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A City Full of Voices: a Collection of Essays on Robert Kelly's Work
Essays on the Work Work the on Essays of Robert Kelly Robert of with Peter Cockelbergh Joris Pierre BY EDITED & A Newberger Joel CITY FULL OOF VOICES A CITY FULL OF VOICES ESSAYS ON THE WORK OF ROBERT KELLY Edited by Pierre Joris with Peter Cockelbergh & Joel Newberger Preface © 2019 by Pierre Joris, isbn 9781940625348 Peter Cockelbergh, and Joel Newberger; essays © 2019 I. Joris, Pierre; Cockelbergh, Contra Mundum Press and Peter; Newberger, Joel. each individual contributor. II. Title. III. Preface. First Contra Mundum Press IV. Joris, Pierre; Cockelbergh, edition 2019. Peter; Newberger, Joel. All Rights Reserved under 2019952613 International & Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any electronic means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. Library of Congress Cataloguing-in-Publication Data A City Full of Voices: Essays on the Work of Robert Kelly / Pierre Joris, Peter Cockelbergh, Joel Newberger, eds and Preface. st .—ı Contra Mundum Press Edition 626 pp., 6 x 9 in. Table of Contents o–vi Preface vii Frontispiece: Phong Bui 0 Gerrit Lansing | “Sombre Fulguration” THREADS 13: ROBERT SAYS 4 1. A BOOK OF IMAGES REVISITED 8 Charles Olson | Response to Robert Kelly’s “Notes on the Poetry of the Deep Image” 9 Robert Creeley / Jerome Rothenberg | Exchange on Deep Image 16 Denise Levertov | An Argument. In Response to Trobar #2 Kelly’s “Notes on the Poetry of the Deep Image” 19 David Ossman | Comments on Montage 22 Stan Brakhage | [Two letters] THREADS 14: ROBERT SAYS 32 2. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Yale University B0082
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180082 Gramts.gov Tracking#: GRANT12659441 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180082 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1244-GEPA Statement2018) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (1246-CES FLAS Abstract) e16 9. Project Narrative Form e18 Attachment - 1 (1245-CES FLAS Budget Narrative) e19 10. Other Narrative Form e67 Attachment - 1 (1234-InformationToMeetStatutoryRequirements (9)) e68 Attachment - 2 (1235-FLAS Applicant Profile) e71 Attachment - 3 (1236-Acronyms ESC) e72 Attachment - 4 (1237-Bojanowska CV 2018) e74 Attachment - 5 (1238-BIOS ForAPPwithTOC_YaleESC) e85 Attachment - 6 (1239-LetterOfReferenceMinjinHashbat) e244 Attachment - 7 (1240-LetterOfReferenceNellekeVanDeusen-Scholl) e246 Attachment - 8 (1241-LetterOfReferenceConstantineMuravnik) e248 Attachment - 9 (1242-CouncilMemberList) e250 Attachment - 10 (1243-CourseListForAPP_ALLYaleESC) e253 11. Budget Narrative Form e317 Attachment - 1 (1247-Section C Budget Narrative) e318 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
A Voice Full of Cities / Robert Kelly
The Collected Essays of Robert Kelly It is no exaggeration to suggest that Robert Kelly may well be America’s most L A prolific poet,& certainly one of the most singular& ceaselessly innovative writers RK1 L nd CITIES the country produced in the 2 part of the past century. To date, he has writ- F U A Pierre Pierre Joris ten more than 70 books of poetry and fiction — books that reveal a breathtaking O Voice Full of Full Cities: Voice The CollectedEssays of range, from freshly minted trobar clus and contemporized sonnet forms, to epic- F VOICE length narratives and non-narratives — such as Axon Dendron Tree, The Loom, or the first two installments of a recent trilogy,Fire Exit & Uncertainties. & Just as compelling are the volumes of shorter lyric forms, such as Finding the Peter Cockelbergh ( , – , , and , or his even more ex- Measure. Songs I X X X Not this Island Music Lapis perimental work, such as Sentence, The Flowers of Unceasing Coincidence, or his writing-through of Shelley’s poem, Mont Blanc. The deeper unity of the work is unavoidably present in the voice that underlies the multiplicity of forms. As Guy Davenport wrote : “A Kelly poem is a Kelly poem. It dances in his way, sings in his in- tonations, insisting on its style. No American poet except perhaps Wallace Stevens has his sense of balance in a line. [...] Kelly has nothing to hide : the untiltable eds balance is there to begin with.” ) Less visible than the poetry, but certainly no less important, incisive, worth pre- serving & circulating anew, are the trove of essayistic materials disseminated throughout numerous small & not so small magazines of the second half of the 20th C & beyond. -
