November Band Schedule

Total Page:16

File Type:pdf, Size:1020Kb

November Band Schedule www.Brookspub.biz NOVEMBER E NTERTAINMENT SAT 1 GROOVELINE FRI 21 EDDIE & THE BOOZERS FRI 7 FLIPSIDE SAT 22 BLACK THUNDER SAT 8 FLIPSIDE FRI 28 LIPSTICK JUNKYS FRI 14 BOWTIES SAT 29 SUPERSTITIOUS MIND SAT 15 SPITFIRE Happy Thanksgiving from Brooks Pub Layway Now OPENING @ 3PM ON THANKSGIVING DAY for Christmas Keep connected with Brookspub.biz and Brooks Pub on Facebook for upcoming Events. Also check our Marque out front. Don’t Miss Out! Daily Drink Specials Everyday! Ask one of our beautiful bartenders for details. The best of Sam Kindrick The secret life and hard times of a cedar chopper A true Texas treasure and 21st Century antique Now back on the (Book printed in 1973) market through The Vaping Experts. special offer! Come see us. For 41 consecutive years, Experience it for yourself. this book by Action Magazine editor-publisher Sam Kindrick has narrowly escaped the • Friendly, Knowledgable Sta New York Times best seller list • Huge Selection of Flavors To receive a copy of • Starter Kits and Supplies The best of Sam Kindrick, send an • Enjoyable, Relaxed Environment $8 check or money order to Action Magazine, 4825 Elm Creek Drive, 7303 San Pedro 16350 Blanco Bulverde, Texas 78163. (210) 979-VAPE (210) 479-2770 We do not do plastic. Ask about our Military Discounts! Handling and postage included. • 2 • Action Magazine, November 2014 Visit our website www.actionmagsa.com to see a full web version of our magazine online. Never be without your Action Magazine, available anywhere in the world via internet access. • DEPARTMENTS • Sam Kindrick...........................................6 Editor & Publisher..................Sam Kindrick Everybody’s Somebody..........................9 Sales........................................Action Staff Photography.............................Action Staff Scatter Shots.........................................10 Distribution............................Ronnie Reed Composition..........................Elise Taquino Volume 39 • Number 10 • FEATURES • Amber Digby ............................................4 Letters to Editor .....................................13 Action Magazine, November 2014 • 3 • Amber Digby’s classic roots keep the country in her music of today By Sam Kindrick validates her new genera - What transpired was a We photographed tion standing as a true female singing perform - Amber Digby last winter at classic country music ance which was the epit - Kendalia Hall. queen. ome of what I consider Our interview with “I was raised around real country music. Digby came last month by great stars like Loretta It’s a haunting, bell-true phone as she traveled to Lynn,” Amber said. “I honky-tonk sound that be - Nashville for an appear - learned watching the best speaks of Loretta’s femi - ance on the Grand Ole of the best, but in the very nist activism and Tammy’s Opry. end it was a matter of me Stand by Your Man tenac - “We have played the paying my dues just like ity. Opry before,” said Digby, every other successful Amber looked from the “but the thrill never wears performer in the business outset like she was born to thin. I literally grew up in must do.” work in a Texas dance the shadow of Ryman Au - Those dues, Amber hall. ditorium.” said, include everything Maybe she was. Amber Digby Lindley is from changing clothes in a The Kendalia Hall ap - married to her rhythm gui - rolling van to putting on pearance last winter was tar player and road man - makeup in a dirty bath - part of a series of benefits ager Randy Lindley. He is room. staged by the Texas also leader of their band “I know that I have had Dance Hall Preservation Midnight Flyer. the advantage of associat - Society, a non-profit outfit Her pedigree in the ing with some of the big dedicated to maintaining country music industry names of country music,” and promoting old dance Digby said, “but I have al - halls across the state. ways had this hunger to “I don’t believe we are succeed as a singing scheduled to play songwriter. I feel almost Kendalia again this year, like I was born singing.” but there are other dance Country music queen Amber Digby Our first contact with hall shows coming up,” Let us cater the 33-year-old Digby Digby said. “I believe in Her father, Dennis Her mother, Donna, was a solo career in the 1960s your holiday came when