Dobeck to Appear at Skidmore

Total Page:16

File Type:pdf, Size:1020Kb

Dobeck to Appear at Skidmore Dobeck to Appear at Last Issue This is your last issue! (if you Skidmore aren't a member or if you haven't let us know when you 40 years of covering Jazz. bought a ticket that you wanted the newsletter). Mr. Dobek is known for his and play- intense emotional So many of you have bought ing. His recording, reviewed tickets, become members, has in our newsletter last year votrunteered and been good been broadcast nationally and friends of the Jazz Commu- has received great reviews. nity. But with cutbacks in all of the arts funding sources, ifs The admission charge will be tough to carry some of you on students, $3.00 for Skidmore the "free" list. And now the Senior Citizens and Skidmore good old Post Office has community and only $6.00 for raised its rates for bulk mail the general public. Another and changed other rules that lazz,bargain that has got to makes it expensive to be Dan Dobek, area pianist who come under the category of generous. appeared at our Jazz Picnic in cheap thrills! l990,will appear as a soloist at If you haven't become a mem- Skidmore's Filene Music HaII INSIDE ber, renewed your member- on Friday March 6,1992 at ship or told us you wanted to 200 Words....................p.2 7Pm. be a part of making A Place Billie Holiday Play......p.2 torJazz in Northeastern New The performance will consist My Solo... ....p.3 York when you came to our of exciting new music from his J azz, Calendar............ .p.4,5 concerts, this will be your last J azz Suite entitled "Seasons Marcus Roberts & mailed issue. (Please call me at within the Heart. In addition, Ellis Marsalis............ .....p 7 374-6912 if you think you Dobek will play some popular might have forgotten to renew J a22makers................ ....p.7 Jazzstandards. In total the or give me your name when concert will cover stylings Continued onback 2 0 0 o r d s Play on Life of by Glyn Evans Billie Holiday More on "No Figs" ing to grow with the music. Heritage Artists at the Cohoes (Note: The "prequel" to More Music Hall announced that a On "No Figs" aDDears in APFI The controversy spilled over play on the life of the world Vol II. No. 4) into the public arena with famous I azz singer, Billie critics and fans divided. Holiday will begin previews (perhaps At first glance, Tristano's title Someone Leonard on January 22 and continue "No Figs" is as enigmatic as Feather) named the old school through February 16th. The many other Jazz tttles. In fact audience'moldy figs'. Even as play,l,ady Day at Emuson's Bar it refers to a bitter Jazz contro- a high school boy in Wales I and Grill was written by versy that erupted in the was aware and partisan. The Lamie Robinson and stars 1.940's. debate grew beyond words. Debra Tidwell, who transfers Diz recalls a fistfight between her much praised starring role Bird,Diz, Bud and Monk; the rival factions when playing in from Washington, D.C. to the beboppers had arrived, chal- Paris in1947. There is no Capital District area. lenging earlier jazz forms question the boppers saw The play takes place during rhythmically, melodically and themselves in the fradi- Jazz the last seven days of Billie harmonically. Many older tion - the line from Oliver, Holiday's life and is set in a players reacted critically. Armstrong, Eldridge, Diz is bar where she performs with Armstrong "Aww, said that's clear. live musicians on stage. The slop! No melody.", although musical was the hit of the Off- Diz writes that Louis Rever For the bspper+, struggling i'roadwayseason in 1986 and criticized him personally. with their own genius in a continues to draw intense Boppers were such a threat to difficult environment, to have interest as it tours the country. older players, those like, say, their roots questioned was Coleman Hawkins or Don bitter. Now the beautiful Ms. Holiday is considered to Byas, were unable or unwill- music is richer. Time passes. be one of the most influential artists inJazzhistory. Her phrasing, timing and musical interpretation has been lis- tened to and imitated by singers and musicians all over the world. Her life was both an artistic triumph and a personal tragedy. This combi- Come and See all the Changes nation has made her the at our StuyvesantPlaza Store subject of writersr poets, scholars, movie-makers and Voted Metroland Magazine's playwrights. It is a show not Best Record Store overall to be missed! - - last four years! For information about tickets call the