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THE PEEL REPORT 5 Proteste Be Made to Au a Look at the Events Leading up to the Repp'rt and the Likely Outcome
hope that decisicHi wiU reflect those principles of. humanity and justice for which men like Jacob VOLUME 48, NUMBERS 17 & 18 Prai have been prepared to make sudi great sacrifice. I therefore make the plea that the strongest possible THE PEEL REPORT 5 proteste be made to aU A look at the events leading up to the repp'rt and the likely outcome. (Queensland's largest and most governments invdved in the accessible letter section). continuing daughter hi West Papua and the possible SOLAR SELL-OUT 7 extradidon of Jacob Prai. Do not let us have to Two special reports on the eneigy problem - how big business is JACOB PRAI'S ask who was Jacob Prai. cashing in on the SUP panies, to the total ex ^UDY ANDREWS ARREST AND THE clusion of the local people. WEST IRIAN RE P.O. Box 106 MEXICAN GRASS NOW DEVIL WEED 9 An example is "Freeport Kuranda. North Old. SISTANCE TO Muierals" whose copper 4872. How the U.S. Govt, is poisoning American marijuana smokers. INDONESIA mine at Tembagapuiii_ is 80% American owned'the remaining 20% belonguig to MARY WHITEHOUSE GAY LIBERATION MOVEMENT H I write tiUs in the hope hidtmesian partners. DESERVES RESPECT dut your puUlcation, as a Local opposition to ~" ' ~ Part 2 of our series 'Coming out in the Seventies'. traditional champion of Indonesian mle in Irian i am an outside aoquam- hfeedom and justice will bring to notice the cir 5!'"!,";^ii?"'H'n^^*these people vutiiaUy hav^e ^^ of^ Sempe*?^r an, d my' SEX AND SMELL 13 cumstances surrounding only bows and arrows to «»"»«>*«.«« in reference Research into the impact of smell on human sexual behaviour. -
Phd Manuscript 190429 Plain Text
The Presence of Performance and the Stakes of Serial Drama: Accrual, Transience, Companionship Elliott Logan MPhil (University of Queensland, 2013) BA, Hons (University of Queensland, 2009) BA (University of Queensland, 2007) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2018 School of Communication and Arts Abstract This thesis shows how performance is a critically neglected but crucial aspect of serial television drama as an art form. One of serial drama’s obvious storytelling attractions is its ability to involve viewers in relationships between characters over long periods of time. Such involvement takes place through a recurring structure of episodes and seasons, whose unfolding reflects the extensive, ongoing history through which interpersonal bonds form and develop, deepen and decay. The characters we watch onscreen are embodied and performed by actors. Television studies, however, has persistently overlooked screen performance, hampering appreciation of serial drama’s affinity with long-term relationships as a resource for aesthetic significance. Redressing such neglect, this thesis directs new critical attention to expressive stylistic relationships between serial form, screen performance, and the subject of companionship in some recent US serial dramas. The focus of that attention is a particular aesthetic quality: the provisional, which emerges through serial drama’s distinctive tension between permanence and transience. In the first chapter, I argue that the provisional is central to an affinity between screen performance, seriality in television drama, and companionship as an aspect of human life. Chapters Two and Three then show how the art of the provisional in particular series has been underappreciated due to television studies’ neglect of performance and expressiveness as dimensions of serial form in television fiction. -
LH9.U6 S46 Semper Floreat. 1