she was still in this very strongly. Texas is Digby, was a bassist for backup singer for Connie and also worked for Char - her teens and traveling the only state that has au - Cal Smith and Loretta Smith who later went to lie Louvin, and the party or bring with her uncle Darrell Mc - thentic dance halls, and I Lynn, and Amber was a work for Ronnie Milsap youngest McCall, Amber’s your party to Call, who was playing a believe we need to hang frequent passenger on the Enterprises. Darrell Mc - uncle Dennis, played bass Texas Pride. show at Texas Pride Bar - on to them.” very bus used in the Call is Donna’s older for Barbara Mandrell in the becue near Atkins. Digby came by her tal - movie Coal Miner’s brother. Digby’s aunt 1970s. 210-649-3730 Taking a brief break ent naturally, and an Daughter. Diane McCall had her own Continued on pg. 7 www.texaspridebbq.net from the Texas Pride Amber Digby article would stage, Darrell put his niece be incomplete without a up with the band and said, rundown on the geneal - “Just listen to this.” ogy. BEXAR BALiceInLse #145 102 S. BCOMOAL N#2, SDATXS 78207 20% OFF Most Bonds At the corner of Commerce & Comal 210Vic-to2ria 2Emb4rey-, M9ana9ger 15 • 4 • Action Magazine, November 2014 13247 BANDERA RD, HELOTES, TX 78237 210-695-4941 NOW FEATURING LIVE MUSIC! NOVEMBER BAND SCHEDULE NOVEMBER 1 NOVEMBER 9 NOVEMBER 21 NOVEMBER 29 CHRIS SAUCEDO BAND HOSTED BY ADRIAN BRYAN BROS RON YOUNG 8-11PM RODRIGUEZ 6-8PM 7-10PM SCOTT GALE 7-10PM NOVEMBER 2 NOVEMBER 14 NOVEMBER 22 HOSTED BY ADRIAN ADRIAN RODRIGUEZ BRETT MULLINS BAND NOVEMBER 30 RODRIGUEZ 6-8PM 7-10PM 8-11PM HOSTED BY ADRIAN RODRIGUEZ 6-8PM NOVEMBER 7 NOVEMBER15 NOVEMBER 23 BRYAN BROS JESSE STRATTON HOSTED BY ADRIAN Every Wednesday 7-10PM 7-10PM RODRIGUEZ 6-8PM will be songwriters night hosted by NOVEMBER 8 NOVEMBER 16 NOVEMBER 28 NATALIE ROSE BAND HOSTED BY ADRIAN BONNIE LANG Amy Hermes 8-11PM RODRIGUEZ 6-8PM 7-10PM 6-9pm ENJOY THE BEST IN OLD FASHIONED HAMBURGERS, GREAT BEER AND WONDERFUL MUSIC! Action Magazine, November 2014 • 5 • I call this Mac computer I work on the Devil Box. congruity of unexplainable magnitude, and a precarious I hate computers. I also hate snitches, dog perch for one of surly and bad-tempered persuasion. A Devil Box tantrum As the torrent of new “friends” continued, I catchers, colonoscopys, and rural bicycle riders in Manu Ginobili, my favorite Spur, said social Spandex pantaloons who think they own the rural road - media gadflies need to be reserved and cautious about pitched one of my famed Devil Box tantrums, an exple - ways. their postings for all the world to see. tive-laced exercise in wasted energy and doomsday I also hate passwords. Stupid damn passwords “Show it to someone else before you put it up over-reaction that Harry Thomas, my webmaster, has that change on what seems like a daily basis. there,” Manu said. long been accustomed to. Type in your user name I must now confess that I have had a deacti - Elise Taquino, my relatively new production Type in your password vated Facebook page for several years now, and my re - manager and talented graphic artist, has proven to be Bulletin: cent return to this cyber space insanity was really an as resilient and completely detached from my personal Your user name or your password is incorrect accident. shit storms as Thomas. She got my number early on. No shit, Sherlock.What else is new? My first Facebook experience lasted all of two “Just cool it,” she said. “Everything is going to And this is just a tip of the pique. days. When I joined the first time, I was unaware that be okay.” the Facebook emails could be channeled into a sepa - It’s like Elise has known me for years. And her Jerry and the Muslims rate folder, and I was aghast when a torrent of Facebook admonitions were prophetic. We have sailed through Throw in Ebola, Jerry Jones, the Muslims, land “friend” requests started glutting my computer main raping backhoes, and Rick Perry...That should be good inbox. her first three issues of Action Magazine like a hot knife for openers as we chronicle my disgust with the 21st Hello, Country Bumpkin, how’s the frost out on slicing through butter, and the magazine has never been Century. the pumpkin... as clean and error-free as it is today. Mahatma Gandhi said hate the sin but love the With no attempt to get information about Face - Facebook, though, is something else. My