Social Media and Youth: Uses, Problems and Prospects (A Case Study of Southern Punjab, Pakistan)

Total Page:16

File Type:pdf, Size:1020Kb

Social Media and Youth: Uses, Problems and Prospects (A Case Study of Southern Punjab, Pakistan) SOCIAL MEDIA AND YOUTH: USES, PROBLEMS AND PROSPECTS (A CASE STUDY OF SOUTHERN PUNJAB, PAKISTAN) By MUHAMMAD BILAL NAWAZ Supervised By DR. ABDUL WAJID KHAN A dissertation submitted in the partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Studies DEPARTMENT OF MEDIA STUDIES The Islamia University of Bahawalpur, Pakistan 2017 In the name of Allah, the most Gracious and the most Merciful AUTHOR’S DECLARATION I, Muhammad Bilal Nawaz, Ph.D scholar in the Department of Media Studies at The Islamia University of Bahawalpur do solemnly declare that the thesis entitled, “Social Media and Youth: Uses, Problems and Prospects (A case study of Southern Punjab)” submitted by me in partial fulfillment of the requirement of Ph.D in the subject of Media Studies is my original work. It shall also not be submitted to obtain any degree to any other university or institution. Muhammad Bilal Nawaz i | P a g e FORWARDING CERTIFICATE The research entitled “Social Media and Youth: Uses, Problems and Prospects (A case study of Southern Punjab)” by Muhammad Bilal Nawaz in the partial fulfillment of the requirement, for the degree of Doctor of Philosophy in Media Studies, under my guidance and supervision, is forwarded for further necessary action. Dr. Abdul Wajid Khan ii | P a g e APPROVAL CERTIFICATE The research entitled “Social Media and Youth: Uses, Problems and Prospects (A case study of Southern Punjab)” written by Muhammad Bilal Nawaz is accepted and approved in partial fulfillment of the requirement for the degree of Doctorate of Philosophy in Media Studies. Supervisor: Dr. Abdul Wajid Khan ______________________ Assistant Professor Department of Media Studies The Islamia University of Bahawalpur External Examiner-I: ______________________ External Examiner-II: ______________________ Chairman: ______________________ Date: ______________________ iii | P a g e DEDICATED TO My loving Mother a minaret of love, affection and kindness, who enlightened me a learning spirit by which I am learning much, from her lap till now. iv | P a g e ACKNOWLEDGEMENTS All praises for ALMIGHTY ALLAH, who enables us to know about certain unknown things in the universe and helps us to overcome a lot of difficulties. I am immeasurably indebted to ALMIGHTY ALLAH, the propitious, the benevolent and sovereign whose blessing and glory flourished my thoughts, giving me loving supervisor, talented teachers, affectionate parents, sweet sisters, caring wife and unique friends. All respect for the HOLY PROPHET MUHAMMAD (PBUH) who clearly mentioned the difference of right and wrong path, to ensure the success in our lives. My each and every breath, my each and every gesture throughout my transient life has ever been grateful to the HOLY PROPHET (PBUH) who is the only paragon of guidance and knowledge for all humanity. I was fortunate to have worthy Dr. Abdul Wajid Khan as my supervisor. Simply speaking this study has only been completed owing to his guidance based on his global exposure to media studies. I am deeply indebted and wish my utmost appreciation and gratitude to him for his encouragement, technical discussion, inspiring guidance, remarkable suggestions, keen interest and constructive criticism which enabled me to complete this research study. He has broadened my professional horizon and supported me throughout the course of study. I am greatly indebted to you sir for guiding me through. Words are lacking to express my special gratitude and sincere thanks to my honorable teachers who are no doubt responsible for my academic growth in Mass Communication and Media