Art in Düsseldorf 2017

Total Page:16

File Type:pdf, Size:1020Kb

Art in Düsseldorf 2017 ART IN DüsSELDORF ART IN DüsSELDORF 2017 R V L heinland/ R tefan Arendt, Medienzentrum Arendt, tefan S View of the collection at Museum Kunstpalast, Düsseldorf, Düsseldorf, at Museum Kunstpalast, of the collection View Photo: ART IN DüsSELDORF Düsseldorf has developed into an important centre for contemporary art in recent years, with both estab- lished museums and countless new ones being characteristic features of the city on the Rhine today. The world-famous Kunstakademie (art academy) acts as the central core for Düsseldorf’s highly contrasting art landscape. Internation ally renowned artists either teach or were taught in its halls. Countless represen- tatives of the younger generation of artists, who are now recognised names in the context of international exhibitions, had their beginnings in Düsseldorf. And Düsseldorf gallery owners also enjoy the highest reputations internationally; their galleries are the forums of the lively local art scene. Two-Piece Reclining Figure: Points, Düsseldorf, Hofgarten Düsseldorf, Points, Figure: Reclining Two-Piece © Düsseldorf Tourismus GmbH, Fotograf U. Otte GmbH, Fotograf Tourismus © Düsseldorf Ages HOTEL PAck To accompany the various exhibitions you will receive your hotel package inclusive of DüsseldorfCard and museum ticket. from only €79.00* p.p. in double room * Price is for the lowest-priced room category during the lowest travel season. www.visitduesseldorf.de/hotelpackages gUIDED TOURS ART IN DüsSELDORF Since the 18th century, Düsseldorf has been consistently developing into an art city. Virtually all of the city’s well-known cultural institutes – in- cluding Museum Kunstpalast, Kunstsammlung Nordrhein-Westfalen, and Kunsthalle Düsseldorf – are located along one axis. Duration group rate for max. 25 people Approx. 120 min. German €129.00 | Foreign language €149.00 ART IN DüsSELDORF PLUS incl. visit to Düsseldorf galleries The walk along the art axis is complemented with exciting visits to selected Düsseldorf galleries where visitors will have the opportunity to speak with the gallery owners. Duration group rate for max. 25 people Approx. 150 min. German €144.00 | Foreign language €165.00 ON THE TRAcks OF THE “SäulenHeiligen” (STYLITES) Since 2001, the life-size figures on numerous advertising columns – known as “Säulenheiligen” (stylites) – created by Düsseldorf-based artist Christoph Pöggeler, have presented everyday people in a public, urban space. Duration group rate for max. 25 people Approx. 120 min. German €129.00 | Foreign language €149.00 INFORMATION AND BOoking Organiser: Düsseldorf Tourismus gmbH Benrather Straße 9, 40213 Düsseldorf T +49 211 17 202-854 ⋅ F +49 211 17 202-13 20 [email protected] ⋅ www.visitduesseldorf.de BEHIND THE cURTAIN. conceALMENT AND REVELATION since THE RENAISSAnce. FROM TITIAN TO cHRISTO Until 22.01.2017 MUSEUM KUNSTpaLAST www.smkp.de The exhibition is dedicated to the motifs of “veil” and “curtain” and thus also to fundamental questions around painting and visual art: What do we get to see in the picture? What does it conceal? The appealing and artistically vir- tuoso interplay between showing and hiding, concealing and revealing, is exemplified in the high-calibre loans from international museums – from Titian to Rubens to Gerhard Richter, and with paintings ranging from the Renaissance and baroque to modernism and the present day. PETER LINDBERGh / GaRRY WINOGRAND: “WOMEN ON STREET“ 03.02–30.04.2017 NRW-FORUM DÜSSELDORF www.nrw-forum.de “Women On Street” is the title of an exhibition due to open at NRW- Forum Düsseldorf from 3 February to 30 April 2017 that will be dedicated to two of the world’s finest photographers: Peter Lindbergh and Garry Winogrand. Making its debut in Germany, the exhibition, curated by Ralph