146// Here Followeth the Life of Jerome
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The Principal Works of St. Jerome by St
NPNF2-06. Jerome: The Principal Works of St. Jerome by St. Jerome About NPNF2-06. Jerome: The Principal Works of St. Jerome by St. Jerome Title: NPNF2-06. Jerome: The Principal Works of St. Jerome URL: http://www.ccel.org/ccel/schaff/npnf206.html Author(s): Jerome, St. Schaff, Philip (1819-1893) (Editor) Freemantle, M.A., The Hon. W.H. (Translator) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Print Basis: New York: Christian Literature Publishing Co., 1892 Source: Logos Inc. Rights: Public Domain Status: This volume has been carefully proofread and corrected. CCEL Subjects: All; Proofed; Early Church; LC Call no: BR60 LC Subjects: Christianity Early Christian Literature. Fathers of the Church, etc. NPNF2-06. Jerome: The Principal Works of St. Jerome St. Jerome Table of Contents About This Book. p. ii Title Page.. p. 1 Title Page.. p. 2 Translator©s Preface.. p. 3 Prolegomena to Jerome.. p. 4 Introductory.. p. 4 Contemporary History.. p. 4 Life of Jerome.. p. 10 The Writings of Jerome.. p. 22 Estimate of the Scope and Value of Jerome©s Writings.. p. 26 Character and Influence of Jerome.. p. 32 Chronological Tables of the Life and Times of St. Jerome A.D. 345-420.. p. 33 The Letters of St. Jerome.. p. 40 To Innocent.. p. 40 To Theodosius and the Rest of the Anchorites.. p. 44 To Rufinus the Monk.. p. 44 To Florentius.. p. 48 To Florentius.. p. 49 To Julian, a Deacon of Antioch.. p. 50 To Chromatius, Jovinus, and Eusebius.. p. 51 To Niceas, Sub-Deacon of Aquileia. -
The Bugnini-Liturgy and the Reform of the Reform the Bugnini-Liturgy and the Reform of the Reform
in cooperation with the Church Music Association of America MusicaSacra.com MVSICAE • SACRAE • MELETEMATA edited on behalf of the Church Music Association of America by Catholic Church Music Associates Volume 5 THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM THE BUGNINI-LITURGY AND THE REFORM OF THE REFORM by LASZLO DOBSZAY Front Royal VA 2003 EMINENTISSIMO VIRO PATRI VENERABILI ET MAGISTRO JOSEPHO S. R. E. CARDINALI RATZINGER HOC OPUSCULUM MAXIMAE AESTIMATIONIS AC REVERENTIAE SIGNUM D.D. AUCTOR Copyright © 2003 by Dobszay Laszlo Printed in Hungary All rights reserved under International and Pan-American Conventions. No part of these texts or translations may be reproduced in any form without written permission of the publisher, except for brief passages included in a review appearing in a magazine or newspaper. The author kindly requests that persons or periodicals publishing a review on his book send a copy or the bibliographical data to the following address: Laszlo Dobszay, 11-1014 Budapest, Tancsics M. u. 7. Hungary. K-mail: [email protected] Contents INTRODUCTION Page 9 1. HYMNS OF THE HOURS Page 14 2. THE HOLY WEEK Page 20 3. THE DIVINE OFFICE Page 45 4. THE CHANTS OF THE PROPRIUM MISSAE VERSUS "ALIUS CANTUS APTUS" Page 85 5. THE READINGS OF THE MASS AND THE CALENDAR Page 121 6. THE TRIDENTINE MOVEMENT AND THE REFORM OF THE REFORM Page 147 7. HIGH CHURCH - LOW CHURCH: THE SPLIT OF CATHOLIC CHURCH MUSIC Page 180 8. CHURCH MUSIC AT THE CROSSROADS Page 194 A WORD TO THE READER Page 216 Introduction The growing displeasure with the "new liturgy" introduced after (and not by) the Second Vatican Council is characterized by two ideas. -
And Type the TITLE of YOUR WORK in All Caps
