5.7 Apparato Documentario E Iconografico N. 4
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Pages 4 Rotella, Lot 51 Pagine
LOT 42 In copertina | Cover Pagine 4 | Pages 4 Pagina 133 | Page 133 Baechler, lot 15 Rotella, lot 51 Turcato, lot 29 Retro copertina | Back cover Pagine 6-7 | Pages 6-7 Pagina 142 | Page 142 Arman, lot 25 Schifano, lot 30 Melotti, lot 33 Pagina 1 | Page 1 Pagine 8-9 | Pages 8-9 Pagina 143 | Page 143 Dorazio, lot 42 Music, lot 60 Cassinari, lot 39 SEDE - VIA SANT’AGNESE 18, 20123 MILANO ASTA ARTE MODERNA E CONTEMPORANEA 10 NOVEMBRE 2020 MILANO, VIA SACCHI 7 – presso LA POSTERIA 23 OTTOBRE - 4 NOVEMBRE, MILANO VIA SANT’AGNESE 18 0 (ORARIO 10.00-19.00 – ESCLUSO FESTIVI E 29 OTTOBRE) PREVIO APPUNTAMENTO 7-8-9 NOVEMBRE, MILANO, VIA SACCHI 7 (ORARIO 10.00-19.00) UNICA SESSIONE MARTEDÌ 10 NOVEMBRE 2020 ORE 16.00 LOTTI 1 - 243 PRESENTAZIONE TELEVISIVA TOP LOTS Lunedì 2/11 ore 21.30-23 canale 134 del digitale terrestre Martedì 3/11 ore 21.30-23 canale 134 del digitale terrestre Giovedì 5/11 ore 21.30-23 canale 134 del digitale terrestre Venerdì 6/11 ore 21.30-23 canale 134 del digitale terrestre OFFERTE SCRITTE FINO A LUNEDÌ 9 NOVEMBRE 2020 ORE 15.00 FAX +39 02 40703717 [email protected] È possibile partecipare in diretta on-line inscrivendosi (almeno 24 ore prima) sul nostro sito www.ambrosianacasadaste.com CONSULTAZIONE CATALOGO E MODULISTICA www.ambrosianacasadaste.com da venerdì 23 ottobre 2020 AMBROSIANA CASA D’ASTE / GALLERIA POLESCHI CASA D’ASTE - VIA SANT’AGNESE 18 20123 MILANO - TEL. +39 0289459708 - FAX +39 0240703717 www.ambrosianacasadaste.com • [email protected] LOT 51 338 1226703 5 MODERN AND CONTEMPORARY ART -
Copertina Artepd.Cdr
Trent’anni di chiavi di lettura Siamo arrivati ai trent’anni, quindi siamo in quell’età in cui ci sentiamo maturi senza esserlo del tutto e abbiamo tantissime energie da spendere per il futuro. Sono energie positive, che vengono dal sostegno e dal riconoscimento che il cammino fin qui percorso per far crescere ArtePadova da quella piccola edizio- ne inaugurale del 1990, ci sta portando nella giusta direzione. Siamo qui a rap- presentare in campo nazionale, al meglio per le nostre forze, un settore difficile per il quale non è ammessa l’improvvisazione, ma serve la politica dei piccoli passi; siamo qui a dimostrare con i dati di questa edizione del 2019, che siamo stati seguiti con apprezzamento da un numero crescente di galleristi, di artisti, di appassionati cultori dell’arte. E possiamo anche dire, con un po’ di vanto, che negli anni abbiamo dato il nostro contributo di conoscenza per diffondere tra giovani e meno giovani l’amore per l’arte moderna: a volte snobbata, a volte non compresa, ma sempre motivo di dibattito e di curiosità. Un tentativo questo che da qualche tempo stiamo incentivando con l’apertura ai giovani artisti pro- ponendo anche un’arte accessibile a tutte le tasche: tanto che nei nostri spazi figurano, democraticamente fianco a fianco, opere da decine di migliaia di euro di valore ed altre che si fermano a poche centinaia di euro. Se abbiamo attraversato indenni il confine tra due secoli con le sue crisi, è per- ché l’arte è sì bene rifugio, ma sostanzialmente rappresenta il bello, dimostra che l’uomo è capace di grandi azzardi e di mettersi sempre in gioco sperimen- tando forme nuove di espressione; l’arte è tecnica e insieme fantasia, ovvero un connubio unico e per questo quasi magico tra terra e cielo. -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Open Windows 10
