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Reading-Retreat-Brochure *Price includes a snack on Friday, all meals Here’s How It Works on Saturday, and breakfast on Sunday. 1. When you sign-up for the retreat, we will send you three novels. *Price also includes all activities, and the 2. Read the three novels at your cost of the books, which we will send to you convenience over the summer. after you register. 3. Join us in September for a weekend of discussion and fun based on the novels. Not Able to Join Us All Weekend? Then, why don’t you join us for the dinner party? It will be a great time. We will start the evening at 6 PM with Schedule for the Retreat hors d’oeuvre, followed by a banquet Friday (Sept. 5) dinner on the lawn. Come wearing your 7-10 PM—Screening and discussion of Midnight In Paris finest 1920s costume and enjoy an evening of great food, music, and Saturday (Sept. 6) fun. Proceeds go to the HP Museum 10-10:30 AM—Coffee and donuts Foundation. Tickets for dinner are in- 10:30-12:30—Discussion of The Great Gatsby 12:30-1:30—Lunch cluded for retreat participants and are 1:30-3:30—Discussion of Z: A Novel of Zelda $35 for other guests. Fitzgerald 3:30-4:30—Learn the Charleston (tentative) 4:30-6—Break (on your own) 6-7—Hors d’Oeuvre “If you are lucky enough to have lived in 7-9—1920s Dinner Party (wear your finest 1920s clothes) Paris as a young man, then wherever you go for the rest of your life it stays with Sunday (Sept. 7) you, for Paris is a moveable feast. 10-10:30 AM—Coffee and donuts -Ernest Hemingway 10:30-12:30—Discussion of A Moveable Feast Hemingway-Pfeiffer The Books Published posthumously in Fall Reading Retreat 1964, A Moveable Feast September 5-7, 2013 remains one of Ernest Registration is $100 by Sept. 1. There is a $25 dollar The Great Gatsby, F. Scott Hemingway’s most enduring late registration fee for registrations after Sept. 1. Fitzgerald’s third book, works. Widely celebrated and Partial refund of $65 if canceled by Sept. 5. Please stands as the supreme debated by critics and readers register as soon as possible and make lodging achievement of his career. everywhere, the restored reservations, as the retreat is limited to 16 This exemplary novel of the edition of A Moveable Feast participants. Jazz Age has been acclaimed brilliantly evokes the _____ Full Retreat Registration ($100) by generations of readers. exuberant mood of Paris after The story of the fabulously World War I and the unbridled _____ Dinner Only ($35) wealthy Jay Gatsby and his creativity and unquenchable love for the beautiful Daisy enthusiasm that Hemingway himself epitomized. Name: ________________________________ Buchanan, of lavish parties on Long Island at a time Address: ______________________________ when The New York Times noted “gin was the national drink and sex the national obsession,” it is an exquisitely City, State, Zip: ________________________ crafted tale of America in the 1920s. Phone: ( ) ________________________ Email: ________________________________ Credit Card: When Zelda Sayre marries VISA_____ MasterCard_____ Discover_____ Scott Fitzgerald and joins him in Jazz Age Paris, Account #______________________________ everything seems new and Expiration Date:___________CSC:__________ possible. Troubles, at first, seem to fade like morning Signature of card holder: mist. But not even Jay Gatsby’s parties go on _________________________________________ forever. Who is Zelda, other Piggott Lodging than the wife of a famous— Copper Heron Cottage: 870-634-6438 Checks and money orders payable to: sometimes infamous— The Inn at Piggott: 870-598-8888 HPMEC Reading Retreat husband? How can she forge (formerly the Downtown Inn) Mail with completed Registration Form to: her own identity while fighting her demons and Scott’s, Open Roads Motel: 870-598-5941 1021 W. Cherry Street too? With brilliant insight and imagination, Therese Anne Rose Dale Farm B&B: 870-634-7100 Piggott, AR 72454 Fowler brings us Zelda’s irresistible story as she herself *Amenities are also available in nearby Kennett, might have told it in Z: A Novel of Zelda Fitzgerald. For more information MO. contact: Dr. Adam Long, Director [email protected] .