LEONARDO DA VINCI’S SAINT JEROME IN THE WILDERNESS: AN IMAGE OF SPIRITUAL BEAUTY by LINDSAY MARIE COX (Under the Direction of Shelley Zuraw) ABSTRACT Leonardo da Vinci’s Saint Jerome is an unconventional representation of a religious figure. Renaissance saints were typically endowed with appropriate physical markers such as beauty and grace; however, Jerome is haggard and aged. This paper will endeavor to reveal the importance of Leonardo’s unusual aesthetic choices as well as illuminate the congruencies between the Saint Jerome and Donatello’s Penitent Magdalen. Donatello’s sculpture, which features a similarly haggard and elderly Magdalen, represents a critical prototype for Leonardo’s Saint Jerome. This paper will also argue that these two works are images of the perfect penitent. The saints’ weathered and emaciated exteriors emphasize their humanity and transform them into emblems of wisdom and redemption. In both the Saint Jerome and the Penitent Magdalen, there is an important message about the beauty, determination, and strength of the human soul. INDEX WORDS: Leonardo da Vinci, Saint Jerome, penitent, haggard, old age, Donatello, Mary Magdalen, spiritual beauty, divine illumination, humanity LEONARDO DA VINCI’S SAINT JEROME IN THE WILDERNESS: AN IMAGE OF SPIRITUAL BEAUTY by LINDSAY MARIE COX B.A., Georgia Southern University, 2008 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2011 © 2011 Lindsay Marie Cox All Rights Reserved LEONARDO DA VINCI’S SAINT JEROME IN THE WILDERNESS: AN IMAGE OF SPIRITUAL BEAUTY by LINDSAY MARIE COX Major Professor: Shelley Zuraw Committee: Alisa Luxenberg Stefaan Van Liefferinge Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2011 ACKNOWLEDGEMENTS I am very grateful to my mother, father, and sister for their endless enthusiasm and support throughout my continuing education. -
The Golden Legend and Chaucer's Physician's Tale and Second Nun's Tale Mary Ann Ponder Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1977 The Golden Legend and Chaucer's Physician's Tale and Second Nun's Tale Mary Ann Ponder Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Ponder, Mary Ann, "The Golden Legend and Chaucer's Physician's Tale and Second Nun's Tale" (1977). Retrospective Theses and Dissertations. 14362. https://lib.dr.iastate.edu/rtd/14362 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The -Golden Legend and Chaucer's Physician's Tale and Second Nun's Tale by Mary Ann Ponder A Thes,^ Submitted to the Graduate Faculty in Partial Fulfillment of The Requirements for the Degree of MASTER OF ARTS Major: English ADDrovefl t Signatures have been redacted for privacy Iowa State University Ames^ Iowa 1977 11 TABLE OF CONTENTS Page INTRODUCTION 1 THE GOLDEN LEGEND 7 CHAUCER'S SECOND NUN'S TALE AND PHYSICIAN'S TALE I9 NOTES 35 BIBLIOGRAPHY 39 1 INTRODUCTION A survey of Chaucer scholarship in the past fifty years reveals an unwarranted lack of attention to those of the Canterbury Tales commonly known as the "religious tales," Once labeled thus, these tales do not often elicit further critical analysis by scholars. -
Liturgy of the Hours
Liturgy of the Hours Catholic Teachings by the Deacons Deacon David Ochoa May 11, 2021 1 Opening Prayer Be at peace among yourselves. We urge you, brothers, admonish the idle, cheer the fainthearted, support the weak, be patient with all. See that no one returns evil for evil; rather, always seek what is good [both] for each other and for all. Rejoice always. Pray without ceasing. In all circumstances give thanks, for this is the will of God for you in Christ Jesus. May the God of peace himself make you perfectly holy and may you entirely, spirit, soul, and body, be preserved blameless for the coming of our Lord Jesus Christ. Amen. 2 Tonight’s Agenda • Overview – What is the Liturgy of the Hours • Importance of the Liturgy of the Hours, a Reflection • History of the Liturgy of the Hours • Current Form of the Liturgy of the Hours • How to Pray the Liturgy of the Hours • Evening Prayer for Tuesday of the 6th Week of Easter 3 • Daily prayer of the Church, marking the hours of each day and sanctifying What is the the day with Liturgy of the prayer Hours • Liturgy of the Hours is also known as the Divine Office, or the Work of God (Opus Dei) 4 Constitution on the Sacred Liturgy Sacrosanctum Concilium “By tradition going back to early Christian times, the divine office is devised so that the whole course of the day and night is made holy by the praises of God… It is the very prayer which Christ Himself, together with His body, addresses to the Father. -