Open Windows 10 Resonance Chamber. Museum Folkwang and the Beginning of Hans Heinrich Thyssen-Bornemisza’s German Expressionist Collection Nadine Engel Emil Nolde Young Couple, c. 1931–35 22 HollandischerDirektor bracht ✓ Thyssen-Schatzenach Essen Elnen kaum zu bezifiernden Wert bat elne Ausslellung des Folkwang-Museums, die btszum 20. Marz gezelgt wird: sie ent hiilt hundertzehn Melsterwerke der europaisdlen Malerei des 14. bis 18. Jahrhunderts aus der beriihmten Sammlung Sdtlo8 Roboncz, die heute Im Besitz des nodt Jungen Barons H. H. Thys sen-Bornemisza ist und in der Villa Favorlta bei Lugano ihr r Domlzil hat. Insgesamt mnfafll sie 350 Arbeiten. Erst um 1925 wurde sle in besdieidenen An fll.ngen von August Thyssen ge grilndet, dann von dessen SOh nen, zumal von Heinrkh Thys sen, entscheidend ausgebaut. Jetzt billet und vermehrt sie der Enke!. B~i d~r_ErOff11ungsfeicr,zu d~r auch l I ~~~~e~~l:~~n F~~~m~~!sr:::~ei:~ _,_,J NRW ersdli,:mcn war, -sagte Ober- - / ~~;~::~:ii5~c~dlNJ!:~n;(o~W~ti.~: Baron und ::;o;~~ lhJ,~~!~!~g~:::,~~~~::~o,::;~~:.;';~'::i~~=~Nie1wolldt ;~~~:::ig~\t~~~~"::::cann1~bt~~J st~Uung in der Bund~srepublik K{iln, nerer Tcil der Sammlung Thysscn- :U~~!~:~\:~s:J~;~n:,!%~'~!i~gd~::~ ~o~qs:~ldi~u~~Esj~~ i1~0;~~:~~:J1a~~; t:;ge 1~is~~~~~:_uE'!1::~dd!~tg:t:J:;; t~~}:~~:~ J1~!~1:~~::1gs;;;;:;n;u;::: ;;~~7i~gd~~S:s~~n ~zt:~:~ieiab:t ;ii~e~u;/~:?n_anredtnen, iwe1tep_~~~: komme, der eines solchen Ausgleidts lugano - Rotterdam - Essen I drin9en? bedarf. Baron_H. ~-1.Thyssen· So trafen denn die behutsamgepfleg Bornem!sza sdtl!derte in einer kuncn ten Schiille in drei wohlgesidierlen Relle die_ En\widdu~g Iler Sammlu~g Transporten die Fahrt von Rotterdam und erklarte dann die Ausstellung fur nadl Essen an, nadldem sie ein paar fig. -
Copyrighted Material
BLBK621-01 BLBK621-Green Printer: Yet to Come January 18, 2016 19:3 Trim: 229mm × 152mm Part 1 The Second Wave COPYRIGHTED MATERIAL 17 BLBK621-01 BLBK621-Green Printer: Yet to Come January 18, 2016 19:3 Trim: 229mm × 152mm Figure 1.1 City view, Kassel, during documenta, with at left the Museum Frideri- cianum, documenta’s main venue. Photograph Charles Green. 18 BLBK621-01 BLBK621-Green Printer: Yet to Come January 18, 2016 19:3 Trim: 229mm × 152mm 1 1972: The Rise of the Star-Curator Exhibitions in this chapter: documenta 5: Befragung der Realitat,¨ Bildwelten heute (documenta 5: Questioning reality, image worlds today) (1972, Kassel, Germany) Introduction The focus of this chapter is documenta5: Befragung der Realitat,¨ Bildwel- ten heute (Questioning reality: Image worlds today), the landmark 1972 edition of documenta. Founded in 1955 by veteran art historian Arnold Bode and now held every five years in the German city of Kassel, docu- menta was from the outset intended to be a survey exhibition of modern art. Although it initially played a secondary role to a monster-sized flower show in this small provincial city – located closer to the East German bor- der than to Cologne or Dusseldorf,¨ West Germany’s principal art centers – documenta is now widely regarded as the most important mega-exhibition of all.1 Inclusion in documenta is an even surer marker of an artist’s impor- tance than selection into Venice, Sao˜ Paulo, or any of the other biennials described in this book. documenta 5 was directed by the immensely influential Swiss curator Harald Szeemann. -
Catalogo 144 TENDENZE INFORMALI