sinner. book, etc., I pulled the plug and withdrew from the mad - “friends” list has surpassed 900 in only two months, and Does this mean that we can really and truly love ness, capping off my actions with a column item as I continue affirming new requests, I realize that a the Cowboys while hating Jerry Jones at the same assuring one and all that I had all the “friends” I could bunch of those people are real people, many of them time? I truly hope so. handle, and that no more should even think of applying musicians, who I have actually counted as friends Some literary cipher at Current Magazine once for my buddy list. throughout the years. referred to me as a curmudgeon.
Recommended publications
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • The K-Pop Wave: an Economic Analysis
    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
    [Show full text]
  • Domestic Hallyu: K-Pop Metatexts and the Media's Self-Reflexive Gesture
    International Journal of Communication 11(2017), 2308–2331 1932–8036/20170005 Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture MICHELLE CHO1 McGill University, Canada Television serves as a crucial medium for shaping the South Korean public’s response to the success of hallyu, or the Korean Wave, in news reports, variety shows, and celebrity interview programs. Further, in the last decade, several K-pop idols have been cast in serial narrative television shows that fictionalize hallyu creative industries. These metatextual shows domesticate transnational idol pop celebrities by contributing layers of televisual intimacy to their star personae and by seeming to expose the inner workings of the entertainment industries. This essay focuses on two notable examples, Dream High (2011, KBS2) and Answer Me 1997 (2012, tvN), to consider what this proliferation of popular narratives about media production and reception on South Korean television signifies. I argue that the intertextual presentation of K-pop on Korean television negotiates a complex relationship between popular culture and public culture in South Korea. The metatextual relay revealed in these shows—what I characterize as the media’s self-reflexive critical gesture—provides access to the ideological impasses of the attempt to produce intimate national publics through globalized contents. Keywords: metatextuality, television, K-drama, K-pop, hallyu, Korean Wave If the ideological function of mass culture is understood as a process whereby otherwise dangerous and protopolitical impulses are “managed” and defused, rechanneled and offered spurious objects, then some preliminary step must also be theorized in which these same impulses—the raw material upon which the process works—are initially awakened within the very text that seeks to still them.
    [Show full text]
  • THE GLOBALIZATION of K-POP by Gyu Tag
    DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.
    [Show full text]
  • Dobeck to Appear at Skidmore
    Dobeck to Appear at Last Issue This is your last issue! (if you Skidmore aren't a member or if you haven't let us know when you 40 years of covering Jazz. bought a ticket that you wanted the newsletter). Mr. Dobek is known for his and play- intense emotional So many of you have bought ing. His recording, reviewed tickets, become members, has in our newsletter last year votrunteered and been good been broadcast nationally and friends of the Jazz Commu- has received great reviews. nity. But with cutbacks in all of the arts funding sources, ifs The admission charge will be tough to carry some of you on students, $3.00 for Skidmore the "free" list. And now the Senior Citizens and Skidmore good old Post Office has community and only $6.00 for raised its rates for bulk mail the general public. Another and changed other rules that lazz,bargain that has got to makes it expensive to be Dan Dobek, area pianist who come under the category of generous. appeared at our Jazz Picnic in cheap thrills! l990,will appear as a soloist at If you haven't become a mem- Skidmore's Filene Music HaII INSIDE ber, renewed your member- on Friday March 6,1992 at ship or told us you wanted to 200 Words....................p.2 7Pm. be a part of making A Place Billie Holiday Play......p.2 torJazz in Northeastern New The performance will consist My Solo... ....p.3 York when you came to our of exciting new music from his J azz, Calendar...........
