Palladio, the Villa and the Landscape

Total Page：16

File Type：pdf, Size：1020Kb

Gerrit Smienk and Johannes Niemeijer PALLADIO, THE VILLA AND THE LANDSCAPE With contributions by Hans Venema And drawings by Frits van Dongen Edson da Costa Jeroen Geurst Hans van Heeswijk Ferry Raedts Leon Thier Ton Venhoeven Peter Vermeulen Eric Vreedenburgh NiekvanVugt Wilfried van Winden Rein van Wylick Vera Yanovshtchinsky and their assistants Birkhauser Basel CONTENTS OVERVIEW 7 THE VILLA IN A PRODUCTION LANDSCAPE 150 Palladio, theory and practice 7 Framing 151 Exploring the villas from the air 8 The agricultural domain and the parcellation 153 Traces 9 Buildings and artefacts 155 Indicators and predecessors 10 Beacons in the landscape 155 Interpretations and research questions 13 The secret of Palladian staging 156 THE RE-CREATION OF THE VENETIAN TERRAFERMA 16 BIBLIOGRAPHY 158 State intervention 17 Drainage and reclamation 18 INDEX 159 Low land and high water 20 High land and low water 22 ILLUSTRATION CREDITS 160 The re-creation of the Venetian terraferma 24 TEN SELECTED VILLAS 27 Villa Godi: Recomposing the landscape 32 Villa Saraceno: Breathing in the landscape 42 Villa Pisani, Bagnolo: The jump across the river 50 Villa Poiana: Broad composition 58 Villa Badoer: Separation and embrace 68 Villa Foscari: 'In splendid isolation' 76 Villa Cornaro: Long sightlines 84 Villa Barbaro: Water machine at the foot of the mountains 94 Villa Emo: A focal point in an agricultural landscape 106 Villa Rotonda: All-round symmetry and different on all sides 118 THE AGRICULTURAL VILLA AS MODEL FARM 132 The laws of architecture 133 A paradoxical problem 134 The residence 134 The coperto, or farm buildings 139 The farmyard 140 Variations on the model 141 The essence of the model 141 Plan development in three directions 142 Spatial synthesis 149.

Copy Link

Recommended publications

1. World Heritage Property Data
Periodic Report - Second Cycle Section II-City of Vicenza and the Palladian Villas of the Veneto 1. World Heritage Property Data Villa Forni Cerato, 45.653 / 11.561 2.23 0 2.23 1996 Montecchio Precalcino , 1.1 - Name of World Heritage Property Province of Vicenza , Veneto City of Vicenza and the Palladian Villas of the Veneto Region , Italy Comment Villa Godi 45.746 / 11.529 4.66 0 4.66 1996 Committee Decision 20COM VIIC: The name of the property Malinverni, Lonedo di Lugo was changed to “The City of Vicenza and the Palladian Villas Vicentino , of the Veneto” . (Note: "The") Province of Vicenza , Veneto Region , Italy 1.2 - World Heritage Property Details Villa Pisani Ferri, 45.359 / 11.369 1.6 0 1.6 1996 State(s) Party(ies) Bagnolo di Lonigo , Province Italy of Vicenza , Veneto Region , Type of Property Italy cultural Villa Pojana, 45.282 / 11.501 6.14 0 6.14 1996 Identification Number Poiana Maggiore , 712bis Province of Vicenza , Veneto Year of inscription on the World Heritage List Region , Italy 1994, 1996 Villa Saraceno, 45.311 / 11.587 0.59 0 0.59 1996 Agugliaro , Province of 1.3 - Geographic Information Table Vicenza , Veneto Name Coordinates Property Buffer Total Inscription Region , Italy (latitude/longitude) (ha) zone (ha) year Villa Thiene, 45.573 / 11.63 0.38 0 0.38 1996 (ha) Quinto Vicentino , 0 / 0 ? ? ? Province of Vicenza , Veneto 0 / 0 ? ? ? Region , Italy City of Vicenza 45.549 / 11.549 218 0 218 1994 Villa Trissino, 45.428 / 11.414 3.78 0 3.78 1996 (including 23 Sarego , Province buildings of Vicenza , constructed
[Show full text]
Vicenza Convention
ITALIA with friends - Webinar Series Vicenza Unesco World Heritage site – city of the architect Andrea Palladio Wednesday 1st July 2020 - 18.30 - Partner List - • Vicenza E’ Tourism Board: who and where we are • Giovanna Parise – Sweet Hotel • Stefano Compagnone - Best Western 3 Torri Hotel • Denise Lappo – Viest Hotel • Lorenzo Cogo – El Coq Restaurant • Jacopo Poli – Poli Distilleries • Maddalena Dal Porto - Girolibero • Carolina Valmarana - Villa Valmarana ai Nani • Davide Perone - Villa Godi Malinverni VICENZA E’ TOURISM BOARD - Who we are - VICENZA E’ is a Destination Management Organisation (DMO) that deals with: • Tourism Promotion • Marketing • Tourist Welcoming Our assistance is free – we are an official Visitor Bureau VICENZA E’ TOURISM BOARD - Where we are - VICENZA lies right in the heart of the Veneto region BY PLANE VERONA “CATULLO” (km 45) VENEZIA “MARCO POLO” (km 70) VENEZIA-TREVISO (km 60) MILANO “ORIO AL SERIO” (km 120) MILANO LINATE (km 200) MILANO MALPENSA (km 250) BY TRAIN VICENZA – VENICE 45 min VICENZA – VERONA 30 min VICENZA – MILANO 2 h VICENZA – FIRENZE 2 h 30 min VICENZA - ROMA 4 h VICENZA E’ TOURISM BOARD - Where we are - VICENZA - City of the architect Andrea Palladio Vicenza and its villas have been included in the UNESCO World Heritage List in 1994 and 1996 respectively. No less than 16 of the 23 villas designed by the great architect Andrea Palladio are found in the Vicenza territory. The One Hundred Eleventh Congress of the United States of America declared him the "Father of American Architecture" (Congressional Resolution no. 259 of 6 December 2010). His style is known worldwide as “Palladianism”.
[Show full text]
Four Books on Architecture
Villa Godi Malinverni The first villa of Andrea Palladio (1542) Lugo di Vicenza www.villagodi.com – [email protected] 0445.860561 -339.3429942 Villa Godi Malinverni villagodi 1 Andrea Palladio (1508-1580) Andrea Palladio was born in Padua in 1508, son of Pietro della Gondola who was a mill worker. After moving to Vicenza at a young age, Andrea took a job in the very active workshop of the so-called Pedemuro who specialized in cutting marble and sculpture. It was during this time of apprentice that Andrea got “noticed” by Giangiorgio Trissino, an aristocrat and refined intellectual of the Venetian Mainland. Trissino decided to assign Andrea the commission of restoring his wonderful Villa Cricoli, located just outside Vicenza. He also decided to take Andrea to Rome for his very first time. Thank to the ancient roman buildings that he could see not only in Rome, but also in Vicenza, Verona and Padua, and through the experience of the works of some of the most prominent architects such as Giulio Romano, Michele Sanmicheli, Sebastiano Serlio and 2 Jacopo Sansovino, Andrea was able to develop his own original style that we can still admire in some of his important works such as Villa Almerico, known as “La Rotonda” and Villa Barbaro in Maser, which was frescoed by Veronese. 3 The Architecture Villa Godi Malinverni is the very first villa Palladio realized, as quoted in his Four Books on Architecture. The commissioner and owner of the property was Gerolamo Godi, who had it built for his father Antonio as announced on a relief set just above the loggia by the entrance.
[Show full text]
And Much More
L IVE V ICENZA AND ITS V ILLAS L IVE V ICENZA AND ITS V ILLAS ENGLISH PROVINCIA DI VICENZA Vicenza TheVillas and much more L IVE V ICENZA AND ITS V ILLAS L IVE V ICENZA AND ITS V ILLAS Vicenza... The Villas and much more This small structured guide to routes aims to be an instrument of easy consultation for those wishing to discover the Vicentine villas, combining their visit with the other offers of the rich territory: from museums to wine roads, from castles to typical productions. Here below you will not merely fi nd a list of villas since those which most represent the defi nition of tourist interest have been carefully selected. Every route is subdivided into two sections: “the villas” and “much more”, in order to indicate that besides the villas there are other attractions for the visitor. The villas in the fi rst section are generally usable, from the point of view of opening and accessibility to the visitor. 1 itinerary_1 Pedemontana Vicentina and High Vicentino itinerary_1 Pedemontana Vicentina and High Vicentino Romano d'Ezzelino Pove del Grappa Mussolente 12 BASSANO The Villas DEL GRAPPA Santorso Lonedo MAROSTICA Zugliano 11 7 2 - VillaRosà Ghellini, Villaverla Description 6 10 Nove SCHIO BREGANZE CartiglianoBegun in 1664 designed by Pizzocaro, the works were in- 1 CALDOGNO - VILLA CALDOGNO Sarcedo 14 terrupted in 1679, date engraved in two places of the main 2 VILLAVERLA - VILLA GHELLINI THIENE 13 3 VILLAVERLA - VILLA VERLATO PUTIN 8 9 façade, and never restarted because of the death of the archi- 4 MOLINA DI MALO - VILLA PORTO THIENE 4 15 Longa tect.
