Summary Overview of BBC Cymru Wales' Performance 2005/2006
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BBC Wales, Management Review, 2009/10
WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff. -
BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
904-4 BBC NR AC Wales 210612.Indd
WALES AUDIENCE COUNCIL REVIew 2011/12 a 01 Foreword by the National Trustee 02 Audience Council activity 04 Audience Council Wales report on BBC performance 09 BBC performance against Public Purposes 14 Audience priorities for 2012/13 17 Audience Council Wales 18 Contacts Cover image BBC National Orchestra of Wales at one of its concerts for special schools. FORewORD BY THE NaTIONal TRUSTee announced. This has been hugely welcomed by audiences. The Roath Lock drama production facility in Cardiff Bay, which now provides a home for Pobol y Cwm, Casualty and Doctor Who, was delivered on budget and on time. It potentially provides a huge boost for the creative industries in Wales. Following the Westminster Government’s announcement that S4C would be funded from the licence fee from 2013, I strongly welcome the new agreement reached with S4C and I look forward to the BBC and S4C exploiting future opportunities for co-operation for the creative, social, educational and “The Roath Lock drama economic benefit of audiences in Wales. production facility in Cardiff Bay, The year under review saw the departure which now provides a home for of Keith Jones as Director BBC Wales Pobol y Cwm, Casualty and Doctor and the appointment of Rhodri Talfan Davies to that post. I am grateful to Keith Who, was delivered on budget for his substantial support for the work of and on time.” Audience Council Wales and contribution to BBC Cymru Wales over many years. I warmly welcome Rhodri’s appointment The BBC’s Audience Councils advise the and look forward to working closely with Trust on how well the BBC fulfils its Public him during the months and years to come. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
Culture, Media and Sport Committee
House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
1 Written Response by the Welsh Government to The
Written Response by the Welsh Government to the report of the Culture, Welsh Language and Communications Committee – The Big Picture: The Committee’s Initial Views on Broadcasting in Wales We welcome the findings and offer the following response to the recommendations in the report. Detailed Responses to the report’s recommendations are set out below: Recommendation 1 We recommend that the BBC Director General should provide an additional £30 million annually for English language drama and broadcasting about Wales. Response: Accept in Principle On 21 February the BBC announced that BBC Cymru Wales will receive additional budget for programming, and will launch some new services. Some increased budget will be available in 17/18, rising to the full additional increase of £8.5m by 19/20. This will be available to commissioners to deliver new English language programming for Wales, an increase of at least 50% over the budget they currently have available. The Welsh Government welcomed this announcement which will enable BBC Cymru Wales to commission more programmes that truly reflect the lives of people in Wales. An announcement of additional funding and services for Scotland was made the following day, which has been interpreted by some as more favourable than the award to Wales. The situation and the priorities within the two nations are different however, so direct comparison is not straightforward and of limited value. The creation of a new separate channel will not answer our needs. A separate channel with tiny audiences will not bridge the current information deficit. We need a comprehensive service on all of the BBC’s existing channels and outlets which meet Wales’ needs in news, sport and culture. -
T&F Inquiry Supplementary Letter 120124
Media 37a 24 January 2012 Ken Skates AM Chairman, Task and Finish Group on the future of the media in Wales National Assembly for Wales Dear Mr Skates, When the IWA’s Media Policy Group submitted evidence to the Task and Finish Group in November 2011, we had had some difficulty in establishing precise data about the BBC’s output in the nations. We had submitted a request for information to the BBC under the Freedom of Information Act and had a response that still did not give us all the information we sought. We have now received a response to our list of supplementary questions, but even this was not able to provide a full answer. These issues have been raised with the BBC Trust in the response of the IWA’s Wales Media Policy Group to the BBC Trust consultation on its Delivering Quality First document. In that response we recommend that the BBC should take immediate steps to improve the consistency, comparability and transparency of data on output and expenditure within the nations. We believe that the Task and Finish Group and Welsh Government Ministers should press this matter with the BBC Trust. We believe the data below reinforces all the points that we made in our original evidence. In particular, we would draw your attention to . a reduction in the last five years of at least 137 hours (16.2%) in the hours made by BBC Wales for Wales in the English language . the much greater reduction in output for Wales – origination and broadcast hours - when compared with Scotland . -
AN ANALYSIS of the VITALITY of the WELSH LANGUAGE Daniel M
