DEMOCRITUS Democritus
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FALL 2008 Columbia University in the City of New York Co
FALL 2008 Columbia University in the City of New York CO 435 West 116th Street, Box A-2 L UM New York, NY 10027 BI A L RETURN SERVICE REQUESTED A W S C HO O L M ag azine www.law.columbia.edu/alumni fall 2008 BREAKING THE CODE NEW FACULTY MEMBER MICHAEL GRAETZ HAS AN INNOVATIVE PLAN FOR REVAMPING AMERICA’s TAX CODE TALKINGTALKING TETELECLECOM: TIM WU CHATS WITH JEFFREY TOOBIN SCOTUS ANALYSIS FROM BLASI, BRIFFAULT, GREENAWALT, HAMBURGER, AND PERSILY Opportunity The Future of Diversity and Opportunity in Higher dean Columbia Law School Magazine David M. Schizer is published three times annually for alumni and friends of associate dean Education: A National Columbia Law School by the for development and Office of Development and alumni relations Alumni Relations. Forum on Innovation and Bruno M. Santonocito Opinions expressed in Columbia Law Collaboration executive director School Magazine do not necessarily of communications reflect the views of Columbia Law and public affairs School or Columbia University. Elizabeth Schmalz This magazine is printed December 3-5, 2008 guest editor on FSC certified paper. Matthew J.X. Malady editorial director James Vescovi assistant editor Mary Johnson Change of address information should be sent to: copy editors Lauren Pavlakovich, Columbia Law School Joy Y. Wang 435 West 116 Street, Box A-2 New York, NY 10027 During the first week in December, design and art direction Attn: Office of Alumni Relations Empire Design Studio Alumni Office university presidents, provosts, and photography 212-854-2680 Peter Freed, Robyn Twomey, Magazine Notices Eric van den Brulle, Jon Roemer 212-854-2650 academic innovators will gather for David Yellen [email protected] an historic conference focused on new printing Copyright 2008, Columbia Maar Printing Service, Inc. -
The Phenomenon of Chance in Ancient Greek Thought
THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT by MELISSA M. SHEW A DISSERTATION Presented to the Department of Philosophy and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor of Philosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Melissa Shew Title: "The Phenomenon of Chance in Ancient Greek Thought" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPhilosophy by: Peter Warnek, Chairperson, Philosophy John Lysaker, Member, Philosophy Ted Toadvine, Member, Philosophy James Crosswhite, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 An Abstract of the Dissertation of Melissa M. Shew for the degree of Doctor of Philosophy in the Department of Philosophy to be taken September 2008 Title: THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT Approved: Dr. Peter Warnek This dissertation engages three facets of Greek philosophy: 1) the phenomenon of tyche (chance, fortune, happening, or luck) in Aristotle's Physics, Nicomachean Ethics, and Poetics; 2) how tyche infonns Socrates' own philosophical practice in the Platonic dialogues; and 3) how engaging tyche in these Greek texts challenges established interpretations of Greek thought in contemporary scholarship and discussion. I argue that the complex status of tyche in Aristotle's texts, when combined with its appearance in the Platonic dialogues and the framework of Greek myth and poetry (poiesis), underscores the seriousness with which the Greeks consider the role of chance in human life. -
Eroticizing Marx, Revolutionizing Freud: Marcuse's Psychoanalytic Turn
