Her Stories: 10 Hoosier Women Students Should Know
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Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Elizabeth Upham Yates, Missionary and Woman Suffragist
Maine History Volume 47 Number 2 Maine Biographies Article 3 7-1-2013 Glimpses into the Life of a Maine Reformer: Elizabeth Upham Yates, Missionary and Woman Suffragist Shannon M. Risk Niagara University Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistoryjournal Part of the Cultural History Commons, History of Gender Commons, Social History Commons, United States History Commons, and the Women's History Commons Recommended Citation Risk, Shannon M.. "Glimpses into the Life of a Maine Reformer: Elizabeth Upham Yates, Missionary and Woman Suffragist." Maine History 47, 2 (2013): 190-215. https://digitalcommons.library.umaine.edu/ mainehistoryjournal/vol47/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Elizabeth U. Yates was born in Bristol in the 1850s. After serving as a Christian missionary in China in the 1880s, she had a long career as a woman suffragist. From Frances E. Willard and Mary A. Livermore, A Woman of the Century: Four - teen Hundred Seventy Biographical Sketches Accompanied by Portraits of Leading Women in All Walks of Life (Buffalo: Charles Wells Moulton, 1893), p. 807. GLIMPSES INTO THE LIFE OF A MAINE REFORMER: ELIZABETH UPHAM YATES, MISSIONARY AND WOMAN SUFFRAGIST BY SHANNON M. R ISK Raised in a religious family in Bristol, Elizabeth Upham Yates spent much of her adult life as a reformer. While in her twenties, Yates spent six years in China serving as a Methodist missionary trying to spread the gospel and Western culture. -
[On Letterhead of National Woman Suffrage Association] (Page 1
[On letterhead of National Woman Suffrage Association] (Page 1) Tenafly, N.J. Jan. 2, 1881 Dear Rachel That business of Penna Hall by the mob was I think in 1837—or 39—Robert Purvis was doubtless in it—It was there that dear Lucretia took the arm of one of the mobocrats for her protection!!—I have been over all of yours & Julia’s patient copying—am sorry you took the trouble to copy from two different papers (Page 2) for it is fearfuly [sic] tedious and tiring work—yours is nicely done— I wrote Mr [Bone?] I couldn’t go on to Phila [sic] to the Peace meeting tomorrow night—But I shall be with you all then—though in spirit— Well, our days are few, now, before the Wash. Con.— If we can a carpet & some easy chairs on the platform of Lincoln Hall—we shall (Page 3) do very well—even without the Flags poor Phoebe had planned for—Doesn’t she say a word of hope of coming on to you? I am sure she would— & so would May Wright Thompson, if we would but say that we would pay her their expenses!! But how dare we say we will?— It is too bad that every woman uses all her money up to the ______ every time, and saves none for “The Cause”—Even Rachel (Page 4) this time—talks about having dipped a little too deep!! And Susan B. has mortgaged all on the History—not on clothes, nor pleasure excursions—but even that is pretty nearly [unfordoriable?]--- Well good night—Don’t make yourself sick hunting up any more for us--but if it comes easy—go ahead— Do you think we should get out cards of invitation specially for our memorial eve[in?]g= at Washing[ton?]—What is your plan? Affectionately yours Susan B. -
1934-04-26 [P C-4]
PIERCE HALL PLAYERS hostess. There have been Invited a lng the play. The stage crew, under a model constructed by Miss Brown. number of dinner guests. Including the direction of Newell Lusby, has The business stall Is headed by Jennifer, who poses as a general's National constructed one of the most difficult Ployd Sparks. Tickets for the play Players Prepare End” PRESENT GOOD COMEDY widow, but is In reality the pseudo — ever amateur be obtained at Wardman Parle Reviving “Journey’s prince’s estranged wife. After a series settings attempted by may A. A. Milne's Play, “To Have the of humorous situations, the two Im- organizations. They weye guided by Theater tonight and tomorrow night. To Their New Season posters finally reveal their identities Open Is Vehicle for Honor,” to their understanding hostess and to take another in the Amateurs. proceed flyer First Will Be The Pur- matrimonial market. “THH- Play Monday Evening “To Have the Honor” Is to he re- A. A. Milne's play about a pseudo by the players at Successful on Broad- prince or a pseudo country who runs peated tonight suit of Happiness,” Pierce Hall at 8:30 o’clock. Is di- Into difficulty when he runs Into his It rected Ina L. Hawes. estranged wife, also posing as some by the Film Theaters. M. W. B. A way—At or e else she is not, at an English din- woman, The story Pierce Hall ner party, gave Players, sure of her of « wife Paul Alexander, Ruth Perrott and IN “JOURNEYS END.” BY E. -
No, My Son, Criminals, Lunatics and Women Are Not People Alice Duer Miller, a Book of Rhymes for Suffrage Times1
