Akhenaten's Egypt
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Akhenaten and Moses
Story 27 A k h e n a t e n . and MOSES !? Aten is a creator of the universe in ancient Egyptian mythology, usually regarded as a sun god represented by the sun's disk. His worship (Atenism) was instituted as the basis for the mostly monotheistic — in fact, monistic — religion of Amenhotep IV, who took the name Akhenaten. The worship of Aten ceased shortly after Akhenaten's death; while Nefertiti was knifed to death by the Amun priesthood! Fig. 1. Pharaoh Akhenaten, his beloved Queen Nefer- titi, and family adoring the Aten, their Sun God; second from the left is Tutankhamen who was the son of Akhenaten. The relief dated 1350BC of the sun disk of Aten is a lime stone slab, with traces of the draufts- man’s grid still on it, found in the Royal Tomb of Amarna, the ill-fated capital of the founder of mono- theism long before Moses claimed it for Judaism. Aten was the focus of Akhenaten's religion, but viewing Aten as Akhena- ten's god is a simplification. Aten is the name given to represent the solar disc. The term Aten was used to designate a disc, and since the sun was a disc, it gradually became associated with solar deities. Aten expresses indirectly the life-giving force of light. The full title of Akhenaten's god was The Rahorus who rejoices in the horizon, in his/her Name of the Light which is seen in the sun disc. (This is the title of the god as it appears on the numerous stelae which were placed to mark the boundaries of Akhenaten's new capital at Amarna, or "Akhetaten."). -
The Religious Reforms of Akhenaten and the Cult of the Aten
The Pharaoh’s Sun-Disc : The Religious Reforms of Akhenaten and the Cult of the Aten The 18th Dynasty Pharaoh Akhenaten, known to many as the “Heretic King,” made significant changes to the religious institutions of Ancient Egypt during his reign in the 14th century BCE. The traditional view long maintained that these reforms, focused on the promotion of a single solar god known as the Aten, constituted an early form of monotheism foreshadowing the rise of Western Biblical tradition. However, this simplification ignores the earlier henotheistic tendency of Egyptian polytheism and the role of Atenism in strengthening the Pharaoh’s authority in the face of the powerful Amun-Ra priesthood, as well as distinctions between the monotheism of Moses and Akhenaten’s cult. Instead, the religion of Akhenaten, which developed from earlier ideas surrounding the solar deity motif, can be seen as an instance of monotheistic practice in form but not in function, characterized by a lack of conviction outside the new capital of Akhetaten as well as an ultimate goal of establishing not one god but one ruling power in Egypt: the Pharaoh. This will become clear through an analysis of the background to Akhenaten’s reign, the nature of his reforms and possible motivations, and the reality of Atenism vis-à-vis later Biblical monotheism. The “revolution” of Akhenaten, born Amunhotep IV,1 evidently had significant implications both during and after his reign. The radical nature of his reforms is clearly visible in the later elimination of his name and those of his immediate successors from the official list of rulers.2 However, it is possible to see the roots of these changes, and perhaps of the Pharaoh’s motivations, in earlier developments in the importance and form 1 Greek Amunhopis IV. -
Demotic Dictionary Project
oi.uchicago.edu PHILOLOGY DEMOTIC DICTIONARY PROJECT Janet H.Johnson This year, as for the past several years, the Demotic Dictionary staff concentrated on checking drafts of entries for individual letters in the Egyptian "alphabet" and preparing and entering computer scan copies of the actual Demotic words. The only student work ing on the project this year was Thomas Dousa, whose command of Egyptian and Greek and the extensive literature in both has allowed him to make major contributions to the checking and rewriting of first draft entries. Thanks to a very generous bequest from Professor and Mrs. George R. Hughes, we anticipate being able next year to hire a recent Ph.D. graduate as Research Associate to work full time on checking of draft and preparation of scans and copies. The checking and rewriting of first draft entries involves double checking of all in formation provided in the entry and the incorporation of several categories of informa tion that we decided to include after the first drafts had been written. Many of these categories are being added to provide social or cultural information as part of the "meaning" of a word. For example, whenever the "word" is the name of a deity, a refer ence is provided to every geographic location (e.g., a specific city or cemetery) with which the deity is associated in the texts of the corpus from which the Chicago Demotic Dictionary is being drawn. Similarly, whenever the "word" being discussed is the name of a geographic location, reference is made to all deities mentioned in the texts of our corpus in conjunction with that geographic location. -
