DOCSLIB.ORG

John Cameron Mitchell the Origin of Love Tour

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John Cameron Mitchell the Origin of Love Tour John Cameron Mitchell The Origin of Love Tour with Amber Martin / Additional Vocals Written by John Cameron Mitchell and Stephen Trask Justin Craig / Musical Director and Guitar Peter Yanowitz / Drums Matt Duncan / Bass Saturday Evening, November 2, 2019 at 8:00 Hill Auditorium Ann Arbor 18th Performance of the 141st Annual Season UMS Song Remix Media partnership provided by Between the Lines. Special thanks to Vince Cardinal, Chrisstina Hamilton and the Penny W. Stamps Distinguished Speaker Series, and Andrew Morton for their participation in events surrounding this evening’s performance. The Origin of Love Tour appears by arrangement with ArKtype. CAST AND CREATIVE TEAM Written by / John Cameron Mitchell and Stephen Trask Performed by / John Cameron Mitchell Additional Vocals / Amber Martin Musical Direction and Guitar / Justin Craig Drums / Peter Yanowitz Bass / Matt Duncan Makeup and Wigs / Mike Potter Costumes / Erik Bergrin Lighting / Justin Partier Sound / Dylan Goodhue Video Design / Michael Zumbrun Producer / ArKtype President / Thomas O. Kriegsmann Managing Producer / J.J. El-Far This evening’s performance is approximately two hours in duration and is performed without intermission. 3 ARTISTS John Cameron Mitchell (creator and and new musical, a Grammy nomination performer) directed, starred in, and wrote for “Best Cast Album,” two GLAMA (with Stephen Trask) the film Hedwig Awards, and Entertainment Weekly’s and the Angry Inch (2001), for which he “Best Soundtrack” Award for 2001. The won “Best Director” at the Sundance Broadway production of the show won four Film Festival and was nominated for a Tony Awards in 2014, and the soundtrack Golden Globe as “Best Actor.” His recent was nominated for a Grammy. Since 2003, Broadway production of Hedwig garnered Mr. Trask has been scoring films at both him Tony Awards for his performance the independent and studio levels for and for “Best Revival.” He won an Obie directors as diverse as Tom McCarthy Award for Hedwig Off-Broadway as well (The Station Agent, Miramax Films), for as starring in Larry Kramer’s The Paul Weitz (In Good Company, American Destiny of Me. He directed Tennessee Dreamz, Cirque du Freak: The Vampire’s Williams’ Kingdom of Earth Off-Broadway Assistant, Little Fockers, Universal with Cynthia Nixon and Peter Sarsgaard. Pictures), Todd Graff (Camp, IFC He directed the films Shortbus (2006), Productions/Jersey Films/Killer Films), Rabbit Hole (2010), and How to Talk to Girls Tamara Jenkins, (The Savages, Fox at Parties (2018), the latter two starring Searchlight), Jon Kasdan (In the Land of Nicole Kidman, who was nominated for Women, Warner Brothers), Robert Benton an Oscar for “Best Actress” in Rabbit (Feast of Love, MGM/Lakeshore), John Hole. Recent TV roles include Hulu’s Shrill, Cameron Mitchell (Hedwig and the Angry HBO’s Girls and Vinyl, CBS’s The Good Inch, Fine Line), Sean Anders (Sex Drive, Fight, and Amazon’s Mozart in the Jungle. Summit Entertainment), Bill Condon He stars in, wrote (with Bryan Weller), (Dreamgirls, Dreamworks/Paramount), and directed the musical podcast series Alan Poul, (The Back-up Plan, CBS Films), Anthem: Homunculus featuring Cynthia Tom Vaughn (So Undercover, Exclusive Erivo, Glenn Close, Patti Lupone, Denis Media), Rob Epstein, and Jeffrey Friedman O’Hare, Laurie Anderson, and Marion (Lovelace). In addition to Hedwig, Cotillard, which is playing on the Luminary Mr. Trask’s work for the Broadway stage podcast platform. For more information, includes orchestrations for the recent please visit johncameronmitchell.com. production of Rocky, the musical based on the classic film. His latest show This Stephen Trask (creator) first achieved Ain’t No Disco premiered at The Atlantic