Ernest Hemingway Society Panels 2014 American Literature Association 25Th Annual Conference May 22-25, 2014 Washington, DC

Total Page：16

File Type：pdf, Size：1020Kb

Call for Papers Ernest Hemingway Society Panels 2014 American Literature Association 25th Annual Conference May 22-25, 2014 Washington, DC 1. Ernest Hemingway vs. the United States Government Due to the location of this year’s ALA conference in the nation’s capitol, it seems a prime opportunity to examine Ernest Hemingway’s often cantankerous relationship with all things governmental and political. From situations like his continual irritation with the Internal Revenue Service to his investigation by the Federal Bureau of Investigation, Hemingway often chaffed at bureaucracy and governmental oversight. This panel seeks papers that explore any aspects of Hemingway’s interactions with the American government or American politics, whether positive, negative, or any degree in-between. Please send your 250 word proposal and a brief CV to Professor Sara Kosiba at [email protected] by January 1st, 2014. 2. Re-evaluating Hemingway’s Nonfiction Ernest Hemingway’s nonfiction has perpetually lagged behind his fiction in the academy for several years, with many works being put aside in favor of his novels, short stories and novellas. This panel will seek to evaluate the cultural, artistic, and academic worth of Hemingway’s nonfiction output as it pertains to his fiction and literary career. Because of the unique genre of Hemingway’s nonfiction, the panel will seek to establish the author’s style in regards to this genre. How does his nonfiction separate itself from works of similar subjects or periods? How does his work elevate the genre? Hopefully this panel will add to a growing bibliography of Hemingway scholarship concerned with the nonfiction and its impact on Hemingway studies. Projects are encouraged that deal with any of Hemingway’s nonfiction texts, including Death in the Afternoon, Green Hills of Africa, A Moveable Feast, The Dangerous Summer, True at First Light, and the various articles and pieces written for magazines and newspapers. Attention will be given to how the understanding of the author’s nonfiction relates to his literary production and position within the academy. Please send proposals of no more than 300 words and a brief CV to Ross K. Tangedal ([email protected]) by January 1, 2014 for full consideration. More information about the American Literature Association conference can be found at: http://www.americanliterature.org. .

Copy Link

Recommended publications

Ernest Hemingway Foundation, to Keep Alive and Improve/Develop Literature and Forms of Composition and Expression
Born in 1899 in Oak Park, Illinois He was the second of six kids Hemingway's mother, a music teacher and director of the church choir, spent her time with the kids educating them on music, art, concerts, and operas His father, a physician, taught them of the joy of being in nature, Hemingway took this knowledge and love of nature everywhere he went. After high school, he worked as a writer for the Kansas City Star for six months Hemingway wished to sigh up for the war, but due to a glass eye was denied After witnessing a man stranded at the union station, left to die because of small pox and nearby peoples fear to approach him, Hemingway took up the path of an ambulance driver. Lived the life of a celebrity Minimalist Hemingway employed a distinctive style which drew comment from many critics At the beginning of his career Hemingway did not give way to lengthy geographical and psychological description. Though later he used he vividly described nature. His style had been said to lack substance because he avoids direct statements and descriptions of emotion. Later he began to write more deeply into emotions, mostly discussing death and providing a detailed picture in the readers mind Style seen as direct and simple He used his senses as the center for his writing Believed the mind was “treacherous and abstract” Wrote in an unconventional style, with the problems of war, violence and death as their themes, presenting a symbolic interpretation of life. While working in Michigan, Hemingway met Elizabeth Hadley Richardson, an inexperienced and naïve girl, educated at an all girls school.