COMUNE DI BRESCIA CIVICI MUSEI D’ARTE E STORIA PROVINCIA DI BRESCIA ASSOCIAZIONE ARTISTI BRESCIANI TENDENZE INFORMALI DAGLI ANNI CINQUANTA AI PRIMI ANNI classici del contemporaneo SETTANTA NELLE COLLEZIONI BRESCIANE mostra a cura di Alessandra Corna Pellegrini 144 aab - vicolo delle stelle 4 - brescia 22 settembre - 17 ottobre 2007 orario feriale e festivo 15.30 - 19.30 edizioni aab lunedì chiuso L’AAB è orgogliosa di inaugurare la stagione 2007/2008 con una prestigiosa esposizione, di rilievo certamente non solo locale, che propone opere di artisti fra i più rappresentativi dell’Informale. La mostra prosegue la fortunata serie “Classici del contemporaneo” dedicata al collezionismo della nostra provincia, che ha già proposto artisti come Kolàr, Demarco, Fontana, Munari, Birolli, Dorazio, Vedova, Fieschi, Adami, Baj ed esponenti della Nuova Figurazione. La curatrice della rassegna, la storica dell’arte Alessandra Corna Pellegrini, ha selezionato un nucleo essenziale di opere (34) che rappresentano esempi molto significativi dell’esperienza e del linguaggio di un movimento pur tanto complesso e così difficile da circoscrivere come l’Informale e dimostrano l’alta qualità delle collezioni bresciane, sia pubbliche sia private. L’impegno dell’AAB, scientifico organizzativo finanziario, può ben essere documentato dall’importanza internazionale degli autori proposti, da Dubuffet Mathieu Schneider a Afro Basaldella Corpora Dorazio Fontana Morlotti Santomaso Scanavino Scialoja Tancredi Turcato. L’esposizione, come è prassi costante dell’Associazione, -
Kuvakirjasto Nordstromin Kokoelma.Pdf
Lars-Gunnar Nordströmin kirjakokoelma Taideyliopiston kirjastossa / Lars-Gunnar Nordström's collection in the University of the Arts Helsinki Library Nimeke / Title Tekijä / Author Julkaisuvuosi / Publishing year Julkaisija / Publisher New York : Museum of Modern Art ; Picasso and Braque : pioneering cubism William Rubin 1989 Boston Richard Serra edited by Ernst-Gerhard Güse ; with contributions by Yves-Alain Bois ... [ja muita]. 1988 New York, N.Y. : Rizzoli Piet Mondrian : 1872-1944 Yve-Alain Bois, Joop Joosten, Angelica Zander Rudenstine, Hans Janssen. 1994 Boston : Little, Brown and Company Franciska Clausen. Bd. 2, I "de kolde skuldres land" 1932-1986 Finn Terman Frederiksen. 1988 Randers : Buch Salvador Dalí: rétrospective 1920-1980. Centre Georges Pompidou. 1980 Paris : Centre Georges Pompidou Russia: an architecture for world revolution / El Lissitzky ; translated by Eric Dluhosch Lissitzky, El 1970 London : |b Lund Humphries, |c 1970. Kandinsky François Le Targat 1986/1988 London : Academy Editions New York : Solomon R. Guggenheim Kandinsky at the Guggenheim Vivian Endicott Barnett 1983 Museum : Abbeville Press Varvara Stepanova : a constructivist life A. N. Lavreniev; John E. Bowlt 1988 London : Thames and Hudson P.O. Ultvedt : Tvivel och övermod : arbeten från 1945 till 1988 Per Olof Ultvedt; Malmökonsthall 1988 Malmö: Den konsthall Sonia Delaunay : fashion and fabrics Jacques Damase 1991 New York : H.N. Abrams Jackson Pollock Daniel Abadie; Claire Stoullig; Musée national d'art moderne (France) 1982 Paris : Centre Georges -
Media Kit Paris Gallery Weekend Summary 2
