquinistas Fernando Balihaut, Eduardo Moreno, Robbie José Ernesto Camacho, Ana Mirones Sergio Arce / Raúl Pardo / Angel Fernández Segundo de iluminación Francisco Torres Tito Suárez Control Mesa iluminación Musthapha Ndyaj Pedro Ekong Técnicos iluminación Carlos -
The Boy from Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (In Alphabetical Order) Andrew Bongiorno, Michayla Brown, Marcus S
and Bruce W. Zisterer present in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner, and Jack Morrissey The Boy From Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (in alphabetical order) Andrew Bongiorno, Michayla Brown, Marcus S. Daniel, Michael Taylor Gray*, Erica Hanrahan-Ball*, Kelly Lester*, Chelsea Martin, Michael Mittman, Nathan Mohebbi, Bess Motta, Jessica Pennington*, Shanta’ Marie Robinson Scenic Designer Lighting Designer Costume Designer Yuri Okahana Derrick McDaniel Michael Mullen Properties Designer Sound Designer Hair and Wig Designer Michael O’Hara Eric Snodgrass Byron Batista Marketing/PR Casting David Elzer/DEMAND PR Jami Rudofsky Production Stage Manager Graphic Designer Photographers Jennifer Leigh Sears* Huntley Woods Casey Kringlen and Kevin McIntyre Assistant Director Associate Producer Assistant Choreographer Kyle Cooper Mark Giberson Michael Quiett Produced by Andrew Carlberg Musical Direction by Bryan Blaskie Choreographed by Janet Roston Directed by Michael A. Shepperd *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. Original Production by Ben Gannon and Robert Fox by arrangement with David Spicer Productions www.davidspicer.com.au CAST (Alphabetical) ANDREW BONGIORNO Peter Allen MICHAYLA BROWN Young Peter Allen MARCUS S. DANIEL Chris and Others MICHAEL TAYLOR GRAY* Dee and Others ERICA HANRAHAN-BALL* Karen and Others KELLY LESTER* Marion Woolnough CHELSEA MARTIN Linelle and Others MICHAEL MITTMAN Greg and Others NATHAN MOHEBBI Mark and Others BESS MOTTA Judy Garland JESSICA PENNINGTON* Liza Minnelli SHANTA’ MARIE ROBINSON Shena and Others SWINGS (See Insert) *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. -
Tasha Smith Godinez Repertoire List 2018
Camille Saint-Seans Tasha Smith Godinez • The Swan Repertoire List 2018 John Williams Classical • Theme from Schindler’s List Deborah Henson Conant: Fariborz Lachini • Natalinana • Autumn Was Lost in the Leaves Claude Debussy: Various Traditional and Fold Tunes: • First Arabesque • Greensleeves • Claire de Lune • Sakura Johann Pachelbel Astor Piazzola • Canon in D • Milonga del Angel • La Muerte del Angel Jose Maria Andreas Cano • Resurreccion del Angel • Hijo de la Luna • Libertango • Invierno Porteño Frederic Chopin • Verano Porteño • Always Chasing Rainbows • Primavera Porteña Leo Delibes • Dome Epais le Jasmin Popular Music and Jazz Henry Purcell Ed Sheeran • Ground in F with Variations • Perfect • Supermarket Flowers Phyllis Scholomovits • Photograph • Variations on Sakura • Thinking Out Loud • Happier Bernard Andres • Spices (Epices) Pharrell Williams • Autumn Dances • Happy • Baïon • Mambo Leonard Cohen • Reggae • Hallelujah • Samba • Rumba Sting • Field of Gold Georges Bizet • Nadir’s Romance John Legend • All of Me • Children’s Song 5 La La Land • Children’s Song 6 • Mia & Sebastian’s Theme • Children’s Song 7 • City of Stars • Children’s Song 8 • The Audition • Children’s Song 16 • Epilogue • Another Day of Sun Joseph Kosma • Autmun Leaves Tangled • I See the Light David Brubeck • Blue Rondo A La Turk Christina Perri • Take Five • A Thousand Years Andrew Lloyd Weber • Memory Stevie Wonder • Don’t Cry for me Argentina • If It’s Magic • A Place in the Sun Sigmond Romberg • Don’t You Worry ‘Bout a Thing • Softly as in a Morning -
WYDOWN THEATRE COMPANY Wydown Middle School Clayton, MO
WYDOWN T HEAT RE COMPANY Wydown Middle School Clayton, MO Copyright © 2017 Playbill Online Inc. All marks used by permission. Wydo wn T heat re Co mpany Pro udly Present s FOOTLOOSE THE MUSICAL Stage Adaptation by DEAN PITCHFORD and WALTER BOBBIE Music by Lyrics By TOM SNOW DEAN PITCHFORD Additional Music By ERIC CARMEN, SAMMY HAGAR, KENNY LOGGINS and JIM STEINMAN Directed By Music Director Brian R. Engelmeyer Nicholas Urvan Choreographer Costume Director Anjuli Kroon Carla Miller Technical Director Scenic Artist Edward Kastner Lisa Kastner Performance Musical Tracks provided by www.RightOnCueServices.com Presented through special arrangment with 601 West 26th Street - Suite 312 - New York, NY 10001 www.rnh.com Out of respect for the performers and fellow audience members, please do not use screens that emit light and please turn off all cell phones and other devices. In accordance with our arrangements with the publisher, audio/video recording and photography are not allowed. Please visit www.wydowntheatre.com/archive to view Footloose production photos. Copyright © 2017 Playbill Online Inc. All marks used by permission. SONGS ACT I Footloose* Company On Any Sunday Rev. Shaw Moore and the Company I Can't Stand Still Ren Somebody's Eyes Rusty, Urleen, Wendy Jo and the Company Learning To Be Silent Vi, Ethel and Ariel Holding Our For a Hero+ Ariel and Teen Ensemble Somebody's Eyes (Scene Change) Rusty, Wendy Jo and Urleen Somebody's Eyes (Reprise) Rusty, Urleen, Wendy Jo, Chuck, Lyle and Travis Heaven Help Me Rev. Shaw Moore I'm Free* / Heaven Help Me Ren and the Company ACT II Still Rockin' Cowboy Bob and his Band Let's Hear It For The Boy Rusty and the Teen Ensemble Can You Find It In Your Heart Vi Mama Says (You Can't Back Down) Willard and the Boys Mama Says (Encore) Willard and the Boys Almost Paradise++ Ren and Ariel Heaven Help Me (Reprise) Rev. -
