Mudhoney: the Sound & the Fury from Seattle

Total Page：16

File Type：pdf, Size：1020Kb

MUDHONEY: THE SOUND & THE FURY FROM SEATTLE FREE DOWNLOAD Keith Cameron | 272 pages | 01 Nov 2013 | OMNIBUS PRESS | 9781780386669 | English | London, United Kingdom Mudhoney: The Sound & The Fury From Seattle It's clear that hours and hours of research went into this book and Cameron had the cooperation and input of the band, which means you're going to get a great deal for the price of admission. Sure, they played their share of festivals, plenty of sold-out gigs, they toured with both Nirvana a disaster and Pearl Jam an unexpectedly fun time. Rating details. The Mudhoney: The Sound & the Fury from Seattle story of the band that many consider to have been the inventors of "grunge," produced with their full cooperation and released on their 25th anniversary. Rock biographies are rarely good; less seldom, they are great. Average rating 4. Concert Review: Tool. Jul 28, Vlajko rated it it was amazing. Friend Reviews. May 05, Joshua Kupetz rated it it was amazing. Lists with This Book. It will provide a proper context to a band that, in a lot ways, had just as much impact on music as their more well known peers. Other Editions 1. Thoroughly enjoyed this. Get A Copy. Mudhoney never reached the heights of commercial success attained by Nirvana; nor did they flame out. I can look at Mudhoney critically and place them very much as a vital and still- awesome cog in their scene, which extended well outside of Seattle and encompassed other late 80s champs like Pussy Galore, Laughing Hyenas, Lazy Cowgirls, Sonic Youth, Dwarves, feedtime, Scratch Acid and so on. Inthe band's debut single, "Touch Me, I'm Sick," and subsequent EP, Superfuzz Bigmuffturned the world of indie-rock world on its ear, litghting the way for the grunge movement that would put Seattle on the map. What a terrible review. Refresh and try again. Mudhoney: The Sound & the Fury from Seattle Review: Refused. Interview: Anna Burch. Very well researched and written. Angie: Not a bad write up. Community Reviews. Enlarge cover. Mudhoney: Digital Garbage Mudhoney is perhaps only reluctantly named godfathers of grunge. But overall definitely worth a read for any serious Mudhoney fan. Spelling, grammatical and punctuation were issues throughout the book. September 30, I liked all four records immensely but I dug those Mudhoney records the most. Left and Leaving Turns Want to Read saving…. Caitlin rated it it Mudhoney: The Sound & the Fury from Seattle amazing Aug 30, Mar 05, Phil Jenkins rated it it was amazing Shelves: music. Chris rated it it was amazing Aug 19, Other editions. Me peepeebutt: Wow. Carl rated it it was amazing Feb 09, Miranda Moore rated it liked it Feb 13, Martin Eden. Kerr rated it it was amazing Jan 13, Yet they did find themselves, decades later, still a band, still playing shows and releasing records. Holy Hell! Preview — Mudhoney by Keith Cameron. Kid A Turns This is really more of a 3. Bryan rated it really liked it May 22, In a lot of ways, what sets Mudhoney apart is that they did what they did without really trying. Mudhoney were central to my sickness at the highest point in its bell curve. That said, the book provides an engaging and enjoyable history of the band, and their place in alternative rock Mudhoney: The Sound & the Fury from Seattle. .

Copy Link

Recommended publications

Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
[Show full text]
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde .........................................................................