KRITIKE VOLUME THREE NUMBER ONE (JUNE 2009) 10-23 Article Eroticizing Marx, Revolutionizing Freud: Marcuse’s Psychoanalytic Turn Jeffry V. Ocay he conclusion arrived at in the article titled “Heidegger, Hegel, Marx: Marcuse and the Theory of Historicity,” which appeared in a previous issue of this journal, accounts for Herbert Marcuse’s view of the T 1 possibility of the individual to become disposed to radical action. Marcuse thus wants to suggest that there is still hope for the Enlightenment’s project of “emancipation,” and that there is still a revolutionary subject who can carry out this political struggle for liberation. The progression of consciousness which results in a historically conscious individual exemplified by the “conscious slave” in Hegel’s discussion of master-slave relation provided Marcuse the basis of his claim that the individual can be an active and dynamic political subject. Yet the slave who realizes via the notion of labor that it is himself and not the master who is truly free is, after all, still a slave. This means that individuals still need to fight for their freedom.2 Like Marx, Marcuse believes that the internal logic of overproduction and excessive consumption vis-à-vis massive pauperization3 in a capitalist society lead to the self-destruction of society. The capitalist system of overproduction coupled with excessive consumption creates insatiable individuals whose needs and desires are impossible to satisfy.4 This is dangerous for Marcuse because as the society produces more and more to 1 See Jeffry V. Ocay, “Heidegger, Hegel, Marx: Marcuse and the Theory of Historicity,” in KRITIKE: An Online Journal of Philosophy, 2:2 (December 2008), 46-64, <http://www.kritike.org/journal/issue_4/ocay_december2008.pdf>. -
Remembering Music in Early Greece
REMEMBERING MUSIC IN EARLY GREECE JOHN C. FRANKLIN This paper contemplates various ways that the ancient Greeks preserved information about their musical past. Emphasis is given to the earlier periods and the transition from oral/aural tradition, when self-reflective professional poetry was the primary means of remembering music, to literacy, when festival inscriptions and written poetry could first capture information in at least roughly datable contexts. But the continuing interplay of the oral/aural and written modes during the Archaic and Classical periods also had an impact on the historical record, which from ca. 400 onwards is represented by historiographical fragments. The sources, methods, and motives of these early treatises are also examined, with special attention to Hellanicus of Lesbos and Glaucus of Rhegion. The essay concludes with a few brief comments on Peripatetic historiography and a selective catalogue of music-historiographical titles from the fifth and fourth centuries. INTRODUCTION Greek authors often refer to earlier music.1 Sometimes these details are of first importance for the modern historiography of ancient 1 Editions and translations of classical authors may be found by consulting the article for each in The Oxford Classical Dictionary3. Journal 1 2 JOHN C. FRANKLIN Greek music. Uniquely valuable, for instance, is Herodotus’ allusion to an Argive musical efflorescence in the late sixth century,2 nowhere else explicitly attested (3.131–2). In other cases we learn less about real musical history than an author’s own biases and predilections. Thus Plato describes Egypt as a never-never- land where no innovation was ever permitted in music; it is hard to know whether Plato fabricated this statement out of nothing to support his conservative and ideal society, or is drawing, towards the same end, upon a more widely held impression—obviously superficial—of a foreign, distant culture (Laws 656e–657f). -
1 Name 2 Zeus in Myth
Zeus For other uses, see Zeus (disambiguation). Zeus (English pronunciation: /ˈzjuːs/[3] ZEWS); Ancient Greek Ζεύς Zeús, pronounced [zdeǔ̯s] in Classical Attic; Modern Greek: Δίας Días pronounced [ˈði.as]) is the god of sky and thunder and the ruler of the Olympians of Mount Olympus. The name Zeus is cognate with the first element of Roman Jupiter, and Zeus and Jupiter became closely identified with each other. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort The Chariot of Zeus, from an 1879 Stories from the Greek is Dione: according to the Iliad, he is the father of Tragedians by Alfred Church. Aphrodite by Dione.[4] He is known for his erotic es- capades. These resulted in many godly and heroic offspring, including Athena, Apollo, Artemis, Hermes, the Proto-Indo-European god of the daytime sky, also [10][11] Persephone (by Demeter), Dionysus, Perseus, Heracles, called *Dyeus ph2tēr (“Sky Father”). The god is Helen of Troy, Minos, and the Muses (by Mnemosyne); known under this name in the Rigveda (Vedic San- by Hera, he is usually said to have fathered Ares, Hebe skrit Dyaus/Dyaus Pita), Latin (compare Jupiter, from and Hephaestus.[5] Iuppiter, deriving from the Proto-Indo-European voca- [12] tive *dyeu-ph2tēr), deriving from the root *dyeu- As Walter Burkert points out in his book, Greek Religion, (“to shine”, and in its many derivatives, “sky, heaven, “Even the gods who are not his natural children address [10] [6] god”). -