[Show full text]
4184 F Palladio.Pdf
O 1508-1580 Andrea Palladio 1508-1580 ANDREA PALLADIO 1508-1580 ANDREA PALLADIO 1508-1580 First published in 2010 by The Embassy of Italy. Designed by: David Hayes. Typeface: Optima. Photographer: Pino Guidolotti. Photographer Lucan House: Dave Cullen. © The Embassy of Italy 2011. All rights reserved. No part of this book may be copied, reproduced, stored in a retrieval system, broadcast or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior permission of the copyright owners and the publishers. Lucan House, Co. Dublin Palladianism and Ireland NDREA PALLADIO GAVE HIS NAME to a style of architecture, Palladianism, whose most obvious Afeatures – simple lines, satisfying symmetry and mathematical proportions – were derived from the architecture of antiquity and particularly that of Rome. From the seventeenth century onwards Palladianism spread across Europe, with later examples to be found as far afield as America, India and Australia. Irish Palladianism has long been recognised as a distinctive version of the style. Editions of Palladio’s Quattro Libri dell’Architettura were second in popularity only to editions of Vitruvius amongst the Irish architects and dilettanti of the eighteenth century but, fittingly, it was another Italian, Alessandro Galilei, who may be said to have introduced the style to Ireland at Castletown, Co. Kildare (under construction from 1722). Thus began a rich tradition of Palladianism in Irish country house architecture, with notable examples at Bellamont Forest, Co. Cavan (c.1730), Russborough, Co. Wicklow (1742), and Lucan House, Co. Dublin (1773), now the Residence of the Ambassador of Italy. Ireland can also boast, in the facade of the Provost’s House, Trinity College Dublin, the only surviving example of a building erected to a design by Palladio outside his native Italy.
[Show full text]
Primera Villa De Andrea Palladio (1542)
Villa Godi Malinverni Primera villa de Andrea Palladio (1542) Lugo di Vicenza www.villagodi.com – [email protected] 0445.860561 -339.3429942 Villa Godi Malinverni villagodi 1 Andrea Palladio (1508-1580) El arquitecto nació en Padua, de Pietro della Gondola que era un molinero. Huido a Vicenza, empezó a trabajar en el taller de la familia Pedemuro, conocidos picapedreros y canteros de la ciudad; durante este aprendizaje, Palladio fue “descubierto” por Giangiorgio Trissino, importante literato y miembro de la aristocracia de la “tierra firme”, la región alrededor de Venecia. Además de encargar el joven arquitecto de restaurar su villa de Cricoli, en Vicenza, Trissino le acompaňó también en su primer viaje a Roma. Gracias al estudio de las antiguas ruinas romanas que pudo admirar también en Vicenza, en Verona y en Padua y al contacto con las obras de los mayores arquitectos de la época –como por ejemplo Giulio Romano, Michele Sanmicheli, Sebastiano Serlio e Jacopo Sansovino- llegó a su particular lenguaje arquitectónico que podemos todavía observar tanto en importantes villas (villa Almerico dicha La Rotonda o bien Villa Barbaro en Maser con frescos de Paolo Veronese) como en importantes edificios civiles (la Loggia del Capitaniato y la Basilica de Vicenza) y religiosos (la Iglesia del Redentore y la de San Giorgio Maggiore en Venecia). La arquitectura Villa Godi Malinverni representa la primera villa de Palladio, como él mismo escribe en sus Cuatro Libros de Arquitectura. El que la encargó fue Gerolamo Godi que la hizo construir para su hijo Antonio como enseña el relieve que se encuentra sobre la logia en la entrada del cuerpo central; las obras terminaron en 1542.
