DOCSLIB.ORG

ßwflc Masters Have You Seen EDITH PIAF the Best ...The Dry Method Piaf Tonight NO SPRAYING the New C'est À Hambourg; Le Chemin Des Forains

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ßwflc Masters Have You Seen EDITH PIAF the Best ...The Dry Method Piaf Tonight NO SPRAYING the New C'est À Hambourg; Le Chemin Des Forains are good enough to make an effect, but not VANGUARD VRS 9004. 12 -in. $4.98. so good that the effect is too slick. For anyone whose affection for this style is Miss Rae is a genuinely talented artist cur- beyond satisfaction, the record is a good rently plagued with a bad case of inde- Why is SOWANN'S one to own. The sound is a credit to Mr. cision. Trying to be Beatrice Lillie, Anna McIntosh and his amplifiers. J. H., JR. Russell, and Ethel Merman all rolled into one, she succeeds in being none of them. When she has developed a more definite ROY HAMILTON and personal style, she should become one long Playing Record The Voice of Roy Hamilton of the best satirists around. Her material is EPIC LN 1103. Io -in. $1.98. taken from her own night -club act and some Broadway shows, and it could be ex- Six popular tunes, ranging in theme from tremely funny if handled with more the miseries of love to the blessings of subtlety than Miss Rae now seems capable CataIo'Ihe BihIe"of religion, are sung here by a young baritone of. Her manner here is too broad and in- in the Billy Eckstine tradition. Hamilton sistent. J. F. I. has a big voice as popular singers go, and what he lacks in finesse he compensates for FRANK SINATRA Record Colleclors? with an all -out "sincerity" barrage. Epic, The Voice for its part, has left half the record space Because Schwann offers on a regular monthly R. K. I Don't Know Why; Try a Little Tender- on each side unused. basis o complete listing of long play records ness; A Ghost of a Chance; Paradise; These classified as follows: HERE COME THE GIRLS Foolish Things; Laura; She's Funny That Way; Fools Rush In; Over the Rainbow; Froman; Classical (By Composer) Mary Martin; Ethel Merman; Jane That Old Black Magic; Spring Is Here; Irene Gertrude Niesen; Martha Raye; Lover. Chamber Music Dunne. Frank Sinatra. Anthologies EPIC LN 1114. to -in. 51.98. COLUMBIA CL 743. r2 -in. $3.95 Piano From Columbia's vaults, Epic has rescued Organ these sides cut in the late Thirties and early At the time these songs were recorded about Forties and has reissued them to appease ten to fifteen years ago, Sinatra was, I think, Vocal collectors. Mary Martin (My Heart Belongs one of the finest popular singers we've ever Spoken & Miscellaneous had. Just hear the sweetness to Daddy) and Ethel Merman (1 Get a to and light, Orchestral Kick Out of You) escape almost unscathed the wonderfully apt phrasing, and the very from this new exposure, but Jane Froman real affection that he gave to these tunes is Operas and Gertrude Niesen are not so fortunate. to hear them as no one else has ever sung Musical Shows The former's passionate wobbling through them. It's also to hear them as Sinatra Operettas the Tchaikovsky- derived Tonight We Love himself never sings anything today, busy as (and what a nightmare that was) is no Films more convincing than Gertrude Niesen's Folk Music & Folksongs attempt to be exotically sultry in Where Popular, Jazz, Swing Are You. Martha Raye (Once in a While) Rid Your Records of Dust runs pretty true to form, tearing her song Childrens in a manner now well established but apart always use 11 your dealer does not handle Schwann fairly novel in its day. Irene Dunne's vocal Catalogs kindly send us his name and address. equipment is sadly unequal to the demands of Jerome Kern's fine song Lovely to Look At. J. F. 1. ßWflC masters Have you seen EDITH PIAF The Best ...The Dry Method Piaf Tonight NO SPRAYING the new C'est à Hambourg; Le chemin des forains. NO Miséricorde; L'Accordéoniste; La goualante WASHING du pauvre Jean; Et moi ...; Les amants d, NO RUBBING SCHWANN DIGEST? Venise; N'y va pas, illanuel; L'effet qu'tu Johnny, tu n'es pas m'fais; Jean et Martine; The Schwann Digest is the un ange; Bravo pour le clown. Brush while companion piece to our regu- Edith Piaf, with M. Mercier Chorus and lar cata og. It's a orchestra directed by Robert Chauvigny. record is rotating beautifully ANGEL 65024. 