Chthonic Restitutions: Madness and Oblivion
Chthonic Restitutions: Madness and Oblivion Javier Berzal de Dios Abstract This essay theorizes madness as a chthonic emplacement to dishevel existentially insufcient and detached interpretations of disorder. Refecting on Nietzsche’s emphasis on poetry over systematic thought, I take up Lorca and Baudelaire’s visceral language on death and the earthly to revisit chthonic myths as expressing an underworld uncontrollable sphere beyond systematicity. Written from the phenomenologically precarious position of my own mental illness, this essay develops a sincere rhetoric to approach the chthonic from within rather than at sterilized distance. This positioning retains the indexicality of the intense and disorganized as a critical facet, in turn exploring the nuances of the experience without discursive reductions or romantic musings, from the ground down. Cassandra: ototototoi popoi da. – Aeschylus, Agamemnon 1072 Following the social turn of the 1960s, administrators and teachers of academic discourse began to replace “reason” and “rationality” with “critically,” or “critical thinking,” as their highest aim; however, the presumption of a rational subject remained stable. – Margaret Price, Mad at School 39 Am I mad now? In truth, the question of madness calls forth to a future memory: will I have been mad? Or really: how mad will I think I had been? Lucidity is anachronistic, an ex post facto verdict, casting out to madness what thought itself on mark… Madness itself voices the lan- guage of truth—this madness of mine—an eternally rational utterance, charts and graphs at hand. I picture philosophers terribly sane, so much they take for granted, so restrained and hygienic their connections… so reliable a language. -
Platonic Love in a Colorado Courtroom: Martha Nussbaum, John Finnis, and Plato's Laws in Evans V
Articles Platonic Love in a Colorado Courtroom: Martha Nussbaum, John Finnis, and Plato's Laws in Evans v. Romer Randall Baldwin Clark* I. RELEVANT FOR FIFTEEN MINUTES-OR THIRTY CENTURIES? To the ridicule of the highbrow popular press' and the surprise of classical scholars,2 Plato's Laws,3 a work which was mocked, even in * University of Virginia School of Law, Class of 2002. Ph.D., University of Chicago, 1998. Research Associate, Dartmouth College Department of Government, 1997-99. Author, THE LAW MOST BEAUTIFUL AND BEST: MEDICAL ARGUMENT AND MAGICAL RHETORIC IN PLATO'S LAWS (Rowman & Littlefield - Lexington Books, forthcoming 2001). This article has benefited from the comments of many friends, colleagues, and teachers. For their assistance, I would like to thank Danielle Allen, Larry Arnhart, Richard 0. Brooks, Robert A. Burt, Allison D. Clark, Andrew P. Clark, Elizabeth A. Clark, Glenn W. Clark, Matthew Crawford, Richard Dougherty, Martha A. Field, Shawntel R. Fugate, Martin P. Golding, L. Kent Greenawalt, A.E. Dick Howard, Leon R. Kass, Matthew Kutcher, Melissa S. Lane, Mark J. Lutz, Roger D. Masters, Lynn Mather, Angelia K. Means, Ted H. Miller, S. Sarah Monoson, David Peritz, Richard A. Posner, Christopher Rohrbacher, Ariel C. Silver, Nathan Tarcov, Bradley A. Thayer, Elizabeth E. Theran, Paul Ulrich, Eduardo A. Velasquez, Lloyd L. Weinreb, Martin D. Yaffe, and the members of my edit team at the Yale Journal of Law & the Humanities. I only regret that I was unable to address all of their criticisms. Particularly profound appreciation is owed to my friend and colleague, James B. Murphy, whose queries helped me conceive this work and whose encouragement brought it to light: aneu gar phil6n oudeis heloit' an zen. -