[Show full text]
KUCI 88.9 FM [Spring 1991]
· ..... ~ , ·I ••• · . ....... ~,,\, . ) - . \ -' (X) ~ I, (X) ,N • -0/--- co • • • • • - ~ . 1'" ~ I . .,I/:..~ . a:: . .", • •· ·, ·• I ·t'· . .• ·· . ·· . .. •••• i ,,".' . .. /' • Day of Decency has come and' gone. It has been months since a couple of heads got together on the 3rd floor of gateway commons and decided what part they would play in a battle for what they thought was right. And nearly a month (perhaps two as you read this) since the dreams and the plan came together. OUtcome? Well. for one, I'm not really sure. I'dreallylike tothink that maybesome part of Meye opening" or MreactionaryseDiment" ocurred on account ofsomeone standingup and screaming MMy rights as a citizen are in danger." Jlut how can something like that be measured? To tell you the truth, I don't know, either. I wish I had played my part out. AJJ the decision to ban Minde~ency", "profanity", and "obcenity" from public radio stations 24 hours a day is being appealed. we must watch, not wait, and act. How? You can call 866-6868 and find out. Anyone of the folks on staff has' access to the information. any day of the week, at any time. Provided, of course, there is someone here (ahem!). We can give you names and addre~ses. fax and phone numb,..rs of organizations and individuals who need the assistance of people like yourself, or in some cases, would, and do, defy ~our opposition. AJJ someone who values creativity and its limitless bounds, and wonders at the different kinds of reactions it provi-ies. from rage to confusion to recognition, it Is important for me to posess the ability to think freely.
[Show full text]
Government Gazette
No. 95 233 THE SOUTH AUSTRALIAN GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY ALL PUBLIC ACTS appearing in this GAZETTE are to be considered official, and obeyed as such ADELAIDE, THURSDAY, 15 JULY 1999 CONTENTS Page Page Appointments, Resignations, Etc...........................................................................................234 Proclamations..........................................................................................................................234 Copyright Act 1968—Notice...................................................................................................256 Public Trustee Office—Administration of Estates.................................................................328 Corporations and District Councils—Notices......................................................................324 Racing Act 1976—Notice.......................................................................................................296 Development Act 1993—Notices............................................................................................235 Real Property Act 1886—Notice............................................................................................301 Fisheries Act 1982—Notices.................................................................................................290 REGULATIONS Gaming Machines Act 1992—Notice....................................................................................292 Development Act 1993 (No. 149 of 1999) .........................................................................307
[Show full text]
Artsandentertainment Ndergraduate Xhibit
ARTSANDENTERTAINMENT , r /- 'iV ¡1 , ■ 4SWI§i I ■ _ _ _ I iss " " » V i ■ ■ ■ ■ I NDERGRADUATE XHIBIT by laurie I. mccullough arts and entertainment editor The diversity of strengths the deftness of the student the perceptional view. The pieces which jut to one side exhibit, are witty, bright and and weaknesses permeates imagination and ability to natural quality of the in a symbolically violent provoking. Installations the Annual Undergraduate grasp the significance of the materials works with the movement. often present difficulties Exhibition, but the year-end representational object. involvement of the viewer, Though the smaller pieces because of the variety and show is filled with an Jennifer P ark e r’s wool who is meant to sit in the are greatly unfulfilling, the freedom of materials the abundance of talented and covered and pebbled chair, and the bizarre larger three-dimensional medium affords and often exciting works that ensure a outlined chair Instead of the emotional entrapment of the works show the same ap they are shrouded in a the preeminence of talented Avocado Orchard is topped headpiece. Taylor Stamper’s titude of invention that the lack of definition that this artists at UCSB. The with a wooden cage-like Old Chair in Wind is one of chair studies do. The in very liberation gives. But displayed works at the on- helmet designed with the few works of this exhibit stallations, so-called these students maintain a campus University Art changeable screens to cover with rough uncut wood that because they are built into a coherency and response Musuem are chosen by the the sitter’s face and change fulfills the use of the broken particular space of an within their work.
[Show full text]
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise.
[Show full text]
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Psychedelic Underground and Dream-pop (These are excerpts from my book "A History of Rock and Dance Music") Paisley Underground 1982-87 The "American Graffiti" phenomenon of the early Seventies, and the subsequent appropriation of the Sixties by the new wave, caused a revival of many of the styles of that happy decade. By far the most pervasive and long-lived was the revival of psychedelia, that kept recurring throughout the Eighties and the Nineties. Los Angeles had its own movement, the "Paisley Underground". Psychedelia became merely a pretext to concoct baroque, oneiric and hypnotic sounds, often with the help of keyboards and strings. Byrds-ian jangling guitars and naive melodies a` la Hollies dominate Emergency Third Rail Power Trip (feb/mar - oct 1983) by Rain Parade (1), with Matt Piucci on vocals and Dave Roback on guitar, as well as the EP Baroque Hoedown (fall 1982 - dec 1982) and the album Sixteen Tambourines (? 1983 - oct 1983) by Mike Quercio's Three O'Clock (1). Needless to say, the Paisley Underground was only the tip of the iceberg. The Dream Syndicate (12), formed by guitarists Steve Wynn and Karl Precoda and bassist Kendra Smith, acted as the natural liaison between Television (and the new wave in general) and the new generation of psychedelic rockers.