Cohoes Box Office at Stuyvesant Plaza Delaware Plaza Shop n'Save Plaza 235-7959. Preview Albany Delmar E. Greenbush 438-3003 439-2449 477-7846 performances will be January 22nd and 23rd. 2 v s o o Strayhorn to write for particu- he does it because he likes "to @ lar solbists in full knowledge hang" with the best musicians ilsa marvelous form of the art. it because Wondrous delights have been that they would be there year in town. Others do put forth under the leadership after year to display their it helps them build their of Basie, Kenton, Ellington, talents. "chops." Herman, Lunceford and it be great to have a Henderson to name just a few. That doesn't happen any Wouldn't big band series in the area so The 18 piece aggregation is more... or does it? we could hear them all? Or truly a marvel... and almost a Over L00 musicians are have somebody hire them for Jazz dinosaur since the 1950's a concert! and sixties. actively rehearsing in 5 Big dance AND Bands in this area. Many have With the exception of a few regular rehearsal dates, some as a week, leaders such as Herman, Basie as often once but and Ellington, it has been most rehearse only once a almost irnpossible to keep month. The participants range from full time professional these living organisms alive Iustin's national stat- for more than a few years. musicians with They are nightrnares of logis- ure to part-time musicians job. tics and finance, are hard to who still keep their "day" Good food move around, expensive to Most of these bands will never a paying public. keep and have all the com- be heard by Spirits plexity that you might expect Why would a musician spend for no from trying to get L8 very all this time rehearsing Iazz creative people to do anything money? Why would leaders Stan at the same time! like Diane Marlowe, Szepkowski, Paul Couch, Lou & Emil In the past these groups Pettys, Skip Parsons, Loca1Art earned their living through Kalled and others spend their playing for public and private money to buy and have charts rehearsal halls dances. They kept up with written, renting jobs ...The 301 Lark St., Albany their cost by traveling 300 with no in sight? charts. 436-7008 days a year, using buses and chance to play big band carefully balancing the egos of the soloists and section play- Big Band lazz can only be with the coopera- ers. Leaders such as Ellington performed t-t-f r-f-rr_Tr II I r I a large number of other and Basie had to be a mixture tion of IT, I The musicians of psychologist, music direc- musicians. lrodcrl money Special Or, tor, composer and father work hard, put out to I Any Book In Print figure. develop their music library ; i and put a lot of time into r Call346-271e i enjoy I n Nr This constant travel and con- rehearsal because they I tinual play melded these playing together, the challenge r THE opeN DooR I musicians into an ensemble of reading new scores and the | ,ZS f", Sr. Downrown Schenectadv I that could almost think in chance to play with some of ! Books Gifrs Greeting Cards F the outstanding soloists in the I cnilarr-nf trausic and t'oys unison. It also allowed com- rEEEItrrrr-I_ posers like Ellington and area. One musicians told us I Z Iron Horse Cafe 20 Centre St., The information below was sent Calendar Northampton, Mass . 413-5U- to us by the clubs listed below. 0610. There's a music charge and Van Dyck Cont. It's best to check by telePhone most concerts are ticketed February- before going because there maY (about $10) Call 1-800-THE- 13-Doc Springs be last minute changes. Clubs TICK for advance ticket sales. (or 21.-22Dave McKenna have a cover music charge) Seats about 170. (food Watch for Marion McPartland or a minimum purchase February or drink). Frequently both. 8- Young Lions of Fountain Restaurant 283 New Jazz:Yrlallace Reservations are advisable Roney Scofland Ave., AlbanY. 482-9898 Quartet (especially for better-known 9-Anita O'Day Skip Parsons and his Riverboat Quartet groups) as many of the clubs 13-Dirty Dozen Brass Band azz Band 2nd weekend every seat less than 100. ! 17-Elvin w/SonnY month 10pm-2am. Call for ]ones Quintet Fortune, Ravi Coltrane Mc Neill's 30L Lark St., details. Iustin 23-Dr. John Albany. Musichas been Pushed 26-Mahlathini and the Mahotella up to 1.0:30pm, but still3 sets. Skip Parsons Presents at the Italian American CommunitY Queens Very small. Excellent food. March Center Washington Ave. Ext., Reservations a must. Cover and L3- Buster Williams and Rene Albany 456-0292. SundaY lazz minimum. Jazz Brunch on Rosnes Sundays at LLam.