Studies. I would like to pay tribute to my teachers Prof Dr. Muhammad Shamsuddin, (Former, Dean Faculty of Arts, University of Karachi and Ex-Chairman, Mass Communication, IUB), Prof Dr. Zahangir Kabir,(Chairman, Journalism and Media Studies, Manarat International University, Bangladesh, Ex Chairman, Media Studies, IUB), Dr. Sajjad Ahmad Paracha (Chairman, Department of Media Studies, IUB), Dr. Ghulam Shabir (Professor, Media Studies IUB and Ex-Chairman Department of Communication Studies, BZU-Multan) and Dr. Muhaammad Shehzad (Assistant Professor, Media Studies IUB).They encouraged me and en-lighted the goal of my life. I am also thankful to my teacher Dr. Muhammad Akbar Ali Shah (Associate Professor Department of Statistics, IUB) for his special guidance and cooperation in research expertise and consistent encouragement, guidance and strategic command at every step for a quality work. His kind support, understanding, and patience were of immense help to me. v | P a g e I am highly grateful to my Ph.D fellows; Sir Naeem Gul (Assistant Professor, Department of Journalism and Mass Communication, University of Peshawar) Shehla Jabeen (Lecturer, Lahore College for Women University) Malik Adnan (Assistant Professor, Department of Mass Communication, University of Gujrat) Usman Farooq, Sobia Ghous, Umair Chaudhary and Abdul Ghani. Their kind support, understanding and patience were of immense help to me. Fruitful thanks and deep sense appreciation for my friends Syed Aamir Abbas Rizvi (Ph.D Fellow, Communication Studies, BZU-Multan) and Muhammad Waseem their company will ever haunt me in life and their way of encouragement, support, constructive criticism and their loving behavior will be ever source of guidance, happiness and success in my life. Words don’t come easy for me to mention the feelings of obligations toward my magnanimous family. I am more earnestly obliged to my adorable father Saeed Ahmed Khan who always raised his hands for my success and gave me an environment to achieve this goal, my angelic mother who enlightened me with a learning spirit from her lap till now, my sisters, younger brother Muhammad Azhar Nawaz and my wife whose prayers, sympathies, stress my way towards success. Whatever I am is purely due to the efforts of my family. Thanks for your marvelous help, strenuous efforts and prayers done by all of you for my unbreakable success. In the end I am again much thankful to Almighty ALLAH who enabled me to complete my research work. (Alhamdulillah) Muhammad Bilal Nawaz vi | P a g e TABLE OF CONTENTS Author’s Declaration………………………………………………………... i Forwarding Certificate…………….………………………………………... ii Approval Certificate………………..………………………………………... iii Dedication………………………….………………………………………... iv Acknowledgments……….………….………………………………………... v Table of Contents……………………………………………………………. vii List of Tables………………………………………………………………… x List of Appendices…………………………………………………………… xvii Chapter 1 – Introduction 1 Introduction………………………………………………………... 2 1.1 Statement of the Problem …………………………………….…… 3 1.2 Rationale of the Study……………………………………..……… 4 1.3 Rationale for the Selection of Social Media………………………. 5 1.4 Definition of Youth………………………………………..……… 9 1.5 Rationale for the Study on Youth……….………………………... 9 1.6 Youth and Social Media……………………………………...…… 10 1.7 Rationale for the Study in Southern Punjab, Pakistan……….…….. 13 Chapter 2 – Development of Social Media 2.1 Internet……………………………………………………………... 15 2.2 Internet in Pakistan………………………………………………… 15 2.3 Social Networking Sites…………………………………………… 16 2.4 MySpace…………………………………………………………… 18 2.5 Facebook…………………………………………………………... 18 vii | P a g e 2.6 YouTube…………………………………………………………… 19 2.7 Skype………………………………………………………………. 20 2.8 Twitter……………………………………………………………... 21 2.9 Social Media in Pakistan…………………………………………... 