Japonica Humboldtiana 7 (2003)
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Bamcinématek Presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 Tales of Rampaging Beasts and Supernatural Terror
BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 tales of rampaging beasts and supernatural terror September 21, 2018/Brooklyn, NY—From Friday, October 26 through Thursday, November 1 BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, a series of 10 films showcasing two strands of Japanese horror films that developed after World War II: kaiju monster movies and beautifully stylized ghost stories from Japanese folklore. The series includes three classic kaiju films by director Ishirô Honda, beginning with the granddaddy of all nuclear warfare anxiety films, the original Godzilla (1954—Oct 26). The kaiju creature features continue with Mothra (1961—Oct 27), a psychedelic tale of a gigantic prehistoric and long dormant moth larvae that is inadvertently awakened by island explorers seeking to exploit the irradiated island’s resources and native population. Destroy All Monsters (1968—Nov 1) is the all-star edition of kaiju films, bringing together Godzilla, Rodan, Mothra, and King Ghidorah, as the giants stomp across the globe ending with an epic battle at Mt. Fuji. Also featured in Ghosts and Monsters is Hajime Satô’s Goke, Body Snatcher from Hell (1968—Oct 27), an apocalyptic blend of sci-fi grotesquerie and Vietnam-era social commentary in which one disaster after another befalls the film’s characters. First, they survive a plane crash only to then be attacked by blob-like alien creatures that leave the survivors thirsty for blood. In Nobuo Nakagawa’s Jigoku (1960—Oct 28) a man is sent to the bowels of hell after fleeing the scene of a hit-and-run that kills a yakuza. -
National Gallery of Art Spring 2012 Film Program
FILM SPRING 2012 National Gallery of Art 9 Art Films and Events 16 Japanese Divas 24 American Originals Now: Ernie Gehr 27 Michael Cacoyannis 31 The Tales of Jan Švankmajer 34 Bill Morrison: Recent Work The Miners’ Hymns p. 34 National Gallery of Art cover: Hanezu p. 9 Films are screened in the Gallery’s East Building Audito- The spring film season brings key restorations, new works, rium, Fourth Street and Pennsylvania Avenue NW. Works and special guests in a celebration of the art of the moving are presented in original formats and seating is on a image. Japanese Divas spotlights thirteen feature films, first-come, first-seated basis. Doors open thirty minutes primarily from the 1950s, by auteurs such as Yasujiro Ozu, before each show and programs are subject to change. Kenji Mizoguchi, and Akira Kurosawa, who collaborated For more information, visit www.nga.gov/programs/film, with major acting talents like Setsuko Hara, Machiko Kyo, e-mail [email protected], or call (202) 842-6799. Hideko Takamine, Kinuyo Tanaka, and Isuzu Yamada to develop some of the most revered films of the twentieth century. The spectacular world of Joan Miró is explored through a program of short nonfiction profiles of the artist by his friend, famed Catalan director Pere Portabella. The Gallery welcomes back renowned pianist Dennis James in a program of American silents, as well as conductor Gillian B. Anderson, who leads a performance of original scores developed for shorts by Segundo de Chomón. Other pro- grams present the work of legendary Czech animator Jan Švankmajer, two titles by the late Greek director Michael Cacoyannis, three programs of recent shorts by contem- porary American director Bill Morrison, and a weekend of films and videos by the deeply influential avant-garde filmmaker Ernie Gehr, who will appear in person. -
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company. -
Rétrospective Kenji Mizoguchi