wide acclaim as the co-creator, composer, Theater last year. He is also at work on and lyricist of the award-winning stage a new musical in collaboration with musical Hedwig and the Angry Inch, which book writer Chris D’Arienzo (Rock of was also developed into a feature film Ages) to bring the Martin Scorsese/New released by Fine Line Features and for Regency film The King of Comedy to the which he won an Obie Award, the Outer stage. Known for his time fronting 1990s Critics Circle Award for “Outstanding NYC punk band Cheater, Mr. Trask has Off-Broadway Musical,” a 1998 New also recorded and performed with artists York Magazine Award, Drama Desk such as Stone Temple Pilots, Bob Mould, nominations for outstanding music, lyrics, Sleater-Kinney, and Yoko Ono. 4 Amber Martin (vocals) is a celebrated Justin Craig (music director, guitar) is New York-based vocalist, cabaret star, and a Grammy-nominated record producer, comedic monologist. Named one of the composer, and New York-based musical “Top Performers of the Year” by the New director (Hedwig and the Angry Inch Yorker, Ms. Martin brings a combination Broadway and first national tour). Having of cabaret, belting vocals, and no-holds- started his musical career in the pop/rock barred comedy to her live, raucous, world, he spent years writing, recording, genre-hopping musical performances. She and touring with artists and bands all previously made her Broadway debut in over the world. After relocating to New Tales of the City at The Music Box Theater. York in 2011, he began orchestrating and Some of her performances include performing in musical theater productions appearing with Joan Rivers on Celebrity in addition to his studio work as producer Apprentice and opening for Ms. Rivers’ and musician. Additionally, he has worked live shows in New York. You can hear her in film as a composer, score mixer, and belting out featured vocals on The Scissor performing multi-instrumentalist for films Sisters’ single “Inevitable” (co-produced including How to Talk to Girls at Parties, The with Pharrell). She was a featured vocalist Nice Guys, Match, Admission, Lovelace, with comedian Sandra Bernhard at Town and Little Fockers. Hall in New York, and has twice been a featured guest on Ms. Bernhard’s Sirius Peter Yanowitz (drums) is a songwriter, XM radio show, Sandyland. She has librettist, and performer living in New performed her own solo shows in New York. He made his Broadway debut as York and New Orleans, as well as the Schlatko, the drummer in the Tony Award- TBA Festival, Treefort Festival, Outsider winning Broadway musical Hedwig and Festival, Jazz and Blues Festival in the Angry Inch. Mr. Yanowitz was the Altomonte, Italy, and has recurring New original drummer of The Wallflowers, and York residencies at Alan Cumming’s Club for Natalie Merchant on her first three Cumming, Joe’s Pub, and The Cutting solo records Tigerlily, Ophelia, and Live Room. Ms. Martin continues to evolve as in Concert. He has also recorded writer, curator, choreographer, and star and performed with Yoko Ono, Allen of her own performances, including The Ginsberg, and Wilco. With Stephen Days of My Lives and Three Women: Joplin, Trask, Mr. Yanowitz cowrote This Ain’t No Midler, & Nyro (solo artist residency at Disco, a rock opera about Studio 54 and Joe’s Pub), Hi! (“Best Solo Performance” Mudd Club in 1979, which made its Off- Drammy Award), Wigshop, Stoned Soul: Broadway debut in the summer of 2018 In Love with Laura Nyro (residency at the Atlantic Theater. He was also the at Feinstein’s/54 Below), and Janis: bass player and main songwriter for the Undead (a continuing US/international band Morningwood on Capitol Records. He tour). She is also touring her original currently plays in the band Princess Goes album, A.M. Gold, including two songs to the Butterfly Museum with Matt Katz featured in John Cameron Mitchell’s Bohen and Michael C. Hall. recent film, How to Talk to Girls at Parties. 