Cary Grant ~ 68 Films
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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine, -
Removal Notice the Bermuda
~ __LY_ UGHTING-UP TIME 9:01 p.m. YESTERDAY'S WEATHER Maximum Temperature 85 Minimum Temperature 76.3 4lDE TABLE FOR JUNE Rainfall _ - A trace D*te Hluh Water Low Water Sun- Sun- Sunshine -._«*<.. S3B hours A.M. P.M. A.M. P.M. rise set 30 .04 .12.30 6.39 6.35 6.15 8.31 %\}t %%&%£ VOL. 29 —NO. 151 HAMILTON, BERMUDA THURSDAY, JUNE 30, 1949 4D PER COPY Compromise Plan May Save Threatened Financial Crisis Three Charged With Forging Britain Dollar Losses In In Britain Gives Bermuda Will; Son Says Document Is European Payments Scheme Businessmen A Headache Not In Mother's Handwriting The threatened financial crisis Britain's present financial pre- in England and the possible , dicament has been brought about, PARIS, June 29 (Reuter).— Wilbur Harrison Smith, son of Delegates to the 19-nation Mar abandonment of the "cheap one local observer thought, be- HONORARY D.D. DEGREE!WILL REVIEW RENEWAL BRITAIN'S CRISIS: money" policy by the British cause British goods are being met the late Mrs. Inez Madge Smith shall aid talks adjourned in op Atomic Explosions of "Poinciana Grove," Shelly Bay, timistic' mood after a three-hour Government may deal the Colony with buyers' resistance in the ex- FOR A.M.E. PASTOR OF BSAA SERVICE ACHESON IS HOPEFUL a hard blow which will be felt port market, largely due to prices. yesterday looked at a hand-writ meeting today. They will resume ten will purported to have been tomorrow to consider a new Bel Said Detected in every home and store or little j One way to reduce prices would gian compromise plan on the effect may be felt in Bermuda be to make selling • costs cheaper. -
Film Program
/o^ Ihe Museum of Modern Art vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart No. 103 Thiirsday, August I8, 1966 FOR imSDflM:^ BELCA3E FILM PRfXaRAM September 1-50, 1966 Series Days Hoiirs, unless otherwise noted (T) THE THIRTIES: U.S.A. Sundays 2:00 Ss 5:30 p.m. Part I: 1930-1955 Mondays 2:00 & 5:30 p.m. (through September 30) Tuesdays 2:00 & 5:30 p.m. Thursdays 2:00, 5:30 & 8:00 p.m. Fridays 2:00 & 5:30 Saturdays 11:30 a.m., 3:00 & 5:30 p.m. (W) WEDNESDAYS AT NOON (continuing) Wednesdays 12:00 noon (A) Fn^ FROM THE ARCHIVE(continuing)Wedne8days 2:00 & 5:30 p.m. Thurs. Sept. 1- (T) DaC3K SOUP (1933); directed by Leo McCarey, with the Marx Broth Fri. Sept. 2 ers and Miargaret Dumont. 70 min. Sat. Sept. 3 - (T) ROMAN SCANDALS (1933)> directed by Frank Tuttle, with Eddie Sun. Sept. k Cantor, Ruth Etting, Gloria Stijart. Distributed by Brandon Films, Inc. 92 min. Mon. Sept. 5 - (T) DAVID HARUM (l93^)/ directed by James Cruze, with Louise Tues. Sept. 6 Dresser, Will Rogers, Evelyn Venable. 85 min. Wed. Sept. T **(w) *ANAEMIC (ymmk (1926), by Marcel Duchamp. 7 min. LE MDNDE DE PAUL DELVAUX (l9^), directed by Henri Storck.lOmin. MAGRUTE - THE OBJECT LESSON (I965), produced and directed by Luc de Heusch. English narration by Alan Schmer. 15 min. ALBERTO GIACOMEITI (1966), produced by Sumner Glimcher, directed by S. Chasmar, music by Arnold Ganson. 15 min. (A) BILDDOKUMENTE (1935). A compilation of German newsreels from 1912 to 1918 edited by Frank Hensel during the Nazi regime, if5 min. -
St Lukes Newsletter February 10.Pub
61st Season. No. 3 February 2010 President’s Message Jane Guy Executive 2009-10 Our annual Christmas panto, Auditions for our last play of the Jack & the Beanstalk was a season, Woody Allen’s comedy President: ..................... Jane Guy roaring success with all the Play it Again, Sam will be held Past President: .......Neville Owen performances completely sold on February 21 and 22 from Vice President: .. Dave Hitchcock 7:00 p.m. in the Church Secretary: .....................Jo Barnes out 2 weeks before Opening Treasurer: ..........Bronwyn Taylor Night. What a problem to have Lounge. Audition details are Members at Large: ....Deb Taylor - if only all our shows were like found later in the newsletter. .............................Mike Chadwick that! Many thanks to Directors ............................Wendy Cornock Dave and Helena Hitchcock If you are interested in helping and to their talented cast and with the production crew, crew for a successful run. The please contact the Director night I attended, audiences had Geoffrey J. Davidson at: [email protected] or a great time and were really St Luke’s Players’ involved - even a young toddler 250 727 8989. Newsletter is published quarterly who kept crawling up onto the stage to get into the action, The Play Reading Committee’s Editor: Jane Guy wanting her moment under the recommendations for the 62nd Assisted by: Deb Taylor Season have been passed on lights. Please check out the website for Panto photos. to the Executive who will be Direct inquiries or correspondence making their decision at next for the Newsletter to the Editors Our 3rd production, Ira Levin’s week’s Executive Meeting. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Part Iii Part I
