SPRING 2020 Our Brand Evolution an Interview with Ferene Paris Meyer
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Willis Papers INTRODUCTION Working
Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
AN ANTHOLOGY of MODERN VERSE IF Thou Indeed Derive Thy Light from Heaven, Then, to the Measure of That Heaven-Born Light
1 \ AN ANTHOLOGY OF MODERN VERSE IF thou indeed derive thy light from Heaven, Then, to the measure of that Heaven-born light, Shine, Poet ! in thy place, and be content : The stars pre-eminent in magnitude, And they that from the zenith dart their beams, (Visible though they be to half the earth, Though half a sphere be conscious of their bright ness), Are yet of no diviner origin, No purer essence, than the one that burns, lake an untended watch-fire, on the ridge Of some dark mountain ; or than those which seem Humbly to hang, like twinkling winter lamps, Among the branches of the leafless trees. Wordsworth AN ANTHOLOGY OF MODERN VERSE Chosen ty A. METHUEN With an Introduction by ROBERT LYND "By nothing is England so glorious as by her poetry "MATTHEW ARNOLD METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON Twenty-First Edition tttff iva, isth Published . \ . ,. r May 1921 Second Edition . ; June 1921 Third Edition . July 1921 Fourth Edition (enlarged) September 1921 Fifth (Thin Paper) Edition . October 2oth 1921 Sixth (Thin Paper) Edition . December 1921 Seventh Edition . December 1921 Eighth Edition . April 1922 Ninth Edition September 1922 Tenth (Thin Paper) Edition . December 1922 Eleventh Edition . January 1923 Twelfth Edition . May 1923 Thirteenth Edition October 1923 Fourteenth (Thin Paper) Edition November 1923 Fifteenth Edition . February 1924 Sixteenth Edition . July 1924 Seventeenth (Thin Paper) Edition October 1924 Eighteenth Edition November 1924 Nineteenth (Thin Paper) Edition November 1925 Twentieth Edition November 1925 Twenty-first Edition . 1926 School Edition . June 1921 Second School Edition . A ugust 1922 Third School Edition . -
Sendung, Sendedatum
WDR 3 Jazz & World, 08. Oktober 2018 Das Charles Lloyd Quartet/ Meditation und großer Gesang 22:04-24:00 Uhr Stand: 08.10.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Bert Noglik Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Dream Weaver K.: Charles Lloyd 17:44 CHARLES LLOYD NEW Blue Note 0802557649888; LC: 00133 QUARTET CD: Sound Grammar 2. How Can I Tell You K.: Charles Lloyd 9:46 CHARLES LLOYD NEW wie Titel 1 QUARTET 3. Tagore On The Delta K.: Charles Lloyd 7:54 CHARLES LLOYD NEW wie Titel 1 QUARTET 4. Passin' Thru K.: Charles Lloyd 7:22 CHARLES LLOYD NEW wie Titel 1 QUARTET 5. Shiva Prayer K.: Charles Lloyd 8:20 CHARLES LLOYD NEW wie Titel 1 QUARTET 6. We've Come Too Far To K.: Lucinda Williams 6:29 Turn Around Blue Note 00602567588481; LC: 00133 CHARLES LLOYD & THE CD: Vanished Gardens MARVELS + LUCINDA WILLIAMS 7. Durga Durga K.: Charles Lloyd 3:20 CHARLES LLOYD ECM 1635; LC: 02516 QUARTET CD: Canto 8. Forest Flower - Sunrise K.: Charles Lloyd 4:57 CHARLES LLOYD Atlantic 7567-81363-2; LC: 02982 QUARTET CD: Forest Flower 9. Mirror K.: Charles Lloyd 2:41 CHARLES LLOYD ECM 1398; LC: 02516 QUARTET CD: Fish Out Of Water 10. Amazing Grace K.: Charles Lloyd 4:42 CHARLES LLOYD ECM 1823/33; LC: 02516 QUARTET CD: Lift Every Voice Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 08. -
Charles Lloyd & the Marvels Lucinda Williams