Paris Gallery Weekend Galleries’ Programme 1 Media kit Paris Gallery Weekend Summary 2 Press Release 3 Paris Gallery Weekend 44 galleries and 107 artists 4 Numbers 7 Detailed Programme Exhibitions and Themed Visits 8 The Rendez-Vous 9 Galleries’ Programme 10 VIP Programme 54 Talking Galleries 55 New identity by Matter of Fact 56 Team 57 Partners 58 Visuals 61 Practical Information 62 Paris Gallery Weekend Press release 3 Press Release Presentation of Paris Gallery Weekend 2018 Since 2014, Paris Gallery Weekend has established itself as an With its 44 participating galleries in 2018, Paris Gallery Weekend annual landmark event for art lovers and collectors, whether based represents the diversity of type and of geography of Parisian galleries: in France or abroad. from the newest to the most established and the most imposing to the most intimate, whether situated in the Marais, in Saint-Germain- For its fifth edition – held the 25th, 26th, and 27th of May – the des-Prés, in the 8th or 18th arrondissements, in Belleville or in the 2018 Paris Gallery Weekend is proud to host a total of 44 galleries, Haut-Marais. representing a 40% increase in the number of participants since 2017. This significant growth testifies to the dynamism and rising The Weekend’s 2017 edition included more than 5,000 participants influence of the event and is a result of 8 new galleries and the return associated with 31 galleries representing the work of 99 artists. of 16 others. Paris Gallery Weekend is organized by Choices, an association In 2018, Paris Gallery Weekend dons a new visual identity founded and directed by gallery owner Marion Papillon. -
Künstlerische Praxis Aus Dem Blickwinkel Der Documenta11 Hrsg
Hamburg University Press Bernhard Balkenhol art unrealized – 3-937816-21-6 ISSN 1613-1339 ISBN künstlerische Praxis aus dem Blickwinkel der Documenta11 Kunstpädagogische Universität Hamburg 12/2006 Kunstpädagogische Positionen Positionen 12 Editorial Gegenwärtig tritt die Koppelung von Kunst & Pädagogik, Kunstpädagogik, weniger durch systematische Gesamt- entwürfe in Erscheinung, als durch eine Vielzahl unter- schiedlicher Positionen, die aufeinander und auf die Geschichte des Faches unterschiedlich Bezug nehmen. Wir versuchen dieser Situation eine Darstellungsform zu geben. Wir beginnen mit einer Reihe von kleinen Publikationen, in der Regel von Vorträgen, die an der Universität Hamburg gehalten wurden in dem Bereich, den wir FuL (Forschungs- und Le[ ]rstelle. Kunst – Pädagogik – Psychoanalyse) genannt haben. Im Rahmen der Bildung und Ausbildung von Stu- dierenden der Kunst & Pädagogik wollen wir Positionen zur Kenntnis bringen, die das Lehren, Lernen und die bildenden Effekte der Kunst konturieren helfen. Karl-Josef Pazzini, Eva Sturm, Wolfgang Legler, Torsten Meyer Bernhard Balkenhol art unrealized – künstlerische Praxis aus dem Blickwinkel der Documenta11 hrsg. von Karl-Josef Pazzini, Eva Sturm, Wolfgang Legler, Torsten Meyer Kunstpädagogische Positionen 12/2006 Hamburg University Press Es ist bald ein Jahr her, dass die Documenta11 ihre Tore in Kassel geöffnet hat. Heute vor einem Jahr wurde noch heftig an dieser immer noch bedeutendsten Ausstellung gearbeitet. In der Binding-Brauerei war fast noch gar nichts gehängt/aufgebaut, weil sich wegen der ungeklär- ten Frage, wer den Umbau der Brauerei in ein Museum der 100 Tage bezahlen soll, alles sehr verzögert hatte. Aber Okwui Enwezor, der künstlerische Leiter der D11, hatte einen genauen Plan für seinen White Cube, den er dann auch durchgesetzt hat. -
Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. -
1943 1944 1945 L'expo-Journal Ni