Psalters and Books of Hours (Horologia)
300 Parpulov Chapter 20 Psalters and Books of Hours (Horologia) Georgi R. Parpulov Text and Illustrations A Psalter (Ψαλτήριον) contains 151 biblical psalms, always in the same sequence, plus nine or more poetic excerpts (canticles, or odes/ᾠδαί) from other books of the Bible.1 A Book of Hours (Ὡρολόγιον) contains those same odes and select psalms, re-ordered for prayer at set times of the day and night2 and intermixed with short non-biblical prayers and hymns. Additional, private prayers are sometimes appended to an Horologion or Psalter. A Psalter may also contain explanatory prefaces (such as Athanasios of Alexandria’s “Letter to Marcellinus”) and/or theological commentary running parallel to the bibli- cal text. Images may illustrate individual psalm verses and be, by way of explanation, placed close to them. In most illustrated Psalters and Horologia, however, the figural miniatures subdivide the text – just like titles do – and thus facilitate paging through it. In principle, each ode and sometimes even each psalm can be marked with a picture, but typically pictures precede the often-used Psalm 50,3 the beginning and middle of the Psalter (Ps 1 and 77), and/or the initial ode (Gen. 15:1-19) (Figs. 107-111). The illustrations can be painted with tempera or simply drawn in ink – and in the latter case, sometimes tinted with wash. They alternatively form self- contained, often framed compositions (which may or may not fill a whole 1 The chapter and verse numbers cited here are those of the Greek Old Testament (Septuagint). All quotes are from Septuagint, trans. -
Mary W. Helms Source: Anthropos, Bd
Before the Dawn. Monks and the Night in Late Antiquity and Early Medieval Europe Author(s): Mary W. Helms Source: Anthropos, Bd. 99, H. 1. (2004), pp. 177-191 Published by: Anthropos Institute Stable URL: http://www.jstor.org/stable/40466312 . Accessed: 29/07/2013 13:48 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Anthropos Institute is collaborating with JSTOR to digitize, preserve and extend access to Anthropos. http://www.jstor.org This content downloaded from 152.13.249.96 on Mon, 29 Jul 2013 13:48:56 PM All use subject to JSTOR Terms and Conditions H Anthropos IT] 99.2004:177-191 Beforethe Dawn Monksand theNight in Late Antiquityand EarlyMedieval Europe MaryW. Helms Abstract.- Early European monkswere preoccupiedwith the and withformal rules and especiallyritual that night.They were quintessentialmen of the dark,for nocturns, definedand activatedfundamental tenets of faith by fartheir longest liturgical office, was conductedeach night, offices. in the blacknessof unlitchurches. In so monks throughcarefully organized liturgical virtually doing these not only rituallyanticipated the coming of the dawn but Foremostamong ideologicallycharged also, and especially,engaged withthe primordialcosmological monasticsettings and liturgical presentations were darknessthat preceded the original creation of Genesis. -
90// Here Beginneth the Life of St. Paul the Apostle and Doctor