Les Contes de la lune vague après la pluie POÈMES DE LA FORCE L’ADRC CAPRICCI i le cinéma n’était pas un art, l’œuvre de Kenji Mizoguchi n’en suffi rait pas moins à l’inscrire au LES BOOKMAKERS Srang des plus hautes manifestations du génie humain. L’émotion qui étreint à la vision de ses fi lms est une lame de fond souveraine et impavide qui dévaste l’âme sans retour. Ses mélodrames féminins, présentent genre de récit dans lequel il s’est le plus souvent illustré, ne sont pas de ceux qui mendient les larmes, mais qui foudroient et font éprouver ce que Primo Levi appelait « la honte d’être un homme ». Un fi lm, L’Intendant Sansho (1954), semble en cette qualité constituer la pierre de touche de son œuvre. Car à travers cette histoire féodale de deux enfants arrachés à leurs parents, vendus comme esclaves à un tyran et traversant l’existence comme une vallée de douleurs, on reconnaît ce « poème de la force » que Simone Weil évoquait à propos de l’Iliade : « L’âme humaine ne cesse pas d’y apparaître modifi ée par ses rapports avec la force, entraînée, aveuglée, par la force dont elle croit disposer, cour- bée sous la contrainte de la force qu’elle subit. » Et plus loin : « La force, c’est ce qui fait de quiconque lui est soumis une chose. Quand elle s’exerce jusqu’au bout, elle fait de l’homme une chose au sens le plus littéral, car elle en fait un cadavre. Il y avait quelqu’un, et, un instant plus tard, il n’y a personne. -
This Document Contains the 'Preface to the New Edition'
© Margaret Mehl 1998, 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher. Published 2017 by The Sound Book Press Copenhagen, Denmark ISBN 978-87-997283-4-3 (paperback) ISBN978-87-997283-5-0 (mobipocket) First published in Great Britain 1998 by Macmillan Press Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS and London ISBN 0-333-69088-5 First published in the United States of America 1998 by St. Martin’s Press, Inc. Scholarly and Reference Division, 175 Fifth Avenue, New York, N. Y. 10010 ISBN 0-312-21160-0 This Document contains the ‘Preface to the New Edition’ and the “Notes on the New Edition’ as submitted to the typesetter. The typeset and published version contains several corrections. For Information only, not for citation: please cite from the book! © Margaret Mehl 2017 from History and the State 1 Contents Preface to the New Edition Notes on the New Edition Acknowledgements Preface to the First Edition Note on Japanese Names and Terms 1 Introduction 2 Historiography in the Service of the Meiji Government 2.1 The Meiji Restoration and the Revival of Historiography by the Government 2.2 Centralization of Government and the Department of History 2.3 The Osaka Conference and the Office of Historiography 2.4 The Political Crisis of 1881 and the Reorganization of the College of Historiography 2.5 On the Way to the Meiji Constitution: -
Film Noir in Postwar Japan Imogen Sara Smith
FILM NOIR IN POSTWAR JAPAN Imogen Sara Smith uined buildings and neon signs are reflected in the dark, oily surface of a stagnant pond. Noxious bubbles rise to the surface of the water, which holds the drowned corpses of a bicycle, a straw sandal, and a child’s doll. In Akira Kurosawa’s Drunken Angel (1948), this fetid swamp is the center of a disheveled, yakuza-infested Tokyo neighborhood and a symbol of the sickness rotting the soul of postwar Japan. It breeds mosquitos, typhus, and tuberculosis. Around its edges, people mourn their losses, patch their wounds, drown their sorrows, and wrestle with what they have been, what they are, what they want to be. Things looked black for Japan in the aftermath of World War II. Black markets sprang up, as they did in every war-damaged country. Radioactive “black rain” fell after the atomic bombings of Hiroshima and Nagasaki. Black Spring was the title of a 1953 publication that cited Japanese women’s accounts of rape by Occupation forces. In “Early Japanese Noir” (2014), Homer B. Pettey wrote that in Japanese language and culture, “absence, failure, or being wrong is typified by blackness, as it also indicates the Japanese cultural abhorrence for imperfection or defilement, as in dirt, filth, smut, or being charred.” In films about postwar malaise like Drunken Angel, Kenji Mizoguchi’s Women of the Night (1948), and Masaki Kobayashi’s Black River (1957), filth is everywhere: pestilent cesspools, burnt-out rubble, grungy alleys, garbage-strewn lots, sleazy pleasure districts, squalid shacks, and all the human misery and depravity that go along with these settings. -