21 2.10 Pakistan Telecommunication Authority (PTA)……………………. 23 Chapter 3 – Literature Review 3.1 International Studies on Social Media……………………………... 25 3.2 Studies on Social Media in Pakistan………………………………. 36 3.3 Studies on Youth with Social Media………………………………. 39 3.4 Studies on Social Media and U&G Theory………………………... 40 Chapter 4 – Theoretical Framework 4.1 Uses and Gratifications Theory……………………………………. 44 4.2 Social Learning Theory……………………………………………. 45 Chapter 5 – Materials and Methods 5.1 Introduction………………………………………………………... 47 5.2 Objectives of the Study…………………………………………..... 47 5.3 Hypotheses…………………………………………........................ 48 5.4 Independent Variable…………………………………………........ 48 5.5 Dependent Variables………………………………………………. 49 5.6 Operationalization of the Variables………………………………... 49 5.7 Limitations of the Study…...………………………………………. 49 5.8 Punjab: The Study Province……………………………………….. 50 5.9 South Punjab……………………………………………………….. 51 5.10 Research Design…………………………………………………… 51 viii | P a g e 5.11 Survey Method…………………………………………………….. 51 5.12 Study Area…………………………………………………………. 51 5.13 Population for the Study…………………………………………… 51 5.14 Sampling Technique……………………………………………….. 52 5.15 Sample of the Study......…………………………………………… 52 5.16 Pilot Study/Questionnaire Screening………………………………. 53 5.17 Data Collection……………………………………………………. 53 5.18 Coding……………………………………………………………... 54 5.19 Data Processing (SPSS Analysis)………………………………….. 54 Chapter 6 – Results and Findings 6.1 Social Demographics of the Research Participants………..……… 56 6.2 Frequency Tables………………………………………………….. 61 6.3 Cross Tabulation…………………………………………………… 127 Chapter 7 – Discussion and Conclusion 7.1 Summary of the Results…….…………………………………...… 138 7.2 Hypotheses Testing………………………………………………... 142 7.3 Hurdles and Problems Faced in Research…..……………………... 148 7.4 Suggestions for Further Research.…………………….…………... 148 7.5 Recommendations for Policy Makers and Government…………… 149 BIBLIOGRAPHY………………………………………………………...... 150 APPENDICES……………………………………………………………… 164 ix | P a g e LIST OF TABLES Table 6.1.1 Gender 56 Table 6.1.2 Age 57 Table 6.1.3 Education 58 Table 6.1.4 Internet Facility 59 Table 6.1.5 Employment
Recommended publications
  • FRIDAY 17Th NOVEMBER 2017 4:00 - 5:00 Pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 Pm Guests to Be Seated (Hall 2)
    FAIZ INTERNATIONAL FESTIVAL 17th – 19th November 2017 Alhamra Halls, Mall Road Lahore All events are free and open for all. (Except Tina Sani performance) FRIDAY 17th NOVEMBER 2017 4:00 - 5:00 pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 pm Guests to be seated (Hall 2) لو پھر بسنت آئی pm 7:20 – 6:00 Play by Ajoka Theatre (Hall 2) SATURDAY 18th NOVEMBER 2017 Time Hall 1 Hall 2 Hall 3 Adbi Baithak Gallery Exhibition Area حلقہء زن ج یر م یں ز باں م ت پھر کوئی آ با سر ق ل 11:00 am Urdu language and information technology Discussion on Qawwali Faiz ki shairi main umeed-o-yass 12:00 pm Dr Sarmad Hussain, Dr Agha Ali Raza, Zehra Nigah, Dr Arfa Syeda Dr. Amir Jafri Musharaf Ali Farooqi, Aamir Wali Children Activity (Qasim Jafri) (Sumera Khalil) ب ول (Dr Umar Saif) Children’s Debate competition Literature Schools Festival ی ڑھنے والوں کے بام طلسمات کے در بات کہاں پھہری ہے 12: 15 pm My journey theatre, TV, film The City - A site for history and identity Book launch: A Sentimental Journey ت pm Irfan Khoosat, Navid Shehzad, Samina Shatha Safi, Kamran Lashari Haroon Khalid, Anum Zakaria, Dr. Tahir 1:15 - کوئی صوی ر گائی رہی Peerzada, Samiya Mumtaz Dr Asma Ibrahim Kamran in conversation with Pran رات پھر Sarmad Khoosat) (Attiq Ahmed) Nevile) Photographic ص بح آزادی ق ق ہم تے سب شعر م یں سنوارے پھے کب کب ساق تا ! ر ص کوئی ر ص ص تا کی صورت years of Partition exhibition of Faiz 70 ھی ھی باد م یں ا پھرتے ہ یں - pm 1:30 Dance Performance Faiz ki shairi meiN naghmagii 2:30 pm Remembering Riaz Shahid Dr.