The Golden Legend or Lives Of The Saints Compiled by Jacobus de Voragine, Archbishop of Genoa, 1275 Englished by William Caxton, First Edition 1483 From the Temple Classics Edited by F.S. Ellis 90// HERE BEGINNETH THE LIFE OF ST. PAUL THE APOSTLE AND DOCTOR THE PERSECUTIONS OF ST. PAUL t. Paul the apostle, after his conversion, suffered many persecutions, the which the blessed SHilary rehearseth shortly, saying: Paul the apostle was beaten with rods at Philippi, he was put in prison, and by the feet fast set in stocks, he was stoned in Lystra. In Iconia and Thessalonica he was pursued of [by] wicked people. In Ephesus he was delivered to wild beasts. In Damascus he was let by a lepe down of [freed by leaping down from] the wall. In Jerusalem he was arrested, beaten, bound, and awaited to be slain. In Cæsarea he was enclosed and defamed. Sailing towards Italy he was in peril of death, and from thence he came to Rome and was judged under Nero, and there finished his life. This saith St. Hilary. Paul is as much to say as the mouth of a trumpet or of sense; or marvellously chosen, or a miracle of election. Or Paul is said of HIS MIRACLES pause, that is rest, in Hebrew, or it is said little, in Latin. And by this be understood six prerogatives which Paul had before the aul took upon him to be apostle other apostles. The first is a fruitful tongue, for he replenished among the Gentiles. In Lystra [spread?] the gospel from Jerusalem to Jericho, and therefore he P is said the mouth of a trump. -
The Golden Legend, Vol. 5
The Golden Legend, vol. 5 Author(s): Voragine, Jacobus de (1230-1298) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Subjects: Christian Denominations Roman Catholic Church Biography and portraits Collective Saints and martyrs i Contents Title Page 1 The Life of S. Rocke 2 The Life of S. Bernard 8 The Life of S. Timothy 17 The Life of S. Symphorien 18 The Life of S. Bartholomew the Apostle 19 The Life of S. Augustine 26 The Beheading of S. John Baptist 38 The Life of S. Felix 44 The Life of S. Savien 45 The Life of S. Lowe 49 The Life of S. Mammertin 51 The Life of S. Giles 53 The Nativity of the Virgin Mary 56 The Life of S. Adrian 65 The Life of S. Gorgone 69 The Lives of SS. Prothus, Jacinctus, and Eugenia 70 The Exaltation of the Holy Cross 73 The Life of S. John Chrysostom 79 The Lives of SS. Cornelius and Cyprian 83 The Life of S. Eufemia 84 The Life of S. Lambert 87 The Life of S. Matthew 89 The Life of S. Maurice 94 The Life of S. Justina 98 The Lives of SS. Cosmo and Damian 102 ii The Life of S. Forsey 105 The Feast of S. Michael the Archangel 107 The Life of Jerome. 117 The Life of S. Regimus 122 The Life of S. Logier 124 The Life of S. Francis 126 The Life of S. Pelagienne 137 The Life of S. Margaret (Pelagien) 139 The Life of S. Thaisis 141 The Life of s. -
“Make This the Place Where Your Glory Dwells”: Origins
“MAKE THIS THE PLACE WHERE YOUR GLORY DWELLS”: ORIGINS AND EVOLUTION OF THE BYZANTINE RITE FOR THE CONSECRATION OF A CHURCH A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Vitalijs Permjakovs ____________________________ Maxwell E. Johnson, Director Graduate Program in Theology Notre Dame, Indiana April 2012 © Copyright 2012 Vitalijs Permjakovs All rights reserved “MAKE THIS THE PLACE WHERE YOUR GLORY DWELLS”: ORIGINS AND EVOLUTION OF THE BYZANTINE RITE FOR THE CONSECRATION OF A CHURCH Abstract by Vitalijs Permjakovs The Byzantine ritual for dedication of churches, as it appears in its earliest complete text, the eighth-century euchologion Barberini gr. 336, as well as in the textus receptus of the rite, represents a unique collection of scriptural and euchological texts, together with the ritual actions, intended to set aside the physical space of a public building for liturgical use. The Byzantine rite, in its shape already largely present in Barberini gr. 336, actually comprises three major liturgical elements: 1) consecration of the altar; 2) consecration of the church building; 3) deposition of relics. Our earliest Byzantine liturgical text clearly conceives of the consecration of the altar and the deposition of the relics/“renovation” (encaenia) as two distinct rites, not merely elements of a single ritual. This feature of the Barberini text raises an important question, namely, which of these major elements did in fact constitute the act of dedicating/ consecrating the church, and what role did the deposition of relics have in the ceremonies of dedication in the early period of Byzantine liturgical history, considering that the deposition of relics Vitalijs Permjakovs became a mandatory element of the dedication rite only after the provisions to that effect were made at the Second council of Nicaea in 787 CE. -