Draft – Please do not cite or circulate Page 1 of 30 Are women people? No, my son, criminals, lunatics and women are not people Alice Duer Miller, A Book of Rhymes for Suffrage Times1 Outcasts from the Vote: Woman Suffrage and Disability in the Long 19th Century United States Rabia Belt, Stanford Law School In 1893, Kansas suffragist Henrietta Briggs-Wall commissioned a painting for the World’s Fair in Chicago entitled “American Woman and Her Peers.”2 One commentator described it as such: “In the center of the frame is the portrait of an intelligent-looking middle-aged American lady, whose mouth and chin are indicative of great firmness of purpose. The lady’s hair is nicely crimped and she wears glasses.”3 The female image depicted prominent suffragist Frances Willard. Surrounding her are an array of men, including an Indian, a convict, “a hopeless idiot with a low, retreating brow and exposing his fang-like teeth in an imbecile grin” and “a raving maniac….peering out from the picture with staring orbs and tousled hair.”4 What these images had in common was that they all depicted the disenfranchised. Though they pointedly did not share the same level of respectability, they were all outcasts from the vote. Briggs-Wall observed the next year that "[i]t strikes the women every time. They do not realize that we are classed with idiots, criminals, and the insane as they do when 1 Alice Duer Miller, Are Women People? A Book of Rhymes for Suffrage Times (New York: George H. Doran Company, 1915), 1. -
Gene Stratton-Porter
A Magazine Exploring Indiana History IndianaThe Historian “My seven-passenger automobile I transformed into a dray. A big, ten-bushel store box filled the tonneau. There were long boxes for each of the running boards and frequently I threw coffee sacking over the engine hood and loaded it with swamp mosses and bulbous plants, with pitcher plant and rosemary, as high as I could stack it and allow space for the driver to see over” (Tales You Won’t Believe, 175). Gene Stratton-Porter Gene Stratton-Porter was a She wanted to be indepen- woman of contrasts, contradic- dent—intellectually and physi- Focus tions, and strong emotions. Living cally—and determined that writ- at a time when women generally ing was the means to assure both. stayed at home, she was a self- Essential to that independence A note on names trained writer, naturalist, and was her relationship to the natu- Gene Stratton-Porter was born photographer. She wrote to her ral settings where she lived. She Geneva Grace Stratton. She pub- future husband strongly con- also had a strong desire to instill lished as Gene Stratton-Porter, but demning confining marriages, yet her love of nature in others in she referred to herself, and was most expressed pride in her family order to improve their lives and frequently referred to, as Mrs. Por- ter. We use Gene Stratton-Porter roles and later provided for her preserve the natural world. and Mrs. Porter in our text. We use extended family. She became very This issue of The Indiana Gene in the timeline. -
Woman Suffrage
Rare Book Miscellany: WOMAN SUFFRAGE On-Line Only: Catalog # 223 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] Rare Book Miscellany: WOMAN SUFFRAGE On-Line Only Catalog # 223 Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com Item 140 1. ALGEO, Sara M. THE STORY OF A SUB PIONEER. Providence: Snow & Farnham, (1925). First Edition. 8vo, 318 pp. Illustrated throughout with 91 half-tones. 1/1000 numbered copies. This is #90, one of the 200 reserved for the author's fellow suffragists. This is an ex-library copy with the bookplate of a MA library. Corners of front and rear blanks cropped. Krichmar 1412. [24699] $125.00 Covers the period 1908-1920: the RI suffrage bill, etc. Algeo was in the RI Woman Suffrage Party and active in the national organizing campaign. This is a first hand account of the suffrage fight by an activist. 2. ALGEO, Sara M. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Woman Suffrage
LOCAL HISTORY & GENEALOGY 115 South Avenue, Rochester, NY 14604 ● 585-428-8370 ● Fax 585-428-8353 Women’s Suffrage Research Guide SCOPE This guide is intended to assist patrons in researching information available at the Rochester Public Library about the women’s suffrage movement. A good place to start your research is by searching the Ready Reference card file by appropriate subject heading. For clarification of any entry, please ask at the reference desk. For a more comprehensive review of the library’s holdings on the women’s suffrage movement, please check with other divisions. INTRODUCTION In the United States of America, the first large-scale organized effort to enfranchise women took place at the Seneca Falls Convention, which was convened by Elizabeth Cady Stanton and Lucretia Mott in 1848. The Civil War interrupted the momentum of the movement; however, upon its end, agitation by women for the ballot became increasingly determined. A few years after the war, a split developed among feminists over the proposed 15th Amendment, which gave the vote to black men. Susan B. Anthony, Elizabeth Cady Stanton, and others refused to endorse the amendment because it did not give women the ballot. Other suffragists, including Lucy Stone and Julia Ward Howe, argued that passage of the amendment could be a stepping stone towards the vote for women. As a result, two distinct organizations emerged. Stanton and Anthony formed the National Woman Suffrage Association to work for suffrage on the federal level and to press for more extensive institutional changes, such as the granting of property rights to married women. -