VOLUME 9 | SPRING 2020 AN ANALYSIS OF THE VITALITY OF THE WELSH LANGUAGE Daniel M. Packer & Romain Rivaux Dorothy F. Schmidt College of Arts and Letters Abstract and English, and the becoming of English as the global language are threatening the vitality of Welsh. This paper discusses the vitality of the Welsh language. English is one major causation for the reduction of Welsh Literature Review speakers in Wales over the past two centuries. Welsh Phonemic Mutation and Syntax Analyses phonetic mutation, which is a cross-linguistic irregularity, has become undesirable, and is thus becoming a linguistic An analysis of the linguistics of the Welsh language feature of the past. Metatypy between English and substantiates the claim that cross-linguistic irregularities Welsh has begun to influence the morphosyntactic and are affecting the vitality. A brief insight into two phonemic features of Welsh. In an effort to revitalize irregularities, which can be credited with playing a role in Welsh, the Welsh government implemented a new the diminishing vitality of Welsh, shows that consonant language policy and plan (LPP) titled “Cymraeg 2050.” mutations and verb topicalization are linguistic features A proposed differential equation model could be used that deviate from English in such a way that society to forecast the success of Cymraeg 2050 by assuming appears to be rendered demotivated with respect to Welsh different social-status values for English and Welsh. language acquisition. Finally, the nine factors developed by the United Nations Educational, Scientific, and Cultural Organization Cross-linguistically within the Celtic languages, (UNESCO) and the four factors of the Language consonant mutation is regular, but with respect to Endangerment Index (LEI) are calculated to determine English, consonant mutation is an irregularity. -
How Wales Is Understood in the UK Is a Problem – Strengthening Welsh Media Is Part of the Solution
How Wales is understood in the UK is a problem – strengthening Welsh media is part of the solution blogs.lse.ac.uk/politicsandpolicy/how-wales-is-understood-in-the-uk-is-a-problem/ 4/1/2017 A healthy democracy needs mechanisms that enable citizens to understand the political process and engage in the functioning of politics. But as simple as this may sound, achieving such an understanding is proving a major problem for Wales. Craig Johnson reflects on the broader problems caused by the inadequate reporting of Welsh politics UK-wide. It was recently announced that a new BBC TV channel will broadcast in Scotland from 2018. It will have a budget of £30m, roughly equivalent to that of BBC Four. Alongside that, Scotland will receive more money to make UK-wide programmes. Perhaps the most interesting development is that, included in the new channel’s scheduling is an hour-long news programme, edited and presented from Scotland. This brings with it 80 new journalist posts. Even if viewing figures on the new channel turn out to be low, it will still be a significant boost to Scotland’s journalism. This is great news for Scotland, with BBC Scotland’s Sarah Smith arguing that ‘for those who wanted a news programme reflecting the world from a Scottish perspective, produced and presented from Scotland – the BBC is now delivering what they asked for’. However, it begs the question: what about Wales? Just a day earlier, the BBC announced that an additional £8.5m would be spent in Wales on both news and entertainment English-language programming. -
Third PSB Rev BASIC DETAILS
BASIC DETAILS Consultation title: Third PSB Rev BASIC DETAILS Consultation title: Third PSB Review To (Ofcom contact): Gareth Barr Name of respondent: Lee Waters Representing (self or organisation/s): Institute of Welsh Affairs Address (if not received by email): CONFIDENTIALITY Please tick below what part of your response you consider is confidential, giving your reasons why Nothing Name/contact details/job title Whole response Organisation Part of the response If there is no separate annex, which parts? If you want part of your response, your name or your organisation not to be published, can Ofcom still publish a reference to the contents of your response (including, for any confidential parts, a general summary that does not disclose the specific information or enable you to be identified)? DECLARATION I confirm that the correspondence supplied with this cover sheet is a formal consultation response that Ofcom can publish. However, in supplying this response, I understand that Ofcom may need to publish all responses, including those which are marked as confidential, in order to meet legal obligations. If I have sent my response by email, Ofcom can disregard any standard e-mail text about not disclosing email contents and attachments. Ofcom seeks to publish responses on receipt. If your response is non-confidential (in whole or in part), and you would prefer us to publish your response only once the consultation has ended, please tick here. Name Lee Waters Signed (if hard copy) Response to Ofcom Consultation: "Public Service Content in a Connected Society" Introduction and Context The Institute of Welsh Affairs (IWA) is an independent think tank. -
English Is a Welsh Language
ENGLISH IS A WELSH LANGUAGE Television’s crisis in Wales Edited by Geraint Talfan Davies Published in Wales by the Institute of Welsh Affairs. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means without the prior permission of the publishers. © Institute of Welsh Affairs, 2009 ISBN: 978 1 904773 42 9 English is a Welsh language Television’s crisis in Wales Edited by Geraint Talfan Davies The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well-being of Wales. IWA is an independent organisation owing no allegiance to any political or economic interest group. Our only interest is in seeing Wales flourish as a country in which to work and live. We are funded by a range of organisations and individuals. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA - Institute of Welsh Affairs 4 Cathedral Road Cardiff CF11 9LJ tel 029 2066 0820 fax 029 2023 3741 email [email protected] web www.iwa.org.uk Contents 1 Preface 4 1/ English is a Welsh language, Geraint Talfan Davies 22 2/ Inventing Wales, Patrick Hannan 30 3/ The long goodbye, Kevin Williams 36 4/ Normal service, Dai Smith 44 5/ Small screen, big screen, Peter Edwards 50 6/ The drama of belonging, Catrin Clarke 54 7/ Convergent realities, John Geraint 62 8/ Standing up among the cogwheels, Colin Thomas 68 9/ Once upon a time, Trevor