Read Readings Monthly, August 2018 Here
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
10 –19 January
29TH INTERNATIONAL SHORT FILM FESTIVAL ELECTRIFYING SHORT FILMS 10 –19 JANUARY BONDI PAVILION, BONDI BEACH As Australia’s leading Academy® accredited Affairs And Trade, and Australia now ASEAN short film festival, the shorts in competition at 2019, European Union Delegation to Australia, Flickerfest are fiercely vying for a number of and Screen NSW. prestigious prizes including the Flickerfest Award I would also like to extend an enormous thanks for Best International Short Film, the Yoram to our major government partner Screen Gross Award for Best International Animation, Australia who supports both our festival, and the the Flickerfest Award for Best Australian Short national tour, and who has been a continuous Film, and for Best Documentary. Plus a host of source of encouragement as we strive to deliver other hotly contested prizes, which recognise the our vision of providing a platform that nurtures various craft areas inherent in making a great and supports Australian Filmmakers, and in turn short film. provides Australian audiences with access to 2020 will bring over 23 different short film inspirational storytelling from their own backyard programmes across the 10-day festival and beyond. season. We are proud to announce that BRONWYN KIDD To all our partners who are acknowledged in due to the outstanding home grown talent FESTIVAL DIRECTOR this programme, I am extremely grateful for the and creativity received this year, we will essential and ongoing support they provide. We Welcome to the 29th Flickerfest International be screening 7 Australian competitive thank them enormously for their belief in us, Short Film Festival. As we move forward into programmes in addition to the 5 international which assists us in maintaining Flickerfest as one another film filled and jam packed festival, I am and 2 documentary programmes, which of the best short film competitions in the world. -
Kitty Flanagan
KITTY FLANAGAN Ever stood under glaring lights recounting your hopes, dreams, fears and most embarrassing moments to a room full of strangers in a desperate attempt to keep them entertained? Welcome to the terrifying world of stand up, which Kitty Flanagan has spent the past 20 years successfully navigating, proving herself as not only one of Australia’s best, but also most beloved comedians. Since first gracing Australian TV screens in ‘Full Frontal’ during the 90s, Kitty has appeared in numerous productions, performing regularly at comedy venues around Australia and internationally, and appearing on The Project, Have You Been Paying Attention, The Weekly and Utopia. Amanda meets up with Kitty to learn what life’s like under the spotlight (literally), discuss her new book, ‘Bridge Burning And Other Hobbies’, and discover more about this (inaccurately) self described ‘wallflower’. HELLO KITTY After attending Catholic school and developing a healthy disrespect for institutionalised religion, Kitty headed to university where she enjoyed studying a wide range of subjects, none of which had any relation to her current occupation. Once compulsory fee paying was introduced, Kitty flew the tertiary coop, bluffing her way into advertising and working as a copywriter. After her desperate attempts to get fired finally paid off, Kitty began pouring pints, working as a bartender at the Harold Park Hotel, which incidentally happened to run an open mic night. With a backlog of anecdotes and an inexplicable need to vent her deepest, darkest secrets in front of a room full of beer-swilling old men, Kitty spent nights honing her skills, quickly becoming a pub favourite. -
Windows Magazine Winter 2015
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Willis Papers INTRODUCTION Working
Willis Papers INTRODUCTION Working papers of the architect and architectural historian, Dr. Peter Willis (b. 1933). Approx. 9 metres (52 boxes). Accession details Presented by Dr. Willis in several instalments, 1994-2013. Additional material sent by Dr Willis: 8/1/2009: WIL/A6/8 5/1/2010: WIL/F/CA6/16; WIL/F/CA9/10, WIL/H/EN/7 2011: WIL/G/CL1/19; WIL/G/MA5/26-31;WIL/G/SE/15-27; WIL/G/WI1/3- 13; WIL/G/NA/1-2; WIL/G/SP2/1-2; WIL/G/MA6/1-5; WIL/G/CO2/55-96. 