DOCSLIB.ORG

SHIRIN NESHAT Solo Exhibition Catalogues and Monographs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SHIRIN NESHAT Solo Exhibition Catalogues and Monographs SHIRIN NESHAT Solo Exhibition Catalogues and Monographs 2019 Hyler, Joanne, Ed Schad, Abbass Milani. Shirin Neshat: I Will Greet the Sun Again. Prestel Verlag GmbH & Company KG., 2019. 2018 Shirin Neshat: Dreamers Trilogy. Dornbirn, Austria: Kunstraum Dornbirn, 2018. 2017 Kellein, Thomas, ed. Shirin Neshat: The Home of My Eyes. Köln: Verlag der Buchhandlung Walther König, 2017. Shirin Neshat: Frauen in Gesellschaft. Tubingen: Ernst Wasmuth Verlang Tubingen, 2017. 2015 Afkhami, Mahnaz, Melissa Chiu, and Melissa Ho. Shirin Neshat: Facing History. Washington, D.C.: Hirshhorn Museum and Sculpture Garden with Smithsonian Books, 2015. 2013 Karimi, Shahram. Shirin Neshat: Written on the Body. Madrid: Fundación Telefonica, 2013. Schwerfel, Heinz Peter. Shirin Neshat. Istanbul: Dirimart, 2013. Hart, Rebecca, Sussan Babaie, and Nancy Princenthal. Shirin Neshat. Detroit: Detroit Institute of Arts, 2013. 2012 Shirin Neshat. London: Ivorypress, 2012. 2011 Shirin Neshat: The Mask & The Mirror. New York: Leila Heller Gallery, 2011. Shirin Neshat: Women Without Men. Milan: Edizioni Charta, 2011. 2010 Abramovic, Marina and Arthur C. Danto. Shirin Neshat. New York: Rizzoli, 2010. 2009 Shirin Neshat: Women Without Men. Athens: Hellenic Ministry of Culture, National Museum of Contemporary Art, 2009. Shirin Neshat: Games of Desire. Milan: Edizioni Charta, 2009. 2008 Jensen, Mona. Shirin Neshat: Women Without Men. Aarhus, Denmark: ARoS Kunstmuseum, 2008. 2005 Shirin Neshat: La última palabra/The Last Word. León, Spain: Charta/MUSAC, Museo de Arte Contemporaneo de Castilla y León, 2005. Akiba, Tadatoshi. Shirin Neshat: The 6th Hiroshima Art Prize. Hiroshima: Hiroshima City Museum of Contemporary Art, 2005. Shirin Neshat: In Conversation. Berlin: Vice Versa Verlag, 2005. Shirin Neshat. Milan: Edizioni Charta, 2005. 2004 Brownson, Ron. Through the Eyes of Shirin Neshat. Auckland: Auckland Art Gallery, 2004. 2003 Shirin Neshat: Tooba. Mexico: Museo de Arte Moderno, 2003. 2002 Shirin Neshat. Turin: Castello di Rivoli, 2002. Shirin Neshat. Rio de Janeiro: Centro Cultural Banco do Brasil, 2002. Shirin Neshat. Aarhus: Aarhus Kunstmuseum, 2002. 2001 Gagnon, Paulette, Shoja Azari and Atom Egoyan. Shirin Neshat. Montreal: Musée d’Art Contemporain de Montreal, 2001. Milani, Farzeneh. Shirin Neshat. Milan: Edizioni Charta, 2001. Zaya, Octavio, Yuko Hasegawa and Fumihiko Sumitomo. Shirin Neshat. Kanazawa: Office for Contemporary Art Museum Construction, 2001. 2000 Shirin Neshat. London: Serpentine Gallery, Kunsthalle Wien, 2000. Horrigan, Bill. Shirin Neshat: Two Installations. Columbus: Wexner Center for the Arts, Ohio State University. 1997 Shirin Neshat. Turin: Marco Noire Contemporary Art, 1997. Museum of Modern Art, solo exhibition catalogue, Ljubljana, Slovania, 1997. Artspeak, solo exhibition catalogue, Vancouver, Canada, 1997. Group Exhibition Catalogues and General Publications 2017 Truth: 24 Frames Per Second. Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2017. Life World. Madrid: D.R. Coleccion, 2017. 2016 Touch Type: Research on Body and Typography. Seoul: Korea Craft & Design Foundation, 2016. SHE International Women Artists Exhibition. Shanghai: Long Museum West Bund, 2016. Van E, Hillard. seeing|saying: images and words. North Carolina: Davidson College, 2016. Bloch, Judy. San Francisco Museum of Modern Art 360: Views on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016. London, Barbara. Photography. Boston: Pearson Education Inc, 2016. Hinter dem Vorhang. Düsseldorf: Stiftung Museum Kunstpalast, 2016. Focus on Photography. Worcester: Davis Publications, 2016. 