5 Matt Duncan (bass) has worked as a Dylan Goodhue (sound designer) is a front- professional musician for over a decade of-house audio engineer and musician. He in various capacities, most often as a has worked with Grammy Award-winners bass player and a singer, songwriter, and Roomful of Teeth, Grupo Fantasma, Béla producer. He played bass as Jacek in Fleck, and Willie Nelson. He has mixed at the Broadway production of Hedwig and festivals including SXSW, Edinburgh Fringe the Angry Inch, and continued that role Festival, Calgary Stampede, Herzberg, and during the national tour that followed. Luminato. A native of Toronto, Mr. Goodhue Mr. Duncan’s solo albums are enjoyed is now living in Austin, Texas, where he by hundreds of thousands of fans on plays guitar in a hip-hop cover band called streaming services every month, and he Classic Hiphop Live, operates a farm in his continues to play bass with major touring backyard, teaches live audio, does yoga, acts. Mr. Duncan got his start playing in and loves his cat Leonardo Trouserpants punk, jazz, and folk bands in Lexington, the Third. Kentucky before moving to New York in 2014 to join the Hedwig cast. Although he Mike Potter (wigs and makeup design) frequently moonlights as a saxophonist was born and raised in rural Delaware. He and keyboard player, his love for the began doing wigs and makeup at a young interplay of rhythm and melody always age, and he earned his bachelor’s degree brings him back to the bass, his true in resource economics from the University instrumental love. of Delaware. He designed the original wigs and makeup for Hedwig and the Angry Erik Bergrin (costumes) is a costume Inch for the film, the Off-Broadway and designer and fiber artist based in Broadway run, and subsequent tour. He New York. His work has been featured currently works in the fashion and film in galleries and museums such as industries as a makeup artist, and is also Marlborough Contemporary, The State a painter. He currently lives and works in Historical Museum in Moscow, Envoy New York City.
Load more

Recommended publications
  • Greg Fitzpatrick
    Greg Fitzpatrick Gender: Male Service: no info Height: 5 ft. 8 in. Mobile: 818-648-2878 Weight: 145 pounds E-mail: [email protected] Eyes: Brown Web Site: http://vimeo.com/gre... Hair Length: Regular Waist: 31 Inseam: 32 Shoe Size: 7 1/2 Physique: Athletic Coat/Dress Size: 39R Ethnicity: Caucasian / White, Latin/Hispanic, Mixed Photos Film Credits #RealityHigh Stunt Coordinator Stunt Coordinator The House Stunt Dbl. Nick Kroll Todd Bryant Literally, Right Before Aaron Stunt Double: Justin Long Tim Mikulecky The First Stunt Double: Luke Arnold Dorenda Moore Suburicon Stunts Jeffery Lee Gibson Warcraft Stunt Coordinator, Re Shoots Greg Fitzpatrick Zoolander 2 Stunt Coord/Stunt Dbl. Ben Stiller Paramount Studios/Ben Stiller Dir. Generated on 09/29/2021 01:00:14 pm Page 1 of 7 Luke Lafontaine Night At The Museum 3-The Stunt Dbl. Ben Stiller/Asst. Brad Martin Secret Of The Tomb Coordinator Expelled Stunt Dbl.: Cameron Dallas Kim Koski/Tony Snegoff Godzilla Stunts John Stoneham Jr. The Secret Life Of Walter Mitty Dbl. Ben Stiller Tim Trella The Watch Dbl. Ben Stiller Jack Gill African Gothic Stunt Coordinator The Beautiful Ones Stunts Luke LaFontaine For The Love Of Money Dbl. Hal Ozan Jesse V. Johnson Project Five Stunt Double: David Eigenberg Charlie Brewer Tower Heist Stunt Double: Ben Stiller Jerry Hewitt Real Steel Atom Fight Double Garrett Warren Little Fockers Stunt Double: Ben Stiller Garrett Warren Green Hornet Acting Role / Stunts Andy Armstrong Hawthorne Stunts Kerry Rossal Ironman 2 Stunt Double: Robert Downey Jr. Tom Harper Night At The Museum 2 Stunt Double: Ben Stiller JJ Makaro Angels & Demons Stunts Brad Martin The Soloist Stunt Double: Robert Downey Jr.