    [Show full text]
  • New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab
    Asia Society and CaravanSerai Present New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab Saturday, April 28, 2012, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is 2 hours with no intermission New Sufi Sounds of Pakistan Performers Arooj Afab lead vocals Bhrigu Sahni acoustic guitar Jorn Bielfeldt percussion Arif Lohar lead vocals/chimta Qamar Abbas dholak Waqas Ali guitar Allah Ditta alghoza Shehzad Azim Ul Hassan dhol Shahid Kamal keyboard Nadeem Ul Hassan percussion/vocals Fozia vocals AROOJ AFTAB Arooj Aftab is a rising Pakistani-American vocalist who interprets mystcal Sufi poems and contemporizes the semi-classical musical traditions of Pakistan and India. Her music is reflective of thumri, a secular South Asian musical style colored by intricate ornamentation and romantic lyrics of love, loss, and longing. Arooj Aftab restyles the traditional music of her heritage for a sound that is minimalistic, contemplative, and delicate—a sound that she calls ―indigenous soul.‖ Accompanying her on guitar is Boston-based Bhrigu Sahni, a frequent collaborator, originally from India, and Jorn Bielfeldt on percussion. Arooj Aftab: vocals Bhrigu Sahni: guitar Jorn Bielfeldt: percussion Semi Classical Music This genre, classified in Pakistan and North India as light classical vocal music. Thumri and ghazal forms are at the core of the genre. Its primary theme is romantic — persuasive wooing, painful jealousy aroused by a philandering lover, pangs of separation, the ache of remembered pleasures, sweet anticipation of reunion, joyful union. Rooted in a sophisticated civilization that drew no line between eroticism and spirituality, this genre asserts a strong feminine identity in folk poetry laden with unabashed sensuality.
    [Show full text]
  • Faizghar Newsletter
    Issue: January Year: 2016 NEWSLETTER Content Faiz Ghar trip to Rana Luxury Resort .............................................. 3 Faiz International Festival ................................................................... 4 Children at FIF ............................................................................................. 11 Comments .................................................................................................... 13 Workshop on Thinking Skills ................................................................. 14 Capacity Building Training workshops at Faiz Ghar .................... 15 [Faiz Ghar Music Class tribute to Rasheed Attre .......................... 16 Faiz Ghar trip to [Rana Luxury Resort The Faiz Ghar yoga class visited the Rana Luxury Resort and Safari Park at Head Balloki on Sunday, 13th December, 2015. The trip started with live music on the tour bus by the Faiz Ghar music class. On reaching the venue, the group found a quiet spot and spread their yoga mats to attend a vigorous yoga session conducted by Yogi Sham- shad Haider. By the time the session ended, the cold had disappeared, and many had taken o their woollies. The time was ripe for a fruit eating session. The more sporty among the group started playing football and frisbee. By this time the musicians had got their act together. The live music and dance session that followed became livelier when a large group of school girls and their teachers joined in. After a lot of food for the soul, the group was ready to attack Gogay kay Chaney, home made koftas, organic salads, and the most delicious rabri kheer. The group then took a tour of the jungle and the safari park. They enjoyed the wonderful ambience of the bamboo jungle, and the ostriches, deers, parakeet, swans, and many other wild animals and birds. Some members also took rides on the train and colour- ful donkey carts.