[Show full text]
Peak Music Experiences: a New Perspective on Popular Music, Identity and Scenes
Peak music experiences: A new perspective on popular music, identity and scenes Author Green, Ben Published 2017-08 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/3456 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/372598 Griffith Research Online https://research-repository.griffith.edu.au Peak music experiences: A new perspective on popular music, identity and scenes Ben Green Bachelor of Laws (Hons) School of Humanities Arts, Education and Law Group Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy August 2017 Abstract Peak music experiences are those experiences involving music that stand out as especially affecting, meaningful and memorable for the individuals involved. They are a common topic in discussions of popular music, including in journalism, biography and fan culture, where they are often credited as pivotal in people’s relationships with music and their lives more generally. Examples of peak music experiences are apparent in some previous scholarly studies of popular music cultures, however, this is the first dedicated investigation of the phenomenon. By analysing this way of thinking and talking about music, this thesis contributes to understandings of how music’s meaning and effects are constructed, the role of musical experience in identity and sociality, and the discursive structuring of individual and collective experience in music scenes. The thesis draws on ethnographic research conducted in 2015 in the local music scene of Brisbane, Australia, including participant observation in activities of music consumption and production, reviews of secondary data sources including popular music media, and in-depth interviews.
[Show full text]
Cujo, One of the Best Dogs, Ever
RETEND I’M SITTING ACROSS FROM YOU. I’m smiling. On shitty grey, beer-stained carpet that I had before, but it’s smooth. I’ve the outside, I’m calm, affable. Inside, I’m deeply angry. mentioned this to all my guests. No one’s impressed. My kite’s been in a tree. As of late, there’s been a Last issue, after picking up the mail and on my way to drop P seemingly endless chain of mishaps. off our master copy at the printers, I pulled in front of a car, and I wanted the little last bit of honey out of the squeeze whanged its front bumper completely off. The lady, understandably, bottle. The lid leaked and honey slowly oozed out on the other side was pissed. It was totally my fault. I spent the next three weeks in of the counter. A week later, I found out that the high rotation section junk yards. With the help of many good friends, (Thanks Chris and of my records were sticky. Not an entirely awesome way to pull out Brandy. Thanks Bruce.) I got all the parts and totally boy scouted it. a Regulations record; sticking to Otis Redding, then plopping onto The replacement was better than the original. At the end, it was about the ground. 1/10th of what it would have cost if I had taken it to a body shop. I’ve been battling cockroaches and termites for the past six years Getting back to zero is an accomplishment in and of itself.