01_ch_breitbart.qxd 1/5/04 4:59 PM Page 1 PARTPARTIIII WhereWhere TomMarlon and and John Ryan and and Kirsty Melissa do battle and Brian with (amongThetans. others) Madonnaprocreate getsand vocal.have children. Who’s a Nannies are hired.Scientologist Children and go whoto school. isn’t? 01_ch_breitbart.qxd 1/5/04 4:59 PM Page 2 01_ch_breitbart.qxd 1/5/04 4:59 PM Page 3 1 A NEW WEIRD ORDER Leggo My Ego! Why do Hollywood stars, the most attractive, admired, and highly compensated citizens of the world, have families more screwed up than even the notoriety-driven mongrels loitering around the green room at the Jerry Springer show? The short answer is ego. Insatiable ego. Constantly massaged ego. 24-hour-a-day concierge ego. 400-thread-count linen at the five-star luxury dog kennel ego. Trading in your prefame spouse for a world- class model ego. Ego. Ego. Ego. For every celebrity, by design and necessity, is a narcissist. The desire to become a star requires an incredible appetite for attention and approval. To achieve fame and its accoutrements takes laser-like focus, and a nearly commendable ability to stay self-centered in the 3 01_ch_breitbart.qxd 1/5/04 4:59 PM Page 4 4 IT’S A FAMILY AFFAIR service of the dream. Maintaining celebrity is a 24-hour-a-day process requiring a full-time staff to solidify the star’s place at the top of the social pecking order. An impenetrable ring of “yes” creatures— including assistants, publicists, managers, agents, hair and make-up artists, stylists, lifestyle consultants, Pilates instructors, cooks, drivers, nannies, schedulers, and other assorted caretakers—work round-the- clock to feed the star’s absurd sense of entitlement. -
Summer 2013 Newsletter
38717_SFA_38717_SFA 4/22/13 1:26 PM Page 1 National Stuttering Awareness Nursery Rhymes Are Week is May 6-12 Hot, page 5 THE STUTTERING FOUNDATION᭨ A Nonprofit Organization SUMMER 2013 Since 1947 ... Helping Those Who Stutter Paperboy Delivers for Kids Author Vince Vawter’s new book Paperboy is about an 11- year-old boy growing up in Memphis in 1959. He throws the meanest fastball in town, but talking is a whole different ball game.g He has trou- bleb saying a word withoutw stuttering. SoS when he takes overo a friend’s paperp route, he Rita’s Chairman Tom Christopoul (right) presents Stuttering Foundation President Jane Fraser (second from right) with a $10,000 donation on behalf of Lazaro kknows he’ll be Arbos. They are joined by Lazaro’s parents Gisela Andraca and Reinaldo (left) at forcedf to commu- the Rita’s Italian Ice in Naples, Fla. nnicate with cus- totomers, including a housewifeh who The True Legacy of Lazaro Arbos drdrinksinks ttoooo mmuch and a retired As we head into National “At the Stuttering Foundation, merchant marine who seems to Stuttering Awareness Week, May Lazaro’s time on American Idol know just about everything. 6-12, no one has done more in gave us the daily opportunity to While the paper route poses 2013 to increase awareness about educate people about singing and challenges, it’s a run-in with the stuttering than Lazaro Arbos. stuttering – for which we neighborhood junkman, a bully Since his televised audition on are most grateful,” said and thief, that stirs up real trou- American Idol, Lazaro has capti- Jane Fraser. -
Alvino Ite J New Capitol Disc Artist
j ■ ■ ■ ■ ■ ■ ■ ■ ■ i ■ vo l. 4, NO. 3 ' 52 MARCH, 1946 Alvino Ite j New Capitol Disc Artist Capitol Records, f o llo w in g its policy of signing the best in modern entertainment, has in k e d A lvino Rey’s new band to an exclusive re cording contract. Bandleader re cently came out of service to build a I crew that has been arousing plenty of attention out here with its “double ie li brass” section. Idea behind th e new es section work involves open horns play ing against muted ones to produce un er usual and b eautiful e ffects. to Rey, who has already cut wax for Capitol and will have his first “ Hits From Hollywood” disc on the market this month, played his first major date IT’S WELCOMF NEWS to a great here recently at Casino Cardens. He’ ll Harry James Ork many swing fans that Alvino Rey is continue to work the west coast for a back in business again with a new short time, then travel east with his Has New Chirp band . and an unusual one at band fo r a May opening a t th e Hotel that, boasting a “ double-brass” sec Astor in NYC. Cal singer with the ork is Harry James, whose band w ill tion. Even b e tte r news is th e fa c t Joanne Ryan. Rey expects to add a continue at the Meadowbrook here that Alvino and his guitar and band vocal group shortly. until March 21 when Gene Krupa will be featured exclusively on Capi tol records. -
DT Filmography
Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill,