A City Full of Voices: a Collection of Essays on Robert Kelly's Work
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Gary Snyder's Ecological Vision
Quest Journals Journal of Research in Humanities and Social Science Volume1 ~ Issue 3 (2013) pp: 25-31 ISSN(Online) :2321-9467 www.questjournals.org Research Paper Gary Snyder’s Ecological Vision: A Study of Selective Poetic Works Firas A. Nsaif Al Jumaili Department of English,Al Buraimi University College, Oman Received 20 November, 2013; Accepted 02 December, 2013© The author(s) 2013. Published with open access at www.questjournal.org ABSTRACT: Gary Snyder, born in 1930, is one of the most significant American environmentalist-poets in the second half of the twentieth century. The present article deals with the ecological issues in the poetic works of Gary Snyder. It tries to explore the ecological implications in selected poems from three of Snyder’s major works of poetry, Riprap and Cold Mountain Poems (1959), Turtle Island (1974) and Mountains and Rivers without End (1996). The article presents an ecological reading of the selected poems which draws the attention of people to the ecological matters of the world. People‟s awareness of the ecological aspect of the universe may go back more than five centuries, specifically to the rise of western civilization in the seventeenth century. Technological inventions and scientific discoveries were all directed towards achieving human control over the natural environment. It is the German scientist Ernst Haeckel who first coined the term "ecology" ("Ökologie") in 1866.Ecology deals with organisms and their environment. It consists of all living beings, the natural surroundings in which they live, and their relationship to it. Haeckel defined it as “the study of all environmental conditions of existence” (Worster, 1977, p. -
Leslie Marmon Silko's Great -Grandfather), Who Came in 1872
by Per Seyeo.led .....................---,..,.."'.... ... ....... :::-:::: ~ ..,.. ' --- .... I BOISE STATE UNIVERSITY o BOISE, IDAHO o Boise State University Western Writers Series Number 45 By Per Seyersted University of Oslo, Norway Editon: Wilyne Chiltlerton Jilmta H. Magui..e Swine.. Milnilger: Jilrnta Hadden Co~r Design by Amy Skoy, Copyright 1980 Co~r llIustriltion by Leslie Milrmon Silko from LagUFWl WOlR4n. Used by permission of the iln illi. Boise State University, Boise, Idaho Copyrighl 1980 by the Boix Stale Uni\'le'nily Wn.l ern Writen Serin ALL RIGHTS RESERV ED Library of Congrnl' Card No. 80-70460 International Sta ndard Book No. O·884!lO·069·l! Pri nted in !he United Statn of Ameri ca by J .. 0 Printing Mnidian . Idaho teJlie /lt1l,.",t11 Silk~ In 1978 when Leslie Marmon Sitko was lecturing in Norway ana one day happened to see the figures on the iron plates in my fireplace, she immediately exclaimed: "Oh there you have the three goats from that Norwegian fairyralel" As she then told me, twenty years earlier her fifth grade teacher had read to the class from a large volume ofScandinavian ta les, whereupon she had asked for the book and read them all herself. including the one she now saw illustrated in front of her. This littleincidentshows how. at an earlyage. she wasalready actively in terested in stories and how they remain vivid with her. Raised in Old Laguna in New Mexico. herself partly Laguna Pueblo (and partly white and Mexican), she was spurred in th is interest by the love of storytelling and the strong oral tradition of her tribe: for centuries they have kept alive and renewed a rich store of tales about mythical. -
African-American Poetry an Anthology, 1773-1930 1St Edition PDF Book