Goertz (IKS – Institute for Art Documentation), will set what is arguably the most acclaimed series by American photographer and “Prince of the street” Garry Winogrand, “Women are Beautiful”, side by side with the “On Street” series by the “star of fashion photography”, Peter Lindbergh. © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco OTTO DIX – THE EVIL EYE 11.02–14.05.2017 KUNSTSAMMLung NORDRHEIN-WESTFALEN K20 gRABBEPLATZ www.kunstsammlung.de Otto Dix (1891–1969) spent the ex- plosively creative years 1922–1925 in Düsseldorf. During this period, as a member of the revolutionary art- ist’s group “Das Junge Rheinland (Young Rhineland)”, he developed the critical handwriting that made him an unmistakable figure within 20th century German art. For the first time, Kunstsammlung Nord- rhein-Westfalen presents with “Otto Dix – The Evil Eye“ at K20 a monographic exhibition that focus- es on these crucial years in Dix’s development. Otto Dix, Portrait of the dancer Anita Berber, 1925, Oil and tempera on plywood, Landesbank Baden-Württemberg Collection in the Kunstmuseum Stuttgart Photo: Kunstmuseum Stuttgart, © VG Bild-Kunst, Bonn 2016 DIE GROSSE 19.02–12.03.2017 MUSEUM KUNSTpaLAST www.smkp.de Grosse Kunstausstellung NRW Düsseldorf is the biggest exhibition organised by artists for artists in Germany. www.diegrosse.de BROODTHAERS 04.03–11.06.2017 KUNSTSAMMLUNG NORDRHEIN-WESTFALEN K21 STÄNDEHAUS www.kunstsammlung.de “Broodthaers“ presents an overview of the oeuvre of the Belgian artist Marcel Broodthaers (1924–1976), who formulated a critical and idiosyncratic position within the milieu of pop art, minimalism, and Conceptual Art. Within a short time, Broodthaers received emphatic acclaim on the avant-garde art scene with the institution- critical, installation and cinematographic works that have estab- lished him as a figure of fundamental importance for visual art in the 20th and early 21st centuries. Marcel Broodthaers. Publicity Section Museum of Modern Art, Broodthaers. Marcel installation 1972. Multipartite (Detail), Department of Eagles Bonn 2016 Bild-Kunst, © VG MALTE BRUNS TREMORS 11.03–11.06.2017 KIT–KUNST IM TUNNEL www.kunst-im-tunnel.de With its striking architecture, the venue presents a challenge for Bruns whose works combine elements of film, photography, sculpture and architecture, constructed into an artistic whole. As if stepping through Alice’s looking glass, the visitor enters a panopticon with observation technology that creates an asso- ciative assemblage of allegedly historic pictures and apparatus. Malte Bruns, H.U.D. (Head Up Display), 2016 Joseph Beuys, Wirtschaftswerte, 1980, Collection S.M.A.K., Ghent, 1980, Collection Wirtschaftswerte, Joseph Beuys, Bonn 2016 Bild-Kunst, © VG ECONOMIC VaLUES – MUSEUM VaLUES 08.04–18.06.2017 KUNSTHALLE DÜSSELDORF www.kunsthalle-duesseldorf.de This exhibition will show mostly works by international artists that were first presented at Kunsthalle Düsseldorf and are now part of museum collections. These works not only made significant contributions to the constitution of the identity of Kunsthalle Düsseldorf, but are also im- mensely important to international developments in the contemporary art landscape at the time. Featuring Art & Language, Joseph Beuys, Marcel Broodthaers, Daniel Buren, Hans-Peter Feldmann, Hans Haacke, Imi Knoebel, Panamerenko, and many others. CRANACH 08.04–30.07.2017 MUSEUM KUNSTpaLAST www.smkp.de Lucas Cranach the Elder (1472– 1553) ranks among the most import- ant and productive exponents of the German Renaissance. The exhibition offers a fresh perspective on this fascinating artist’s work. Presenting paintings as well as prints and draw- ings on loan from museums such as the Metropolitan Museum of Art in New York, the National Gallery in London, Museo Thyssen-Borne- misza in Madrid and the Museum of Fine