    [Show full text]
  • Socio-Political Study of District Dera Ghazi Khan 1988-1999 Submitted By
    Socio-Political Study of District Dera Ghazi Khan 1988-1999 Session (2015-2017) Submitted By: Abdul Majeed Submitted to: Dr. Akbar Malik Roll No: 15 Class: M.Phil. Pakistan Studies Department of Pak Studies The Islamia University of Bahwalpur i Socio-Political Study of District Dera Ghazi Khan 1988-1999 Table of Contents Sr.No. Page No. Dedication II Statement &Declaration III Certificate IV Acknowledgment V Abstract 1 Introduction 2 Chapter 1 : 10 Hstorical Background of District D. G. Khan 1.1 Hostory of Dera Gahzi Khan. 1.1 Tehsil D. G. Khan 1.2 Tehsil Taunsa 1.3 Tribal Area 1.4 Kot Chuuta Chapter 2 : 30 Social Study of District D. G. Khan 2.1 Rural Area 2.2 Tribal Structure 2.3 Customary Practices vii 2.4 Historical and Tourist places Chapter 3 : 56 Political Parties and Politics of D. G. Khan (1988-1999) 3.1 Prominent Political Parties 3.2 The nature of National and Provincial Constituencies 3.2 Electoral History and Politics 3.3 Activities of Local Government (1988-1999) 3.3 Element affecting the Electoral Politics Chapter 4 : 86 Political Families and Personalities of D.G. Khan and their Impact (1988-1999) 4.1 Political families of District D. G. Khan 4.1.1 Mazari 4.1.2 Khosa 4.1.3 The Leghari's 4.1.4 Gorchani 4.2 Political Impact of Personalities Conclusion 101 Appendix 108 Bibliography 117 viii Abstract This research deals with the facts, regarding to socio-political growth and development in D. G. Khan from 1988 to 1999.
    [Show full text]
  • Bahawalpur Specified in Column (2) Thereof, Namely
    Government of Pakistan Revenue Division Federal Board of Revenue ***** Islamabad, the 1st February, 2019. NOTIFICATION (Income Tax) S.R.O.112(I)/2019.- In exercise of the powers conferred by sub-section (4) of section 68 of the Income Tax Ordinance, 2001 (XLIX of 2001) and in supersession of its Notification No. S.R.O. 683(I)/2016 dated the 2nd August, 2016, the Federal Board of Revenue is pleased to notify the value of immoveable properties in column (7) of the Table below in respect of areas of Bahawalpur specified in column (2) thereof, namely:- BAHAWALPUR RESIDENTIAL S. Tehsil Revenue Area Land Rate Value No. Circle Classification Unit (in Rs.) (1) (2) (3) (4) (5) (6) (7) 1 Bahawalpur Bahawalpur I Gali Mukhian Dalwali Residential Marla 450,000 City Gali Phattaywali Gali Road Side Dhobianwali Gali Gandi Gali Sonaroon wali Gali Gali Machihatta Daman Shah Bazar 2 Bahawalpur Bahawalpur I Gali Mukhian Dalwali Residential Marla 300,000 City Gali Phattaywali Gali Interior Street Dhobianwali Gali Gandi Gali Sonaroon wali Gali Gali Machihatta Daman Shah Bazar 3 Bahawalpur Bahawalpur I Fateh Khan Bazar Residential Marla 1,050,000 City Zanana Hospital Road Road Side to Circular Road 4 Bahawalpur Bahawalpur I Circular Road Residential Marla 2,250,000 City (Including Road Side Construction Upto Beyond 120' Depth of 120 Ft) Feet Fareed Gate to Khatam-e-Nabowat Chowk (Ex-Chowk Fawara) Page 1 of 33 5 Bahawalpur Bahawalpur I Backside Shops and Residential Marla 1,200,000 City Market Circular Road Plot (Bund Road) Fareed Gate to Ahmad Puri Gate Band Road 6 Bahawalpur Bahawalpur I Khatm-e-Nabowat Residential Marla 1,050,000 City Chowk (Ex-Chowk Plot Fawara) to Millad Chowk (Upto Depth of 100 Feet) Milad Chowk to Sariaki Chowk 7 Bahawalpur Bahawalpur I Millad Chowk to Residential Marla 1,050,000 City General Bus Stand Plot Chowk 8 Bahawalpur Bahawalpur I Band Road Old UC Residential Marla 750,000 City Office to Multani Gate Plot TNT Colony Feel Khana Backside Zoo Talli Mohallah etc.