2015 Whitney Museum of American Art: Handbook of the Collection. New York: Whitney Museum of American Art, 2015. Schwartz, Alexandra. Come As You Are: Art of the 1990s. Montclair: Montclair Art Museum, 2015. Gender w sztuce | Gender in Art. Krawkow: MOCAK, Museum of Contemporary Art in Krakow, 2015. Us Is Them. Columbus, Ohio: Pizzuti Collection, 2015. Fischer, Peter and Brigitt Bürgi, eds. About Trees. Bern: Zentrum Paul Klee, 2015. Phantom Bodies: The Human Aura in Art. Nashville, TN: Frist Center for the Visual Arts, 2015. Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena, Italy: MATA. Manifattura Tabacchi Modena, 2015. Szántó, András, ed. The Sense of Movement: When Artists Travel. Ostfildern, Germany: Hatje Cantz Verlag, 2015. Heyler, Joanne, ed. The Broad Collection. Los Angeles/Munich: The Broad/Prestel Verlag, 2015. 2014 Documents of Contemporary Art: Sexuality. London: Whitechapel Gallery, 2014. Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Torino: Castello di Rivoli Museo D'Arte Contemporanea, 2014. C Photo: Toledocontemporanea. Madrid: Ivorypress, 2014. 2013 Pontbriand, Chantal. The Contemporary, The Common: Art in a Globalizing World. Berlin: Sternberg Press, 2013. Grovier, Kelly. 100 Works of Art That Will Define a Generation. London: Thames & Hudson, 2013. Voice of Images. Milan: Palazzo Grassi, 2013. Hahne, Robert, ed. Kammerlohr Epochen der Kunst Von der Moderne zu aktuellen Tendenze, 3. Munich: Oldenbourg Schulbuchverlag GmbH, 2013. Gresh, Kristen. She Who Tells a Story: Women Photographers from Iran and the Arab World. Boston: MFA Publications, 2013. Au Bazar du Genre: Feminin/Masculin en Mediterranee. Paris: Les Editions Textuel, 2013. Follent, Sarah, ed. Write About Art. Kelvin Grove Qld: Eyeline Publishing Limited, 2013. All You Need Is LOVE. Tokyo: Mori Art Museum, 2013. Perez, Nissan N. Displaced Visions: Émigré Photographers of the 20th Century. Jerusalem: The Israel Museum, 2013. 2012 Perl, Jed. Magicians and Charlatans: Essays on Art and Culture. New York: Eakins Press Foundation, 2012. Brodsky, Judith K. and Ferris Olin. The Fertile Crescent: Gender, Art, and Society. New Brunswick: Rutgers University Institute for Women and Art, 2012. Kvaran, Gunnar. To Be With Art Is All We Ask. Oslo: Astrup Fearnley, 2012. Portrayal/Betrayal. Santa Barbara: Santa Barbara Museum of Art, 2012. Findlay, Michael. The Value of Art. Munich: Prestel, 2012. Saehrendt, Christian. KASSEL: documenta-Geschicten, Märchen, und Mythen: ist das Kunst oder kann das weg? Der Führer zur documenta-Stadt. Cologne: Dumont, 2012. Gateways to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2012. 2011 Vervoordt, Axel.TRA: The Edge of Becoming. Wijnegem, Belgium and Venice: Axel Vervoordt Foundation and the Museum Palazzo Fortuny, Venice, 2011. Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011. 2010 Eigner, Saeb. Art of the Middle East: Modern and Contemporary Art of the Arab World. London: Merrell Publishers, 2010. Fineberg, Jonathan, ed. Art since 1940, Strategies of Being. 3rd edition. New York: Pearson/Prentice Hall, 2010. 2009 Pallasmaa, Juhani. The Thinking Hand: Existential and Embodied Wisdome in Architecture. Chichester, United Kingdom: John Wiley & Sons, 2009. Lowry, Glenn. Oil and Sugar: Contemporary Art and Islamic Culture. Eva Holby Lecture on Contemporary Culture, No. 3, Institute for Contemporary Culture at the Royal Ontario Museum, Toronto, 2009. Morin, France and John Alan Farmer, eds. The Quiet in the Land. New York: The Quiet in the Land, Inc., 2009. 2008 Art Editions 6. New York: Edition Schellmann, 2008. Prospect.1New Orleans. Brooklyn: Picturebox, 2008. Stations: 100 Masterpieces of Contemporary Art. Köln: DuMont Buchverlag, 2008. Sale, Teel and Claudia Betti. Drawing: A Contemporary Approach. Thomson Wadsworth, 2008. Parts and the Whole. Barcelona: Fundación Foto Colectania, 2008. Volume 2 of the MUSAC Collection. MUSAC, 2008. Black and White. Oslo: Kaare Berntsen, 2008. Erranti/Wanderers. Milan: Silvana Editoriale, 2008. Rodemburg, Katja. IK, Ophelia. d’Jonge Hond, 2008. Paixóns Privadas, Visións Públicas Collections D.O. Galicia. Vigo, Spain: Museo de Arte Contemporánea de Vigo, 2008. Denken in Bildern. Berlin: Hatje Cantz and Staatliche Museen, 2008. Stedelijk Museum CS: Prospect/Retrospect. Amsterdam: Stedelijk Museum, 2008, p. 22. 