Arts in Budapest, the show introduces the Old Master as an artist with a modern approach and furthermore presents modern and contemporary artists who were in- spired by Cranach’s oeuvre. Lucas Cranach the Elder, Caritas, about 1537, Pérez Simón Collection, Mexico, Photo: Arturo Piera TOUR DE FRANCE 19.05–23.07.2017 NRW-FORUM DÜSSELDORF www.nrw-forum.de Breathtaking scenery, highly charged places, cyclists stylised as heroes: The Tour de France abounds with myths, legends and icons, and has invari- ably attracted top international photographers. During the Grand Depart in Düsseldorf, NRW-Forum will dedicate an international group exhibition to the world‘s greatest cycling race. With renowned Magnum photographers such as Robert Capa and stars like Andreas Gursky, visitors will be taken on a visual journey through the epic world of the Tour de France. Photo: Philipp Hympendahl: Cycling No.00, 2014 AXEL HÜTTE: DAY / NIGHT 23.09.2017–14.01.2018 MUSEUM KUNSTpaLAST www.smkp.de The photo artist Axel Hütte is among the most eminent represen- tatives of the Düsseldorf School of Photography. His work focusses on the subjects of architecture and landscape. Among contemporary photographers the artist is regard- ed as a “landscape painter”. He draws his wide-ranging motifs from the urbanity of major cities, Alpine Axel Hütte, Tokyo-1, 2010, Duratrans print, 207 x 157 cm, © Axel Hütte glaciers and the South-American jungle. The exhibition presents ap- prox. 70 large-scale works created between 1995 and 2017. MORE ART IN DüsSELDORF – TIPS Duesseldorf Photo Weekend 2017 KUNSTAKADEMIE DüsSELDORF www.duesseldorfphotoweekend.de RUNDgAng www.kunstakademie-duesseldorf.de 03–05.02.2017 More than 40 galleries, museums From 13 to 19 February 2017, and cultural institutions from the Kunst akademie Düsseldorf opens worlds of art and photography its doors – a highlight for art lovers stage exhibitions and events on and gallery owners who
Recommended publications
  • The Armory Show September 9–12, 2021 Jacob K
    the armory show september 9–12, 2021 jacob k. javits convention center new york, usa On the occasion of The Armory Show 2021, Nara Roesler is pleased to present a selection of recent works by South American artists, with punctuations by European artists, creating a dialogue between different regional and generational practices. The presentation foregrounds the artists’ echoing yet diverging approaches to understanding the limits of abstraction, figuration, and dimensionality, offering a formal and procedural conversation between works, that aims to explore how artists have consistently grappled to come to terms with certain pillars of artistic processes and cannons. armory online Elian Almeida Maria Auxiliadora da Silva (Vogue Brasil), 2021 [detail] rodolpho parigi ‘My work grows from a conflict between reality and fiction. From drawings to paintings and performance works, I have explored the possibilities of a self-imagined sci-fi world inhabited by hybrid or androgynous figures of strange beauty and shapes that come to the surface like living bodies that could breath or move. I make drawings and paintings as a way to transfigure ideas of body and gender while exploring the boundaries between material and artificial.’ —Rodolpho Parigi Rodolpho Parigi Black Phtalo Magenta Suit, 2020 oil paint on linen unique 100,5 x 70,3 x 3 cm 39.6 x 27.7 x 1.2 in rodolpho parigi selected solo exhibitions b. 1977, São Paulo, Brazil • Fancy Performance, Pinacoteca do Estado de São Paulo, São Paulo, lives and works in São Paulo, Brazil Brazil (2017) • Levitação, Galeria Nara Roesler, São Paulo, Brazil (2015) • solo presentation, Casa Modernista, São Paulo, Brazil (2013) Rodolpho Parigi is part of a new generation of Brazilian artists who emerged in • AtraQue, Galeria Nara Roesler, São Paulo, Brazil (2011) the early 2000s.