Charles Lloyd & The Marvels with special guest Lucinda Williams Charles Lloyd / Tenor Saxophone and Flute Lucinda Williams / Vocals Bill Frisell / Guitars Greg Leisz / Pedal Steel Guitar Reuben Rogers / Bass Eric Harland / Drums Saturday Evening, December 8, 2018 at 8:00 Michigan Theater Ann Arbor 21st Performance of the 140th Annual Season 25th Annual Jazz Series This evening’s performance is supported by the Doris & Herbert E. Sloan Endowment Fund, Dennis and Ellie Serras, and Comerica Bank. Funded in part by the JazzNet Endowment Fund. Media partnership provided by WEMU 89.1 FM, WDET 101.9 FM, Metro Times, and Ann Arbor’s 107one. Charles Lloyd & The Marvels with special guest Lucinda Williams appear by arrangement with The Kurland Agency. In consideration for the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM This evening’s program will be announced by the artists from the stage and will be performed without intermission. 3 CBC-4009-DiversityAds-5.5X4.25-MM.pdf 1 4/7/14 12:28 PM Together, we can raise expectations. Let’s expect more of ourselves. Let’s expect more of one another. Let’s come together to accomplish more, together. At Comerica Bank, we applaud you for raising expectations of our diverse community. ® RAISE YOUR EXPECTATIONS. MEMBER FDIC. EQUAL OPPORTUNITY LENDER. UMS ARCHIVES This evening’s performance marks Charles Lloyd’s third appearance under UMS auspices, following his UMS debut in November 2003 at the Michigan Theater with the Charles Lloyd Quintet. -
High Water I
R Il fatto che nel titolo ci sia il nu- O mero uno sottintende che un C secondo capitolo di High Water K uscirà il prossimo anno e saran- no quindi tre, live a parte, i dischi di questo collettivo che per for- mazione e stile prolunga a suo modo l’esaltante saga dei Black Crowes. Proprio il meno appari- scente dei due Robinson, il chi- tarrista e cantante Rich, dopo qualche svolazzante disco a suo nome, si è impossessato dell’ eredità dei corvacci ridando fia- to a un rock strettamente legato agli anni settanta con schiamazzi di r&b sudista intinto nel bour- bon. Dal vivo, e sono reperibili diversi bootleg, i Magpie Salu- te assomigliano troppo ai Black Crowes, cover comprese, per de- stare un giustificato entusiasmo. THE MAGPIE SALUTE Per fortuna in studio Rich e com- pagni si ricordano di essere una HIGH WATER I band diversa e ampliano lo spet- tro sonoro incorporando armo- MASCOT nie west-coast, ballate ariose e atmosfere acustiche dal tono pa- wwww storale e folkie. Riescono nell’in- tento di diversificarsi, il miscu- glio assortito e ben amalgamato rende High Water I meno di- spersivo del già apprezzabile di- CHARLES LLOYD stra una evoluzione no- lamente in un disco del- aveva prodotto il prece- to, nato per essere una & THE MARVELS Feat. tevole, sia nel suono la Williams, ma anche dente lavoro, I Long To cosa diversa ma, al tem- LUCINda WILLIAMS che nelle idee. Il primo di Jackson Browne, op- See You. Defiant viene po stesso, decisamente VANISHED GARDENS disco di Charles Lloyd e pure nella limpida rilet- aperta e guidata dal sax ben costruito ed assolu- BLUE NOTE dei Marvels, I Long To tura di Monk’s Mood, di di Charles, ed è una bal- tamente piacevole. -
Blanchard 46 ‘We Are All Humans’ by AARON COHEN Trumpeter Terence Blanchard’S New Release Is a Concert Disc That Chronicles His Dynamic Band, the E-Collective
JULY 2018 VOLUME 85 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Sales Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Charles Lloyd & the Marvels with Special Guest Lucinda Williams
Thursday, December 6, 2018, 8pm Zellerbach Hall Charles Lloyd & The Marvels with special guest Lucinda Williams featuring Bill Frisell, Greg Leisz, Reuben Rogers, and Eric Harland is evening’s concert will be performed without an intermission and will last approximately 90 minutes. Cal Performances’ 2018 –19 season is sponsored by Wells Fargo. ABOUT THE ARTISTS hen the incomparable Lucinda post-bop direction when Hamilton asked him Williams joined Charles Lloyd and to be the group’s music director. In 1964 Lloyd We Marvels at UCLA’s Royce Hall le Hamilton’s group to join alto saxophonist in April 2017, the musicians beamed with un - Cannonball