    [Show full text]
  • 2022 March Term Course and Trips Offerings.Docx
    Cuyahoga Valley Christian Academy LEARNING AND DISCOVERY BEYOND THE CLASSROOM 2022 COURSE AND TRIP OFFERINGS 1 Welcome to March Term 2022 (March 21-25, 2022)! Our January and March term sessions (Jterm and Mterm) increase opportunities for learning and exploration that challenge our students in areas of interest and also encourage deeper faculty-student relationships through enrichment electives, educational travel, service, mission trips, and Career Experience Opportunities. The Middle School Mterm program (grades 6-8) is designed to cultivate spiritual, educational, and personal growth in each student. Each middle school grade participates in a unified Mterm experience allowing students a unique and developmentally appropriate time of experiential learning and class bonding. Middle school students are automatically enrolled in their Mterm. More detailed packets and information for Excelerate (6th grade), Elevate (7th grade) and Prepare to Believe (8th grade) will be forthcoming from the leaders of these experiences. Participation in Mterm is a graduation requirement for all students in grades 9-12. High school students must enroll in one of the following options: ● an AM (morning) and PM (afternoon) class session ● All-day class ● Career Experience Opportunity (grades 11-12) ● Trip Mterm registration, for high school students, opens on Sunday afternoon, August 29, 2021, through Tuesday, September 7, 2021. Registration is completed online. Parents will receive a text alert on Sunday, 8/29/21, notifying them to check email for an important Mterm notification. Access to the online registration starts with seniors, followed by students in grades 9-11. For students selecting an Mterm trip, a non-refundable deposit of $175 is required at the time of registration.
    [Show full text]
  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
    DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.
    [Show full text]
  • Organised by Supported by KOREA DAY in SHEFFIELD Floor Plan
    Organised by Supported by KOREA DAY IN SHEFFIELD Floor Plan Korea Day in Sheffi eld is a day- Promotional Zone long celebration of all things Korean culture from the traditional to the 1. Pilsung Taekwondo contemporary. 2. Korean Cultural Centre UK We're putting on a fun-fi lled day of 3. K-Pop Dance Society live performances, tasty food and 4. Korean Studies unique cultural experiences. 5. Korea Society (Ksoc) Food Zone Experiences · Korean Food and Drinks 1. Pearls · hanbok (traditional clothing) 2. Ksoc Tuck Shop 3. Helena's Korean Kitchen · Traditional Korean Calligraphy with 4. The View Deli Kilchan Lee · Traditional Korean Games tuho (Korean darts), jegichagi (hacky sack), Experience Zone ttakjichigi (Paper tile combat game) 1. Hanbok · Handicrafts Painting a minhwa (Korean folk art) 2. Traditional Games canvas, pouch and traditional Korean- 3. Handicraft style coaster 4. Calligraphy Mini folding screen and necklace 5. Seoul Glow - Korean Skincare · Korean skincare by Seoul Glow 2 3 Stage Shilla Ensemble – Programme Programme 1. Nunggye garak The traditional piece Neunggye-garak refers to the melodies played on the TIME PROGRAMME Korean taepyeongso, an oboe-like reed instrument. Although it is usually performed as part of the farmers’ music repertoire, it is also sometimes played at military processions. 12:30 – 12:50 Taekwondo (Pilsung Taekwondo Club) 13:00 – 13:30 University of Sheffi eld K-pop Society 2. Sanjo Dance The Korean representative music for solo instruments, Sanjo, was developed 13:40 – 14:10 Traditional Korean Music and Dance Performances 1 in the 19th century. It is thought to have been developed from sinawi, a form Shilla Ensemble of improvisation performed during shamanistic ceremonies in the Jeolla-do province, the southwestern part of the Korean peninsula.