Origin of the Egyptian Domestic Cat
UPTEC X 12 012 Examensarbete 30 hp Juni 2012 Origin of the Egyptian Domestic Cat Carolin Johansson Molecular Biotechnology Programme Uppsala University School of Engineering UPTEC X 12 012 Date of issue 2012-06 Author Carolin Johansson Title (English) Origin of the Egyptian Domestic Cat Title (Swedish) Abstract This study presents mitochondrial genome sequences from 22 Egyptian house cats with the aim of resolving the uncertain origin of the contemporary world-wide population of Domestic cats. Together with data from earlier studies it has been possible to confirm some of the previously suggested haplotype identifications and phylogeny of the Domestic cat lineage. Moreover, by applying a molecular clock, it is proposed that the Domestic cat lineage has experienced several expansions representing domestication and/or breeding in pre-historical and historical times, seemingly in concordance with theories of a domestication origin in the Neolithic Middle East and in Pharaonic Egypt. In addition, the present study also demonstrates the possibility of retrieving long polynucleotide sequences from hair shafts and a time-efficient way to amplify a complete feline mitochondrial genome. Keywords Feline domestication, cat in ancient Egypt, mitochondrial genome, Felis silvestris libyca Supervisors Anders Götherström Uppsala University Scientific reviewer Jan Storå Stockholm University Project name Sponsors Language Security English Classification ISSN 1401-2138 Supplementary bibliographical information Pages 123 Biology Education Centre Biomedical Center Husargatan 3 Uppsala Box 592 S-75124 Uppsala Tel +46 (0)18 4710000 Fax +46 (0)18 471 4687 Origin of the Egyptian Domestic Cat Carolin Johansson Populärvetenskaplig sammanfattning Det är inte sedan tidigare känt exakt hur, när och var tamkatten domesticerades. -
Religion and Politics in Ancient Egypt
AMERICAN JOURNAL OF SOCIAL AND MANAGEMENT SCIENCES ISSN Print: 2156-1540, ISSN Online: 2151-1559, doi:10.5251/ajsms.2012.3.3.93.98 © 2012, ScienceHuβ, http://www.scihub.org/AJSMS Religion and politics in ancient Egypt Etim E. Okon Ph.D. Department of Religious and Cultural Studies, University of Calabar, Calabar, Nigeria. ABSTRACT The aim of this paper is to examine the pervasive influence of religion on politics in a monarchical ancient African kingdom. After a critical reflection on the mythology and cultus of the Sun-God, the apotheosis of the Pharaoh and the cult of the dead in ancient Egyptian society, it was found that religion was indispensable in ancient Egypt. Religion and politics in ancient Egyptian society were inseparable. Ancient Egyptians were incurably religious. Social and political life was a religious phenomenon. The king of Egypt, Pharaoh was not only despotic, but comprehensively authoritarian. Ancient Egyptian society was a monarchy. The idea of democracy was unknown in ancient Egypt. Key words: Religion and Politics in Ancient Egypt; Egypt and the Sun-God; Egyptian Mythology; INTRODUCTION differences. It is also evident that even though the god – Ra, was known by seventy-five different Religion was the dominant social force in ancient names, very few of the hundreds of deities were Egypt. Religious influence was pervasive affecting worshiped nationally. The most influential pantheon almost everything. Egyptian religion developed from was made up of the trinity – Osiris, Isis (his wife), and simple polytheism to philosophic monotheism, with Horus (his son). Egyptians also worshiped the every community having a guardian deity which “cosmic” gods under the leadership of Ra, the sun- personified the powers of nature. -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
Iconoclasm in Ancient Egypt
Bowling Green State University ScholarWorks@BGSU 20th Annual Africana Studies Student Research Africana Studies Student Research Conference Conference and Luncheon Feb 23rd, 9:00 AM - 10:25 AM Iconoclasm in Ancient Egypt Micaela Deogracias Follow this and additional works at: https://scholarworks.bgsu.edu/africana_studies_conf Part of the African Languages and Societies Commons Deogracias, Micaela, "Iconoclasm in Ancient Egypt" (2018). Africana Studies Student Research Conference. 