[Show full text]
The Ernest Hemingway Primer
The Ernest Hemingway Primer By Timeless Hemingway Copyright © 2009 Timeless Hemingway Publications. All rights reserved. Contents I. Biography II. Books by Ernest Hemingway III. The Life: Top 5 Frequently Asked Questions IV. The Literature: Top 5 Frequently Asked Questions V. Notable Quotables VI. Further Reading 2 Biography I. Ernest Miller Hemingway was born on July 21, 1899 in Oak Park, Illinois to Dr. Clarence Edmonds Hemingway and Grace Hall Hemingway. The second of six children, Ernest enjoyed an adventurous boyhood, fishing and hunting with his father in the northern woods of Michigan. He attended Oak Park High School where he excelled in his classes, particularly English. He tried his hand at football and swimming, edited the school paper (the Trapeze), and contributed pieces to the school's literary magazine (the Tabula). After graduating high school, Ernest traveled to Kansas City and worked as a cub reporter for The Kansas City Star. In 1918, he began service as an ambulance driver for the Italian army. On July 8, he was wounded at Fossalta on the Italian Piave while delivering chocolates, cigarettes, and postcards to soldiers. He married Elizabeth Hadley Richardson on September 3, 1921. The newlyweds soon entered the literary community of Paris, living off of Hadley's trust fund and Ernest's pay as a foreign correspondent for the Toronto Star. The 1920's were extremely productive writing years for Hemingway. Three Stories and Ten Poems was published in 1923, In Our Time in 1925. In 1926, The Torrents of Spring and the widely successful novel, The Sun Also Rises were published.
[Show full text]
Hemingway Centennial Issue
Shawangunk Review State University of New York at New Paltz New Paltz, New York Volume XI Spring 2000 Shawangunk Review editors H.R. Stoneback, Director of Graduate Studies Daniel Kempton, Department Chair managing editor Jason Taylor Shawangunk Review, the journal of the English Graduate Program, is an annual review published by the Department of English at the State University of New York at New Paltz. Shawangunk Review publishes literary articles of interest to the graduate students and faculty, book reviews, poetry and reports and news about the program. The views expressed in Shawangunk Review are those of the authors and not necessarily those of the Department of English at suny New Paltz. Please address all correspondence to Shawangunk Review, Department of English, State University of New York, New Paltz, New York, 12561. Copyright© 2000 Department of English, State University of New York at New Paltz. All rights reserved. Shawangunk Review Volume Eleven Spring 2000 Special Hemingway Centennial Issue 4 From the Editors 5 Introduction H.R. Stoneback Part One: Keynote Speaker 9 Grace Under Millennial Pressure: Hemingway for the Twenty-First Century Valerie Hemingway 15 Discussion Session H.R. Stoneback, Moderator Part Two: Distinguished Guest Panelists 22 Reading Hemingway: Yesterday, Today, and Tomorrow Richard Allan Davison 26 Project for the Hemingway Centennial Year: The Reconstitution of the Legend of Ernest Hemingway Robin Gajdusek 28 Hemingway’s Legacy Allen Josephs 30 Hemingway’s Opening Paragraphs Donald Junkins 32 Hemingway at One Hundred: Saying Grace Robert W. Lewis 34 The Most Gentle and Loveliest Man… Linda P. Miller 36 On the Syntax of the Sacred, the ‘Moral Severity of Hemingway’s Sentences,’ and the Grammar of Greatness: Or, Homer, Dante Shakespeare—and Hemingway H.R.
[Show full text]
Metaphorical Illness in Hemingway's Works
University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences 5-12-2006 Metaphorical Illness in Hemingway's Works Jessica E. Lahrmann [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Part of the Literature in English, North America Commons Recommended Citation Lahrmann, Jessica E., "Metaphorical Illness in Hemingway's Works" 12 May 2006. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/6. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/6 For more information, please contact [email protected]. Metaphorical Illness in Hemingway's Works Abstract Hemingway, through his characters, illustrates the many different genres and functions of disease. More than just inflictors of sadness and pain, disease and injury are part of the human condition. They are undeniable truths that give life to humanity, Hemingway’s characters, and Hemingway himself. As Hemingway writes in Death in the Afternoon, “…all stories, if continued far enough, end in death, and he is no true storyteller who would keep that from you.” Part of Hemingway’s art is acknowledging that there is no true cure. Vitality and death, contentedness and pain, disease and survival all coexist in Hemingway’s writing as one: life. Keywords English, David Espey, David, Espey Disciplines Literature in English, North America This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/6 For Jake Barnes of The Sun Also Rises , Robert Jordan of For Whom the Bell Tolls , Harry of “Snows of Kilimanjaro,” and Nick Adams of “Indian Camp,” illness and loss are an ever -present part of life.