    [Show full text]
  • A Feminist Political Economy of the Korean Popular Music Industry
    A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry.
    [Show full text]
  • Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian
    Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian NTNU Norwegian University of Science and Technology Master’s thesis Faculty of Humanities Department of Music Performance and ItsProduction K-Pop, Norwegian andaFox Mustard Chocolate, NebbRånes Brian Christer Trondheim, autumn2014 Trondheim, thesis Master’s in Musicology Brian Christer Nebb Rånes Chocolate, Mustard and a Fox Norwegian K-Pop, Its Production and Performance Master’s Thesis in Musicology Trondheim, November 2014 Norwegian University of Science and Technology Faculty of Humanities Department of Music CONTENTS Contents .......................................................................................................... iii Abstract ............................................................................................................ v Acknowledgements ..................................................................................... vii Introduction ................................................................................................... xi Chapter One: A Deliberate Globalization Strategy ................................ 1 Cultural Technology, Hybridization and the Creation of a “World Culture” ........................... 1 Chapter Two: Catering to the Global Market ........................................ 23 Globalization of Content in Crayon Pop’s “Bar Bar Bar” ........................................................ 23 “The Fox Say ‘Bar Bar Bar’” .....................................................................................................
    [Show full text]
  • A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave As a Cultural Industry Yeojin Kim
    Hastings Communications and Entertainment Law Journal Volume 36 | Number 1 Article 3 1-1-2014 A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry Yeojin Kim Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Yeojin Kim, A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry, 36 Hastings Comm. & Ent. L.J. 59 (2014). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol36/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry by YEOJIN KIM* I. Introduction .......................................................................................................................... 60 II. Recent Trend of the Korean Wave and K-Pop ...................................................................... 62 A. Appearance and Development of
    [Show full text]
  • Juvenile Protection and Sexual Objectification: Analysis of the Performance Frame in Korean Music Television Broadcasts1
    ACTA KOR ANA VOL. 16, NO. 2, DECEMBER 2013: 329–365 JUVENILE PROTECTION AND SEXUAL OBJECTIFICATION: ANALYSIS OF THE PERFORMANCE FRAME IN KOREAN 1 MUSIC TELEVISION BROADCASTS By CEDARBOUGH T. SAEJI2 The wide-spread sexual objectification of women in Korean popular music performance subconsciously teaches men and boys that women and girls are sexual objects that exist to please them. Simultaneously sexual objectification disempowers girls and women by emphasizing superficial beauty. Although many decisions related to K- pop choreography, costumes, or lyrics may be attributed to music management companies, this article analyzes how music television programs Inkigayo (Seoul Broadcasting System) and Music Core (Munhwa Broadcasting Company) contribute to the sexual objectification of women through the ways that emcees frame performances and the ways the camera draws attention to sexualized body parts. In August 2012 racy performances by the girl group Kara raised public debate and spurred calls for amendments to the Juvenile Protection Law. At that time commentary focused on the impact of sexually provocative performances on young people. The law places responsibility for monitoring content onto the content producers and broadcasters, yet frame analysis of Kara’s performances, compared with performances in early 2013, demonstrated that neither Inkigayo nor Music Core had changed the sexually objectifying performance frame on their shows. The final version of the revised law, 1 This research was supported by Hankuk University of Foreign Studies Research Fund of 2013. 2 Author’s Note: Thank you to the editor and enormously helpful anonymous reviewers at Acta Koreana as well as friends and colleagues with whom I discussed aspects of this paper: my gratitude to Logan Clark, Timothy Gitzen, Meredith Perry, Jungwon Kim, Jisoo Hyun, Thea Suh, Go Gwanyeong, and the audience for my presentation at the 2013 International Association for the Study of Popular Music conference.
    [Show full text]