LH9.U6 S46 Semper floreat. 1 ;!#:?'?r:^- 2002 no . ^ >^^^- \ ; M A. \^-^ A ^ R •^^•:} '^- TnVo "v ' ^^ V Semper respectfully acknowledges that we stand on what always was, and always will be, Indigenous land. We acknowledge that it is stolen land, and that Indigenous Australians are the rightful, sovereign owners of all Australia. We acknowledge that the discrimination and genocidal practices that have been waged against Aboriginal people since white invasion continue still, and for this we are deeply sorry. We apologise and express shame over the dispossession, marginalisation and attempted genocide of Aboriginal Australians. We also apologise and express shame at the Government's refusal to demonstrate meaningful regret towards Indigenous Australians. We demand an end to all racism in Australia. Editors: Hannah Brooks, Renee Dodds Semper is published by the University and Holly Zwalf of Queensland Union. Address all Cover: Patrick King correspondence to: Union Complex, Centrefold: Renee Dodds University of Queensland, St Lucia, 4067. The views expressed In Semper Floreat Email: [email protected] are those of the respected contributors Phone: 3377 2237 and are not necessarily held by the editors or staff. Page 1 Ifs two past three. No! Three past two. We have a building all of our own. Three computers we huddle editorial around because it is cold in here. We put all the pages on the wall today - eighty pages. It's good for us to look at them that way. We have stared and stared at these screens trying to touch pictures and words. We can now; we can see them. The physicality of our creation hit us - my God we are hungry and we will eat the placenta. -
Challenging Stereotypes
Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 I II Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 III © Gunhild-Marie Høie 2014 Challenging Stereotypes: How the stereotypical portrayals of Muslims and Islam are challenged in Homeland. http://www.duo.uio.no Print: Reprosentralen, University of Oslo IV V Abstract Following the terrorist attack on 9/11, actions and practices of the United States government, as well as the dominant media discourse and non-profit media advertising, contributed to create a post-9/11 climate in which Muslims and Arabs were viewed as non-American. This established a binary paradigm between Americans and Muslims, where Americans represented “us” whereas Muslims represented “them.” Through a qualitative analysis of the main characters in the post-9/11 terrorism-show, Homeland, season one (2011), as well as an analysis of the opening sequence and the overall narrative in the show, this thesis argues that this binary system of “us” and “them” is no longer black and white, but blurred, and hard to define. My analysis indicates that several of the enemies in the show break with the stereotypical portrayal of Muslims as crude, violent fanatics. -
Showtime Unlimited Schedule August 01 2013 12:00 Am 12:30 Am 1:00
Showtime Unlimited Schedule August 01 2013 12:00 am 12:30 am 1:00 am 1:30 am 2:00 am 2:30 am 3:00 am 3:30 am 4:00 am 4:30 am 5:00 am 5:30 am SHOWTIME Elizabeth R Elizabeth: The Golden Age (2:05) PG13 Blues Brothers 2000 PG13 SHO 2 #1 Cheerleader Wild Cherry R Humpday R Don't Go in the Woods (4:05) TVMA Shadow..... Camp (11:15) TVMA TVPG SHOWTIME SHOWCASE Trevor Noah: African Tanya X (1:15) TVMA Chatroom R Dave Foley: Relatively Taking..... American (12:05) TVMA Well (4:40) TVMA (5:40) R SHO BEYOND The Ninth Gate (11:35) R Batbabe: The Dark Nightie TVMA Malice in Wonderland R When Time Expires PG13 SHO EXTREME Kevin...... TV14 The Fixer TVMA Blast (2:20) R Murder in Mind R T.N.T. R SHO NEXT Rosencrantz and Guildenstern Dirty Love (1:40) R The Samaritan (3:15) R Debra Digiovanni: Single, are Undead (12:15) TVMA Awkward, Female TVMA SHO WOMEN Hide and Seek (12:10) R Barely Legal TVMA Trade R Touched.... R SHOWTIME FAMILY ZONE