2007 Morrison, Toni et al. Art Works: The Progressive Collection. New York: D.A.P. Inc., 2007. Muzzarelli, Federica. Il Corpo e L’azione. Atlante, 2007. Berlioz, Hector, les troyens. Grand Théåtre de Genève Opéra, Geneva, 2007, ills. p. 11, 26, 34, 35, 41, 45. Bonami, Francesco et al. Passion for Art: 35th Anniversary of the Essl Collection. Edition Sammlung Essl, Wein, 2007. Foto.Kunst. Edition Sammlung Essl, Wein, 2007. New Prominent Image Art: The Practice of 32 Foreign Artists. Japan: Grand Vision, 2007. Kunst Film Biennale Catalog 2007. Heinz Peter Schwerfel, 2007. Time Present, Time Past: Highlights from 20 Years of the International Istanbul Biennial. Istanbul Modern, 2007. Angier, Roswell. Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography. Lausanne: AVA Publishing, 2007. Princenthal, Nancy, et al. After the Revolution: Women Who Transformed Contemporary Art. Prestel, 2007. Eusterschulte, Birgit et al. 5 Days to the End of Art. Kunsthalle Fridericianum, 2007. Getlein, Mark. Living with Art. McGraw-Hill, 2007. 2006 Translation. Athens: The Deste Foundation Centre for Contemporary Art, 2006. Richer, Francesca and Matthew Rosenzweig. No. 1: First Works by 362 Artists. New York: DAP, 2006. Morandini, Giuliana. Notte a Samarcanda. Marietti 1820, 2006 (bookcover illustration) Zeitgenossische Photography (Contemporary Photography), Lempertz-Auktion 893, Berlin, September 2006. Dakhlia, Jocelyne. Creations Artistiques Contemporaines En Pays D'Islam. Paris: Editions Kime,
Load more

Recommended publications
  • Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
    Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved.
    [Show full text]
  • The Armory Show September 9–12, 2021 Jacob K
    the armory show september 9–12, 2021 jacob k. javits convention center new york, usa On the occasion of The Armory Show 2021, Nara Roesler is pleased to present a selection of recent works by South American artists, with punctuations by European artists, creating a dialogue between different regional and generational practices. The presentation foregrounds the artists’ echoing yet diverging approaches to understanding the limits of abstraction, figuration, and dimensionality, offering a formal and procedural conversation between works, that aims to explore how artists have consistently grappled to come to terms with certain pillars of artistic processes and cannons. armory online Elian Almeida Maria Auxiliadora da Silva (Vogue Brasil), 2021 [detail] rodolpho parigi ‘My work grows from a conflict between reality and fiction. From drawings to paintings and performance works, I have explored the possibilities of a self-imagined sci-fi world inhabited by hybrid or androgynous figures of strange beauty and shapes that come to the surface like living bodies that could breath or move. I make drawings and paintings as a way to transfigure ideas of body and gender while exploring the boundaries between material and artificial.’ —Rodolpho Parigi Rodolpho Parigi Black Phtalo Magenta Suit, 2020 oil paint on linen unique 100,5 x 70,3 x 3 cm 39.6 x 27.7 x 1.2 in rodolpho parigi selected solo exhibitions b. 1977, São Paulo, Brazil • Fancy Performance, Pinacoteca do Estado de São Paulo, São Paulo, lives and works in São Paulo, Brazil Brazil (2017) • Levitação, Galeria Nara Roesler, São Paulo, Brazil (2015) • solo presentation, Casa Modernista, São Paulo, Brazil (2013) Rodolpho Parigi is part of a new generation of Brazilian artists who emerged in • AtraQue, Galeria Nara Roesler, São Paulo, Brazil (2011) the early 2000s.