    [Show full text]
  • University of Copenhagen
    Wound, Waste, History Re-reading 1984 Kaur, Ravinder Published in: Economic and Political Weekly Publication date: 2014 Document version Early version, also known as pre-print Citation for published version (APA): Kaur, R. (2014). Wound, Waste, History: Re-reading 1984. Economic and Political Weekly, XLIX(43-44). http://www.epw.in/search/apachesolr_search/Wound%2C%20Waste%2C%20History Download date: 27. sep.. 2021 PERSPECTIVES jump over the small wall. SHO Bhatia Wound, Waste, History was fi ring from the front from the road. My sons were hit by bullets, were Rereading 1984 gasping. Then at about 7-8 am on 2nd November, they came and dragged my sons to a place near Satbir’s house. Ravinder Kaur They were burnt with kerosene. When I ran towards my sons, Nathu Pradhan, Wounds are expected to heal. Our Testimonies Gupta Brahmanand and Ramesh strip- very conception of victims and ped me and raped me. They made me I run naked on the road. Nobody from my victimhood is based on this n 1 November 1984, I went to street gave me a dupatta. I went to A-2 hopeful axiom. But not all serve tea to my father-in-law block to my older sister. I stayed the wounds heal, some remain in a OSardar Moti Singh who resided night there. The military arrived on 3rd constant state of decay, in B-2. I saw that a meeting was being November and evacuated all of us. held in B-2 park. About 150-200 persons – Prem Kaur, widow of late Sardar degenerate, and ultimately risk of our mohalla had gathered there.
    [Show full text]
  • Bollywood Sounds
    Bollywood Sounds Bollywood Sounds The Cosmopolitan Mediations of Hindi Film Song Jayson Beaster-Jones 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Beaster-Jones, Jayson. Bollywood sounds : the cosmopolitan mediations of Hindi film song / Jayson Beaster-Jones. pages cm Includes bibliographical references and index. ISBN 978–0–19–986254–2 (pbk.
    [Show full text]
  • 1.Punjab Tourism for Economic Growth.Cdr
    Punjab Tourism for Economic Growth Consortium for c d p r Development Policy Research w w w . c d p r . o r g . p k c d p r Report R1703 State June 2017 About the project The final report Punjab Tourism for Economic Growth has been completed by the CDPR team under overall guidance Funded by: World Bank from Suleman Ghani. The team includes Aftab Rana, Fatima Habib, Hina Shaikh, Nazish Afraz, Shireen Waheed, Usman Key Counterpart: Government of Khan, Turab Hussain and Zara Salman. The team would also +924235778180 [email protected] Punjab like to acknowledge the advisory support provided by . Impact Hasaan Khawar and Ali Murtaza. Dr. Ijaz Nabi (IGC and With assistance from CDPR) provided rigorous academic oversight of the report. CDPR, Government of Punjab has formulated a n d a p p r o v e d k e y principles of policy for tourism, providing an In brief anchor for future reforms Ÿ Government of Punjab is keen and committed to and clearly articulating i t s c o m m i t m e n t t o developing a comprehensive strategy for putting p r o m o t e t o u r i s m , tourism on a solid footing. e s p e c i a l l y h e r i t a g e Ÿ CDPR has been commissioned by the government to tourism. Government of help adopt an informed, contemporary, view of tourism Punjab has been closely involved in formulation of and assist in designing a reform program to modernize www.cdpr.org.pk f o l l o w - u p the sector.