[Show full text]
Mirabilia BR Progetto ENG Rev2r Copia
MIRABILIA EUROPEAN NETWORK OF UNESCO SITES PROMOTION OF UNESCO WORLD HERITAGE SITES, TERRITORIES AND TOURIST TOURS Under the Patronage of ENIT - National Tourism Agency by the Chambers of Commerce Archeological Area and the Patriarchal Basilica of Aquileia (UNESCO - World Heritage Site since 1998) Longobards in Italy. Places of the Power (568-774 A.D.) (UNESCO - World Heritage Site since 2011) The Friulian Dolomites (UNESCO - World Heritage Site since 2009) Venetian Defense Works dating back to a period between the 15th and the 17th centuries (UNESCO nomination 2011) City of Vicenza and the Palladian Villas of the Veneto (UNESCO - World Heritage Site since 1994) UDINE VICENZA Le Strade Nuove and the system of the Palazzi dei Rolli (UNESCO - World Heritage Site since 2006) Assisi, the Basilica of San Francesco GENOVA and Other Franciscan Sites (UNESCO - World Heritage Site since 2000) Longobards in Italy. Places of the Power (568-774 A.D.) (UNESCO - LA SPEZIA World Heritage Site since 2011) Regional Natural Park of Portovenere PERUGIA (UNESCO - World Heritage Site since 2011) National Park of Cinque Terre (UNESCO - La Perdonanza Celestiniana World Heritage Site since 2011) (Celestinian Forgiveness) (UNESCO nomination 2012) L'AQUILA The port of Brindisi as monument and culture of peace messenger site (UNESCO recognition 2010) Murgia dei Trulli and Itria Valley (UNESCO nomination 2013) BRINDISI SALERNO Cilento and Vallo di Diano National Park with MATERA the Archeological Sites of Paestum and Velia, and the Certosa di Padula (UNESCO - The Sassi and the Park of the Rupestrian World Heritage Site since 1998) Churches of Matera (UNESCO - World Heritage Site since 1993) Costiera Amalfitana (Amalfi Coast) (UNESCO - World Heritage Site since 1997) MIRABILIA - European Network of UNESCO Sites Promotion of UNESCO World Heritage Sites, territories and tourist tours By the Chambers of Commerce of: Brindisi, Genoa, L'Aquila, La Spezia, Matera, Perugia, Salerno, Udine and the Comsortium Vicenza è.
[Show full text]
The Allegorical Landscape Alvise Cornaro and His Self-Promotion by the Landscape Paintings in the Odeo Cornaro in Padua
Open Peer Reviewed Journal, www.kunstgeschichte-ejournal.net SÖREN FISCHER The Allegorical Landscape Alvise Cornaro and his Self-Promotion by the Landscape Paintings in the Odeo Cornaro in Padua I Summary The present study deals with the illusionistic landscape paintings in the villa-like Odeo Cornaro of Padua.1 Commissioned by the author, patron of arts and land owner Alvise Cornaro, and executed by Lambert Sustris (c. 1505/1510–c. 1585) and Gualtiero Padovano (c. 1505/10–1552/1553) around 1540/1541, these frescos created for the first time the life-sized pictorial illusion of views onto surrounding landscapes in the Venetian Republic of the 16th century. It is the aim of this study to highlight these frescos as important instruments in Alvise Cornaros self-representation and as allegorical comments on his extensive activities in land cultivation for the good of the Venetian Republic and its people. >1< II Introduction: The Odeo Cornaro in Padua In the first half of the cinquecento, Alvise Cornaro, born in Venice (c. 1484–1566) as son of Antonio di Giacomo and Angeliera Angelieri, belonged next to Gian Giorgio Trissino and Daniele Barbaro to the high class of humanistic society in the Venetian Republic, yet he was never accepted as an aristocrat (Ill. 1).2 Although he tried to prove his aristocracy to the authorities throughout his life, his name was never to be put into the Golden Book of the Republic.3 Aristocracy remained denied to him. Agriculture and the reclamation of land were central elements of Alvise's life:4 For him, agriculture, or as he expressed with the term santa agricoltura5 referring to the ancient Roman authors on agriculture such as Publius Vergilius Maro and Lucius Iunius Moderatus Columella, signified independence and power for both the individual and the entire state of Venice.
[Show full text]
1591 Villa Rotunda Vicenza, Italy Andreas Palladio
1591 Villa Rotunda Vicenza, Italy Andreas Palladio Raymond Chau and Ruogu Liu Introduction The use of proportions in the natural world such as those from measurements of the human body or musical interval in the expression of harmony in the universe became very common in the field of art and architecture during the Renaissance period (Wittkower 24). As a Renaissance architect, Andreas Palladio established rules of proportions on room dimensions based on ancient Greek, Roman and Renaissance mathematics for the creation of buildings that were intended to impose the experience of harmony into their viewers and users. However, because of the lack of information regarding the rationale for the selection of these proportions, it remains uncertain whether they are merely mathematical representation of the humanist ideal, or whether they hold a deeper purpose in affecting the functional aspect or human experience in the rooms or the building as a whole. This research paper addresses this uncertainty by investigating Palladio’s rules of proportions and their application to his exemplary built work – the Villa Rotunda. The investigation is then followed by a lighting study to examine how the proportions of selected rooms built in the Villa Rotunda affect illumination of interior space. It is hypothesized that the rules of proportion applied by Andreas Palladio in the design of his buildings were not only mere reflections of the mathematical ideal, but they were established to optimize the human experience, such as the perception of light, in the building. Pursuit of the Ideal in the Renaissance The Renaissance has also been referred to as the Age of Humanism, as artists and architects pursued the creation of the ideal form by following mathematical rules embedded in the natural forms, such as the human body.