    [Show full text]
  • Bernd & Hilla Becher Biography
    P A U L A C O O P E R G A L L E R Y Bernd & Hilla Becher Biography Bernd Becher Born: Siegen, Germany 1931 Died: 2007 Hilla Becher Born: Potsdam, Germany 1934 Died: 2015 EDUCATION Bernd Becher 1976 Professor of photography at Staatlich Kunstakademie Düsseldorf 1972 Guest lecturer Hochschule für Bildende Künste, Hamburg 1957-1961 Studies in typography at Staatliche Kunstakademie Düsseldorf 1953-1956 Studies in lithography and painting at Staaliche Kunstakademie Stuttgart under Karl Rösing Hilla Becher 1972-1973 Guest Lecturer Hochschule für bildende Künste, Hamburg 1958-1961 Studies in photography at Kunstakademie Düsseldorf GRANTS & AWARDS 2014 Rheinischer Kulturpreis der Sparkassen-Kulturstiftung Rheinland 2002 The Erasmus Prize 1991 The Leon D’Oro award for sculpture at the Venice Biennale ONE-PERSON EXHIBITIONS 2019 “Bernd & Hilla Becher: Industrial Visions,” National Museum Cardiff, Wale, UK (10/26/19 – 3/1/20) “Bernd & Hilla Becher: 1962-2000,” PKM Gallery, Seoul, Korea “Bernd & Hilla Becher: Kohlebunker,” Kunstarchiv Kaiserwerth, Düsseldorf, Germany 2018 “Bernd & Hilla Becher,”Konrad Fischer Galerie, Berlin, Germany 2014 “Bernd & Hilla Becher,” Fotografien aus fünf Jahrzehnten, Konrad Fischer Galerie, Düsseldorf “Bernd & Hilla Becher,” Sprüth Magers, London 2013 “Photographische Sammlung der SK Stiftung Kultur, Cologne Dia Art Foundation, New York Siegerländer Fachwerkhäuser, Orts- und Dorfansichten des Siegerlandes, Siegerländer Gruben und Hütten, Holzfördertürme in Pennsylvania, Museum für Gegenwartskunst, Siegen 2012 galerija TR3, Ljubljana, Slowenia Coal Mines. Steel Mills., Galerie Rudolfinum, Prague Bernd and Hilla Becher, Sonnabend Gallery, New York Bernd & Hilla Becher. Imprimés 1964-2010, Grand Palais, Paris 2011 Bergwerke und Hütten, Industrielandschaften, Fotomuseum Winterthur 534 WEST 21ST STREET, NEW YORK, NEW YORK 10011 TELEPHONE 212.255.1105 FACSIMILE 212.255.5156 P A U L A C O O P E R G A L L E R Y Blick in die Sammlung: Bernd und Hilla Becher.
    [Show full text]
  • Luxembourg, À Savoir Seize Morts Et 133 Blessés Ils Ont Été 249 L’An Passé, Contre 319 En 2015
    Marre de votre Internet lent et cher? Internet +rapide moins cher Tango Fibre L 10X plus rapide 300 Mbit/s Quittez votreconnexion préhistorique ! Entrez dans l’èreTango Fibre Découvrez la puissance de l’internet Tango Fibresur tango.lu Comparaison entreTango FibreL300 Mbit/s et une connexion VDSL 30 Mbit/s. tango.lu Sous réserve d’éligibilité. Détails et conditions sur tango.lu pour es places »t’offred oirp.26) ssentiel er Rock! (v «L’e ockSup al SuperB le festiv Les routes du pays ont N°2212 MERCREDI 3 MAI 2017 fait 32 morts en 2016 Actu 2 Le nombre de morts sur les routes du Luxem- puis l'an 2000, toutes les courbes sont à la baisse Le CHL s'est fait voler une bourg est passé de 36 en 2015 à 32 en 2016, le nom- au Grand-Duché. De quoi espérer pouvoir attein- vingtaine d'endoscopes bre d’accidents de 983 à 941. La chute la plus si- dre l’objectif ambitieux fixé par l’Europe au gnificative est celle du nombre de blessés graves. Luxembourg, à savoir seize morts et 133 blessés Ils ont été 249 l’an passé, contre 319 en 2015. De- graves sur l’année d’ici 2020. PAGE 3 Les Carambar vont revenir en France People 25 Stéfi Celma a appris la comédie pour faire marrer sa sœur handicapée Sports 31 Le Real de Ronaldo fait un grand pas vers la finale Météo 34 Les entreprises de confiserie françaises ont produit 228 000 tonnes de pâtes de fruits, bonbons, caramels et chewing-gums.