[Show full text]
Ernest Hemingway Global American Modernist
Ernest Hemingway Global American Modernist Lisa Tyler Sinclair Community College, USA Iconic American modernist Ernest Hemingway spent his entire adult life in an interna- tional (although primarily English-speaking) modernist milieu interested in breaking with the traditions of the past and creating new art forms. Throughout his lifetime he traveled extensively, especially in France, Spain, Italy, Cuba, and what was then British East Africa (now Kenya and Tanzania), and wrote about all of these places: “For we have been there in the books and out of the books – and where we go, if we are any good, there you can go as we have been” (Hemingway 1935, 109). At the time of his death, he was a global celebrity recognized around the world. His writings were widely translated during his lifetime and are still taught in secondary schools and universities all over the globe. Ernest Hemingway was born 21 July 1899, in Oak Park, Illinois, also the home of Frank Lloyd Wright, one of the most famous modernist architects in the world. Hemingway could look across the street from his childhood home and see one of Wright’s innovative designs (Hays 2014, 54). As he was growing up, Hemingway and his family often traveled to nearby Chicago to visit the Field Museum of Natural History and the Chicago Opera House. Because of the 1871 fire that destroyed structures over more than three square miles of the city, a substantial part of Chicago had become a clean slate on which late nineteenth-century and early twentieth-century architects could design what a modern city should look like.
[Show full text]
"The Itinerant American Traveller": Settings And
“THE ITINERANT AMERICAN TRAVELLER” : SETTINGS AND LOCALES IN ERNEST HEMINGWAY’S FICTION - Somdatta Mandal Ernest Hemingway is arguably the most popular American novelist of this century. Few writers have lived as colourfully as him, and his career could have come out of one of his adventure novels. Like F. Scott Fitzgerald, Theodore Dreiser, and many other fine novelists of the twentieth century, Hemingway came from the U.S. Midwest. Born on the 21st of July 1899, in Oak Park, Illinois, Hemingway spent his childhood vacations in Michigan on hunting and fishing trips. He volunteered for an ambulance unit in France during World War I, was wounded and hospitalized for six months. After the war, as a war correspondent, he became part of the expatriate community in Paris, wrote of bullfighting in Spain, war on the Italian front, the Spanish Civil War, game hunting in Africa, rarely setting his key novels in the continental United States. Explaining his global aims, Hemingway wrote in 1933 to his mother-in-law, Mrs. Pfeiffer: “I am trying to make, before I get through, a picture of the whole world - or as much of it I have seen.” This paper tries to analyse how Hemingway’s fiction is “a picture of the whole world” and pitted against the various episodes of his chequered career, becomes an illuminating study, as the novels and short stories then appear to reflect the life history of their author and consequently reveal the plane of reality that the author desires to represent. Both place and story have to do with where we are, with location, but the where of each is distinct.
[Show full text]
Mount Kilimanjaro Revisted: Africa, the Lion’S Roar and Ernest Hemingway
MOUNT KILIMANJARO REVISTED: AFRICA, THE LION’S ROAR AND ERNEST HEMINGWAY - Somdatta Mandal “There are always mystical countries that are part of one’s childhood. Those we remember and visit sometimes when we are asleep and dreaming. They are as lovely at night as they were when we were children. If you ever go back to see them they are not there. But they are as fine in the night as they ever were if you have the luck to dream of them….In Africa when we lived on the small plain in the shade of the big thorn trees near the river at the edge of the swamp at the foot of the great mountain we had such countries. We were no longer, technically children although in many ways I am quite sure that we were.” - True at First Light After completing Winner Take Nothing, Ernest Hemingway fulfilled his ambition expressed in The Sun Also Rises of “going to British East Africa to shoot.” Having received $25,000 for a safari paid by Uncle Gus, Hemingway and his second wife Pauline travelled to Africa for big game hunting in the winter of 1933. Africa had always fascinated Hemingway. His son Patrick opines that probably the impression that Teddy Roosevelt’s writing about Africa made on his father as a young fellow drew him to his first safari. According to his biographer, Jeffrey Meyers, (261-262) the Hemingways set sail from Marseilles and arrived at Mombasa on December 8th. From there they travelled inland to Nairobi, spent a few days hunting near Philip Percival’s farm at Machakos (twenty miles from Nairobi), and on December 20 started south to the Serengeti plain in Tanganyika.