1943 ARTS PLASTIQUES • Fondation de l'associa- tion du Salon de Mai à Paris. Président, Gaston Diehl. * Exposition « Jean FAUTRIER », présentée par Jean-Paulhan, Galerie René Drouin, Paris. • Mort de Soutine. POLITIQUE France totalement occupée. Gouvernement de Vichy (Pétan, Laval). ANIMATION ARTS PLASTIQUES Résistance de Stalingrad. l'expo-journal ni Débarquement allié en Italie. LITTÉRATURE G. BACHELARD : L'air et les songes. A. CAMUS : L'étranger. P. CLAUDEL : LeSoulier de Satin. P. ÉLUARD : Poésie et vérité. J. GIRAUDOUX : Sodome et Gomorrhe. J.P. SARTRE : Les Mouches ; L'Être et le Néant. FILMS J. BECKER : Goupi Mains Rouges. H.G. CLOUZOT: Le Corbeau. J. DELANNOY- J. COCTEAU : L'Éternel Retour. C. DREYER : Jour de colère1944. ARTS PLASTIQUES • Exposition « Peintures abstraites, compositions de matières », IMAGNELLI, KANDIN- SKY, DOMÉLA, Nicolas DE STAËL) galerie l'Esquisse, Paris. • BISSIÈRES, exposition de Pastels, galerie de rance, Paris. • DUBUFFET, l° exposition, galerie Drouin, Paris. • PICASSO, adhésion au Parti Communiste et Scandale du Salon d'Automne. • Nicolas DE STAËL, l° exposition personnelle, galerie L'Ésquisse, Paris. • Mort de KANDINSKY à Paris. Mort de MONDRIAN à New-York. ÉVÉNEMENTS POLITIQUES 6 juin : Débarquement allié en Normandie. rançois, 15 août : Débarquement La Valette, (Var) 1924. en Provence. Gouvernement provisoire « Les boxeurs », duGénéral plastiques. Saison Huile sur toile. 72 x 60. 1950, de Gaulle. Galerie Ariel. Paris. LITTÉRATURE 1977 - 78. J. ANOUILH : Antigone. L. ARAGON : Aurélien. Sept., Oct.. Nov., A. CAMUS : YVES NIORE, « Dessins d'humeur » Le Malentendu. (Rencontre avec l'auteur). L.F. CÉLINE : Guignol's Band. "NIL YALTER, « Habitations provisoi- C. MALAPARTE : Kaputt. res » (Rencontre avec Nil Yalter et Bernard J.P. -
Open Windows 10
Leticia de Cos Martín Martín Cos de Leticia Beckmann Beckmann Frau than Quappi, much more more much Quappi, pages 47 — 64 47 — 64 pages Clara Marcellán Marcellán Clara in California in California Kandinsky and Klee Klee and Kandinsky of Feininger, Jawlensky, Jawlensky, of Feininger, and the promotion promotion the and Galka Scheyer Galka Scheyer ‘The Blue Four’: Four’: Blue ‘The pages 34 — 46 34 — 46 pages Manzanares Manzanares Juan Ángel Lpez- Ángel Juan ~' of modern art as a collector as a collector Bornemisza’s beginnings beginnings Bornemisza’s - ~~.·;•\ Thyssen Baron On ~ .. ;,~I il~ ' r• , ~.~ ··v,,,:~ ' . -1'\~J"JJj'-': . ·'-. ·•\.·~-~ . 13 — 33 pages Nadine Engel Engel Nadine Expressionist Collection Collection Expressionist Thyssen-Bornemisza’s German German Thyssen-Bornemisza’s Beginning of Hans Heinrich Heinrich Hans of Beginning 1, 1 ~- .,.... Museum Folkwang and the the and Folkwang Museum ,..~I,.. '' i·, '' ·' ' ' .·1,.~.... Resonance Chamber. Chamber. Resonance . ~I•.,Ji'•~-., ~. pages 2 — 12 2 — 12 pages ~ -~~- . ., ,.d' .. Ali. .~ .. December 2020 2020 December 10 10 Open Windows Windows Open Open Windows 10 Resonance Chamber. Museum Folkwang and the Beginning of Hans Heinrich Thyssen-Bornemisza’s German Expressionist Collection Nadine Engel Emil Nolde Young Couple, c. 1931–35 22 HollandischerDirektor bracht ✓ Thyssen-Schatzenach Essen Elnen kaum zu bezifiernden Wert bat elne Ausslellung des Folkwang-Museums, die btszum 20. Marz gezelgt wird: sie ent hiilt hundertzehn Melsterwerke der europaisdlen Malerei des 14. bis 18. Jahrhunderts aus der beriihmten Sammlung Sdtlo8 Roboncz, die heute Im Besitz des nodt Jungen Barons H. H. Thys sen-Bornemisza ist und in der Villa Favorlta bei Lugano ihr r Domlzil hat. Insgesamt mnfafll sie 350 Arbeiten.