The Princess Stallion (11:40) TVG Max Is Missing (1:10) PG Whiskers (2:50) G The Song Spinner G FLiX The... R Farewell My Concubine R Silent Partner (3:25) R The Ruby Ring TVG THE MOVIE CHANNEL The... PG13 The Constant Gardener R Burning Palms (2:40) R The Three Musketeers (4:35) PG THE MOVIE CHANNEL XTRA The Chaperone PG13 Tim and Eric's Billion Dollar Movie (2:15) R Afterschool TVMA 6:00 am 6:30 am 7:00 am 7:30 am 8:00 am 8:30 am 9:00 am 9:30 am 10:00 am 10:30 am 11:00 am 11:30 am SHOWTIME D3: The Mighty Ducks (6:05) PG Battle Of The High School The Last Play at Shea (9:35) TVPG New.. -
June 1, 2012 12:00 AM 12:30 AM 1:00 AM 1:30 AM 2:00 AM 2:30 AM 3:00 AM 3:30 AM 4:00 AM 4:30 AM 5:00 AM 5:30 AM
Showtime Unlimited Schedule June 1, 2012 12:00 AM 12:30 AM 1:00 AM 1:30 AM 2:00 AM 2:30 AM 3:00 AM 3:30 AM 4:00 AM 4:30 AM 5:00 AM 5:30 AM SHOWTIME Girls of Sunset... MILF (12:45) TVMA Gary Owen: True Story (2:15) TVMA Josh Blue: Sticky Change (3:15) TVMA Gross Anatomy (4:15) PG13 (12:10) TVMA SHO 2 The King's Speech R The 2012 AVN Awards TVMA Nick Di Paolo... TVMA Debra... (4:20) TVMA Lily in Love (5:15) TVPG SHOWTIME Booty Call R Birds of America R Mask Maker R Jefferson In Paris PG13 SHOWCASE SHO EXTREME The Bleeding House TVMA Girls of Leaves of Grass R Trade R Hunter Prey TVPG Sunset... TVMA SHO BEYOND Hellraiser: Hellworld (11:45) R Alien Raiders R Bewitched Housewives TVMA F for Fake PG SHO NEXT Fubar: Balls to the Wall R Different For Girls R Wild Tigers I Have Known (2:40) TVMA Meskada (4:05) R Make Believe (5:35) TVPG SHO WOMEN Margaret Cho: Cho Dependent TVMA Harvard Man R Silent Partner (2:40) R Six Wives of Henry Lefay PG13 SHOWTIME Coach PG13 Harley's Hill TVG Running Wild TVG The Halfback Of Notre Dame (4:05) G FAMILY ZONE THE MOVIE Bob Funk (11:35) R Devil's Playground (1:25) TVMA Girl From B.I.K.I.N.I. (3:10) TVMA Lime Salted Love (4:35) TVMA CHANNEL THE MOVIE Vidal Sassoon... PG The Deal (12:35) R Let The Right One In R Project: Human Weapon R CHANNEL XTRA FLiX Dirty Dancing:.. -
Election of Union Officers the Three Candidates for President
FULL AGENDA FOR T^E A.G.M. PAGE 4. NOW AVAILABLE EouB. —Fluid MechanlM for Hydraulic Engin eers 88/9 BOOKS Rogers—A Student's His FOR YOUR STUDIES tory of Philosophy ., 20/9 Pleser and Fleaer—Or IN ALL SUiSJEOTS ganic Chemistry ,,,, 61/6 Winton and BayUss — are Obtainable from Human Physiology , 43/9 A, McLEOD, A, McLEOD, "Brisbane's Best "Brisbane's Best Bookstore,*' Bookstore," 107 ELIZAiSJQ'IH »T., 107 ELIZABETH ST., BRISBANE BRISBANE The University of Queensland Students' Newspaper Registered at G.P.C, Briabane, for Vol, xvn, - No, 24 TUESDAY, OCTOBER 12, 1948 transmission by po.st as a periodical. YOU HAVE AN APPOINTMENT! Q£JQm 10 II 12 15 Election of 'iUi'iMAJic^ ^i^HUa.^ ^ "^ktOcOULSVs- Union JC 7.30 p.m. Friday, Oct. .15, Geology Lecture Theatre. Officers And you choose from amongst these- — The Three Candidates for President BOB DANIELS N. E. S. JACKSON "Commerce Procession Committee, ALAN ROBERTS He has also given valuable support on In proposing Bob Daniels Combining popularity and an the Arts-Commerce Society Com Alan Roberta is a man whose (Civil Engineering III) for the abiljty to get things done with mittee in its renewed activities directed towards the improvement of conscientiousness in the stud important position of President a keen interest in, and wide staff-student relations. ents' interest, keen-mindedness of the University of Queensland knowledge of, student affairs, Following on the ground-work laid and ability to make decisions Union, we consider that he is the Neil Jackson is an excellent by this year's Union Executive, Neil's make him admirably suited for choice for the position of Union policy, both immediate and long man for the job. -
What Are They Hiding?