AK Ramanujan
®ÜNGTIO|ß JSBkES, ffifflß, W IMS The newest addition to Pantheon s “splendid folklore series.’’ — The Washington Post FOLKTALES FROM INDIA A Selection of Oral Tales from Twenty-two Languages Edited and With an Introduction hy A.K. Ramanujan These 110 tales from India’s magnificent oral tradition — ranging from Bengali to Kashmiri — provide a richly diverse glimpse of Indian culture through the ages. Illustrated throughout with original line drawings. Edited hy a master storyteller... Marvelous... a provocative world a marvelous collection of wit, wisdom of wily and witty grandmothers, and humor in folktales from twenty- wives, pandits, fools and beasts. two languages and as many —Barbara Stoler Miller, different regions. Milbanh Professor of Asian — Milton B. Singer, Cultures, Barnard College Paul Klapper Professor of the Unparalleled in its scope of Social Sciences, sources...infused with the University of author s unique sense of Chicago and sense of beauty.” Erdman —Wendy Doniger, author of Women, Joan of Androgynes, and Other Mythical Beasts courtesy scroll, storyteller's Rajasthani from Details Illustration: Contemporary American and European Painting and Sculpture HIRSCHL& ADLER MODERN 851 Madison New York 10021 212 744-6700 Fax 212 737-2614 CONJUNCTIONS Bi-Annual Volumes of New Writing Edited by Bradford Morrow Contributing Editors Walter Abish John Ashbery Mei-mei Berssenbrugge Guy Davenport Elizabeth Frank William H. Gass Susan Howe Kenneth Irby Robert Kelly Ann Lauterbach Patrick McGrath Nathaniel Tarn Quincy Troupe John Edgar Wideman Bard College distributed by Random House, Inc. EDITOR: Bradford Morrow MANAGING EDITOR: Dale Cotton SENIOR EDITORS: Susan Bell, Martine Bellen, Karen Kelly, Kate Norment ART EDITOR: Anthony McCall ASSOCIATE EDITORS: Eric Darton, Marlene Hennessy, Yannick Murphy EDITORIAL ASSISTANTS: Patrick Doud, Jonathan Miller, Cathleen Shattuck CONJUNCTIONS is published in the Spring and Fall of each year by Bard College, Annandale-on-Hudson, NY 12504. -
A Catalog of Books from the Collection of Gerrit Lansing Division
The Swarming Possibilities (Some Occult, Unused) in American Life A Catalog of Books From the Collection of Gerrit Lansing Division Leap and Grey Matter Books Covers The Swarming Possibilities (Some Occult, Unused) in American Life Front / inside back: 1. A Catalog of Books From the Collection of Gerrit Lansing De occulta philosophia libri tres. Heinrich Cornelius Agrippa [1486-1535]. Inside front / back: 68. Causal Mythology. Charles Olson. 72. Projective Verse. Charles Olson. Division Leap and Grey Matter Books Foreword Adam Davis The Immanent Library Catalog Part I The Occult Part II Teddy Roosevelt Rides the Range Reciting Swinburne Part III Charles Olson and His Circle Part IV Poetry and Literature Bibliography Afterword Sam Burton Thanks Forward. The Immanent Library surprise then that a remarkable poet in the first paragraph - works number of poets on this list were on bibliomancy, stichomancy, gay or queer and began from rhapsodomancy, sortes, and many “All the power of magic is founded upon Eros. forbidden ground. A remarkable other subjects. Reading through The work of Magic works is to bring things number of them were connected Gerrit’s library could make one an together through their inherent similarity.” to the city of Boston, and an even exceedingly well-informed heretic, wider number had a relationship yet the power of it was something – Marsilio Ficino, De Amore. to Lansing and his library. greater. Libraries can have their own genius loci, as powerful a “Nunquam sine phantasmate intelligit anima.” Some of this influence is direct sense of place as New York or and visible. Charles Olson’s influ- Alexandria. -