    [Show full text]
  • Bernd & Hilla Becher Biography
    P A U L A C O O P E R G A L L E R Y Bernd & Hilla Becher Biography Bernd Becher Born: Siegen, Germany 1931 Died: 2007 Hilla Becher Born: Potsdam, Germany 1934 Died: 2015 EDUCATION Bernd Becher 1976 Professor of photography at Staatlich Kunstakademie Düsseldorf 1972 Guest lecturer Hochschule für Bildende Künste, Hamburg 1957-1961 Studies in typography at Staatliche Kunstakademie Düsseldorf 1953-1956 Studies in lithography and painting at Staaliche Kunstakademie Stuttgart under Karl Rösing Hilla Becher 1972-1973 Guest Lecturer Hochschule für bildende Künste, Hamburg 1958-1961 Studies in photography at Kunstakademie Düsseldorf GRANTS & AWARDS 2014 Rheinischer Kulturpreis der Sparkassen-Kulturstiftung Rheinland 2002 The Erasmus Prize 1991 The Leon D’Oro award for sculpture at the Venice Biennale ONE-PERSON EXHIBITIONS 2019 “Bernd & Hilla Becher: Industrial Visions,” National Museum Cardiff, Wale, UK (10/26/19 – 3/1/20) “Bernd & Hilla Becher: 1962-2000,” PKM Gallery, Seoul, Korea “Bernd & Hilla Becher: Kohlebunker,” Kunstarchiv Kaiserwerth, Düsseldorf, Germany 2018 “Bernd & Hilla Becher,”Konrad Fischer Galerie, Berlin, Germany 2014 “Bernd & Hilla Becher,” Fotografien aus fünf Jahrzehnten, Konrad Fischer Galerie, Düsseldorf “Bernd & Hilla Becher,” Sprüth Magers, London 2013 “Photographische Sammlung der SK Stiftung Kultur, Cologne Dia Art Foundation, New York Siegerländer Fachwerkhäuser, Orts- und Dorfansichten des Siegerlandes, Siegerländer Gruben und Hütten, Holzfördertürme in Pennsylvania, Museum für Gegenwartskunst, Siegen 2012 galerija TR3, Ljubljana, Slowenia Coal Mines. Steel Mills., Galerie Rudolfinum, Prague Bernd and Hilla Becher, Sonnabend Gallery, New York Bernd & Hilla Becher. Imprimés 1964-2010, Grand Palais, Paris 2011 Bergwerke und Hütten, Industrielandschaften, Fotomuseum Winterthur 534 WEST 21ST STREET, NEW YORK, NEW YORK 10011 TELEPHONE 212.255.1105 FACSIMILE 212.255.5156 P A U L A C O O P E R G A L L E R Y Blick in die Sammlung: Bernd und Hilla Becher.
    [Show full text]
  • 25Th Anniversary
    25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times.
    [Show full text]
  • Art in Europe 1945 — 1968 the Continent That the EU Does Not Know
    Art in Europe 1945 Art in — 1968 The Continent EU Does that the Not Know 1968 The The Continent that the EU Does Not Know Art in Europe 1945 — 1968 Supplement to the exhibition catalogue Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Phase 1: Phase 2: Phase 3: Trauma and Remembrance Abstraction The Crisis of Easel Painting Trauma and Remembrance Art Informel and Tachism – Material Painting – 33 Gestures of Abstraction The Painting as an Object 43 49 The Cold War 39 Arte Povera as an Artistic Guerilla Tactic 53 Phase 6: Phase 7: Phase 8: New Visions and Tendencies New Forms of Interactivity Action Art Kinetic, Optical, and Light Art – The Audience as Performer The Artist as Performer The Reality of Movement, 101 105 the Viewer, and Light 73 New Visions 81 Neo-Constructivism 85 New Tendencies 89 Cybernetics and Computer Art – From Design to Programming 94 Visionary Architecture 97 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Introduction Praga Magica PETER WEIBEL MICHAEL BIELICKY 5 29 Phase 4: Phase 5: The Destruction of the From Representation Means of Representation to Reality The Destruction of the Means Nouveau Réalisme – of Representation A Dialog with the Real Things 57 61 Pop Art in the East and West 68 Phase 9: Phase 10: Conceptual Art Media Art The Concept of Image as From Space-based Concept Script to Time-based Imagery 115 121 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know ZKM_Atria 1+2 October 22, 2016 – January 29, 2017 4 At the initiative of the State Museum Exhibition Introduction Center ROSIZO and the Pushkin State Museum of Fine Arts in Moscow, the institutions of the Center for Fine Arts Brussels (BOZAR), the Pushkin Museum, and ROSIZIO planned and organized the major exhibition Art in Europe 1945–1968 in collaboration with the ZKM | Center for Art and Media Karlsruhe.