^UEENcuiVD ^ UNIVERSITY. Hiiii 'l§il§gend^ IMHIi Registered at the O.P.O., BrL-ibanfl. for SEMPER FLOREAT, TUESDAY, JUNE 9, 1959. transmission by post as a periodical. VOL, 29, No. 6 Aborigines suffer 'inhumanity^ indignity and liumiliation' IVe need WHAT ARE THEY HIDING? BY THE EDITORS positive TOURING the last few weeks, Semper has heard many disquieting repercussions to policy • • • Tom Toogood's article on aboriginals in the BY IAN WALTON Commem. issue. THIS Issue quotes a ihir JOarh ShuMm Cherbourg settlement offl Officials of Palm Island and Cherbourg abori cial statin; that the policy ginal settlements have attacked the article on one iiiiirriiiniiiriniiimiifniiiimu iiiiiiDiiiiiuiiitii :uiiiuuiimiiimHi»imiijnnijMuii»iiJjmwjjijiinfiiiiiiijHiiJ'Uuiuuii»iinHnjiiiijjiiiijfiJun<iiji»inijMMiijiiWJjuiJJuiirmtM,unuid of the settlement is to hand, but on the other ... .MAINTAIN THE RACIAL IDENTITY of natives. Many grave claims and accusations have come into the editors' hands, which, if one is to believe At Armidale at a confer What happened to ence on aboriginal prob them, cast serious reflections on the Government's lems, the Queensland present and future treatment of aborigines. Native Affairs Director Some of the material we have received has been ignored; said, "We have in our State but we cannot ignore a situation which finds several responsible a policy aimed at the members of the community confronting us with similar allega Gordon Santo..? QUICK DISPOSAL INTO tions about the privations of our aboriginals: indrgnify, inhuman BY INQUIRER THE COMMUNITY of all ity, humiliation. HE inscription above the main entrance to our capable of accepting the A Semper representative tried to check the truth of these responsibility, and of help allegations with the Government Department. -
2019 SAI Letter: Money for Nothing: Dire Straits in Valuations
MONEY FOR NOTHING DIRE STRAITS IN VALUATIONS; STOCKS FOR FREE; THE IMPERATIVE OF NO; AND – THE BERKSHIRE FUMBLEROOSKIE, PLUS MORE! 2019 LETTER TO CLIENTS February 14, 2020 CONTENTS MONEY FOR NOTHING DIRE STRAITS IN VALUATIONS; STOCKS FOR FREE; THE IMPERATIVE OF NO; AND – THE BERKSHIRE FUMBLEROOSKIE, PLUS MORE! IN THE LETTER – INTRODUCTION 5 KUDOS 6 INTRINSIC VALUE UPDATE – ADVANTAGES ARE GREATEST AT MARKET HIGHS 8 Forward Expectations 10 Fundamentals Versus the Market 12 THE PETER PRINCIPLE 15 On a Mission 15 The Peter Principle 17 ESG 19 THE IMPERATIVE OF NO: THE LUXURY OF PATIENCE 21 The First Step is the Hardest 21 Understandability 22 Second Verse Same as the First – Business Quality 25 Leverage 26 Management Quality 28 Price Matters 32 THE RELUCTANT ACTIVIST 33 O’Sullivan Industries 34 Mercury General 36 AVX 38 Berkshire Hathaway 41 BLINDERS AT A PEAK 42 The Two-Year Two-Step 42 100 Years of Peaks and Troughs 43 DON’T FEAR THE REPO 47 History 48 Teledyne 48 The “Modern” Era 48 RSU’s Crash the Option Party 50 DEFANGING THE FAB 5 57 Microsoft 57 The Fab 5 59 When Perfection Meets Reality 60 The Nifty Fifty 61 Lower the Bar 62 2 ACTIVE V. PASSIVE UPDATE – Just Set the Table Please 67 READ AND LISTEN 68 BERKSHIRE HATHAWAY: THE SKY IS FALLING 69 Interval Training 70 Above the Fold 75 Bye-Bye Book Value 77 If a Tree Falls in the Forest 80 The Fumblerooskie 85 The Dual Yardsticks of Intrinsic Value 86 Book Value Receives a Complement 87 Oh, What a Night 91 Berkshire Hathaway: Ten-Year Expected Return 94 Estimating Fourth Quarter and Full-Year -
Homeland Episode Guide Episodes 001–096
Homeland Episode Guide Episodes 001–096 Last episode aired Sunday April 26, 2020 www.showtime.com © © 2020 www.tv.com © 2020 www.showtime.com © 2020 www.imdb.com © 2020 tvrage.com © 2020 www. © 2020 tvline.com celebdirtylaundry.com The summaries and recaps of all the Homeland episodes were downloaded from http://www.tv.com and http://www. showtime.com and http://www.imdb.com and http://tvrage.com and http://www.celebdirtylaundry.com and http://tvline.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on April 28, 2020 by footstep11 with create_eps_guide v0.62 Contents Season 1 1 1 Pilot ...............................................3 2 Grace ..............................................7 3 Clean Skin . .9 4 Semper I . 11 5 Blind Spot . 13 6 The Good Soldier . 