12 -in. $3.98. illustrated brochure which lists The An effective easy -to -use fifty to sixty outstanding re- The day of the ten -inch pop LP appears to Polonium record brush that will pay be passing, in witness whereof Angel has Strip does for leases of the month as selected the trick itself many times over - reissued on this twelve -inch disk the eight in the protection it will give by the record manufacturers. songs previously released as Bravo pour le your prized record collec- Many of the album Clown (Angel 64005) and added to them tion. covers are the first four songs listed above. These illustrated in a sparkling dis- twelve vignettes make a fine sampling of compared with play of color. Ask your the Piaf repertoire, and with the singer in 978 SExpensiveother products... but inex- fine voice and so adept in capturing and pensive when noise -free Schwann dealer for this excit- projecting changing moods, the record is and longer lasting records ing new addition to the consistently delightful. J. F. I. are considered. Schwann family. Buy STATICMASTERS at your Hi -Fi dealers or CHARLOTTE RAE order direct... sent postpaid -cash with order. Schwann Long Playing Songs I Taught My Mother NUCLEAR PRODUCTS Record Catalog Charlotte Rae, with John Strauss and his CO. 10173 E. RUSH ST. EL MONTE, 1, CALIF. 137 Newbury St. Boston 16, .Mass. Baroque Bearcats. JANUARY 1956 33 .
Load more

Recommended publications
  • Screwball Syll
    Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny.
    [Show full text]
  • 1934-04-26 [P C-4]
    PIERCE HALL PLAYERS hostess. There have been Invited a lng the play. The stage crew, under a model constructed by Miss Brown. number of dinner guests. Including the direction of Newell Lusby, has The business stall Is headed by Jennifer, who poses as a general's National constructed one of the most difficult Ployd Sparks. Tickets for the play Players Prepare End” PRESENT GOOD COMEDY widow, but is In reality the pseudo — ever amateur be obtained at Wardman Parle Reviving “Journey’s prince’s estranged wife. After a series settings attempted by may A. A. Milne's Play, “To Have the of humorous situations, the two Im- organizations. They weye guided by Theater tonight and tomorrow night. To Their New Season posters finally reveal their identities Open Is Vehicle for Honor,” to their understanding hostess and to take another in the Amateurs. proceed flyer First Will Be The Pur- matrimonial market. “THH- Play Monday Evening “To Have the Honor” Is to he re- A. A. Milne's play about a pseudo by the players at Successful on Broad- prince or a pseudo country who runs peated tonight suit of Happiness,” Pierce Hall at 8:30 o’clock. Is di- Into difficulty when he runs Into his It rected Ina L. Hawes. estranged wife, also posing as some by the Film Theaters. M. W. B. A way—At or e else she is not, at an English din- woman, The story Pierce Hall ner party, gave Players, sure of her of « wife Paul Alexander, Ruth Perrott and IN “JOURNEYS END.” BY E.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Screwball Actress
    P a g e SCREWBALL ACTRESS RAY E. BOOMHOWER efore the days of cable and satellite dishes, when there were only three major networks avail­ able for viewing, one of the few things on television that always sparked my interest was the perennialshowing of old movies, usually on lazy Sunday afternoons. The films ranged from Bud Abbott and Lou Costello meeting a host of monsters (Frankenstein, the WolfMan, the Mummy, and the Invisible Man to name but a few) to the detective adventures of Basil Rathbone and Nigel Bruce as Sherlock Holmes and Dr. John Watson. My favorites, however, were the sophisticated, and hilarious, screwball comedies produced lly Hollywood studios during the height of the Great Depression in the 1930s and into the early 1940s. These films, which often matched the wits of daz­ an eccentric Park Avenue family. Bullock hires zlingly daffy females with those of hapless males, fea­ Parke as the family's new butler and eventually tured the talents of such well known stars as Cary Grant, falls in love with her new "protege." Irene Dunne, Katherine Hepburn, Clark Cable, and Of course, as often happens in these movies, Claudette Colbert. Who hasn't chortled over the bud­ Parke, representingthe decency and forthright­ ding romance between a spoiled heiress and a recently ness of the common man, teaches the wealthy fired reporter in It Happened One Night ( 1934), the mis­ family a thing or twoabout life and saves them understandings between a married couple in TheAwful from disaster. A box-office hit at the time, the Truth (1937), the madcap search for a missing dinosaur movie featured fine acting from not only its bone in Bringing Up Baby ( 1938), and the bizarre machi­ stars-both Lombard and Powell received nations of a newspaper editor attempting to lure his Academy Award nominations for their per­ ex-wife back to her former job in His GirlFriday (1940)? formances-but also from its supporting cast.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • Films from the THIRTIES: PART II 1935-39
    t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships.