    [Show full text]
  • The Year We Make Contact
    The Year We Make Contact 20 Years of Media-Scape Dedicated to Pierre Schaeffer Exhibition of video, computer and sound installations, photography and holography, performances, screenings, concerts Zagreb, 8–29 October 2010 CURATORS AND ORGANIZERS Media- Scape exhibition (8–29 October 2010) and performances (8 and 9 October 2010): Ingeborg Fülepp and Heiko Daxl Curatorial and technical assistance: Iva Kovač and Martina Vrbanić Press: Iva Kovač Technical assistance: Mihael Pavlović Concerts and film programs (8 and 9O ctober 2010): Nikša Gligo, Seadeta Midžić, Daniel Teruggi, Dalibor Davidović (Jocelyne Tournet) Press: Bruno Bahunek Media facade screenings: Tihomir Milovac Special thanks to Ana Vuzdarić (guided tour), Luka Kedžo and Daniela Bušić (video documentation), and all the artists and friends who have contributed to the successful realization of the Media-Scape 2010 exhibition, performances and screenings I LN COL ABORATION WITH Croatian Association of Visual Artists, Zagreb / Hrvatsko društvo likovnih umjetnika (HDLU), Zagreb. Director: Gaella Gottwald Museum of Contemporary Art / Muzej suvremene umjetnost (MSU), Zagreb. Director: Snježana Pintarić PARTN ER EVENT I nternational conference: “Pierre Schaeffer: MediArt”, 6–7 October 2010, Museum of Modern and Contemporary Art / Muzej moderne i suvremene umjetnosti (MMSU), Rijeka. Director: Jerica Ziherl. Assistant: Vima Bartolić CONE F RENC INITIATORS AND COORDINATORS N ikša Gligo, Seadeta Midžić, Daniel Teruggi, Dalibor Davidović, Jerica Ziherl PULSE B I H RS Croatian Association
    [Show full text]
  • Charity Art Auction in Favor of the CS Hospiz Rennweg in Cooperation with the Rotary Clubs Wien-West, Vienna-International, Köln-Ville and München-Hofgarten
    Rotary Club Wien-West, Vienna-International, Our Auction Charity art Köln-Ville and München-Hofgarten in cooperation with That‘s how it‘s done: Due to auction 1. Register: the current, Corona- related situation, BenefizAuktion in favor of the CS Hospiz Rennweg restrictions and changes 22. February 2021 Go to www.cs.at/ charityauction and register there; may occur at any time. please register up to 24 hours before the start of the auction. Tell us the All new Information at numbers of the works for which you want to bid. www.cs.at/kunstauktion Alternatively, send us the buying order on page 128. 2. Bidding: Bidding live by phone: We will call you shortly before your lots are called up in the auction. You can bid live and directly as if you were there. Live via WhatsApp: When registering, mark with a cross that you want to use this option and enter your mobile number. You‘re in. We‘ll get in touch with you just before the auction. Written bid: Simply enter your maximum bid in the form for the works of art that you want to increase. This means that you can already bid up to this amount, but of course you can also get the bid for a lower value. Just fill out the form. L ive stream: at www.cs.at/kunstauktion you will find the link for the auction, which will broadcast it directly to your home. 3. Payment: You were able to purchase your work of art, we congratulate you very much and wish you a lot of pleasure with it.