1. https://scholarworks.bgsu.edu/africana_studies_conf/2018/001/1 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Africana Studies Student Research Conference by an authorized administrator of ScholarWorks@BGSU. Iconoclasm: Ancient Egypt Micaela Deogracias ARTH 1450H – 10:30 to 11:20 8 December 2017 Deogracias 1 Picture standing in front of the sarcophagus of Tutankhamen, the famous boy pharaoh whose tomb held the most grave goods to date. Now imagine humanity never finding his tomb, or at the most finding it mangled and empty. It is hypothesized that his tomb was saved because the Egyptians wanted to forget him—more specifically, they wanted to forget his father and his lineage. This led to the destruction of many works. In other words, an iconoclastic movement began. Iconoclasm, defined by Dario Gambodi, is the typically premeditated destruction of icons that are often religious in nature (The Destruction of Art, 191). However, Egyptian iconoclasm may have focused on much more than just religion when practicing iconoclasm. This study will specifically look at iconoclasm from Ancient Egypt and discuss the culture’s iconoclastic policy. -
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Journal of Ancient Egyptian Interconnections CULTURAL AND RELIGIOUS IMPACTS OF LONG -T ERM CROSS -C ULTURAL MIGRATION BETWEEN EGYPT AND THE LEVANT Thomas Staubli university of fribourg, switzerland ABSTRACT An increase of cross-cultural learning as a consequence of increased travel and migration between Egypt and the Levant during the Iron Age occurred after millennia of migration in earlier times. The result was an Egyptian-Levantine koine, often not recognized as relevant by historians due to an uncritical reproduction of ancient myths of separation. However, the cultural exchange triggered by migration is attested in the language, in the iconography of the region, in the history of the alphabet, in literary motifs, in the characterization of central characters of the Hebrew Bible and, last but not least, in the rise of new religions, which integrated the experience of otherness in a new ethos. Egypt and the Levant: two areas that have countries. in reality, the relations between the eastern continually shaped societies and the advancement of Delta and the Levant were probably, for many centuries, civilization in both the past and the present.” more intense than the relations between the eastern delta “ —Anna-Latifa Mourad (2015, i) and Thebes. in other words, in order to deal seriously with the 1. I NTRODUCTION 1 Levant and northern Egypt as an area of intensive 1.1. T hE ChALLEngE : T hE EsTAbLishED usE of “E gypT ” AnD migration over many millennia and with a focus of the “C AnAAn ” As sEpArATE EnTiTiEs hinDErs ThE rECogniTion effects of this migration on culture, and especially religion, of ThE CrEoLizing EffECTs of MigrATion As highLy rELEvAnT the magic of the biblical Exodus paradigm and its for ThE hisTory of CuLTurEs AnD rELigions in ThE rEgion counterpart, the Egyptian expulsion paradigm, must be The impact of migration on religious development both in removed. -
Abydos 157 Block Discovered at 154 Akhenaten Access to the Aten 15
Index Abydos 157 wearing of Nubian wig by 62 block discovered at 154 worshiping of the Aten by 180, 181–182 Akhenaten Akhetaten (city), worshiping of Aten by royal access to the Aten 15, 159, 199 family at 176 adoption of identity of Shu by 174 Amarna, Tell el- 160, 161, 166, 176 artistic style of 177, 179n, 186 afterlife of nonroyal dead at 150 Atenist changes of, at Karnak 202 art and artists in 26, 180, 190, 191–192, 193, belief in Nefertiti as goddess 189 202 body cartouches on 36, 37 balustrades from 181, 197–198 building program of 10, 12 building construction at 28 as child of the Aten 189 funerary cults of nonroyal at 185 daughters of 18, 146–147, 183, 189–190 grid system in 45 depiction of, as sphinx 156–157 hermetic identity of the divine triad of establishment of sunshades of Re by 160 186 figure of, on tomb of Amarna 168 house stelae found at 186–187 figures of 36–48 importance of dogmatic adherence to height of Nefertiti in relation to 194–195, ideology 182–183 197–198 inscriptions at 155 iconography of the Karnak colossi of King’s House in 146 187–188 nonroyal tombs at 183, 187 identity of 188–189 palaces at 136 ideology of 193 refurbishment at 163 as intermediary to Aten 15 reliefs at 58, 195 as manifestation of the sun god 175 religion of 183–184 marriage to Nefertiti 202 temples at 13, 82, 136 Nefertiti as equal to 183–184 tombs of 9, 30, 35–36, 48, 74, 137, 157, 168, petitioning to, for afterlife benefits 185 169, 196–197 philosophy of 191 mirror image scenes in 149 reign of 176, 177, 182, 195, 197 women in 87–88 rejuvenation -
The Pharaoh's Sun-Disc: the Religious Reforms of Akhenaten and the Cult Of