[Show full text]
UIS - Unrock Import Service 2005
UIS - Unrock Import Service 2005 Juli / August (203) LP (551) |___ 0-9 (4) |___ A-D (145) |___ E-H (94) |___ I-L (60) |___ M-P (112) |___ Q-T (94) |___ U-Z (42) CD (673) |___ 0-9 (4) |___ A-D (192) |___ E-H (112) |___ I-L (76) |___ M-P (113) |___ Q-T (114) |___ U-Z (62) 7"/10"/12" (226) |___ 0-9 (7) |___ A-D (59) |___ E-H (36) |___ I-L (23) |___ M-P (40) |___ Q-T (42) |___ U-Z (19) SALE (221) |___ 7"/10"/12" (77) |___ CD-Singles (16) |___ CD´s (99) |___ LP´s (29) Crypt Records (77) DVD (21) SUBLIME FREQUENCIES (15) Page 1/322 UIS - Unrock Import Service 2005 : Juli / August 7 Year Rabbit - Wind Machines LP Free Porcupine Society ***Free Porcupine Society schätzt sich glücklich diese absolute De-Luxe Edition von 7 Year Rabbit´s - Wind Machines zugänglich zu machen. Angeführt vom früheren Deerhoof Gitarristen Rob Fisk und seiner Streiterin Kelly Goodefisk (ebenfalls von Deerhoo) mit Miya Osaki und Steve Gigante von Brother Jt und Gaststar Jamie Stewart von Xiu Xiu, liefern 7 Year Rabbit 10 Tracks brutalster Improvisation und glühenden Vocals, geeignet jede Komposition zu skelettieren. 140 g. Vinyl gepackt in wunderschöne, handbdruckte Jackets mit Artwork von Herrn Fisk. Limitierte Ausgabe von allerhöchstens 500 Kopien. 18.90€ Acid King - III Small Stone ***Mit "III" kommen ACID KING der Idealvorstellung dessen, was man gemeinhin unter "Stoner Rock" versteht, gefährlich nahe. Gemeinsam mit Produzenten Legende Billy Anderson (MELVINS, MR.
[Show full text]
KUCI 88.9 FM [Winter 1991]
•• .., I • \ • • • c I • I • • • • .... '. ". , , . - . , .. KUCI 88.9 -FM PRESENTS A DAY OF DECENCY "Congress shall make no law respecting an establishment ofreligion, The flipside to censorship is education. KUCI, recogmzmg its or prohibiting the free exercise thereof; or abridging the freedom of responsibility as a public university radio station, some time ago speech,orofthe press; orthe right ofthe people peaceably to as sembi e, decided to tackle this issue by providing a forum for education on and to petition the Government for a redress of grievances." censorship. Here is the result. - The First Amendment to the United States Constitution On March 4, KUCI in conjunction with the University of Censorship. Everyone has encountered that looming, dark pres California Radio Network (VCRN) will present a Day of ence. But do we always recognize it? Decency. The political, cultural, and social elements of censorship will be discussed and explored both on and offthe airwaves. Informa Two hundred years after the Bill of Rights were enacted to protect tion about how the community can become involved will be distrib people from the evils of absolute government (from another King uted. George), we live, in a time when those sacred protections are being whittled a way by the knife offear. Change happens - new ideas surface Originally planned by the U CRN in response to the FCC's 24-hour ban - and many who cannot comprehend existences outside of the tradi on "obscenity, profanity, and indecency" on radio and television, Day tionallash back from a fear of the unknown, from a truly understand ofDecency now hopes to deal with the topic ofcensorship on a greater able fear that everything you have ever learned may be invalid.
[Show full text]
Ahmed Files Federal Suit Against UD by Diane Moore President Russel C
DIVersity JUDIOt dieS a It-and-run A university junior died listed in critical condition "She always gave so much to According to police, Rabin Sanborn fled the scene by foot, Tuesday evening as a result of Tuesday afternoon. She received everybody else without ever was travelling south on Polly police said. He tumed himself injuries received in a hit-and-run a closed head injury, multiple rib thinking of herself." Drummond Road when Sanborn's over to police at Troop 6 near automobile crash early Saturday fractures and a spinal injury, €barges are pending against vehicle, traveling north, crossed Price's Corner later Saturday morning. according to Madeleine Vincent G. Sanborn of English the double yellow lines. morning. , Natalie Regina Rabin (AS 90), Wisniewski, secretary of public Village Apartments, the driver of Rabin swerved to miss Police have not yet determined 20, died in the neurological affairs at the hospital.' the car that struck Rabin's Sanborn's oncoming vehicle. The if alcohol was involved in the intensive care unit of Christiana "She was like a mom to vehicle, according to Cpl. two cars collided head-on at 1:26 collision. Hospital at approximately 10 everybodyT a sister and a best William Eubank of the State a.m. Saturday. Stafford said, "I don't think p.m., according to a h!)spital friend," said Amy Stafford (ED Police Troop 2. Police said both cars were we'll ever understand why this spokeswoman. 90), one of Rabin's four Madison Sanborn was not injured in the occupied solely by the operators.
[Show full text]