AN ANALYSIS of the VITALITY of the WELSH LANGUAGE Daniel M
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Alex Francois
Alex François LACITO-CNRS, Paris ParallelParallel meanings,meanings, divergentdivergent formsforms inin thethe northnorth VanuatuVanuatu SprachbundSprachbund Diffusion or genetic inheritance? 28 September 2007 — ALT7, Paris ArealAreal studiesstudies andand languagelanguage familiesfamilies Linguistic areas “A linguistic area is generally taken to be a geographically delimited area including languages from two or more language families, sharing significant traits.” [Dixon 2001] “The central feature of a linguistic area is the existence of structural similarities shared among languages of a geographical area, where usually some of the languages are genetically unrelated or at least are not all close relatives.” [Campbell 2006] ‣ Most areal studies involve distinct language families: Balkans, Mesoamerica, Ethiopia, SE Asia, India, Siberia... ‣ Another type: Contact situations involving languages which are genetically closely related. e.g. Heeringa et al. 2000 for Germanic lgs; Chappell 2001 for Sinitic lgs… Structural similarities < common ancestor or diffusion? ‣ This case study: the 17 languages of north Vanuatu. 2 Torres Is. Banks Is. Maewo Santo Ambae Pentecost Malekula Efate Tanna Hiw The 17 languages of north Vanuatu Lo- Toga Löyöp Lehali Volow Mwotlap Lemerig Close genetic relationship Mota Austronesian > Oceanic Veraa > North-Central Vanuatu [Clark 1985] Mwesen > North Vanuatu [François 2005] Vurës Sustained language contact and plurilingualism through trade, exogamy, shared cultural events… [Vienne 1984] Nume Little mutual intelligibility -
In Antoinette SCHAPPER, Ed., Contact and Substrate in the Languages of Wallacea PART 1
Contact and substrate in the languages of Wallacea: Introduction Antoinette SCHAPPER KITLV & University of Cologne 1. What is Wallacea?1 The term “Wallacea” originally refers to a zoogeographical area located between the ancient continents of Sundaland (the Malay Peninsula, Sumatra, Borneo, Java, and Bali) and Sahul (Australia and New Guinea) (Dickerson 1928). Wallacea includes Sulawesi, Lombok, Sumbawa, Flores, Sumba, Timor, Halmahera, Buru, Seram, and many smaller islands of eastern Indonesia and independent Timor-Leste (Map 1). What characterises this region is its diverse biota drawn from both the Southeast Asian and Australian areas. This volume uses the term Wallacea to refer to a linguistic area (Schapper 2015). In linguistic terms as in biogeography, Wallacea constitutes a transition zone, a region in which we observe the progression attenuation of the Southeast Asian linguistic type to that of a Melanesian linguistic type (Gil 2015). Centred further to the east than Biological Wallacea, Linguistic Wallacea takes in the Papuan and Austronesian languages in the region of eastern Nusantara including the Minor Sundic Islands east of Lombok, Timor-Leste, Maluku, the Bird’s Head and Neck of New Guinea, and Cenderawasih Bay (Map 2). Map 1. Biological Wallacea Map 2. Linguistic Wallacea 1 My editing and research for this issue has been supported by the Netherlands Organisation for Scientific Research VENI project “The evolution of the lexicon. Explorations in lexical stability, semantic shift and borrowing in a Papuan language family” and by the Volkswagen Stiftung DoBeS project “Aru languages documentation”. Many thanks to Asako Shiohara and Yanti for giving me the opportunity to work with them on editing this NUSA special issue. -
BBC Wales, Management Review, 2009/10
WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff. -
BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
904-4 BBC NR AC Wales 210612.Indd
WALES AUDIENCE COUNCIL REVIew 2011/12 a 01 Foreword by the National Trustee 02 Audience Council activity 04 Audience Council Wales report on BBC performance 09 BBC performance against Public Purposes 14 Audience priorities for 2012/13 17 Audience Council Wales 18 Contacts Cover image BBC National Orchestra of Wales at one of its concerts for special schools. FORewORD BY THE NaTIONal TRUSTee announced. This has been hugely welcomed by audiences. The Roath Lock drama production facility in Cardiff Bay, which now provides a home for Pobol y Cwm, Casualty and Doctor Who, was delivered on budget and on time. It potentially provides a huge boost for the creative industries in Wales. Following the Westminster Government’s announcement that S4C would be funded from the licence