    [Show full text]
  • The Director's Idea
    The Director’s Idea This Page is Intentionally Left Blank The Director’s Idea The Path to Great Directing Ken Dancyger New York University Tisch School of the Arts New York, New York AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Acquisitions Editor: Elinor Actipis Project Manager: Paul Gottehrer Associate Editor: Becky Golden-Harrell Marketing Manager: Christine Degon Veroulis Cover Design: Alisa Andreola Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2006, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, E-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication
    [Show full text]
  • 25Th Anniversary
    25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times.
    [Show full text]
  • Ricognizioni
    RiCOGNIZIONI RIVISTA DI LINGUE, LETTERATURE E CULTURE MODERNE 5 • 2016 (1) DIPARTIMENTO DI UNIVERSITÀ LINGUE E LETTERATURE STRANIERE E DI TORINO CULTURE MODERNE In copertina: Kwame Nkrumah Presidential Library, render esterno by Cristian Chierici CC 79, MCA courtesy; Luogo: Volta Lake, Ghana; Anno: 2013 – in corso; Superficie: 4600m2; Progetto: Mario Cucinella Architects. COMITATO DI DIREZIONE Direttore responsabile Paolo BERTINETTI (Università di Torino) Direttore editoriale Carla MARELLO (Università di Torino) COMITATO DI REDAZIONE Pierangela ADINOLFI (Università di Torino), Alberto BARACCO (Università di Torino), Elisabetta BENIGNI (Università di Torino), María Felisa BERMEJO CALLEJA (Università di Torino), Silvano CALVETTO (Università di Torino), Gianluca COCI (Università di Torino), Elisa CORINO (Università di Torino), Peggy KATELHOEN (Università di Torino), Massimo MAURIZIO (Università di Torino), Patricia KOTTELAT (Università di Torino), Enrico LUSSO (Università di Torino), Roberto MERLO (Università di Torino), Alessandra MOLINO (Università di Torino), Daniela NELVA (Università di Torino), Matteo REI (Università di Torino) SEGRETERIA DI REDAZIONE Alberto BARACCO (Università di Torino), Gaia BERTONERI (Università di Torino), Elisa CORINO (Università di Torino), Roberto MERLO (Università di Torino), Daniela NELVA (Università di Torino), Barbara PAVETTO (Università di Torino), Matteo REI (Università di Torino) COMITATO SCIENTIFICO Ioana BOTH (Universitatea «Babeş-Bolyai», Cluj-Napoca), Suranjan DAS (Università di Calcutta), Salvador GUTIÉRREZ ORDÓÑEZ (Universidad de León), Andrea CAROSSO (Università di Torino), Emanuele CICCARELLA (Università di Torino), Thierry FONTENELLE (Translation Center for the Bodies of the European Union, Luxembourg), Natal’ja Ju. GRJAKALOVA («Puškinskij Dom», Accademia delle Scienze di San Pietroburgo), Philip HORNE (University College, London), Krystyna JAWORSKA (Università di Torino), Ada LONNI (Università di Torino), Maria Grazia MARGARITO (Università di Torino), Fernando J.B.