    [Show full text]
  • Evolution and Assessment of South Asian Folk Music: a Study of Social and Religious Perspective
    British Journal of Arts and Humanities, 2(3), 60-72, 2020 Publisher homepage: www.universepg.com, ISSN: 2663-7782 (Online) & 2663-7774 (Print) https://doi.org/10.34104/bjah.020060072 British Journal of Arts and Humanities Journal homepage: www.universepg.com/journal/bjah Evolution and Assessment of South Asian Folk Music: A Study of Social and Religious Perspective Ruksana Karim* Department of Music, Faculty of Arts, Jagannath University, Dhaka, Bangladesh. *Correspondence: [email protected] (Ruksana Karim, Lecturer, Department of Music, Jagannath University, Dhaka, Bangladesh) ABSTRACT This paper describes how South Asian folk music figured out from the ancient era and people discovered its individual form after ages. South Asia has too many colorful nations and they owned different culture from the very beginning. Folk music is like a treasure of South Asian culture. According to history, South Asian people established themselves here as a nation (Arya) before five thousand years from today and started to live with native people. So a perfect mixture of two ancient nations and their culture produced a new South Asia. This paper explores the massive changes that happened to South Asian folk music which creates several ways to correspond to their root and how they are different from each other. After many natural disasters and political changes, South Asian people faced many socio-economic conditions but there was the only way to share their feelings. They articulated their sorrows, happiness, wishes, prayers, and love with music, celebrated social and religious festivals all the way through music. As a result, bunches of folk music are being created with different lyric and tune in every corner of South Asia.
    [Show full text]
  • Downloads/Docs/4625 51419 GC%2021%20What%20Are%20Slums.Pdf
    Acknowledgement The Centre for Global Development Research (CGDR) is extremely thankful to the Socio‐Economic Research Davison of the Planning Commission, Government of India for assigning this important and prestigious study. We also thankful to officials of Planning Commission including Members, Adviser (HUD), Adviser (SER), Deputy Secretary (SER), and Senior Research Officer (SER) for their interest in the study and necessary guidance at various stages of the study. We are also extremely thankful to those who have helped in facilitating the survey and providing information. In this context we wish to thank the Chief Minister of Delhi; local leaders including Members of Parliament; Members of Legislative Assembly of Delhi; Councillors of Municipal Corporation of Delhi and New Delhi Municipal Corporation; Pradhans and community leaders of slums across Delhi. Special thanks are due to the officials of JJ slum wing, MCD, Punarwas Bhawan, New Delhi; officials of Sewer Department of MCD; various news reporters and Social workers for their contribution and help in completing the research. We are also highly thankful to officials of numerous non‐government organisations for their cooperation with the CGDR team during the course of field work. We acknowledge with gratitude the intellectual advice from Professor K.P. Kalirajan on various issues related to the study. Thanks are also due to Mr. S. K. Mondal for his contribution in preparation of this report. We are also thankful to Ms Mridusmita_Bordoloi for her contribution in preparing case studies. This report is an outcome of tireless effort made by the staff of CGDR led by Mr. Indrajeet Singh. We wish to specially thank the entire CGDR team.