    [Show full text]
  • Broadway the BROAD Way”
    MEDIA CONTACT: Fred Tracey Marketing/PR Director 760.643.5217 [email protected] Bets Malone Makes Cabaret Debut at ClubM at the Moonlight Amphitheatre on Jan. 13 with One-Woman Show “Broadway the BROAD Way” Download Art Here Vista, CA (January 4, 2018) – Moonlight Amphitheatre’s ClubM opens its 2018 series of cabaret concerts at its intimate indoor venue on Sat., Jan. 13 at 7:30 p.m. with Bets Malone: Broadway the BROAD Way. Making her cabaret debut, Malone will salute 14 of her favorite Broadway actresses who have been an influence on her during her musical theatre career. The audience will hear selections made famous by Fanny Brice, Carol Burnett, Betty Buckley, Carol Channing, Judy Holliday, Angela Lansbury, Patti LuPone, Mary Martin, Ethel Merman, Liza Minnelli, Bernadette Peters, Barbra Streisand, Elaine Stritch, and Nancy Walker. On making her cabaret debut: “The idea of putting together an original cabaret act where you’re standing on stage for ninety minutes straight has always sounded daunting to me,” Malone said. “I’ve had the idea for this particular cabaret format for a few years. I felt the time was right to challenge myself, and I couldn’t be more proud to debut this cabaret on the very stage that offered me my first musical theatre experience as a nine-year-old in the Moonlight’s very first musical Oliver! directed by Kathy Brombacher.” Malone can relate to the fact that the leading ladies she has chosen to celebrate are all attached to iconic comedic roles. “I learned at a very young age that getting laughs is golden,” she said.
    [Show full text]
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
    humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry.
    [Show full text]
  • This Is a Test
    ‘LOVE, AGAIN’ CAST BIOS TERI POLO (Chloe Baker) – Teri Polo is best known for her role as Robert De Niro’s daughter, Pam Byrnes, in the “Meet the Parents” feature films. She recently starred in “The Little Fockers,” the third installment of the movie franchise and completed production on the feature “Beyond” opposite Jon Voight. Polo has also recently filmed the Lifetime movie “We Have Your Husband” and had a recurring role on “Law & Order: Los Angeles.” She played the character of Casey Winters, wife of Detective Rex Winters, played by Skeet Ulrich. In 2011, Polo starred in the ABC series “Man Up.” Polo’s other recent credits include the feature film “The Hole,” directed by Joe Dante and the NBC miniseries “The Storm,” both released in 2010. Polo’s film credits include “Beyond Borders” co-starring Angelina Jolie, the suspense thriller “The Unsaid” opposite Andy Garcia and “Domestic Disturbance” opposite John Travolta and Vince Vaughn. She co-starred opposite De Niro and Stiller in “Meet the Parents,” for which she won a People’s Choice Award and its sequel “Meet the Fockers.” Originally from Dover, Delaware, Polo began her performing career as a dancer. By age 13, she was attending New York’s School of Ballet. The summer before her senior year, she was signed to a modeling contract, which led to a role as Kristin on the daytime drama “Loving.” Polo made her primetime debut in the dramatic series “TV 101.” Television audiences may remember her as Michelle Capra, the doctor’s wife who was determined to master the strange surroundings (and even stranger characters) in “Northern Exposure.” She also starred in the comedy series “I’m with Her” as well as David E.
    [Show full text]
  • At Play Fall-Winter 03.Qxd
    representing the american theatre by publishing and licensing the works of new and established playwrights JacquesBrelisAliveandWell Polly Pen on Writing Musicals Cowgirls’ Mary Murfitt Issue 9, Fall/Winter 2003 MUSICALS INTERVIEW WITH A BAT BOY Director of Professional Rights Robert Vaughan and Director of Publications Michael Fellmeth met with Bat Boy in the Palm Court of the Plaza Hotel in Manhattan to talk about growing up in a cave in Hope Falls, West Virginia, Bat Boy: The Musical, and his rise to global celebrity as the lead in a hit show about his own life. The pointy- eared, fanged star arrived with an entourage of bodyguards, personal assistants, agent, lawyer and publi- cist. Bat Boy, immaculately clad in Savile Row, seemed only vaguely aware of their presence. He greeted us warmly, sat down, lit a miniature cigar and ordered a bloody mary. continued on next page FELLMETH. Let me begin by saying how taken I EDGAR. Ahhh, Jenna. Jenna the Menace, that lips” motion.) Perhaps we’d best not discuss Dr. am with your voice, Bat Boy. Did you have any was my pet name for her. She was such a terror. Parker. That is a difficult subject for me. formal training? The media had it all wrong, though. It was she FELLMETH. Understandably so. A father who BAT BOY. Please don’t call me Bat Boy. My name who took to following me. After I finally got a abandoned you in infancy to be raised by bats is Edgar. restraining order she went on that binge in Texas and then — as if that weren’t enough — tried to FELLMETH.