40 Jahre „Damned Damned Damned“ Erstes Punk-Rock-Album Aus U.K
40 Jahre „Damned Damned Damned“ Erstes Punk-Rock-Album aus U.K. neu aufgelegt 07. Februar 2017, Von: Redaktion Die 1976 in Großbritannien gegründete Punkband The Damned zählt auf mehreren Ebenen zu den Pionieren der dortigen Szene. Am 18.Februar 1977 veröffentlichte die Band mit „Damned Damned Damned“ ihr Debütalbum. The Damned waren die erste britische Punkband mit einem Plattenvertrag, einer Single-Veröffentlichung und einem Album. Fast auf den Tag genau 40 Jahre nach Veröffentlichung ihres legendären Debüts – am 17.Februar 2017- erscheint das Album neu. Remastered und in neuer, erweiterter Aufmachung. Dem britischen Label Stiff Records war es vorbehalten, am 18.Februar 1977 das erste Punk-Album einer Band aus England auf den Markt zu bringen: „Damned Damned Damned“ von The Damned. Die Band um Dave Vanian, Captain Sensible (in den Achtzigern außerdem als Solo-Künstler bekannt), Brian James und Rat Scabies waren in vielen Belangen Punk-Vorreiter in ihrem Heimatland. The Damned waren die erste Band ihres Genres mit einem Plattenvertrag, ihre Song „New Rose“ war die erste Punk-Single, besagtes Album ebenfalls das erste im britischen Punk, zudem waren The Damned die erste UK-Punk-Formation, die in den USA auf Tournee ging.Zum 40-jährigen Jubiläum von „Damned Damned Damned“ erscheint dieses in der Punk-Historie Großbritanniens so relevante Werk neu gemastert, mit neuen Liner-Notes und 28-seitigem Booklet. Als Vinyl-Langspielplatte ist das Ganze ebenfalls zu haben. Eine besondere Anekdote dürfte sein, dass der Journalist John Ingham, 1977 erster Rezensent des The-Damned-Albums die Liner-Notes zu der Wiederveröffentlichung geschrieben hat. Um die Entstehung der Songs und die Auswirkungen, die die ursprüngliche Album-Veröffentlichung zur Folge hatte eingehender zu beleuchten, führte John Ingham nochmals Interviews mit den Bandmitgliedern. -
Music & Film Memorabilia
MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played. -
The BG News February 23, 1990
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-23-1990 The BG News February 23, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 23, 1990" (1990). BG News (Student Newspaper). 5046. https://scholarworks.bgsu.edu/bg-news/5046 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. '**>«»" STUDYING WITH CUFF WOTTLE RECALLS OLYMPICS 30-year-old study guides Gold medalist from Bowling Green aid with English classes honored to be in MAC Hall of Fame ?f Q Friday Mag Sports The Nation's Best College Newspaper Weather Friday Vol.72 Issue 88 February 23,1990 Bowling Green, Ohio High 35 The BG News e Low20 BRIEFLY Estates Students CAMPUS hurt by charged Indian rhythm: Graduate landfill music student Jamie K. Oxendine, a for BGHS Tuscarora Indian from North Carolina, will present "Rhythm of the by Mitch Weiss Red Man: An American Indian Music Associated Press writer and Dance Recital" at 8 p.m. in Bryan bombing Recital Hall of the Moore Musical TOLEDO — The possibility that Arts Center. Michigan may locate a low-level nu- by John Kohistrand clear waste landfill near Ohio's bor- city writer der has begun to hurt real estate Erices in an exclusive Toledo su- STATE urb, the Lucas County prosecutor Three Bowling Green High School said Thursday. -
Download Here
Winter 2012 Issue 140 Hi Everyone, The Official Journal of the Another year gone and time to reflect... Has your station Hospital Broadcasting Association achieved all it wanted this year and what are your plans for 2013? We’d love to hear if you reached your targets and also what your highlights were in 2012. Please send in your stories in this issue ... and photographs for the first issue of On Air in 2013. Board Report .................................................................................................. 2 We’d also be delighted to hear about any special Christmas HBA National Training Day ........................................................................ 4 events at your station and photographs would be an added Andrew Volunteers at Harrogate .............................................................. 5 bonus. In this issue are details of the 2013 Conference in Blackpool Bristol Celebrate 60 Years of Broadcasting ............................................ 6 together with a Booking form; please get your bookings in as News Round-Up ............................................................................................ 8 soon as possible as demand is bound to be high. HBA Conference News ............................................................................ 10 I would like to wish you all a very Merry Christmas and a Spring Conference Booking Form .......................................................... 12 prosperous New Year and thank everyone who sent in articles HBA Conference Booking Terms & Conditions -
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.