70 HIRUNDO 2014 The Pharaoh’s Sun-Disc: The Religious Reforms of Akhenaten and the Cult of the Aten The 18th Dynasty Pharaoh Akhenaten, known to many as the “Heretic King,” made significant changes to the religious institutions of Ancient Egypt during his reign in the 14th century BCE. The traditional view long maintained that these reforms, focused on the promotion of a single solar god known as the Aten, constituted an early form of monotheism foreshadowing the rise of Western Biblical tradition. However, this simplification ignores the earlier henotheistic tendency of Egyptian polytheism and the role of Atenism in strengthening the Pharaoh’s authority in the face of the powerful Amun-Ra priesthood, as well as distinctions between Mosaic monotheism and Akhenaten’s cult. Instead, the religion of Akhenaten, which developed from earlier ideas surrounding the solar deity motif, can be seen as an instance of monotheistic practice in form but not in function, characterized by a lack of conviction outside the new capital of Akhetaten as well as an ultimate goal of establishing not one god but one ruling power in Egypt: the Pharaoh. This will become clear through an analysis of the background to Akhenaten’s reign, the nature of his reforms and possible motivations, and the reality of Atenism vis-à-vis later Mosaic tradition. The “revolution” of Akhenaten, born Amenhotep IV,1 evidently had significant implications both during and after his reign. The radical nature of his reforms is clearly visible in the later elimination of his name and those of his immediate successors from the official list of rulers.2 However, it is possible to see the roots of these changes, and perhaps of the Pharaoh’s motivations, in earlier developments in the importance and form of the solar deity. -
1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose Died When He Was 12
1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose died when he was 12 and Amenhotep was advised by his mother in the early years of his reign • Inherited a reign of great peace and prosperity from his father; had to maintain rather than expand or improve • Married to his Great Royal Wife Tiye by the second year of his reign • Promoted his eldest daughter, Sitamun, to Great Royal Wife • Entered into numerous of marriages with foreign princesses to ensure stable diplomatic relations These scarabs were issues throughout the Empire and boast about his hunting prowess. They promote the stereotypical image of the pharaoh as a great hunter, emphasising his strength and virility. Not always based in fact, but rather an artistic convention which symbolised the king’s fitness to rule and his triumph over the forces of L: Wild bull-hunt commemorative scarab chaos. R: Lion hunt commemorative scarab Building programs • Unprecedented, massive and ostentatious • Overseer or All the King’s Works, Amenhotep, son of Hapu, is behind most of it • Honoured the gods with building projects, but the nature and size of his projects may indicate that he was using the country’s resources to glorify himself Large and impressive. Contains relief showing Amun’s role in the divine birth and coronation of Amenhotep III. Temple of Amun at Luxor Pylons at Karnak Built a new pylon after demolishing the shrines and monuments of earlier pharaohs and using that rubble to fill his pylon. Lengthy inscription praises himself and Amen, and lists the gifts he had given to the temple. -
IMAGES of POWER: NEW KINGDOM EGYPT (Akhenaton and the Amarna Style) AKHENATON
IMAGES OF POWER: NEW KINGDOM EGYPT (Akhenaton and the Amarna Style) AKHENATON Online Links: Akhenaton - Wikipedia, the free encyclopedia Aten - Wikipedia. the free encyclopedia Akhenaton and the Armana Period BBC History Akhenaton BBC In Our Time with Melvyn Bragg House Altar with Akhenaton, Nefertiti and their Three Daughters – Smarthistory Society for the Promotion of the Egyptian Museum Berlin Facts on Akhenaton - Ancient Egypt Online Akhenaton, from the temple of Amen-Re (Karnak), c. 1353-1335 BCE, sandstone Known before the fifth year of his reign as Amenhotep IV, Akhenaton was a pharaoh of the Eighteenth dynasty of Egypt who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. He is especially noted for abandoning traditional Egyptian polytheism and introducing worship centered on the Aten, which is sometimes described as monotheistic. An early inscription likens him to the sun as compared to stars, and later official language avoids calling the Aten a god, giving the solar deity a status above mere gods. He was all but lost from history until the discovery, in the 19th century, of Amarna, the site of Akhetaten, the city he built for the Aten. The artistic style associated with his reign, which departed radically from convention in its use of curvilinear and elongated form, is known as the Amarna style. Statue of Akhenaton in the Amarna style In some cases, representations are more naturalistic, especially in depictions of animals and plants, of commoners, and in a sense of action and movement—for both nonroyal and royal people. However, depictions of members of the court, especially members of the royal family, are extremely stylized, with elongated heads, protruding stomachs, heavy hips, thin arms and legs, and exaggerated facial features.