ROBERT KELLY: FESTSCHRIFT Is the Thirty-Ninth in a Series of Texts and Chapbooks Published by Metambesen
Metambesen Annandale-on-Hudson 2015 ROBERT KELLY: FESTSCHRIFT is the thirty-ninth in a series of texts and chapbooks published by Metambesen. The reader is free to download and print it without charge or permission. Cover design copyright © 2015 by Lynn Behrendt. All images and texts copyright © 2015 by their respective authors. — 2— TABLE OF CONTENTS Linda Weintraub Marvin and Betty Mandell Mary Caponegro Nathlie Provosty Leon Botstein Esther Allen Bruce McPherson Barbara Leon Ashley Garrett Éric Trudel Rikki Ducornet Elizabeth Robinson Joseph Summer Thomas Meyer Patrick Smith Jane Heidgerd Paul Hotvedt John Pruitt Brian Wood Birgit Kempker Bruce Wolosoff — 3— Crichton Atkinson Susan Quasha Carey Harrison Jeff & Mary Katz Susan Fox Rogers Tom McDonough Phyllis Derfner and Carter Ratcliff Clayton Eshleman Ann Lauterbach Eléna Rivera Dorota Czerner Peter Lamborn Wilson L. S. Asekoff Claire Woolner Ashley Mayne Carolee Schneemann Jennifer Cazenave Lynn Behrendt Steven Holl Leonard Schwartz Barbara Roether Nancy Goldring Peter Kimbis Celia Bland Heide Hatry — 4— Anne Waldman Susan Wides Billie Chernicoff Charles Stein Urs Engeler Tandy Sturgeon Gracie Leavitt John Wronoski Brigitte Mahlknecht Peter Laki Jim Holl Alana Siegel Brenda Coultas Masha Mitkova Charlie Amy Kimberly Lyons Vyt Bakaitis Nicole Peyrafitte Pierre Joris Anne Gorrick Lydia Davis and Alan Cote Ian Dreiblatt Jan Harrison and Alan Baer Mikhail Horowitz Steven Kushner — 5— George Quasha Rochelle Owens George Economou Ben Tripp J.I. Abbot Jerome Rothenberg Sherry Williams David Levi Strauss Michael Ives Charlotte Mandell Cameron Seglias Tamas Panitz — 6— LINDA WEINTRAUB’S TITULAR ODE TO ROBERT Armed Descent Her Body Against Time , He Round Dances In Enstasy Disclosing Instant Lunes/Sightings , Tastes, and Smells, He Contains in Words in Service That Anticipate Weeks And Eons Of Phantasmal Song XXIV Devotions . -
American Book Awards 2005
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2005 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Don Byrd Archive
Don Byrd Archive Featuring Charles Bernstein, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Susan Howe, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, and Ron Silliman The Don Bryd Archive is especially rich in correspondence with such poets as Charles Bernstein, George Butterick, Clark Coolidge, Guy Davenport, Ed Dorn, Robert Duncan, Clayton Eshleman, Robert Grenier, Richard Grossinger, Susan Howe, Ken Irby, Robert Kelly, Gerrit Lansing, Nathaniel Mackey, Paul Metcalf, Jed Rasula, Ron Silliman, and Barrett Watten and as such offers the opportunity to explore ideas animating the world of poetry during the 1970s and 1980s with particular emphasis on Language Writing. Photograph by Don Byrd of Susan Quasha and Robert Duncan being photographed by George Quasha at Olana, Frederic Church’s estate in Hudson, N.Y., ca. 1984. “At a time when poetics—especially that of the difficult sort dealt with here—has been increasingly pushed to the margins of academic discourse, Don Byrd has come forward with a tour de force that both argues and enacts the bearing of poetic knowledge upon the issues and debates tending to displace it. He not only offers astute, illuminating readings of work by Stein, Zukofsky, Duncan, Olson, and others, but goes to great lengths to map the ground—intellectual, historical, technological, phenomenological—that makes these works matter. Such ground makes his own undertaking on behalf of poetic knowledge purposeful and necessary, and his mapping of it is not only informed, sophisticated and intellectually stunning but passionate and compelling as well.” — Nathaniel Mackey on Don Byrd’s The Poetics of the Common Knowledge . -