Recommended publications
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • The K-Pop Wave: an Economic Analysis
    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
    [Show full text]
  • Domestic Hallyu: K-Pop Metatexts and the Media's Self-Reflexive Gesture
    International Journal of Communication 11(2017), 2308–2331 1932–8036/20170005 Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture MICHELLE CHO1 McGill University, Canada Television serves as a crucial medium for shaping the South Korean public’s response to the success of hallyu, or the Korean Wave, in news reports, variety shows, and celebrity interview programs. Further, in the last decade, several K-pop idols have been cast in serial narrative television shows that fictionalize hallyu creative industries. These metatextual shows domesticate transnational idol pop celebrities by contributing layers of televisual intimacy to their star personae and by seeming to expose the inner workings of the entertainment industries. This essay focuses on two notable examples, Dream High (2011, KBS2) and Answer Me 1997 (2012, tvN), to consider what this proliferation of popular narratives about media production and reception on South Korean television signifies. I argue that the intertextual presentation of K-pop on Korean television negotiates a complex relationship between popular culture and public culture in South Korea. The metatextual relay revealed in these shows—what I characterize as the media’s self-reflexive critical gesture—provides access to the ideological impasses of the attempt to produce intimate national publics through globalized contents. Keywords: metatextuality, television, K-drama, K-pop, hallyu, Korean Wave If the ideological function of mass culture is understood as a process whereby otherwise dangerous and protopolitical impulses are “managed” and defused, rechanneled and offered spurious objects, then some preliminary step must also be theorized in which these same impulses—the raw material upon which the process works—are initially awakened within the very text that seeks to still them.
    [Show full text]
  • THE GLOBALIZATION of K-POP by Gyu Tag
    DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program.
    [Show full text]
  • 2022 March Term Course and Trips Offerings.Docx
    Cuyahoga Valley Christian Academy LEARNING AND DISCOVERY BEYOND THE CLASSROOM 2022 COURSE AND TRIP OFFERINGS 1 Welcome to March Term 2022 (March 21-25, 2022)! Our January and March term sessions (Jterm and Mterm) increase opportunities for learning and exploration that challenge our students in areas of interest and also encourage deeper faculty-student relationships through enrichment electives, educational travel, service, mission trips, and Career Experience Opportunities. The Middle School Mterm program (grades 6-8) is designed to cultivate spiritual, educational, and personal growth in each student. Each middle school grade participates in a unified Mterm experience allowing students a unique and developmentally appropriate time of experiential learning and class bonding. Middle school students are automatically enrolled in their Mterm. More detailed packets and information for Excelerate (6th grade), Elevate (7th grade) and Prepare to Believe (8th grade) will be forthcoming from the leaders of these experiences. Participation in Mterm is a graduation requirement for all students in grades 9-12. High school students must enroll in one of the following options: ● an AM (morning) and PM (afternoon) class session ● All-day class ● Career Experience Opportunity (grades 11-12) ● Trip Mterm registration, for high school students, opens on Sunday afternoon, August 29, 2021, through Tuesday, September 7, 2021. Registration is completed online. Parents will receive a text alert on Sunday, 8/29/21, notifying them to check email for an important Mterm notification. Access to the online registration starts with seniors, followed by students in grades 9-11. For students selecting an Mterm trip, a non-refundable deposit of $175 is required at the time of registration.