    [Show full text]
  • Spectator 1959-04-16 Editors of the Ps Ectator
    Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 4-16-1959 Spectator 1959-04-16 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1959-04-16" (1959). The Spectator. 642. http://scholarworks.seattleu.edu/spectator/642 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Irene Dunne to Speak at Commencement University's can Heart Assn., Red Cross drive, and the volun- Irene Dunne will be the Com- Society. A. A. Lemieux, teer field army of the American Cancer mencement speaker, the Very Rev. Medal S.J., today. The University will award Notre Dame awarded her the Laetare announced annually outstanding Cath- honorary doctor of law degree at the June in 1949, given to the her an She will be the third 5 exercises. olic layman of the year. University Dunne," Laetare Medalist to speak at S.U.s commencement "Seattle will honor Miss Alfred said, "because of her work with the in the past five years.The others wereGen. Fr. Lemieux 1956, and Jefferson United Nations and because of her outstanding M. Gruenther, who spoke in achievements innumerous civic andpublicgroups." Caffrey, a diplomat, in 1955. Fr. Lemieux said the degree would be a testi- MISS DUNNE WON the American Brother- monial to an outstanding woman who has been hood Award of the National Council of Christians a credit to her community, her country and her and Jews in 1948 for her contributions toreligious profession.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]
  • The Museum of Modern Art
    The Museum of Modern Art For Immediate Release May 1995 EXHIBITIONS AT THE MUSEUM OF MODERN ART HONOR FOUNDING OF THE UNITED NATIONS This summer, The Museum of Modern Art joins in a worldwide series of cultural and educational events to commemorate the fiftieth anniversary of the United Nations, which was founded June 26, 1945. THE UNITED NATIONS IN PERSPECTIVE, an exhibition tracing the planning and design of the U.N.'s historic New York headquarters, and UN50: FROM THE UNITED NATIONS FILM ARCHIVES, a film program featuring works produced by U.N. agencies, together honor the foremost organization dedicated to promoting and establishing world peace, democracy, and human rights. THE UNITED NATIONS IN PERSPECTIVE June 15 - September 26, 1995 This exhibition explores the architectural development of one of the most important symbolic structures built after World War II. The four buildings (constructed 1947-52) that make up the United Nations headquarters complex also constitute the architectural apotheosis of modernism's functionalist aesthetic, which attempted to prevail over established national traditions and prejudices. The exhibition includes approximately thirty-five original drawings (many displayed for the first time), fifteen contemporary color photographs by Adam Bartos, and a model, as well as several books and pamphlets. - more - 11 West 53 Street, New York, N.Y 10019-5498 Tel: 212-708-9400 Fax: 212-708-9889 2 An international board of design -- ten architects, including renowned modernists Le Corbusier (France), Oscar Niemeyer (Brazil), and Sven Markelius (Sweden), directed by Wallace K. Harrison (American) -- developed the concept for the United Nations headquarters. Hugh Ferriss, one of America's most gifted architectural draftsmen, translated the architects' sketches and ideas into beautifully rendered perspectives.