    [Show full text]
  • SHIRIN NESHAT Solo Exhibition Catalogues and Monographs
    SHIRIN NESHAT Solo Exhibition Catalogues and Monographs 2019 Hyler, Joanne, Ed Schad, Abbass Milani. Shirin Neshat: I Will Greet the Sun Again. Prestel Verlag GmbH & Company KG., 2019. 2018 Shirin Neshat: Dreamers Trilogy. Dornbirn, Austria: Kunstraum Dornbirn, 2018. 2017 Kellein, Thomas, ed. Shirin Neshat: The Home of My Eyes. Köln: Verlag der Buchhandlung Walther König, 2017. Shirin Neshat: Frauen in Gesellschaft. Tubingen: Ernst Wasmuth Verlang Tubingen, 2017. 2015 Afkhami, Mahnaz, Melissa Chiu, and Melissa Ho. Shirin Neshat: Facing History. Washington, D.C.: Hirshhorn Museum and Sculpture Garden with Smithsonian Books, 2015. 2013 Karimi, Shahram. Shirin Neshat: Written on the Body. Madrid: Fundación Telefonica, 2013. Schwerfel, Heinz Peter. Shirin Neshat. Istanbul: Dirimart, 2013. Hart, Rebecca, Sussan Babaie, and Nancy Princenthal. Shirin Neshat. Detroit: Detroit Institute of Arts, 2013. 2012 Shirin Neshat. London: Ivorypress, 2012. 2011 Shirin Neshat: The Mask & The Mirror. New York: Leila Heller Gallery, 2011. Shirin Neshat: Women Without Men. Milan: Edizioni Charta, 2011. 2010 Abramovic, Marina and Arthur C. Danto. Shirin Neshat. New York: Rizzoli, 2010. 2009 Shirin Neshat: Women Without Men. Athens: Hellenic Ministry of Culture, National Museum of Contemporary Art, 2009. Shirin Neshat: Games of Desire. Milan: Edizioni Charta, 2009. 2008 Jensen, Mona. Shirin Neshat: Women Without Men. Aarhus, Denmark: ARoS Kunstmuseum, 2008. 2005 Shirin Neshat: La última palabra/The Last Word. León, Spain: Charta/MUSAC, Museo de Arte Contemporaneo de Castilla y León, 2005. Akiba, Tadatoshi. Shirin Neshat: The 6th Hiroshima Art Prize. Hiroshima: Hiroshima City Museum of Contemporary Art, 2005. Shirin Neshat: In Conversation. Berlin: Vice Versa Verlag, 2005. Shirin Neshat. Milan: Edizioni Charta, 2005.
    [Show full text]
  • Tony Cragg Liverpool, UK
    Tony Cragg Liverpool, UK. 1949 FORMACIÓN / EDUCATION 1973-77 MA Sculpture, Royal College of Art, London, UK 1970-73 BA, Wimbledon School of Art, London, UK 1969-70 Foundation Course, Gloucestershire College of Art, Cheltenham, UK EXPOSICIONES INDIVIDUALES / SOLO EXHIBITIONS 2019 • Rare Species. Brazilian Museum of Culture and Ecology. Sao Paulo, Brazil • Stacks. Lisson Gallery. London, UK • Split Kula Cultural Institution. Croatia • Tony Cragg – New Works. Skulpturenpark Waldfrieden. Wuppertal, Germany • Boboli Gardens. Florence, Italy • Sculptures and Drawings. Franz Marc Museum. Kochel Am See, Germany 2018 • Anthony Cragg: Human Nature. Istanbul Modern. Istanbul, Turkey • Anthony Cragg im Ehrenhof. Museum Kunstpalast. Düsseldorf, Germany • Tony Cragg: Six Sculptures. City of Arts and Sciences. Valencia, Spain • Roots & Stones. Isfahan Museum of Contemporary Art. Isfahan, Iran 2017 • Roots & Stones. Tehran Museum of Contemporary Art. Terhan, Iran • Sculptures and Watercolors. Ludwig Museum. Koblenz, Germany • Wroclaw Contemporary Art Museum. Wroclaw, Poland • Skulls etc. Tucci Russo Gallery. Milan, Italy • Museo Nacional de Bellas Artes. Havana, Cuba • Tony Cragg: A Rare Category of Objects. Yorskhire Sculpture Park. Yorkshire, UK • MUDAM. Luxemburg, Luxemburg 2016 • Unnatural Selection. Landesmuseum. Darmstadt, Germany • Lisson Gallery. London, UK • Polish Sculpture Center. Orońsko, Poland • Parts of the world: retrospective. Von der Heydt Museum. Wuppertal, Germany • Sculptures. Galerie Thaddaeus Ropac. Paris Pantin, France • Galerie Klüser. Munich, Germany • Sculptures and Drawings. The State Hermitage Museum. St Petersburg, Russia 2015 • Lisson Gallery. Milan, Italy • Gothenburg International Sculpture Exhibition. Gothenburg, Sweden • ADAA. New York, NY, USA • Tony Cragg, dialogo con il Duomo. Expo Milan. Milan, Italy • Benaki Museum. Athens, Greece • Synagoge Stommeln. Cologne, Germany • Galerie Klüser. Munich, Germany [email protected] | www.eljundiartgallery.com | Ctra.