    [Show full text]
  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
    DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.
    [Show full text]
  • Organised by Supported by KOREA DAY in SHEFFIELD Floor Plan
    Organised by Supported by KOREA DAY IN SHEFFIELD Floor Plan Korea Day in Sheffi eld is a day- Promotional Zone long celebration of all things Korean culture from the traditional to the 1. Pilsung Taekwondo contemporary. 2. Korean Cultural Centre UK We're putting on a fun-fi lled day of 3. K-Pop Dance Society live performances, tasty food and 4. Korean Studies unique cultural experiences. 5. Korea Society (Ksoc) Food Zone Experiences · Korean Food and Drinks 1. Pearls · hanbok (traditional clothing) 2. Ksoc Tuck Shop 3. Helena's Korean Kitchen · Traditional Korean Calligraphy with 4. The View Deli Kilchan Lee · Traditional Korean Games tuho (Korean darts), jegichagi (hacky sack), Experience Zone ttakjichigi (Paper tile combat game) 1. Hanbok · Handicrafts Painting a minhwa (Korean folk art) 2. Traditional Games canvas, pouch and traditional Korean- 3. Handicraft style coaster 4. Calligraphy Mini folding screen and necklace 5. Seoul Glow - Korean Skincare · Korean skincare by Seoul Glow 2 3 Stage Shilla Ensemble – Programme Programme 1. Nunggye garak The traditional piece Neunggye-garak refers to the melodies played on the TIME PROGRAMME Korean taepyeongso, an oboe-like reed instrument. Although it is usually performed as part of the farmers’ music repertoire, it is also sometimes played at military processions. 12:30 – 12:50 Taekwondo (Pilsung Taekwondo Club) 13:00 – 13:30 University of Sheffi eld K-pop Society 2. Sanjo Dance The Korean representative music for solo instruments, Sanjo, was developed 13:40 – 14:10 Traditional Korean Music and Dance Performances 1 in the 19th century. It is thought to have been developed from sinawi, a form Shilla Ensemble of improvisation performed during shamanistic ceremonies in the Jeolla-do province, the southwestern part of the Korean peninsula.
    [Show full text]
  • A Feminist Political Economy of the Korean Popular Music Industry
    A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry.
    [Show full text]
  • Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian
    Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian NTNU Norwegian University of Science and Technology Master’s thesis Faculty of Humanities Department of Music Performance and ItsProduction K-Pop, Norwegian andaFox Mustard Chocolate, NebbRånes Brian Christer Trondheim, autumn2014 Trondheim, thesis Master’s in Musicology Brian Christer Nebb Rånes Chocolate, Mustard and a Fox Norwegian K-Pop, Its Production and Performance Master’s Thesis in Musicology Trondheim, November 2014 Norwegian University of Science and Technology Faculty of Humanities Department of Music CONTENTS Contents .......................................................................................................... iii Abstract ............................................................................................................ v Acknowledgements ..................................................................................... vii Introduction ................................................................................................... xi Chapter One: A Deliberate Globalization Strategy ................................ 1 Cultural Technology, Hybridization and the Creation of a “World Culture” ........................... 1 Chapter Two: Catering to the Global Market ........................................ 23 Globalization of Content in Crayon Pop’s “Bar Bar Bar” ........................................................ 23 “The Fox Say ‘Bar Bar Bar’” .....................................................................................................