    [Show full text]
  • Puttin' on the Glitz: Hollywood's Influence on Fashion
    SPRING EXHIBIT | LANGSON LIBRARY Puttin' on the Glitz Hollywood's Influence o n Fashion OCTOBER 2010 - APRIL 2011 MURIEL ANSLEY REYNO- 1 -LDS EXHIBIT GALLERY Puttin’ on the Glitz Hollywood’s Influence on Fashion An exhibit in the UC Irvine Langson Library Muriel Ansley Reynolds Exhibit Gallery October 2010 - April 2011 Curated by Becky Imamoto, Research Librarian for History THE UC IRVINE LIBRARIES • IRVINE, CALIFORNIA • 2010 Welcome to the UCI Libraries’ Fall 2010 exhibition. Puttin’ on the Glitz: Hollywood’s Influence on Fashion examines the major impact that Hollywood had and continues to have over fashion. This exciting exhibit highlights films and designers from Hollywood’s golden years through the 20th century, all presented within a historical context. Items on display include significant books, journals, images, videos, and movie posters from the Libraries’ collections, and stunning costumes from UCI’s drama department. The curator is Becky Imamoto, Research Librarian for History. I hope you enjoy the exhibit and return to view others in the future. Gerald L. Lowell Interim University Librarian - 3 - this exhibit examines the history of Hollywood costume design from its inception to the end of the 20th century. In the early 1910s, costume design was little more than an afterthought, with silent screen actresses providing costumes from their personal wardrobes. However, during the Golden Age (1930- 1959), Hollywood realized how much publicity and money could be generated through its promotion of new fashion designs, and so set to work building an image of splendor, luxury, and endless consumption. Hollywood was, and is, a powerful social force that determines what is considered by the rest of the world to be beautiful and glamorous.
    [Show full text]
  • Ruth Clark Lert Dance Library and Archive, 1831-1994
    http://oac.cdlib.org/findaid/ark:/13030/tf4779n8h6 No online items Guide to the Ruth Clark Lert Dance Library and Archive, 1831-1994 Processed by Laura Clark Brown; machine-readable finding aid created by Brooke Dykman Dockter Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California Irvine, California 92623-9557 Phone: (949) 824-3947 Fax: (949) 824-2472 Email: [email protected] URL: http://www.lib.uci.edu/rrsc/speccoll.html © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --Performing Arts --DanceGeographical (by Place) --California Guide to the Ruth Clark Lert MS-P009 1 Dance Library and Archive, 1831-1994 Guide to the Ruth Clark Lert Dance Library and Archive, 1831-1994 Collection number: MS-P 9 Special Collections and Archives The UCI Libraries University of California Irvine, California Contact Information Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California Irvine, California 92623-9557 Phone: (949) 824-3947 Fax: (949) 824-2472 Email: [email protected] URL: http://www.lib.uci.edu/rrsc/speccoll.html Processed by: Laura Clark Brown Date Completed: 1997 Encoded by: Brooke Dykman Dockter © 1997. The Regents of the University of California. All rights reserved. Descriptive Summary Title: Ruth Clark Lert Dance Library and Archive, Date (inclusive): 1831-1994 Date (bulk): (bulk 1950-1980) Collection number: MS-P009 Collector: Lert, Ruth Clark Extent: Number of containers: 65 document boxes, 3 shoe boxes, 8 record cartons, 10 flat boxes and 12 oversized folders Linear feet: 57 Repository: University of California, Irvine.
    [Show full text]
  • Chronicle December 2020
    THE VILLE'S CHRONICLE DECEMBER 2020 Safety first at all our ve ents: Temperature screening & A Note from the Executive Director safety protocols will be in place. Masks are required. I love this time of year because it feels like there is magic and happiness in the air. I am sure that all of We Give Thanks for Community us could use a little bit of both after the challenges We will be hosting our third annual Christmas of 2020. While our holiday celebrations will look a Dinner on December 16th beginning at 3:30 p.m. in little different, I am still grateful that we will get a the afternoon with a cocktail hour featuring chance to celebrate together. Thanks to technology it entertainment for us followed by a lovely plated is easier than ever to stay connected with loved meal from Chef Shawn with a dessert cart for all to ones. This year I challenge each of you to think of choose from after your meal. We understand this outside-the-box ways to celebrate the season and year's dinner will be a little different than years past keep traditions alive! As always, please let me know due to COVID restrictions; however, we hope you if you have any suggestions or concerns. ~Anastasia all are as excited as we are to host you for a beautiful celebration with our neighbors in the community. We do need everyone to make reservations for the dinner. We have reservations slated every 30 minutes starting at 4:00 p.m. You will do this with the hostess in the dining room.
    [Show full text]