    [Show full text]
  • Musafir Atif Aslam Mp3 Download
    Musafir Atif Aslam Mp3 Download 1 / 6 Musafir Atif Aslam Mp3 Download 2 / 6 3 / 6 Views: 1000 Download Kese Jiunga Kese Whatsapp Sattus Song Atif Aslam Duration: 00:34. 1. musafir atif aslam 2. musafir atif aslam mp3 download 3. musafir atif aslam full song R Rahman Muhammad Ali Shehki Allan Fakir Hasan Basri Shafqat Amanat Ali Khan Mullah Nasreddin Sufi Music Books Sufi Saints Poems Quotes Pilgrimages Events Wallpapers Apps Software Sufi Art Privacy Policy Contact us All Right Reserved.. Views: 200 Download Atif Aslam New Sad Songs 2017 Kese Jeo Ga Kese Duration: 07:50. musafir atif aslam musafir atif aslam, musafir atif aslam lyrics, musafir atif aslam mp3 download, musafir atif aslam lyrics translation, musafir atif aslam full song, musafir atif aslam guitar chords, musafir atif aslam lyrics hindi, musafir atif aslam karaoke, musafir atif aslam ringtone download, musafir atif aslam song download mp4, musafir atif aslam song download, musafir atif aslam lyrics english, musafir atif aslam download mp3 Printer Driver Host For Applications Has Stopped Working Windows 10 A Konya Rahat Fateh Ali Khan Hazrat Nizamuddin Auliya Quran Al-Hakeem Shaykh Nazim Faiz Ahmed Faiz Milad un-Nabi (Mawlid) Sufi Rock Eid Sufi Poetry Fariduddin Attar of Nishapur Makkah Masnavi Farid Ayaz and Abu Muhammad Islamic Dua Mirza Ghalib Shams Tabrez Miniature Art A.. Views: 93060000 Download Kese Jiunga Tere Bina atif Aslam Latest Song Duration: 03:01. how to block torrent in fortigate firewall model 4 / 6 Григорий Лолиш Научите Меня Играть musafir atif aslam mp3 download Schneider Pl7 Junior Download Firefox Views: 1000 Download Kaise Jiunga Kese By Atif Aslam Whatsapp Status Cartoon Duration: 00:36.
    [Show full text]
  • Abbreviations and Acronyms
    PART II] THE GAZETTE OF PAKISTAN, EXTRA., JULY 23, 2019 1505(1) ISLAMABAD, TUESDAY, JULY 23, 2019 PART II Statutory Notifications (S. R. O.) GOVERNMENT OF PAKISTAN REVENUE DIVISION (Federal Board of Revenue) NOTIFICATIONS Islamabad, the 23rd July, 2019 (INCOME TAX) S.R.O. 829(I)/2019.—In exercise of the powers conferred by sub- section (4) of section 68 of the Income Tax Ordinance, 2001 (XLIX of 2001) and in supersession of its Notification No. S.R.O. 111(I)/2019 dated the lst February, 2019, the Federal Board of Revenue is pleased to notify the value of immoveable properties in columns (3) and (4) of the Table below in respect of areas of Abbottabad classified in column (2) thereof. (2) This notification shall come into force with effect from 24th July, 2019. 1505 (1—211) Price: Rs. 320.00 [1143(2019)/Ex.Gaz.] 1505(2) THE GAZETTE OF PAKISTAN, EXTRA., JULY 23, 2019 [PART II ABBOTTABAD Value of Commercial Value of Residential S.No. Areas property per marla property per marla (in Rs.) (in Rs.) (1) (2) (3) (4) 1 Main Bazar, Sadar Bazar, Jinnah Road, Masjid Bazar, 2,580,600 910,800 Sarafa Bazar Gardawara Gali Kutchery Road, Shop and Market. 2 Abbottabad Bazar 2,580,600 759,000 3 Iqbal Road 1,214,400 531,300 4 Mansehra Road 1,973,400 531,300 5 Jinnah Abad 2,277,000 1,062,600 6 Habibullah Colony - 1,062,600 7 Kaghan Colony 759,000 455,400 S.R.O. 830(I)/2019.—In exercise of the powers conferred by sub-section (4) of section 68 of the Income Tax Ordinance, 2001 (XLIX of 2001) and in supersession of its Notification No.
    [Show full text]