[Show full text]
Palladio's Villas in the Tradition of the Veneto Farm Author(S): Martin Kubelik Source: Assemblage, No
Palladio's Villas in the Tradition of the Veneto Farm Author(s): Martin Kubelik Source: Assemblage, No. 1 (Oct., 1986), pp. 90-115 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/3171057 Accessed: 08/12/2008 23:59 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to Assemblage. http://www.jstor.org ' '/1".4 vI:E / - - ,,* ' ' // / j . , "' , , . Frontispiece:Villa Emo, Fan- zolo, frontal view with thresh- ing floor and ramp.
[Show full text]
ENG Vicenza and the Walled Town 1
VICENZA AND THE WALLED TOWNS A day tour through Vicenza, Marostica and Bassano: the main artistic citiescities of Vicenza’s province Arrival in the morning at 9.00 a.m. in Piazza Matteotti (Vicenza) Guided walking tour in the historical city centre of Vicenza with a visit of the Teatro OlimpicoOlimpico, one of the artistic wonders of Vicenza and the façade of Palazzo Chiericati that hosts a collection composed by paintings, sculptures and applied arts realized from the 1200s to the beginning of the 2000s. Walking through the suggestive streets you can admire the palaces that the Unesco included in the Heritage List such as Palazzo Barbaran Da Porto, and Palazzo Thiene and in the main square the Palladian BasilicaBasilica, symbol and iconic building of Vicenza. Transfer to Villa Godi Malinverni in Lugo di Vicenza, the first Villa built from Andrea Palladio in 1542; together with the other Palladian villas, it was added to the Unesco World Heritage list in 1996. Visit of the VillaVilla: a lot of magnificent painters (Gianbattista Zelotti, Battista del Moro and Gualtiero Padovano) adorned it with frescoes, the main floor is divided into two perfectly symmetrical spaces with four rooms on each side. The park also belongs to this Venetian villa, with its century old trees, the lake with swans, the Italian gardens with basins and fountains, statues and columns by Marinali and Albanese. LLLunchLunchunchunch in the traditional restaurant inside the barns of Villa Godi Malinverni, with local recipes. After lunch, departure to Marostica, one of the most suggestive Medieval villages of Italy. The main square Piazza degli Scacchi is the setting of the famous human chess game, played in even 2 years.
[Show full text]
The Venetian Villas
THE VENETIAN VILLAS - 3 DAYS ITINERARY Introduction GUIDES MANAGER Widely respected as one of the most important architects of the Western world, Andrea Palladio (1508-1580) was Wilma Barbieri a practitioner whose work has continued to resonate down five centuries. Lecturer guide of Vicenza and the Venetian Villas, specialist The Venetian Villas are his best-known masterpiece. in Palladian Architecture. Situated in the Veneto region , these homes were designed for important and noble families of Venice and Involved in the Art Tour field Vicenza who recognized Palladio’s architectural talent since 1984, worked with and were looking to acquire a sumptuous building to several Italian and foreigner which they could escape during the summer months or, in cultural associations and many cases, which they could use as a practical working museums. farm. Appointed guide of the Prince of Denmark Today, some of these villas, a few still privately owned, during his last visit of Vicenza. can be visited much as they were five centuries ago. The Collaborates with the University of selection we propose sweeps the visitor into the magic of Architecture of Florida in Vicenza. the Venetian Renaissance , enjoying these outstanding Languages: English, French architectures , their period furniture and marvelous frescoed interiors , as well as some enchanting Tel. 041 903669 Cell. 338 8360185 centuries-old parks . E-mail [email protected] Program 1st DAY 1. VILLA CORNARO - Piombino Dese (PD) Visit to the house – 60 mins. This enchanting villa belonged to one of the noblest families in Venice and was the birthplace of Doges, admirals of the Venetian fleet and also a queen, Caterina Cornaro, who reigned in Cyprus for 16 years.
[Show full text]