Adderley. He recorded two albums bridled joy. e same could be said for the fans as a leader for Columbia Records— Discovery fortunate enough to witness the concert, to share and Of Course, Of Course —where his sidemen the depths of the artistry and musical explo - included Gabor Szabo, Don Friedman, Herbie ration taking place on stage. ere were tears, Han cock, Ron Carter, Tony Williams, and Pete as well, as Williams reached inside herself for La Roca. In 1965 Lloyd formed a quartet with powerful expressions of love, longing, and loss pianist Keith Jarrett, bassist Cecil McBee, and in equal measure. But the image that remains drummer Jack DeJohnette in a meeting of strongest from this remarkable night is of straight-ahead post-bop, free jazz, rock, and Lloyd—radiant and enchanted, at times not world music. eir music quickly caught the even playing—simply taking in the wonders of attention of jazz fans and critics, and they the colla bor ation that had formed around him. -
Saving Seph Office of the Chancellor Contents
Winter 2008 UNIVERSITY OF MAGAZINE UNIVERSITY OF MAGAZINEUNIVERSITY OF MAGAZINE UNIVERSITY OF MAGAZINE Saving Seph Office of the Chancellor Contents Features Dear Readers: 24 Million Dollar Man Donald Sturm (LLB ’58) is an expert at making money—and These days, a conversation about college athletics is bound to conjure up a variety of images. Surely one of these is giving it away. associated with the purity of sport—the whole notion of young men and women of exceptional talent developing their By Richard Chapman gifts, working hard to be the best that they can be, competing solely for the love of it. That’s an image deeply rooted in our humanity, bound to our common drive for excellence and belief in possibility. It fits well with the whole notion of 28 Back to School personal growth as a core element of the college experience. Baby boomers have become the new ‘seniors’ on campus. By Doug McPherson There is another image, though, that arises all too often. This is an image in which big-time college athletics is inextri- cably linked to big money, big media, flexible integrity and glitz. Far too many Americans might say that these things 32 Saving Seph are simply the accoutrements, perhaps even the prerequisites, of success in college sports. Faith fuels alumna Lori Ware in her battle to save her son’s life. By Janalee Card Chmel Over the course of the last 10 years since DU returned to NCAA Division I athletics, our Pioneer athletes have shown that that assumption is completely false. Our teams compete, and win, at the highest levels of competition. -
Charles Lloyd and the Marvels with Special Guest
Charles Lloyd and the Marvels With Special Guest Lucinda Williams WHEN: VENUE: FRIDAY, BING SEPTEMBER 21, 2018 CONCERT HALL 7∶30 PM Artists About the Program Charles Lloyd, saxophone Lucinda Williams, vocals When Lucinda Williams joined Charles Lloyd and the Marvels at UCLA’s Royce The Marvels Hall in April 2017, the musicians beamed Bill Frisell, guitar with unbridled joy. Same for the fans fortunate to witness, to share the depths Eric Harland, drums of the artistry and exploration Greg Leisz, pedal steel guitar happening on stage. There were tears, Reuben Rogers, bass too, as Williams reached inside herself for expressions of love, longing and loss in equal measures. But the image that remains strongest from this remarkable night is of Lloyd, radiant and enchanted, at times not even playing, just taking in Program the wonders of this grouping that had come together around him. Tonight’s program will feature selections from their new album That same energy and elation buzzed Vanished Gardens. through the compact sessions in a Los Angeles studio that brought us the luminescent music heard on Vanished Gardens, the radiant new album This