[Show full text]
Critics Discuss
10 CRITICS DISCUSS “Big Two-Hearted River” (1925) Ernest Hemingway (1899-1961) “I’m trying to do the country like Cézanne and having a hell of a time and sometimes getting it a little bit. It is about 100 pages long and nothing happens and the country is swell…isn’t writing a hard job though? It used to be easy before I met you….” [Letter to Gertrude Stein and Alice B. Toklas, 15 August 1924] “It is much better than anything I’ve done. What I’ve been doing is trying to do country so you don’t remember the words after you read it but actually have the Country. It is hard because to do it you have to see the country all complete all the time you write and not just have a romantic feeling about it.” [Letter to Edward J. O’Brien, 12 September 1924] Ernest Hemingway Ernest Hemingway: Selected Letters, 1917-1961 Carlos Baker, ed. (Scribner’s 1981) “I went there [Musee du Luxembourg, Paris] nearly every day for the Cézannes and to see the Manets and the Monets and the other Impressionists that I had first come to know about in the Art Institute at Chicago. I was learning something from the painting of Cézanne that made writing simple true sentences far from enough to make the stories have the dimensions that I was trying to put in them. I was learning very much from him but I was not articulate enough to explain it to anyone.” Ernest Hemingway A Moveable Feast (Bantam 1964) 13 “Here the plot, or foreground of the plot, is simply a fishing trip in the northern peninsula of Michigan.
[Show full text]
Hunger in Hemingway's a Moveable Feast
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-7C May 2019 Hunger in Hemingway’s A Moveable Feast: An Analysis in terms of Food Metaphors Reshma Anna Thomas, Geetha R. Pai Abstract: This paper aims at carrying out a textual analysis of It can be seen that most of his characters are always hungry, Hemingway’s A Moveable Feastwith regard to identifying food leaving a void in them which needs to be filled, depending and drinks as a metaphor gratifying various forms of hunger in upon a deep, universal human craving. A Moveable Feast is the novel through quantitative analysis. The focus will be upon one such work where Hemingway combines occasions of the conceptual metaphor, where meaning is derived from his interactions with some of the most vital twentieth everyday language and thought.Hunger can be seen as a positive creative force for Hemingway and he wishes to return to his century social figures with perceptions about the subtleties youthful days at Paris and revive the vivaciousness that was of his daily life. present in him.A list of food and drink items used by the author is identified and represented as a chart, depending upon its occurrence in the novel, against the various hunger forms identified to form a statistical analysis. His memories of the days, well spent, in Paris and his appetite to be the greatest author ever can be traced in this particular work. Thus, a conclusion is reached where the authordiscovers an incentive in the moderate procedure, regardless of it beinggiving oneself a chance to be eager before a meal or the journey towards being a great writer; the wait is a part of it.
[Show full text]
Box and Folder Listing
CLARKE HISTORICAL LIBRARY CENTRAL MICHIGAN UNIVERSITY Ernest Hemingway Collection, 1901, 2014, and undated 6 cubic ft. (in 7 boxes, 7 Oversized folders, 4 reels in 4 boxes, and 53 framed items) ACQUISITION: The collection was donated in several parts by Michael Federspiel and the Michigan Hemingway Society, Acc# 67522 (Oct. 4, 2002), 67833 (April 2003), 68091 (Oct. 2003), 68230 (Dec. 2003), by Ken Mark and the Michigan Hemingway Society, 68076 (Oct. 2003), Rebecca Zeiss, 68386 (Oct. 2003), 68415 by Ken Mark (April 27, 2004), by Charlotte Ponder 68419 (May 2004), 68698 by Federspiel (Sept. 30, 2004), 68848 by the Hemingway Society (Dec.6, 2004), 69475, 70252, 70401 (April 2007), 70680-70682 and 70737 (Summer 2007), 71358 (July 2008), 71396 (Aug. 2008), 71455 (Oct. 2008), 72160 (Nov. 2010), 73641 (Sept. 2012), 73683 by Pat Davis (Sept. 2012), 73751 (Nov. 2012), 72579 (Nov. 2013), 74631 (Aug. 2014), no MS#. The collection is ongoing. ACCESS: The collection is open to researchers. COPYRIGHT: Copyright is held neither by CMU nor the Clarke. Copyright of letters composed by EH is held by the The Ernest Hemingway Foundation and Society. PHOTOGRAPHS: In Boxes 2-6. PROCESSED BY: M. Matyn, 2003, 2009, ongoing. Biography: Ernest Hemingway was born July 21, 1899 in Oak Park, Illinois, the son of Clarence E. Hemingway, a doctor, and Grace Hall-Hemingway, a musician and voice teacher. He had four sisters and a brother. Every summer, the family summered at the family cottage, named Windemere, on Walloon Lake near Petoskey, Michigan. After Ernest graduated from high school in June 1917, he joined the Missouri Home Guard.