2103: WIL/G/NA; WIL/G/SE15-27 Biographical note Peter Willis was born in Yorkshire in 1933 and educated at the University of Durham (BArch 1956, MA 1995, PhD 2009) and at Corpus Christi College, Cambridge, where his thesis on “Charles Bridgeman: Royal Gardener” (PhD 1962) was supervised by Sir Nikolaus Pevsner. He spent a year at the University of Edinburgh, and then a year in California on a Fulbright Scholarship teaching in the Department of Art at UCLA and studying the Stowe Papers at the Huntington Library. From 1961-64 he practised as an architect in the Edinburgh office of Sir Robert Matthew, working on the development plan for Queen’s College, Dundee, the competition for St Paul’s Choir School in London, and other projects. In 1964-65 he held a Junior Fellowship in Landscape Architecture from Harvard University at Dumbarton Oaks Research Library and Collection in Washington, DC, returning to England to Newcastle University in 1965, where he was successively Lecturer in Architecture and Reader in the History of Architecture. -
EWEN LESLIE | Actor
SHANAHAN EWEN LESLIE | Actor FILM Year Production / Character Director Company 2020 PETER RABBIT 2: THE RUNAWAY Will Gluck Colombia Pictures Pigling Bland 2018 THE NIGHTINGALE Jennifer Kent Bron Studios Goodwin 2016 SWEET COUNTRY Warwick Thornton Bunya Productions Harry 2016 THE BUTTERFLY TREE Priscilla Cameron Midwinter Flims Al 2016 LARRIKINS Chris Miller DreamWorks Animation Hotspur & Tim Minchin 2015 THE DAUGHTER Simon Stone Fate Films Oliver 2013 THE MULE Tony Mahony The Mule Productions P/L Les 2012 THE RAILWAY MAN Jonathan Teplitzky Archer Street Productions Thompson 2012 DEAD EUROPE Tony Krawitz Dead Europe P/L Isaac 2011 SLEEPING BEAUTY Julia Leigh Sleeping Beauty Productions Birdman Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2007 THREE BLIND MICE Matthew Newton Dirtyrat Films P/L. Sam 2006 KOKODA Alister Grierson GFN Productions Wilstead 2004 2004 2005 JEWBOY Tony Krawitz Porchlight Films Yuri (Selected for Un Certain Regard at 2005 Cannes Film Festival) 2002 DOPPLEGANGERS Matthew Bird Daedalus Pictures for 2002 Lead POV Festival 2001 PUSHING STACEY Damian Wyvill Producer: Nikki Cavanaugh Police Officer 1998 JUSTICE Ron Elliott West Coast Pictures James TELEVISION Year Production/Character Director Company 2020 OPERATION BUFFALO Peter Duncan ABC/Porchlight Films Leo Carmichael 2019 THE GLOAMING Michael Rymer Sweet Potato Films/STAN Alex O’Connell 2019 THE LUMINARIES Claire McCarthy Working -
The Lost Flowers of Alice Hart by Holly Ringland
FREE APRIL 2018 The Lost Flowers of Alice Hart by Holly Ringland Read our review on page 8 Growing Up Aboriginal in Australia edited by Anita Heiss Read an extract on page 7 BOOKS MUSIC FILM EVENTS GURRUMUL page 22 BLUE PLANET II JAMILA RIZVI ROBERT HOLLY ANITA HEISS page 21 page 4 HILLMAN RINGLAND page 13 page 8 page 8 CARLTON 309 LYGON ST 9347 6633 KIDS 315 LYGON ST 9341 7730 DONCASTER WESTFIELD DONCASTER, 619 DONCASTER RD 9810 0891 HAWTHORN 701 GLENFERRIE RD 9819 1917 MALVERN 185 GLENFERRIE RD 9509 1952 ST KILDA 112 ACLAND ST 9525 3852 STATE LIBRARY VICTORIA 328 SWANSTON ST 8664 7540 | SEE SHOP OPENING HOURS, BROWSE AND BUY ONLINE AT WWW.READINGS.COM.AU READINGS MONTHLY 3 April 2018 goers can discover the largest collection of April rare, out-of-print and collectable books in The Women’s Prize for Fiction 2018 longlist 25% off a range of Insight & Berlitz travel Australia, go inside heritage buildings, listen The longlist for the Women’s Prize for guides to live music, watch street performers, try Fiction 2018 has been announced. This Throughout April, we’re offering 25% off News their hand in a Scrabble tournament and prize celebrates the best writing from female a select range of Insight & Berlitz travel visit the Readings bookstall at the Festival. authors around the world. This year’s longlist guides. This offer is exclusively available A weekend pass is $10 for adults, and $5 for includes: H(a)ppy by Nicola Barker; The Idiot at our Carlton and Hawthorn stores secondary school students and children. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Order Form Full
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AN ANTHOLOGY of MODERN VERSE IF Thou Indeed Derive Thy Light from Heaven, Then, to the Measure of That Heaven-Born Light