    [Show full text]
  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
    [Show full text]
  • Earogenous Zones
    234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M.
    [Show full text]
  • Bonnie and Clyde and the Sixties Bruce Campbell
    “Something’s happening here”: Bonnie and Clyde and the Sixties Bruce Campbell Something’s happening here What it is ain’t exactly clear (Buffalo Springfield) It was a tumultuous time; 1967, the Age of Aquarius, the time of Flower Power, free love, and hippies.1 There were “Be-Ins” on both coasts. In the Haight-Ashbury section of San Francisco, there was a celebration called the “Summer of Love,” and a top-ten song advised “if you’re going to San Francisco, be sure to wear some flowers in your hair” (McKenzie). Young people were encouraged to “turn on, tune in, drop out,” and the nation suddenly learned about LSD.2 A generation just coming of age called for “peace and love.” Others wanted quicker, more violent change. Young men were being sent to Vietnam to fight what many considered an unjust war. Figures from the US National Archives show that more than eleven thousand young Americans died in Vietnam in 1967. The next year, the number would rise to more than eighteen thousand. The war was costing taxpayers billions of dollars a year, and each month, thousands of young men were being drafted into military service.3 When there were demonstrations against the draft and the war, protestors were met by police and National Guard troops. Groups like the Weathermen began using bombs to strike at “the system.”4 Blacks seeking equality grew frustrated with the slow progress of Martin Luther King’s nonviolent approach to achieving racial equality. In the summer of 1967, race riots plagued Newark, Detroit, and other cities.
    [Show full text]
  • San Diego Public Library New Additions September 2008
    San Diego Public Library New Additions September 2008 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABE Abé, Shana. The dream thief FIC/ABRAHAMS Abrahams, Peter, 1947- Delusion [SCI-FI] FIC/ADAMS Adams, Douglas, 1952- Dirk Gently's holistic detective agency FIC/ADAMSON Adamson, Gil, 1961- The outlander : a novel FIC/ADLER Adler, Elizabeth (Elizabeth A.) Meet me in Venice FIC/AHERN Ahern, Cecelia, 1981- There's no place like here FIC/ALAM Alam, Saher, 1973- The groom to have been FIC/ALEXANDER Alexander, Robert, 1952- The Romanov bride FIC/ALI Ali, Tariq. Shadows of the pomegranate tree FIC/ALLEN Allen, Preston L., 1964- All or nothing [SCI-FI] FIC/ALLSTON Allston, Aaron. Star wars : legacy of the force : betrayal [SCI-FI] FIC/ANDERSON Anderson, Kevin J. Darksaber FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth FIC/ARCHER Archer, Jeffrey, 1940- Cat o'nine tales and other stories FIC/ASARO Asaro, Catherine. The night bird FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/AUSTEN Austen, Jane, 1775-1817. Mansfield Park FIC/AUSTEN Austen, Jane, 1775-1817. Minor works FIC/AUSTEN Austen, Jane, 1775-1817. Northanger Abbey and Persuasion FIC/AUSTEN Austen, Jane, 1775-1817. Sense and sensibility FIC/BAHAL Bahal, Aniruddha, 1967- Bunker 13 FIC/BALDACCI Baldacci, David.
    [Show full text]
  • Large-Print-Mag-Nov-19.Pdf
    CHAPTER 11.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Talks at 4 16.11.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Art in the Bar Jon Pountney Waiting For The Light Until 14.02.20 ‘Waiting for the Light’ is a body of photographic works that capture a particular type of light; a harsh, acutely angled low sunlight that gives the scenes in Jon Pountney’s images a somewhat surreal and melancholy feel.
    [Show full text]