    [Show full text]
  • PALOMA VARGA WEISZ Born 1966 Mannheim, Germany Lives and Works in Düsseldorf, Germany
    PALOMA VARGA WEISZ Born 1966 Mannheim, Germany Lives and works in Düsseldorf, Germany Education 1990-98 Staatliche Kunstakademie Düsseldorf, under Tony Cragg and Gerhard Merz, Düsseldorf, Germany 1987-90 Wood carving in Garmisch–Partenkirchen, Bavaria, Germany Awards and Fellowships 2017 Holbach-Award, Stiftung zur Förderung der Kunst in der Pfalz 2007 Marianne-Werefkin Award, Berlin 2004 Art and Sponsorship Award Rheinland-Pflaz 2004 for Sculpture, Schloss Waldthausen, Budenheim 2000-01 Bremerhaven-Fellowship, Bremerhaven Solo Exhibitions 2019 “Bumped Body,” Bonnefanten Museum, Maastricht, Netherlands “Paloma Varga Weisz: Wundergestalt,” Gladstone 64, New York 2018 “Wild Bunch,” Sadie Coles HQ, London 2017 “Paloma Varga Weisz,” Galeria Pedro Cera, Lisbon “Skulpturenhalle,” Thomas Schütte Stiftung, Neuss, Germany 2016 “Paloma Varga Weisz,” Gerhardsen, Gerner, Oslo “Kabinettstück,” Fürstenberg Zeitgenössisch, Donaueschingen, Germany 2015 “Root of a Dream,” Castello di Rivoli, Turin, Italy “Glory Hole,” Salzburger Kunstverein, Salzburg, Austria “bois dormant,” Gladstone Gallery, Brussels 2014 “Paloma Varga Weisz,” Sadie Coles HQ, London 2013 “Krummer Hund,” Kabinett für aktuelle Kunst, Bremerhaven, Germany [traveled to: Douglas Hyde Gallery, Dublin] “Unfired,” CAPRI, Düsseldorf, Germany 2012 “Maison de Plaisance: Rosemarie Trockel, Paloma Varga Weisz,” Museum Morsbroich, Leverkusen, Germany “Paloma Varga Weisz,” Sadie Coles HQ, London 2011 “Spirits of My Flesh,” Chapter Arts Center, Cardiff 2009 “Paloma Varga Weisz,” Sommer Contemporary
    [Show full text]
  • OTTO PIENE Biography
    SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com OTTO PIENE Biography 1928 Born Laasphe, Westphalia, Germany. Lived and worked in Düsseldorf, Cambridge, and Groton, Massachusetts. 2014 Died Berlin, Germany. Education 1948-50 Degree in painting, Blocherer Art School and the Academy of Art, Munich, Germany. 1950-53 Degree in art education, Staatliche Kunstakademie, Düsseldorf, Germany. 1953-57 State Examination in philosophy, University of Cologne, Germany. 1964 Artist-in-residence, Graduate School of Fine Arts, University of Pennsylvania, Philadelphia. Early History (1950s-1960s) 1957 Founds group ZERO with Heinz Mack in Düsseldorf; Günther Uecker joins 1959 First public performance of “Light Ballet” 1964 Produces play “Die Feuerblume” (“The Fire Flower”) at the Theater Diogenes, Berlin, Germany 1966 Group ZERO splits up; final common exhibition with Heinz Mack and Günther Uecker in Bonn, Germany Founded the Black Gate (first electromedia theater) with Aldo Tambellini in New York 1968-1969 Produces “Black Gate Cologne” (first live television production by artists) with Aldo Tambellini at the TV studio WDR III 1969 Coins the term “Sky Art” for large outdoor sky/light projects “Manned Helium Sculpture” for “Electronic Light Ballet,” NET-TV Produces project for “The Medium Is the Medium” television program Appointments and Lectures 1964 Visiting Professor, Graduate School of Art, University of Pennsylvania, Philadelphia Lectures at the Institute of Contemporary Art in London, the Art