Manual of Prayers
ºw. CAutºA. Litvº 3 S → *tva L A. MANUAL OF PRAYERS - - -- *** * -- - For the Use of THE CATHOLIC LAITY. PREPARED AND PUBLISHED BY ORDER OF THE THIRD PLENA R P COUNCIL OF BALTIMORE. NEW York : THE CATHolic PUBLICATION SocIETY Co., 9 BARcLAY STREET. London : BURNS & OATES, Limited. %)evotionſ for the $5ich, RULES FOR A SICK PERSON. ECEIVE your sickness from the hands of your heavenly Father dealing with you as with a child. 2. Look on it as a loving correction for your sins, and as a summons to prepare more carefully for death. 3. Practise the virtues of patience and submission to the will of God; deepen your repentance and offer yourself to God to suffer, if it pleases Him, still greater pains; give thanks for the blessings you enjoy. 4. In any dangerous illness let your first care be to send for a Priest. 5. Engage your friends to give you time ly notice if your illness be dangerous, and not to flatter you with false hopes of recovery. 6. Make the best use of the time you have; admit but few visit ors ; let your conversation be as little as may be of worldly 111atters. - 7. Settle your temporal affairs, in order to give yourself more entirely to spiritual matters. 8. Meditate often on our Lord's Passion. 9. Bear in mind St. Augustine's words: However innocent your Iife may have been, no Christian ought to venture to die in any other state than that of a penitent. PRAYER IN THE BEGINNING OF SICKNESS. HEAVENLY Father, who in Thy wisdom know est what is best for me, glory be to Thee. -
Tenebrae, the Office of the Three Days Before
TENEBRAE, THE OFFICE OF THE THREE DAYS BEFORE EASTER David, the Royal Prophet, could boast: "Seven times a day have I given praise to Thee." From the earliest days of Chris tianity, monks, nuns, friars and priests of God have interspersed labor and study with prayer by assembling seven times every twenty-four hours to chant, through their office, the praises of God. The Church's "official prayer" as the Divine Office is often called, or the "work of God," as her monks of old spoke of it, is adapted throughout the liturgical year to the varying moods of men. Thus Advent is a time of expectation; Lent of reparation; Holy Week of lamentation. In commemorating the awful trag edy of Christ's sacrifice, wherein He died a bleeding victim for our sins, it is not unfitting that the morning office, so joyous at other times, should be called by the Latin name-Tenebrae darkness. For the Spouse of Christ is in the night of loneliness, she is weeping, and she invites her children to join with her in this purifying sorrow. Her ceremonial, therefore, is intended on the three days before Easter, to increase their devotion to Christ's passion, to draw out their sympathies, to break through their hearts, long hardened by worldly cares, that the spirit of pt!nitence may pour forth. Tenebrae is the Matins of Maundy Thursday, Good Friday, and Holy Saturday, that is, the morning song or the first canon ical hour in the Divine Office of those days. The liturgical day is divided into seven watches or canonical hours: Matins and Lauds from midnight to six; Prime from six to nine; Terce from nine to twelve; None from three to six; Vespers from six to nine; Compline from nine to midnight.