Louxor Palais Du Cinéma Semaine Du 26 Août Au 1 Septembre 2020
Louxor Palais du cinéma Semaine du 26 août au 1 septembre 2020 Chien Pourri, la vie à Paris ! EN AVANT-PREMIÈRE Durée : 1:00 Genre : Animation Réalisé par Davy Durand, Vincent Patar, Stéphane Aubier MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VF Dans un jardin qu'on dirait éternel Durée : 1:40 Genre : Comédie dramatique Réalisé par Tatsushi Omori Avec Kiki Kirin, Haru Kuroki, Mikako Tabe, Mayu Harada, Saya Kawamura MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO Tenet Durée : 2:30 Genre : Action, science-fiction Réalisé par Christopher Nolan Avec John David Washington, Robert Pattinson, Elizabeth Debicki, Aaron Taylor-johnson, Himesh Patel MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance. -
The Films of Kenji Mizoguchi: Authorship and Vernacular Style
The Films of Kenji Mizoguchi: Authorship and Vernacular Style Paul Spicer This thesis is submitted in partial fulfilment of the requirements of the award of the degree of Doctor of Philosophy of the University of Portsmouth October 2011 Contents Declaration i List of Figures ii Notes on Translation v Acknowledgements vii Dedication ix Introduction 1 Chapter One – Ideas of Language 34 Chapter Two – Ideas of Authorship 76 Chapter Three – Mizoguchi and Mise en Scène 119 Chapter Four – Ideas of Spectatorship 162 Chapter Five – Mizoguchi and Melodrama 195 Chapter Six – Mizoguchi and Theatre 247 Conclusion 288 Bibliography 308 Select Filmography 319 Mizoguchi Filmography 321 Appendix One: Interview with Oshima Kinue 328 Appendix Two: Interview with Sawato Midori 336 Appendix Three: Interview with Saso Tsutomu 349 Appendix Four: Omoukotonado: Edo Jocho no Eigaka Sonohoka: (My Thoughts: Creating Edo Culture in Film) by Director Kenji Mizoguchi. Nikkatsu Magazine June 1926 374 Appendix Five: Kanji Readings of Key Figures 378 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. i List of Figures Chapter One Figure 1, p.56. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion. Figure 2, p.57. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. New York: Criterion Figure 3, p.58. Naniwa Ereji (1936). Mizoguchi's Fallen Women: Eclipse Series 13 (2008) [DVD]. -
Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura Part
PRESS RELEASE: May 2012 12/26 Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura at BFI Southbank in June and July 2012 April 2012 marks the 100th birthday of Kaneto Shindo, one of the leading talents in post-war Japanese film. Throughout June and July BFI Southbank will host a two-part retrospective which pays tribute both to Shindo himself and to his friend, colleague and contemporary Kozaburo Yoshimura (1911- 2000), one of the neglected masters of classical Japanese film. June’s programme focuses primarily on the 1950s, the period when their collaboration was closest. Yoshimura and Shindo’s work together constitute a revealing social history and include some of Japanese cinema’s most powerful and moving films. Beginning with a Season Introduction on Wed 6 June by the season’s curator Alexander Jacoby (Lecturer in Japanese Studies at Oxford Brookes University), Jacoby will explore the collaboration between Shindo and Yoshimura situating their work in the social, political and cinematic context of a rapidly changing post-war Japan. Shindo is a versatile director, skilled screenwriter and pioneer of independent production who has astonishingly remained active into very recent years, releasing his latest film, Postcard, at the age of 98. Under contract to Shochiku studios as respectively director and screenwriter, Yoshimura and Shindo initiated a fruitful collaboration with The Ball at the Anjo House (1947), a Chekhovian study of the decline of the pre-war aristocracy, which scooped the top prize in the critics’ poll conducted that year by the leading Japanese film magazine, Kinema Junpo. But both men found their creativity inhibited at Shochiku, and by the early 1950s had established their own independent production company, Kindai Eiga Kyokai. -