    [Show full text]
  • Le Numerose Irregolarità: Katharina Grosse / Tatiana Trouvé, Villa
    KATHARINA GROSSE 1961 born in Freiburg/Breisgau, Germany; lives and works in Berlin and New Zealand Solo Exhibitions (Selection) 2019 Mural: Jackson Pollock I Katharina Grosse, Museum of Fine Arts, Boston, MA, USA (two-person show with Jackson Pollock) (forthcoming) Mumbling Mud, chi K11 art space, Guangzhou, China (current) 2018 Mumbling Mud, chi K11 art museum, Shanghai, China Prototypes of Imagination, Gagosian, London, United Kingdom Wunderbild, National Gallery, Prague, Czech Republic Le numerose irregolarità: Katharina Grosse / Tatiana Trouvé, Villa Medici, Rome, Italy (two-person show with Tatiana Trouvé) The Horse Trotted Another Couple Of Meters, Then It Stopped, Carriageworks, Sydney, Australia 2017 This Drove my Mother up the Wall, South London Gallery, London, United Kingdom 2016 Katharina Grosse, MoMA PS1’s Rockaway! series, New York, NY, USA Katharina Grosse, Museum Frieder Burda, Baden-Baden, Germany 2015 Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (including permanent indoor installation) yes no why later, Garage – Museum of Contemporary Art, Moscow, Russia The Smoking Kid, KÖNIG Galerie, Berlin, Germany 2014 psychylustro, City of Philadelphia Mural Arts, Philadelphia, PA, USA Who, I? Whom, you?, Kunstmuseum Graz, Austria Inside the Speaker, Museum Kunstpalast, Düsseldorf, Germany 2013 Two younger women come in and pull out a table, De Pont Museum, Tilburg, The Netherlands WUNDERBLOCK, Nasher Sculpture Center, Dallas, TX, USA Just Two of Us, Public Art Fund, New York, NY, USA 2012 Third Man Begins Digging
    [Show full text]
  • Marlene Dumas Born 1953 in Cape Town, South Africa
    This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Marlene Dumas Born 1953 in Cape Town, South Africa. Lives and works in Amsterdam. EDUCATION 2015 Honorary Doctorate, University of Antwerp 1979-1980 Institute of Psychology, University of Amsterdam 1976-1978 Ateliers 63, Haarlem, The Netherlands 1972-1975 University of Cape Town, South Africa SOLO EXHIBITIONS 2020 Marlene Dumas – Double Takes, Zeno X Gallery, Antwerp [catalogue] 2018 Marlene Dumas: Myths & Mortals, David Zwirner, New York [catalogue published in 2019] Marlene Dumas – Rosemarie Trockel: Werke aus der Sammlung Garnatz, Städtischen Galerie Karlsruhe, Karlsruhe, Germany [two-person exhibition] Moonrise. Marlene Dumas & Edvard Munch, Munchmuseet, Oslo [curated by Marlene Dumas] [two-person exhibition] 2017 Marlene Dumas. Die Entstehung eines Altarbildes/The Creation of an Altarpiece, Galerie Gebr. Lehmann, Dresden Marlene Dumas: Dresden Mural, St. Anne’s Church, Freiberger Platz, Dresden [permanent installation] Marlene Dumas. Hope and Fear, Kupferstich-Kabinett, Staatliche Kunstsammlungen, Dresden Marlene Dumas: Oscar Wilde and Bosie, National Portrait Gallery, London [part of I Am Me] Marlene Dumas. Skulls, Albertinum, Dresden 2015 Marlene Dumas/Juan Muñoz: Drawings, Frith Street Gallery, London [two-person exhibition] 2014 Marlene Dumas: The Image as Burden, Stedelijk Museum, Amsterdam [itinerary: Tate Modern, London; Fondation Beyeler, Basel] [each venue published its own
    [Show full text]