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  • Ernest Hemingway Foundation, to Keep Alive and Improve/Develop Literature and Forms of Composition and Expression
    Born in 1899 in Oak Park, Illinois He was the second of six kids Hemingway's mother, a music teacher and director of the church choir, spent her time with the kids educating them on music, art, concerts, and operas His father, a physician, taught them of the joy of being in nature, Hemingway took this knowledge and love of nature everywhere he went. After high school, he worked as a writer for the Kansas City Star for six months Hemingway wished to sigh up for the war, but due to a glass eye was denied After witnessing a man stranded at the union station, left to die because of small pox and nearby peoples fear to approach him, Hemingway took up the path of an ambulance driver. Lived the life of a celebrity Minimalist Hemingway employed a distinctive style which drew comment from many critics At the beginning of his career Hemingway did not give way to lengthy geographical and psychological description. Though later he used he vividly described nature. His style had been said to lack substance because he avoids direct statements and descriptions of emotion. Later he began to write more deeply into emotions, mostly discussing death and providing a detailed picture in the readers mind Style seen as direct and simple He used his senses as the center for his writing Believed the mind was “treacherous and abstract” Wrote in an unconventional style, with the problems of war, violence and death as their themes, presenting a symbolic interpretation of life. While working in Michigan, Hemingway met Elizabeth Hadley Richardson, an inexperienced and naïve girl, educated at an all girls school.
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  • Theory of Omission’ Has Been Treated Seriously in Several Critical Studies
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  • Archiving Art: the Value of Nostalgia in Hemingway's a Moveable Feast
    Criterion: A Journal of Literary Criticism Volume 7 Issue 2 Article 4 9-1-2014 Archiving Art: The Value of Nostalgia in Hemingway's A Moveable Feast Jared Michael Pence Follow this and additional works at: https://scholarsarchive.byu.edu/criterion BYU ScholarsArchive Citation Pence, Jared Michael (2014) "Archiving Art: The Value of Nostalgia in Hemingway's A Moveable Feast," Criterion: A Journal of Literary Criticism: Vol. 7 : Iss. 2 , Article 4. Available at: https://scholarsarchive.byu.edu/criterion/vol7/iss2/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Criterion: A Journal of Literary Criticism by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Archiving Art The Value of Nostalgia in Hemingway's A Moveable Feast Jared Michael Pence In 1979, Fred Davis published his book Yearning for Yesterday: A Sociology of Nostalgia, in which he prophesied that “it is conceivable that ‘nostalgia’ qua word will in time acquire connotations that extend its meaning to any sort of positive feeling toward anything past, no mat- ter how remote or historical” [emphasis in the original] (8). Davis’s prophesy about feeling nostalgic for what we’ve never experienced seems to have come true, evidenced by the Oxford English Dictionary’s definition of nostalgia as a “sentimental longing for or regretful memory of a period of the past, esp. one in an individual’s own lifetime,” where nostalgia is first and foremost for the vague “period of the past” and is only specific to an individual’s experience in “especial” cases (“nostalgia”).
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  • Hemingway's Extreme Geographies
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  • Midnight in Paris
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  • On a Fairy's Wing: Hints of Fitzgerald in Hemingway's "The Butterfly and the Tank"
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition Journal of the Short Story in English Les Cahiers de la nouvelle 43 | Autumn 2004 Varia On a Fairy's Wing: Hints of Fitzgerald in Hemingway's "The Butterfly and the Tank" James Plath Electronic version URL: http://journals.openedition.org/jsse/411 ISSN: 1969-6108 Publisher Presses universitaires d'Angers Printed version Date of publication: 1 September 2004 Number of pages: 75-85 ISSN: 0294-04442 Electronic reference James Plath, « On a Fairy's Wing: Hints of Fitzgerald in Hemingway's "The Butterfly and the Tank" », Journal of the Short Story in English [Online], 43 | Autumn 2004, Online since 05 August 2008, connection on 03 May 2019. URL : http://journals.openedition.org/jsse/411 This text was automatically generated on 3 May 2019. © All rights reserved On a Fairy's Wing: Hints of Fitzgerald in Hemingway's "The Butterfly and the ... 1 On a Fairy's Wing: Hints of Fitzgerald in Hemingway's "The Butterfly and the Tank" James Plath 1 Although "The Butterfly and the Tank" is considered one of Ernest Hemingway's Spanish Civil War stories, as Will Watson reminds us, Hemingway wrote the Chicote's Bar stories "over the summer and fall of 1938, mostly in Paris" (148). Those stories, he adds, in addition to being "counterpropaganda pieces, explorations of the dark underside of war and, as such, affirmations of a realism too often suppressed in the clamor of partisan politics," are also "agitated by matters that seem to have a more personal and troubled relevance to Hemingway" (149).
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