Poetry Reading Flyers of the Mimeograph Revolution
Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St. -
Eros and Ta'wīl in the Poetry of Robert Duncan Ross Hair University Of
Fallen Love: Eros and Ta’wīl in the Poetry of Robert Duncan Ross Hair University of East Anglia This article examines Robert Duncan’s erotic poetics in the context of his interest in an elite “Spirit of Romance” and “Cult of Eros” that he recognizes in Lucius Apuleius, the Provençal troubadours, Dante and the Fedeli d’amore, as well as in his modernist forbears, particularly Ezra Pound, who coined the term “the Spirit of Romance.” In his explication of this tradition, Duncan has drawn on the ideas of the religious scholar Henry Corbin, particularly his work on the “Visionary Recitals”—the spiritual autobiographies and commentaries associated with the thirteenth-century Persian philosopher Avicenna. Focusing on Corbin’s notion of ta’wīl, a method of textual exegesis that forms the keystone of his work on Arabic religious esotericism, this article examines the typological affinities that Corbin’s scholarship shares with Duncan’s erotic poetics. Via close readings of Duncan’s poems “Poem Beginning with a Line by Pindar,” “The Torso,” and “Circulations of the Song,” this article argues that Corbin’s work provides a pertinent corollary to Duncan’s erotic poetics. Kewords: Robert Duncan / Henry Corbin / eros / hermeneutics In “Opening the Dreamway,” his 1983 lecture for the Analytical Society of Western New York, Robert Duncan (1919-1988) remarks that with “Corbin being conveniently dead, you could start enrapturing yourself or what with detritus from Corbin” (20).1 Duncan is referring to Henry Corbin (1903-1978), the French scholar of religion who was, Tom Cheetham writes, “at once a Neoplatonic philosopher, a theologian with interests in Immanuel Swedenborg and Johan George Hamann, Jacob Boehme and Martin Heidegger, and an Orientalist specializing in Islamic mysticism” (vi). -
The Pennsylvania State University the Graduate School College Of
The Pennsylvania State University The Graduate School College of Liberal Arts ON SECOND REFLECTION: ASSEMBLING CONTEMPORARY LITERATURE A Dissertation in English by Abram Foley © 2016 Abram Foley Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2016 The dissertation of Abram Foley was reviewed and approved* by the following: Jonathan P. Eburne Associate Professor of Comparative Literature and English Dissertation Adviser Chair of Committee Robert L. Caserio Professor of English, Comparative Literature, and Women’s, Gender, and Sexuality Studies Nergis Ertürk Associate Professor of Comparative Literature Brian Lennon Associate Professor of English and Comparative Literature Daniel Purdy Professor of German Studies Benjamin Schreier Associate Professor of English and Jewish Studies Debra Hawhee Professor of English and of Communication Arts and Sciences Director of Graduate Studies, English Department *Signatures are on file in the Graduate School. ii Abstract On Second Reflection: Assembling Contemporary Literature examines a range of authors and academics who became editors and publishers of prominent literary magazines and publishing houses since 1945. The dissertation argues that practices of editing and publishing compel these writers and academics to undertake a “second reflection” on the forms and contexts of postwar writing in the United States. “Second reflection” provides an alternative for thinking about the reflective aspects of literary works by opening reflection to conditions of experience and production. As such, my project studies writers who became editors and publishers, and who made editorial work into a lens for theorizing how contemporary literature can be constituted. Charles Olson and Nathaniel Mackey take stock of their editorial practices to position their work against the limitations of New Criticism (1950s) and the identity politics of the canon wars (1980s).