The Story of Women's Suffrage in Indiana
PROGRAM TOOLKIT Table of Contents OUR GOALS ........................................................................................................................................................ 3 GETTING STARTED ............................................................................................................................................ 3 BIG IDEAS ............................................................................................................................................................ 4 PROGRAM IDEAS ............................................................................................................................................... 4 APPENDIX A: “AN ACT OF TARDY JUSTICE”: THE STORY OF WOMEN’S SUFFRAGE IN INDIANA ......... 6 APPENDIX B: FURTHER READING + VIEWING ............................................................................................... 9 APPENDIX C: MAY WRIGHT SEWALL FELLOWSHIPS .................................................................................. 14 APPENDIX D: ACTION GRANTS ...................................................................................................................... 15 APPENDIX E: COMING SOON .......................................................................................................................... 16 SPEAKERS BUREAU TRAVELING EXHIBIT BE SURE TO FOLLOW US ON SOCIAL MEDIA. @INSUFFRAGE100 @INSUFFRAGE100 INDIANA SUFFRAGE CENTENNIAL Indiana Women’s Suffrage Centennial | Program Toolkit 2 On Aug. 26, 1920, Hoosier women won -
Gene-Stratton-Porter-Essay.Pdf
Gene Stratton-Porter Essay prepared by IHS staff Born on Hopewell farm in Wabash County, Indiana, on Aug. 17, 1863, Geneva Grace Stratton was the youngest of 12 children. Her father, Mark Stratton, was a licensed Methodist minister and prosperous farmer. Gene's mother, Mary (Shallenberger) Stratton, became ill when her youngest was five and died in 1875. At an early age, Gene had little formal schooling but developed a lively interest in nature and wildlife. When her family moved to the city of Wabash in 1874, she began to attend school on a regular basis and completed all but the last term of high school. On April 21, 1886, she married Charles D. Porter, a druggist in Geneva, Indiana, who was 13 years her senior. The couple's only child, Jeannette, was born in 1887. After oil was discovered on some farmland Mr. Porter owned, Gene Stratton-Porter used the new family wealth to construct a 14-room home, which she designed herself, near the Limberlost Swamp. The Limberlost Swamp was where Stratton-Porter soon began to photograph birds and animals in their natural habitat. She sent these photographs, with no explanation, to Recreation magazine. Impressed by her efforts, the magazine asked her to write a camera department and paid her with new photographic equipment. A year later, Outing magazine hired her to do similar work. Encouraged by these accomplishments, she turned to writing fiction. Her first novel, The Song of the Cardinal, met with modest success, but her next book, Freckles, established her tremendous popularity with the reading public. -
)\~Staurant Antoin~
Souv~nir DU )\~staurant Antoin~ :. t i '.. FONDE E~ 1840 ROY L. ALCIATORE, PROPRIETOR 713-717 ST. LOUIS STREET NEW ORLEANS. LA. .,. ANTOINE'S RESTAURANT Roy L. A1ciatore, Proprietor - 713-717 St. Louis S,treet, Between Royal and Bourbon Streets, New Orleans, La. - Established 1840. 3 MAIN ENTRANCE ANTOINE'S RESTAURANT Established in 1840 • ROY LEWIS ALCIATORE Proprietor of Antoine's Restaurant. Grandson of Antoine Alciatore, founder. 5 Antoine Alciatore Jules Alciatore Founder - 1840 to 1885. Proprietor - 1885 to 1930. Founder of the house of Antoine, who Jules, a fit successor to his.illustrious seeking his fortune in America came to father, took charge of "Les affaires" New Orleans and founded in the year and since he too made his studies in 1840 the Restaurant Antoine. Beginning the land of his father, the house of An in a small way, it was not long before tone again prospered under his guiding Antoine's was a byword for all that hand, and today, it enjoys an inte.rna left the business in the tiona! reputation wherever stands highest in the culi people, gather to discuss nary line. His talents won the gentle art of eating in for him an enviable repu its many and divers forms. tation and the little res Jules, before his death taurant flourished. Antoine placed the active manage went back to i France his ment of the restaurant in native land to die, and he the hands of his son Roy. hands of his son Jules . • Roy Alciatore Present Proprietor - 1930 to --. Roy, grandson of Antoine Alciatore, and present proprietor, was born and reared in.