fee from 2013, I strongly welcome the new agreement reached with S4C and I look forward to the BBC and S4C exploiting future opportunities for co-operation for the creative, social, educational and “The Roath Lock drama economic benefit of audiences in Wales. production facility in Cardiff Bay, The year under review saw the departure which now provides a home for of Keith Jones as Director BBC Wales Pobol y Cwm, Casualty and Doctor and the appointment of Rhodri Talfan Davies to that post. I am grateful to Keith Who, was delivered on budget for his substantial support for the work of and on time.” Audience Council Wales and contribution to BBC Cymru Wales over many years. I warmly welcome Rhodri’s appointment The BBC’s Audience Councils advise the and look forward to working closely with Trust on how well the BBC fulfils its Public him during the months and years to come. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
Culture, Media and Sport Committee
House of Commons Culture, Media and Sport Committee Future of the BBC Fourth Report of Session 2014–15 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 10 February 2015 HC 315 INCORPORATING HC 949, SESSION 2013-14 Published on 26 February 2015 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Mr Ben Bradshaw MP (Labour, Exeter) Angie Bray MP (Conservative, Ealing Central and Acton) Conor Burns MP (Conservative, Bournemouth West) Tracey Crouch MP (Conservative, Chatham and Aylesford) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Mr John Leech MP (Liberal Democrat, Manchester, Withington) Steve Rotheram MP (Labour, Liverpool, Walton) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Gerry Sutcliffe MP (Labour, Bradford South) The following Members were also a member of the Committee during the Parliament: David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Alan Keen MP (Labour Co-operative, Feltham and Heston) Louise Mensch MP (Conservative, Corby) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Mr Tom Watson MP (Labour, West Bromwich East) Powers The Committee is one of the Departmental Select Committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. -
1 Written Response by the Welsh Government to The
Written Response by the Welsh Government to the report of the Culture, Welsh Language and Communications Committee – The Big Picture: The Committee’s Initial Views on Broadcasting in Wales We welcome the findings and offer the following response to the recommendations in the report. Detailed Responses to the report’s recommendations are set out below: Recommendation 1 We recommend that the BBC Director General should provide an additional £30 million annually for English language drama and broadcasting about Wales. Response: Accept in Principle On 21 February the BBC announced that BBC Cymru Wales will receive additional budget for programming, and will launch some new services. Some increased budget will be available in 17/18, rising to the full additional increase of £8.5m by 19/20. This will be available to commissioners to deliver new English language programming for Wales, an increase of at least 50% over the budget they currently have available. The Welsh Government welcomed this announcement which will enable BBC Cymru Wales to commission more programmes that truly reflect the lives of people in Wales. An announcement of additional funding and services for Scotland was made the following day, which has been interpreted by some as more favourable than the award to Wales. The situation and the priorities within the two nations are different however, so direct comparison is not straightforward and of limited value. The creation of a new separate channel will not answer our needs. A separate channel with tiny audiences will not bridge the current information deficit. We need a comprehensive service on all of the BBC’s existing channels and outlets which meet Wales’ needs in news, sport and culture. -
Third PSB Rev BASIC DETAILS
BASIC DETAILS Consultation title: Third PSB Rev BASIC DETAILS Consultation title: Third PSB Review To (Ofcom contact): Gareth Barr Name of respondent: Lee Waters Representing (self or organisation/s): Institute of Welsh Affairs Address (if not received by email): CONFIDENTIALITY Please tick below what part of your response you consider is confidential, giving your reasons why Nothing Name/contact details/job title Whole response Organisation Part of the response If there is no separate annex, which parts? If you want part of your response, your name or your organisation not to be published, can Ofcom still publish a reference to the contents of your response (including, for any confidential parts, a general summary that does not disclose the specific information or enable you to be identified)? DECLARATION I confirm that the correspondence supplied with this cover sheet is a formal consultation response that Ofcom can publish. However, in supplying this response, I understand that Ofcom may need to publish all responses, including those which are marked as confidential, in order to meet legal obligations. If I have sent my response by email, Ofcom can disregard any standard e-mail text about not disclosing email contents and attachments. Ofcom seeks to publish responses on receipt. If your response is non-confidential (in whole or in part), and you would prefer us to publish your response only once the consultation has ended, please tick here. Name Lee Waters Signed (if hard copy) Response to Ofcom Consultation: "Public Service Content in a Connected Society" Introduction and Context The Institute of Welsh Affairs (IWA) is an independent think tank. -
A History of Metatypy in the Bel Languages
A HISTORY OF METATYPY IN THE BEL LANGUAGES Malcolm Ross The Australian National University 1. Introduction The title of this paper invites two definitions: of ‘metatypy’ and of ‘Bel languages’. Metatypy, as its etymology suggests, denotes a change in (morphosyntactic) type which occurs when speakers are bilingual and restructure the morphosyntactic constructions of one of their languages on the model of constructions from their other language (Ross 2006, 2007a). The Bel languages are a small eight-member group of Oceanic Austronesian languages. Figure 1 shows a Bel genealogy, based on shared phonological and morphological innovations which are very unlikely to have been transmitted by contact (Ross 2007b). One of the Bel languages is Takia, which I have described in various publications, principally Ross (1994) and Ross (2002). The Bel family is part of a larger Oceanic group, the Ngero-Vitiaz network, and the map in Figure 2 shows the locations both of the Bel languages and of other Ngero-Vitiaz languages referred to in this paper (Ross 1988:160-183). The case study of contact-induced change which is briefly described here has arisen out of one of the central concerns of my work, reconstructing the history of Austronesian and Papuan languages. In previous work I have compared Takia with its Karkar Island neighbour, Waskia, a member of the Madang subfamily of the Trans New Guinea family of Papuan languages,1 to show that much of the grammar of Takia can be explained as the outcome of metatypy on the model of a Madang language (Ross 1987, 1996, 2003, 2007a). -
Welsh Government's Response to the Consultation on the BBC Charter Review Introduction
Welsh Government’s response to the consultation on the BBC Charter Review Introduction The Welsh Government welcomes the opportunity to respond to this public consultation on the BBC Charter Review. In recent months, Welsh Ministers and officials have liaised closely with the UK Government, to ensure that the Welsh Government is fully involved in the Charter Renewal discussions from the outset. We have signed a Memorandum of Understanding with the UK Government and the BBC, giving the Welsh Government a formal, consultative role in the Charter review, in full parity with arrangements in Scotland and Northern Ireland. The signatories are committed to working with the National Assembly, to develop a further Memorandum that will enshrine the Assembly’s ongoing role in the scrutiny and accountability of the BBC in Wales. Although the Welsh Government has a formal role in the Charter Review, we are pleased to take this opportunity, early on in that process, to set out our observations on a number of the key issues under consideration in the consultation document, in a Welsh context. Our responses to some questions will be more detailed than others; at this stage we intend to focus primarily on: the services which the BBC, as the leading Public Service Broadcaster in the UK, should be delivering for Wales; the need for it to be properly mandated and resourced to deliver them, and; the need to strengthen arrangements for accountability to, and scrutiny by, the nations and regions, including Wales. It is vital that the new Charter fully reflects the interests of the people of Wales and the current and changing devolved settlement.