Zeus in the Greek Mysteries) and Was Thought of As the Personification of Cyclic Law, the Causal Power of Expansion, and the Angel of Miracles
Ζεύς The Angel of Cycles and Solutions will help us get back on track. In the old schools this angel was known as Jupiter (Zeus in the Greek Mysteries) and was thought of as the personification of cyclic law, the Causal Power of expansion, and the angel of miracles. Price, John Randolph (2010-11-24). Angels Within Us: A Spiritual Guide to the Twenty-Two Angels That Govern Our Everyday Lives (p. 151). Random House Publishing Group. Kindle Edition. Zeus 1 Zeus For other uses, see Zeus (disambiguation). Zeus God of the sky, lightning, thunder, law, order, justice [1] The Jupiter de Smyrne, discovered in Smyrna in 1680 Abode Mount Olympus Symbol Thunderbolt, eagle, bull, and oak Consort Hera and various others Parents Cronus and Rhea Siblings Hestia, Hades, Hera, Poseidon, Demeter Children Aeacus, Ares, Athena, Apollo, Artemis, Aphrodite, Dardanus, Dionysus, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces [2] Roman equivalent Jupiter Zeus (Ancient Greek: Ζεύς, Zeús; Modern Greek: Δίας, Días; English pronunciation /ˈzjuːs/[3] or /ˈzuːs/) is the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε, patḕr andrōn te theōn te)[4] who rules the Olympians of Mount Olympus as a father rules the family according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter. Zeus is the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he is married to Hera, although, at the oracle of Dodona, his consort is Dione: according to the Iliad, he is the father of Aphrodite by Dione.[5] He is known for his erotic escapades. -
Thucydides and the World of Nature
CHAPTER 2 Natural Upheavals in Thucydides (and Herodotus) Rosaria Vignolo Munson To my favorite historian and a master of nonverbal communication, I dedi cate this inquiry: is the physical world a sender of signs? I am sure that Don ald Lateiner has his own answers, just as Herodotus and Thucydides had theirs. These authors were free from our environmental guilt and less bom barded than we are by the spectacle of humanitarian tragedies in every cor ner of the earth. Both of them, however, mention natural cataclysms in con nection with human actions and sociopolitical turmoil, most especially war. It is the thesis of this essay that, despite major differences, shared cultural assumptions emerge from the relations Herodotus and Thucydides establish between the natural and the human spheres. 1. World of Men and World of Nature In his introductory sentence, Thucydides calls the Peloponnesian War and its preliminary a Kivriau;... peyiaTr) for the Greek and partly for the non-Greek world (1.1.2). For most scholars (e.g., Hornblower 1991: 6), this is a reference to the "convulsion" caused by the war, and although Jeff Rusten makes a powerful argument (in this volume) that Kivr|au; here means "mobilization,"^ I. Elsewhere in Thucydides, kine- words refer, in fact, to unproblematic material transports. In one case, kined, while retaining its literal sense, is used somewhat abnormally (or, as Rusten shows, poetically) to denote a geological movement (2.8.3; s®® below, sec. 3). 41 42 KINESIS it would be a mistake to strip the term of all metaphorical undertones. In Aristotle's (in itself metaphorical) definition, metaphora consists in "the carry ing over [epiphora] of the name [onoma] of something to something else" (Poet ics 2i.i457b6-7). -
Downloading of Software That Would Enable the Display of Different Characters