program is generously supported by the Koret Foundation. featuring Lloyd and Williams with the The Koret Jazz Project is a multiyear initiative to support, expand, and singular set of talents that comprise celebrate the role of jazz in the artistic and educational programming of Stanford Live. The Marvels: Bill Frisell on guitar, Greg Leisz on pedal steel guitar, Reuben Rogers on bass and Eric Harland on drums—musicians who just as Lloyd and Williams have done have set their own courses, found their own ways of expression and exploration, while thriving most profoundly in sparks- PROGRAM SUBJECT TO CHANGE. -
2018 Overall Releases 2
3 Hat Trio - Lord of the Desert 4 S'd (Sears, Scott, Swann, & Stanley) - Man Or Muffin 6 String Drag - Top of the World Aaron Lee Tasjan - Karma For Cheap Afro-Cuban Allstars - A Toda Cuba Le Gusta AJ Ghent - The Neo Blues Project Alejandro Escovedo - The Crossing Altan - The Gap of Dreams Amanda Shires - To the Sunset Amazing - In Transit American Aquarium - Things Change Amos Lee - My New Moon Amy Ray - Holler Anderson East - Encore Andrew Scotchie & the River Rats - Family Dynamo Angelique Kidjo - Remain in Light Appalucians - Bright Hills Arctic Monkeys - Tranquility Base Hotel & Casino Artisanals - Artisanals Ashleigh Flynn & The Riveters - Ashleigh Flynn & The Riveters Ashley Heath & Her Heathens - Where Hope Never Dies Asleep at the Wheel - New Routes Austin Lucas - Immortal Americans Bahamas - Earthtones Band of Heathens - A Message From the People Revisited Banjo Nickaru & Western Scooches - Get Us Out of Fearland Becky Buller - Crepe Paper Heart Becky Warren - Undesirable Ben Harper & Charlie Musselwhite - No Mercy in This Land Ben Miller Band - Choke Cherry Tree Bettye LaVette - Things Have Changed Birch Pereira & the Gin Joints - Western Soul Birds of Chicago - Love in Wartime Black Rebel Motorcycle Club - Wrong Creatures Blue Yonder - Rough and Ready Heart Bob Dylan - More Blood, More Tracks Bombino - Deran Bottle Rockets - Bit Logic Boz Scaggs - Out of the Blues Brandi & the Alexanders - How Do You Like It? Brandi Carlile - By the Way, I Forgive You Brenda Navarrete - Mi Mundo Brent Cobb - Providence Canyon Brew Davis - Brew -
Charles Lloyd Wild Man Dance Mp3, Flac, Wma
Charles Lloyd Wild Man Dance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Wild Man Dance Country: Europe Released: 2015 Style: Contemporary Jazz MP3 version RAR size: 1682 mb FLAC version RAR size: 1872 mb WMA version RAR size: 1531 mb Rating: 4.1 Votes: 383 Other Formats: ASF DMF MP3 MOD WAV MPC MMF Tracklist A1 Flying Over The Odra Valley 11:00 A2 Gardner 8:12 B1 Lark 13:21 C1 River 16:08 D1 Invitation 10:34 D2 Wild Man Dance 15:15 Companies, etc. Copyright (c) – Charles Lloyd Phonographic Copyright (p) – Charles Lloyd Licensed To – Blue Note Pressed By – GZ Media – 129101E Credits A&R – Don Was A&R [A&R Administration] – Steve Cook Bass – Joe Sanders Cimbalom [Cymbalom] – Miklós Lukács Design, Photography By – Dorothy Darr Drums – Gerald Cleaver Layout – Randall Leddy Lyre – Sokratis Sinoloulos* Management – Dorothy Darr Mastered By – Bernie Grundman Mixed By – Dom Camardella Mixed By [Live Concert Mix] – Masanori Yura Piano – Gerald Clayton Producer – Charles Lloyd, Dorothy Darr Recorded By – Piotr Papier Technician [Sound Consultnt] – Joe Harley Tenor Saxophone – Charles Lloyd Notes Live recording at Jazztopad Festival, Wroclaw Philharmonic, Poland, November 24, 2103. Paper inner sleeves with central round cuttings. Made in EU. LCCO 148, Netherlands. Barcode and Other Identifiers Barcode: 602547125996 Matrix / Runout (Side A - etched): 4712599-A 129101E1/B Matrix / Runout (Side B - etched): 4712599-B 129101E2/D Matrix / Runout (Side C - etched): 4712599-C 129101E3/B Matrix / Runout (Side D - etched): 4712599-D 129101E4/B