    [Show full text]
  • November Band Schedule
    www.Brookspub.biz NOVEMBER E NTERTAINMENT SAT 1 GROOVELINE FRI 21 EDDIE & THE BOOZERS FRI 7 FLIPSIDE SAT 22 BLACK THUNDER SAT 8 FLIPSIDE FRI 28 LIPSTICK JUNKYS FRI 14 BOWTIES SAT 29 SUPERSTITIOUS MIND SAT 15 SPITFIRE Happy Thanksgiving from Brooks Pub Layway Now OPENING @ 3PM ON THANKSGIVING DAY for Christmas Keep connected with Brookspub.biz and Brooks Pub on Facebook for upcoming Events. Also check our Marque out front. Don’t Miss Out! Daily Drink Specials Everyday! Ask one of our beautiful bartenders for details. The best of Sam Kindrick The secret life and hard times of a cedar chopper A true Texas treasure and 21st Century antique Now back on the (Book printed in 1973) market through The Vaping Experts. special offer! Come see us. For 41 consecutive years, Experience it for yourself. this book by Action Magazine editor-publisher Sam Kindrick has narrowly escaped the • Friendly, Knowledgable Sta New York Times best seller list • Huge Selection of Flavors To receive a copy of • Starter Kits and Supplies The best of Sam Kindrick, send an • Enjoyable, Relaxed Environment $8 check or money order to Action Magazine, 4825 Elm Creek Drive, 7303 San Pedro 16350 Blanco Bulverde, Texas 78163. (210) 979-VAPE (210) 479-2770 We do not do plastic. Ask about our Military Discounts! Handling and postage included. • 2 • Action Magazine, November 2014 Visit our website www.actionmagsa.com to see a full web version of our magazine online. Never be without your Action Magazine, available anywhere in the world via internet access. • DEPARTMENTS • Sam
    [Show full text]
  • A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave As a Cultural Industry Yeojin Kim
    Hastings Communications and Entertainment Law Journal Volume 36 | Number 1 Article 3 1-1-2014 A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry Yeojin Kim Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Yeojin Kim, A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry, 36 Hastings Comm. & Ent. L.J. 59 (2014). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol36/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry by YEOJIN KIM* I. Introduction .......................................................................................................................... 60 II. Recent Trend of the Korean Wave and K-Pop ...................................................................... 62 A. Appearance and Development of
    [Show full text]
  • Juvenile Protection and Sexual Objectification: Analysis of the Performance Frame in Korean Music Television Broadcasts1
    ACTA KOR ANA VOL. 16, NO. 2, DECEMBER 2013: 329–365 JUVENILE PROTECTION AND SEXUAL OBJECTIFICATION: ANALYSIS OF THE PERFORMANCE FRAME IN KOREAN 1 MUSIC TELEVISION BROADCASTS By CEDARBOUGH T. SAEJI2 The wide-spread sexual objectification of women in Korean popular music performance subconsciously teaches men and boys that women and girls are sexual objects that exist to please them. Simultaneously sexual objectification disempowers girls and women by emphasizing superficial beauty. Although many decisions related to K- pop choreography, costumes, or lyrics may be attributed to music management companies, this article analyzes how music television programs Inkigayo (Seoul Broadcasting System) and Music Core (Munhwa Broadcasting Company) contribute to the sexual objectification of women through the ways that emcees frame performances and the ways the camera draws attention to sexualized body parts. In August 2012 racy performances by the girl group Kara raised public debate and spurred calls for amendments to the Juvenile Protection Law. At that time commentary focused on the impact of sexually provocative performances on young people. The law places responsibility for monitoring content onto the content producers and broadcasters, yet frame analysis of Kara’s performances, compared with performances in early 2013, demonstrated that neither Inkigayo nor Music Core had changed the sexually objectifying performance frame on their shows. The final version of the revised law, 1 This research was supported by Hankuk University of Foreign Studies Research Fund of 2013. 2 Author’s Note: Thank you to the editor and enormously helpful anonymous reviewers at Acta Koreana as well as friends and colleagues with whom I discussed aspects of this paper: my gratitude to Logan Clark, Timothy Gitzen, Meredith Perry, Jungwon Kim, Jisoo Hyun, Thea Suh, Go Gwanyeong, and the audience for my presentation at the 2013 International Association for the Study of Popular Music conference.
    [Show full text]