    [Show full text]
  • Over the Range Microwave Oven User Manual [email protected]
    Over The Range Microwave Oven www.blomberginternational.com User Manual [email protected] BOTR30100SS BOTR30100B EN FR Document number : 01M-8851303800-2516-02 Please read this manual first! Dear Customers! Thank you for preferring a Blomberg product. We hope that you get the best results from your product which has been manufactured with high quality and state-of-the-art technology. Therefore, please read this entire user manual and all other accompanying documents carefully before using the product and keep it as a reference for future use. If you handover the product to someone else, give the user manual as well. Follow all warnings and information in the user manual. Remember that this user manual is also applicable for several other models. Differences between the models are explicitly described in the manual. Meanings of the Symbols Following symbols are used in the various section of this manual: Important information and useful hints about C usage. WARNING: Warnings for dangerous situa- A tions concerning the safety of life and property. B Warning for electric shock. Warning for hot surfaces. This product has been manufactured in environmental friendly modern plants without giving any harm to the nature. CONTENTS 1 Important safety and environmental instructions 4 1.1 General safety ........................................................... 4 1.2 Intended use ............................................................. 8 1.3 Children’s safety....................................................... 9 1.4 Compliance with the WEEE Directive and disposal of waste products .....................................10 1.5 Package information ...........................................10 2 Your over the range convection microwave oven 11 2.1 Overview ....................................................................11 2.2 Technical data .........................................................11 2.3 Installing the turntable .....................................
    [Show full text]
  • List of Films Shown by NWFS
    List of films shown by NWFS 2015 Feb The little death MA Australia English 2014 95 mins http://www.imdb.com/title/tt2785032/?ref_=fn_al_tt_1 Mar Two days, one night M Belgium French 2014 91 mins http://www.imdb.com/title/tt2737050/?ref_=nv_sr_1 Apr Finding Vivian Maier PG USA English 2014 84 mins http://www.imdb.com/title/tt2714900/?ref_=fn_al_tt_1 Apr The dark horse M New Zealand English 2014 124 mins http://www.imdb.com/title/tt2192016/?ref_=nv_sr_1 May Leviathan M USSR Russian 2015 141 mins http://www.imdb.com/title/tt2802154/?ref_=nv_sr_1 Jun Love is strange M USA English 2015 94 mins http://www.imdb.com/title/tt2639344/?ref_=nv_sr_1 Jul Trash M Brazil Portuguese 2014 114 mins http://www.imdb.com/media/rm3038037760/tt1921149?ref_=tt_ov_i/ Jul The mafia only kills in summer M Italy / USA Italian/English 2013 90 mins http://www.imdb.com/title/tt3374966/?ref_=fn_al_tt_1/ Aug Partisan CTC Australia English 2015 98 mins http://www.imdb.com/title/tt3155242/?ref_=nv_sr_1/ Sep Kumiko, the treasure hunter PG Japan / USA Japanese / English 2014 105 mins http://www.imdb.com/title/tt3263614/?ref_=nv_sr_1/ Oct Living is easy with eyes closed M Spain Spanish 2013 108 mins http://www.imdb.com/title/tt2896036/?ref_=nv_sr_2/ Nov Madame Bovary M USA English 2014 118 mins http://www.imdb.com/title/tt2334733/?ref_=rvi_tt/ Dec Waking the camino - six ways to Santiago PG USA English 2014 84 mins http://www.imdb.com/title/tt2406422/?ref_=fn_al_tt_1 2014 Feb 20 Feet From Stardom M US - English 2013 90 mins Mar Fill The Void PG Israel - Hebrew 2013 90 mins
    [Show full text]
  • Art in Europe 1945 — 1968 the Continent That the EU Does Not Know
    Art in Europe 1945 Art in — 1968 The Continent EU Does that the Not Know 1968 The The Continent that the EU Does Not Know Art in Europe 1945 — 1968 Supplement to the exhibition catalogue Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Phase 1: Phase 2: Phase 3: Trauma and Remembrance Abstraction The Crisis of Easel Painting Trauma and Remembrance Art Informel and Tachism – Material Painting – 33 Gestures of Abstraction The Painting as an Object 43 49 The Cold War 39 Arte Povera as an Artistic Guerilla Tactic 53 Phase 6: Phase 7: Phase 8: New Visions and Tendencies New Forms of Interactivity Action Art Kinetic, Optical, and Light Art – The Audience as Performer The Artist as Performer The Reality of Movement, 101 105 the Viewer, and Light 73 New Visions 81 Neo-Constructivism 85 New Tendencies 89 Cybernetics and Computer Art – From Design to Programming 94 Visionary Architecture 97 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Introduction Praga Magica PETER WEIBEL MICHAEL BIELICKY 5 29 Phase 4: Phase 5: The Destruction of the From Representation Means of Representation to Reality The Destruction of the Means Nouveau Réalisme – of Representation A Dialog with the Real Things 57 61 Pop Art in the East and West 68 Phase 9: Phase 10: Conceptual Art Media Art The Concept of Image as From Space-based Concept Script to Time-based Imagery 115 121 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know ZKM_Atria 1+2 October 22, 2016 – January 29, 2017 4 At the initiative of the State Museum Exhibition Introduction Center ROSIZO and the Pushkin State Museum of Fine Arts in Moscow, the institutions of the Center for Fine Arts Brussels (BOZAR), the Pushkin Museum, and ROSIZIO planned and organized the major exhibition Art in Europe 1945–1968 in collaboration with the ZKM | Center for Art and Media Karlsruhe.