15 7 The Weekend . 17 8 Achilles Heel . 19 9 Crossfire . 21 10 Representative Brody . 23 11 The Vest . 25 12 Marine One . 29 Season 2 33 1 The Smile . 35 2 Beirut is Back . 39 3 State of Independence . 43 4 New Car Smell . 45 5 Q&A............................................... 47 6 A Gettysburg Address . 49 7 The Clearing . 51 8 I’ll Fly Away . 53 9 Two Hats . 55 10 Broken Hearts . 57 11 In Memoriam . 59 12 The Choice . 61 Season 3 63 1 Tin Man Is Down . 65 2 Uh... Oh... Ah... 69 3 Tower of David . 71 4 GameOn ............................................ 73 5 Yoga Play . 75 6 Still Positive . 77 7 Gerontion . 81 8 A Red Wheelbarrow . -
1 Men at War: Die Konstruktion Von Maskulinität in Der US
onlinejournal kultur & geschlecht #16 (2016) N i eh u e s 1 Konstruktion von Maskulinität in H o me l a n d Men at War: Die Konstruktion von Maskulinität in der US-amerikanischen Fernsehserie Homeland Hans Niehues 1 „Favorite TV show right now? A show called Homeland.“ Barack Obama Eine explosive Spannung Zu Beginn des 21. Jahrhunderts findet in der US-amerikanischen Fernsehlandschaft ein Veränderungsprozess statt, den Kritiker_innen als eine kulturelle „Revolution“ bezeichnen,2 die eine „Explosion“ hoher Kunst in einem trivialen Medium der Popkultur versinnbildlicht3 und das dritte goldene Zeitalter des US-amerikanischen Fernsehens einläutet.4 Die Rede ist von der Entwicklung eines neuen Serienformats, welches unter anderem wegen 1 Barack Obama (Interview mit Enrique Santos.): Enrique Interviews Barack Obama. 2012, http://enriquesantos.com/enrique-santos-president-barack-obama-interview/#.VSO-NtysW-0 (zuletzt eingesehen am 14.12.2015. 2 Vgl. Alan Sepinwall: The Revolution was Televised. The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama Forever. New York 2013, S. 373. 3 Vgl. Brett Martin: Difficult Men. Behind the Scenes of a Creative Revolution. From the Sopranos and the Wire to Mad Men and Breaking Bad. New York 2013, S. 21. 4 Vgl. ebd., S. 7. onlinejournal kultur & geschlecht #16 (2016) N i eh u e s 2 Konstruktion von Maskulinität in H o me l a n d seiner vermeintlich mehrdeutigen und anspruchsvollen Inhalte, der außergewöhnlichen narrativen Strukturen und der kunstvollen Kinematografie im gegenwärtigen medienwissenschaftlichen -
La Representación Mediática De La Paternidad En Tres Relatos Audiovisuales Contemporáneos De Éxito: Los Casos De Breaking Bad, Mad Men Y Homeland
ARTÍCULOS Comunicación y género ISSNe: 2605-1982 https://dx.doi.org/10.5209/CGEN.63675 La representación mediática de la paternidad en tres relatos audiovisuales contemporáneos de éxito: los casos de Breaking Bad, Mad Men y Homeland Mariona Visa Barbosa1; Francisco Cabezuelo Lorenzo2 y Teresa Piñeiro-Otero3 Recibido: 16 de marzo de 2019 / Aceptado: 27 de mayo de 2019 Resumen. Este trabajo analiza en profundidad las las representaciones de padres de la ficción televisiva contemporánea, con especial atención a aquellas que –aún respondiendo a un estereotipo clásico- muestran una mayor complejidad en su construcción. Se han seleccionado tres representaciones de padres habituales en la ficción audiovisual: el padre proveedor, el ausente y el colega. Se trata de analizar sus características en el caso concreto de tres series estadounidenses que alcanzaron una gran repercusión global en los últimos años como son Mad Men (AMC, 2007-2015); Breaking Bad (AMC, 2008-2013) y Homeland (Showtime, 2011-hoy). Las tres series analizadas cuentan con un protagonista masculino de gran trascendencia, que va a marcar tanto el relato de la serie como de la relación que se establecen entre los restantes personajes. El trabajo pretende describir la representación de la paternidad en estas tres series contemporáneas inscritas en la llamada tendencia audiovisual de la “Quality TV”. Palabras clave: Ficción audiovisual; Series; Quality TV; representaciones; paternidad. [en] Media representation of fatherhood typologies in three successful contemporary tv series. Case studies focused on Breaking Bad, Mad Men and Homeland Abstract. This work analyzes the representations of parents of contemporary TV series, with special attention to those that –even in response to a classic stereotype–show a greater complexity in its construction.