1 \ AN ANTHOLOGY OF MODERN VERSE IF thou indeed derive thy light from Heaven, Then, to the measure of that Heaven-born light, Shine, Poet ! in thy place, and be content : The stars pre-eminent in magnitude, And they that from the zenith dart their beams, (Visible though they be to half the earth, Though half a sphere be conscious of their bright ness), Are yet of no diviner origin, No purer essence, than the one that burns, lake an untended watch-fire, on the ridge Of some dark mountain ; or than those which seem Humbly to hang, like twinkling winter lamps, Among the branches of the leafless trees. Wordsworth AN ANTHOLOGY OF MODERN VERSE Chosen ty A. METHUEN With an Introduction by ROBERT LYND "By nothing is England so glorious as by her poetry "MATTHEW ARNOLD METHUEN & GO. LTD. 36 ESSEX STREET W.G. LONDON Twenty-First Edition tttff iva, isth Published . \ . ,. r May 1921 Second Edition . ; June 1921 Third Edition . July 1921 Fourth Edition (enlarged) September 1921 Fifth (Thin Paper) Edition . October 2oth 1921 Sixth (Thin Paper) Edition . December 1921 Seventh Edition . December 1921 Eighth Edition . April 1922 Ninth Edition September 1922 Tenth (Thin Paper) Edition . December 1922 Eleventh Edition . January 1923 Twelfth Edition . May 1923 Thirteenth Edition October 1923 Fourteenth (Thin Paper) Edition November 1923 Fifteenth Edition . February 1924 Sixteenth Edition . July 1924 Seventeenth (Thin Paper) Edition October 1924 Eighteenth Edition November 1924 Nineteenth (Thin Paper) Edition November 1925 Twentieth Edition November 1925 Twenty-first Edition . 1926 School Edition . June 1921 Second School Edition . A ugust 1922 Third School Edition . -
Guest Biographies: * Distribution, Sales and Financing Executives * Other Panel & Roundtable Moderators/Speakers London
Guest biographies: * Distribution, sales and financing executives * Other Panel & Roundtable moderators/speakers London Production Finance Market (PFM) Company Profile The London Production Finance Market (PFM) occurs each October in association with The BFI London Film Festival and is supported by the London Development Agency, UK Film Council, UK Trade and Investment (UKTI), Skillset, City of London Corporation and Peacefulfish. The invitation-only PFM last year registered 50 producers and more than 150 projects with US$1.16 billion of production value and nearly 60 financing guests including UGC, Rai Cinema, Miramax, Studio Canal, Lionsgate, Nordisk, Ingenious, Celluloid Dreams, Aramid, Focus, Natixis, Bank of Ireland, Sony Pictures Classics, Warner Bros. and Paramount. Film London is the UK capital's film and media agency. It sustains, promotes and develops London as a major international film-making and film cultural capital. This includes all the screen industries based in London - film, television, video, commercials and new interactive media. Helena MacKenzie Helena Mackenzie started her career in the film industry at the age of 19 when she thought she would try and get a job in the entertainment industry as a way out of going to Medical School. It worked! Many years and a few jobs later she is now the Head of International at Film London. Her journey to Film London has crossed many paths of international production, distribution and international sales. At Film London, she devised and runs the Film Passport Programme, runs the London UK Film Focus and the Production Finance Market (PFM), as well as working with emerging markets such as China, India and Russia. -
Kitty Flanagan
Kitty Flanagan Quirky corporate comic & queen of stand up Kitty Flanagan is a comedian who is renowned for her quirky, offbeat observations. Kitty made her comedy television debut as a writer/performer on the popular Australian sketch comedy show Full Frontal. She has also written for and appeared in The Micallef Programme and The Fifty Foot Show. She pops up regularly on Australian television on shows including Good News Week, Rove and Spicks & Specks. In the US, she has appeared on Comedy Central, featuring in several series of The World Stands Up. In the UK, she has been seen on The Comedy Store Live, ITV’s The Sketch Show and The BBC Stand Up Show. A subtle and perceptive performer, she is expert when it comes to understanding her audience and tailoring her material to suit – making her the ideal comedian for your next corporate event, gala, awards night or launch. More about Kitty Flanagan; At school Kitty was a tiny, stick like child with very large front teeth and fuzzy hair. An acutely shy teenager, she spent her adolescent years staying in on Saturday nights watching Eight is Enough and Magnum P.I. Secretly Kitty wanted to be an actor, however she knew she would never survive acting school. Her inner voice wouldn’t shut up long enough to let her do serious things like Shakespeare or mime classes that required you to wave about like a sheaf of wheat in the wind or melt like an ice cream in the sun. She tried to be a P.E teacher for a while, this time ignoring her inner voice which was now screaming: You cannot be serious! (She was really into tennis and her inner voice had started to sound a lot like John McEnroe.) Advertising beckoned next as it seemed like the job that paid the most money for the least amount of qualifications.