MIAMI UNIVERSITY The Graduate School CERTIFICATE FOR APPROVING THE DISSERTATION We hereby approve the Dissertation Of Jay T. Dolmage Candidate for the Degree: Doctor of Philosophy Director Dr. Cindy Lewiecki-Wilson Reader Dr. Kate Ronald Reader Dr. Morris Young Reader Dr. James Cherney Graduate School Representative ABSTRACT METIS: DISABILITY, RHETORIC AND AVAILABLE MEANS by Jay Dolmage In this dissertation I argue for a critical re-investigation of several connected rhetorical traditions, and then for the re-articulation of theories of composition pedagogy in order to more fully recognize the importance of embodied differences. Metis is the rhetorical art of cunning, the use of embodied strategies—what Certeau calls everyday arts—to transform rhetorical situations. In a world of chance and change, metis is what allows us to craft available means for persuasion. Building on the work of Detienne and Vernant, and Certeau, I argue that metis is a way to recognize that all rhetoric is embodied. I show that embodiment is a feeling for difference, and always references norms of gender, race, sexuality, class, citizenship. Developing the concept of metis I show how embodiment forms and transforms in reference to norms of ability, the constraints and enablements of our bodied knowing. I exercise my own metis as I re-tell the mythical stories of Hephaestus and Metis, and re- examine the dialogues of Plato, Aristotle, Cicero and Quintillian. I weave through the images of embodiment trafficked in phenomenological philosophy, and I apply my own models to the teaching of writing as an embodied practice, forging new tools for learning. I strategically interrogate the ways that academic spaces circumscribe roles for bodies/minds, and critique the discipline of composition’s investment in the erection of boundaries. -
Demonic History: from Goethe to the Present
Demonic History Demonic History From Goethe to the Present Kirk Wetters northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2014 by Northwestern University Press. Published 2014. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Wetters, Kirk, author. Demonic history : from Goethe to the present / Kirk Wetters. pages cm Includes bibliographical references and index. ISBN 978-0-8101-2976-4 (cloth : alk. paper) 1. Demonology in literature. 2. German literature—19th century—History and criticism. 3. German literature—20th century—History and criticism. 4. Devil in literature. I. Goethe, Johann Wolfgang von, 1749–1832. Urworte orphisch. II. Goethe, Johann Wolfgang von, 1749–1832. Urworte orphisch. English. III. Title. [DNLM: 1. Goethe, Johann Wolfgang von, 1749–1832— Criticism and interpretation.] PT134.D456W48 2014 830.937—dc23 2014012468 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Wetters, Kirk. Demonic History: From Goethe to the Present. Evanston: Northwestern University Press, 2015. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. -
Omen Out/Of Time: Metis, Medea, Mahakali Nandita Biswas Mellamphy, Western University
( ᵂ )omen out/of Time: Metis, Medea, Mahakali Nandita Biswas Mellamphy, Western University. In memory of my father who was a great devotee of the Mad Mother. Medea, the woman, knows that she is going to die unless she calls out to the Other. ‘For whoever wants me dead, I can be barbaric’. Faced with panic, one must be able to recreate another world without common measure with the one that is found to be lacking, not just return a mediocre blow for blow. ‘Being barbaric’. ‘Being Medea’. Isabelle Stengers, ‘Souviens-toi que je suis Médée’, 13. By subverting, mocking, or rejecting conventional norms and opening onto the realm of the forbidden (the realm of ‘forbidden things’), ‘kaligraphy’—the inscription/incarnation of Kali, goddess of destruction— stretches one’s consciousness beyond the conventional and socially sanctioned, thereby ‘liberat[ing] [it] from the inherited, imposed, and probably inhibiting categories of proper and improper, good and bad, polluted and pure’. Dan Mellamphy, ‘Kaligraphy’. We are no longer a part of the drama of alienation; we live in the ecstasy of communication. And this ecstasy is obscene. The obscene is what does away with every mirror, every look, every image. The obscene puts an end to every representation. Jean Baudrillard, ‘The Ecstasy of Communication’, 150. 1 ‘What if Truth were an Omen?’ I ask (with a nod to Nietzsche1—through a glass, darkly). What if Truth were a Namshub,2 a Magic Word/Work, the nomen of an omen? Such a truth advances here—in this essay—masked as women. Metis, Medea and Mahakali;