[Show full text]
Primary Texts: Anderson, Sherwood, Dark Laughter, New York, 1925. Bates, Katherine
BIBLIOGRAPHY Primary Texts: Anderson, Sherwood, Dark Laughter, New York, 1925. Bates, Katherine Lee, “America the Beautiful”, The Congregationalist, 4 July 1895. Cooper, James Fenimore, The Leatherstocking Tales I, New York, 1985. ---, The Leatherstocking Tales II, New York, 1985. Fitzgerald, F. Scott, Tender Is the Night, New York, 1934. Hemingway, Ernest, Across the River and into the Trees, New York, 1950. ---, By-Line Ernest Hemingway, ed. William White, New York, 1967. ---, Complete Poems, Lincoln: NB, 1992. ---, The Complete Short Stories of Ernest Hemingway, New York, 1987. ---, Dateline Toronto: The Complete Toronto Star Dispatches, 1920- 1924, ed. William White, New York, 1985. ---, Death in the Afternoon, Manuscripts, The Ernest Hemingway Collection, John F. Kennedy Library, Boston. ---, A Farewell to Arms, New York, 1929. ---, Fiesta, trans. of The Sun Also Rises, Joaquín Adsuar Ortega, Barcelona, 1983. ---, For Whom the Bell Tolls, New York, 1940. ---, Garden of Eden, New York, 1986. ---, Green Hills of Africa, New York, 1935. ---, A Moveable Feast, New York, 1964. ---, The Old Man and the Sea, New York, 1952. ---, The Old Man and the Sea, Manuscripts, The Ernest Hemingway Collection, John F. Kennedy Library, Boston. ---, Selected Letters 1917-1961, New York, 1981. ---, The Sun Also Rises, New York, 1926. ---, The Sun Also Rises, Manuscripts, The Ernest Hemingway Collection, John F. Kennedy Library, Boston. ---, To Have and Have Not, New York, 1937. ---, The Torrents of Spring, New York, 1926. ---, True at First Light, New York, 1999. Kerouac, Jack, On the Road, New York, 2002. 182 In Paris or Paname Miller, Henry, Tropic of Cancer, Paris, 1934. Stowe, Harriet Beecher, Uncle Tom’s Cabin, Boston: MA, 1851.
[Show full text]
Hemingway in Paris
1 XVIII International Hemingway Conference Hemingway in Paris “Paris est une fête” . Hemingway's Moveable Feast JULY 22-28, 2018 Conference Co-Directors: H. R. Stoneback & Matthew Nickel Paris Site Coordinators: Alice Mikal Craven & William E. Dow Host Institution: The American University of Paris PROGRAM DRAFT This program schedule is subject to change. Moderators have been assigned, so please read carefully, and note misspellings and errors in affiliations to Matthew Nickel at [email protected] by April 15. Those who have not yet registered (as of March 21) are listed in red. Registration closes on June 15, 2018, so if you have not registered by June 15, your name will be removed from the program and you will not be admitted to the conference. Please register now. If you will be unable to attend, please notify Matthew Nickel at [email protected] as soon as possible. REFUND POLICY Medical Reasons: Full refund of Conference Registration for medical reasons with documentation at any time All Other Reasons: No refund after April 15th of Conference/Optional Event Registrations for all other reasons. REGARDING A/V Please keep in mind that each presentation room at The American University of Paris (AUP) is equipped with a PC smart desk and universal VLC capacity in the event that you have American DVDs to show. For those who will utilize A/V for their presentation, we advise the following: 1) bring your presentation on a USB key 2) email your presentation to yourself The above is to ensure that you will have access to your presentation, since AUP does not have sufficient adapters to ensure that American MAC users will be able to connect their computers to the smart desks.
[Show full text]