    [Show full text]
  • Econnect™ Wireless Thermostat Kit TL9160AR with Equipment Interface Module
    System Installation Guide EConnect™ Wireless Thermostat Kit TL9160AR With Equipment Interface Module Français : voir la page 27 • Español : vea la página 53 Installation guide for • Wireless equipment interface module • EConnect™ wireless thermostat • Wireless remote control • Wireless outdoor air sensor IMPORTANT INSTRUCTIONS ELECTRICAL HAZARD Can cause electrical shock or equipment damage. Disconnect power before beginning installation. Must be installed by a certified electrician. Read these instructions carefully. Failure to follow these instructions can damage the product or cause a hazardous condition. Need Help? For assistance with this product please visit http://customer.honeywell.com, or call Honeywell Customer Care toll-free at 1-800-468-1502. 69-2474EFS-01 System Installation Guide System installation at a glance The equipment interface module (EIM) allows you to control a baseboard heater, a convector or a fan-forced heater in a 120-volt, 208-volt or 240-volt application from a EConnect™ wireless thermostat. Thermostat Thermostat Outdoor Heater EIM in heater air sensor EIM in remote junction box Remote Electrical control panel Supply wires Wireless connection Installation procedure 1 Install the equipment interface module (EIM) .......................................Pages 3 - 6 2 Install batteries in wireless devices ............................................................. Page 7 3 Link all devices to wireless network ...................................................Pages 7 - 10 4 Exit wireless setup ....................................................................................
    [Show full text]
  • The Shop Around the Corner Being 17 Cameraperson Seasons
    Tuesday–Saturday: 11 am-10 pm 11 am-10 Tuesday–Saturday: pm Brunch: 10:30 am-3 Sunday (405) 235-6262 MUSEUM CAFE $5 (12 & under): Children $7 (13-18): Teen $7 ID): (with Students College $5 Members: FILM ADMISSION pm 12-5 Sunday: 10 am-5 pm Tuesday-Saturday: MUSEUM HOURS per person $3 (15 or more): Tours School per person $7 (15 or more): Tours $10 (6-18): Children $10 ID): (with Students College Free Members: MUSEUM ADMISSION (405) 236-3100 DRIVE COUCH 415 I I www.okcmoa.com Adults: $9 Adults: I I OKLAHOMA CITY, OK 73102 OKLAHOMA CITY, I Adults: $12 Adults: I www.okcmoa.com/cafe Closed Mondays and major holidays Mondays Closed I Children (5 & under): Free (5 & under): Children I Seniors (62+): $7 (62+): Seniors I Seniors (62+): $10 (62+): Seniors I I I Military (with ID): $5 ID): (with Military I Monday: 11 am-3 pm 11 am-3 Monday: Thursday: 10 am-9 pm Thursday: Museum Cafe Tea: 3-5 pm (Tues.-Fri.) Tea: Cafe Museum PRESENTED IN 35MM! I Senior Tours (15 or more): $6.50 per person (15 or more): Tours Senior Thursday, December 22 | 8 pm I BOTTLE ROCKET Wednesday, December 21 | 7:30 pm RUSHMORE Wednesday, December 28 | 7:30 pm after 5 pm AFTER 5: $5 ART Distinguished by its impeccably detailed compositions, deadpan wit, and meandering narrative, Bottle Rocket inaugurated the feature film careers of Captain of the fencing team, founder of the astronomy society, and writer-director of the epic Vietnam War drama, Heaven and Hell, fifteen-year-old Wes Anderson, Owen Wilson, and Luke Wilson, while laying the foundation for the development of Anderson’s now iconic film style.
    [Show full text]