50 Anni Di Cinema. Decenni E Attori Di Culto 12 Settembre - 29 Ottobre 2013 Proiezioni Ore 17.00 E 19.30 Istituto Giapponese Di Cultura - Via A
50 anni di cinema. Decenni e attori di culto 12 settembre - 29 ottobre 2013 Proiezioni ore 17.00 e 19.30 Istituto Giapponese di Cultura - Via A. Gramsci, 74 - 00197 Roma ingresso libero Dopo la rassegna 50 anni di cinema. Decenni e registi di culto (10 gennaio-19 febbraio 2013) – pre-evento in occasione del 50esimo anniversario di fondazione dell’Istituto Giapponese di Cultura - una nuova retrospettiva con un focus sugli attori più noti del panorama cinematografico giapponese aprirà il calendario degli eventi autunnali. Ogni decennio, dagli anni ’50 fino ai 2000, sarà idealmente rappresentato da tre attori scelti tra i più conosciuti e amati dal pubblico giapponese, che hanno dato voce e volto ai protagonisti di storie dirette con passione e straordinario talento da cineasti la cui fama ha varcato i confini nazionali. Quindici pellicole, quindici attori e attrici indimenticabili: l’affascinante Hideko Takamine, Toshiro Mifune, interprete di tanti film di Kurosawa, Tatsuya Nakadai, Ken Takakura, Ken Ogata, Koichi Sato e tanti altri ancora, fino ai conosciutissimi Rie Miyazawa e Ken COMUNICATO STAMPA Watanabe. Tutti nuovamente protagonisti non solo delle storie raccontate sul grande schermo, ma di una storia universale, quella del cinema. SINOSSI FILM Giovedì 12 settembre ore 17.00 e Lunedì 21 ottobre ore 20.00 HOROKI (Drifting, 1962, B/N, 123’, 35mm ©Toho Co., Ltd.) di Mikio Naruse Sottotitoli in inglese Interpreti Hideko Takamine (Fumiko Hayashi), Kinuyo Tanaka (sua madre Kishi), Akira Takarada (il poeta Mitsugu Fukuchi), Noboru Nakaya (il drammaturgo Haruhiko Date), Yunosuke Ito (il poeta Goro Shirasaka) Nel primo periodo Showa, Fumiko Hayashi e sua madre si sostentano facendo le venditrici ambulanti. -
Encyclopedia of Shinto Chronological Supplement
Encyclopedia of Shinto Chronological Supplement 『神道事典』巻末年表、英語版 Institute for Japanese Culture and Classics Kokugakuin University 2016 Preface This book is a translation of the chronology that appended Shinto jiten, which was compiled and edited by the Institute for Japanese Culture and Classics, Kokugakuin University. That volume was first published in 1994, with a revised compact edition published in 1999. The main text of Shinto jiten is translated into English and publicly available in its entirety at the Kokugakuin University website as "The Encyclopedia of Shinto" (EOS). This English edition of the chronology is based on the one that appeared in the revised version of the Jiten. It is already available online, but it is also being published in book form in hopes of facilitating its use. The original Japanese-language chronology was produced by Inoue Nobutaka and Namiki Kazuko. The English translation was prepared by Carl Freire, with assistance from Kobori Keiko. Translation and publication of the chronology was carried out as part of the "Digital Museum Operation and Development for Educational Purposes" project of the Institute for Japanese Culture and Classics, Organization for the Advancement of Research and Development, Kokugakuin University. I hope it helps to advance the pursuit of Shinto research throughout the world. Inoue Nobutaka Project Director January 2016 ***** Translated from the Japanese original Shinto jiten, shukusatsuban. (General Editor: Inoue Nobutaka; Tokyo: Kōbundō, 1999) English Version Copyright (c) 2016 Institute for Japanese Culture and Classics, Kokugakuin University. All rights reserved. Published by the Institute for Japanese Culture and Classics, Kokugakuin University, 4-10-28 Higashi, Shibuya-ku, Tokyo, Japan.