AFRICAN-AMERICAN POETRY AN ANTHOLOGY, 1773- 1930 1ST EDITION PDF, EPUB, EBOOK Joan R Sherman | 9780486296043 | | | | | African-American Poetry An Anthology, 1773-1930 1st edition PDF Book Spriggs and the term they coined "Wemembering," meaning "culturally based observations. The growth in the popularity of graduate creative writing programs has given poets the opportunity to make a living as teachers. He reminds us in a poem that "Christ washed the feet of Judas! To ask other readers questions about African-American Poetry , please sign up. A distinctly American lyric voice of the colonial period was Phillis Wheatley , a slave whose book "Poems on Various Subjects, Religious and Moral," was published in Jerome Rothenberg born is well known for his work in ethnopoetics , but he was the coiner of the term " deep image ", which he used to describe the work of poets like Robert Kelly born , Diane Wakoski born and Clayton Eshleman born Help Learn to edit Community portal Recent changes Upload file. On the surface, these two poets could not have been less alike. The final emergence of a truly indigenous English-language poetry in the United States was the work of two poets, Walt Whitman — and Emily Dickinson — O kinsmen! Best poerty book I've read so far this year. John , whose practice of poetry is a model of their maternal grandmother and grandfather "who believed the function of racism is to deny us possibility," I think of my grandparents on my mother's side. Oh, Liberty! But I behold the scalding tear, Now stealing from my eye, To think my wife—my only dear, A slave must live and die. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Yale University B0082
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180082 Gramts.gov Tracking#: GRANT12659441 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180082 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1244-GEPA Statement2018) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (1246-CES FLAS Abstract) e16 9. Project Narrative Form e18 Attachment - 1 (1245-CES FLAS Budget Narrative) e19 10. Other Narrative Form e67 Attachment - 1 (1234-InformationToMeetStatutoryRequirements (9)) e68 Attachment - 2 (1235-FLAS Applicant Profile) e71 Attachment - 3 (1236-Acronyms ESC) e72 Attachment - 4 (1237-Bojanowska CV 2018) e74 Attachment - 5 (1238-BIOS ForAPPwithTOC_YaleESC) e85 Attachment - 6 (1239-LetterOfReferenceMinjinHashbat) e244 Attachment - 7 (1240-LetterOfReferenceNellekeVanDeusen-Scholl) e246 Attachment - 8 (1241-LetterOfReferenceConstantineMuravnik) e248 Attachment - 9 (1242-CouncilMemberList) e250 Attachment - 10 (1243-CourseListForAPP_ALLYaleESC) e253 11. Budget Narrative Form e317 Attachment - 1 (1247-Section C Budget Narrative) e318 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
'The Dream of the Unified Field': Originality, Influence, the Idea of A
European journal of American studies Vol 3, No 3 | 2008 Autumn 2008 ‘The Dream of the Unified Field’: Originality, Influence, the Idea of a National Literature and Contemporary American Poetry Ruediger Heinze Publisher European Association for American Studies Electronic version URL: http://ejas.revues.org/2482 DOI: 10.4000/ejas.2482 ISSN: 1991-9336 Electronic reference Ruediger Heinze, « ‘The Dream of the Unified Field’: Originality, Influence, the Idea of a National Literature and Contemporary American Poetry », European journal of American studies [Online], Vol 3, No 3 | 2008, document 2, Online since 20 August 2008, connection on 01 October 2016. URL : http:// ejas.revues.org/2482 ; DOI : 10.4000/ejas.2482 This text was automatically generated on 1 octobre 2016. Creative Commons License ‘The Dream of the Unified Field’: Originality, Influence, the Idea of a Natio... 1 ‘The Dream of the Unified Field’1: Originality, Influence, the Idea of a National Literature and Contemporary American Poetry Ruediger Heinze 1 On the back cover of the 1994 Norton anthology Postmodern American Poetry, a commentary claims that the collection is the first to “fully represent the movements of American avant-garde poetry.” Beginning with a poem by Charles Olson from 1953, it contains 411 poems by 103 different poets, from the Beats, the New York School and the Projectivists to a general “array of poetry written since 1975.” The selection ranges from John Cage, Charles Bukowski and Jack Kerouac to Denise Levertov, Robert Creeley and Amiri Baraka to Jerome Rothenberg, Susan Howe, Bruce Andrews and Lyn Hejinian. The last entries are from 1992, thus the volume covers a time span of just short of forty years. -
251 Poetry Warrior: Robert Creeley in His Letters
ROBERT ARCHAMBEAU POETRY WARRIOR: ROBERT CREELEY IN HIS LETTERS Creeley, Robert. The Selected Letters of Robert Creeley, ed. Rod Smith, Peter Baker, and Kaplan Harris. Berkeley: University of California Press, 2014. Robert Archambeau “The book,” wrote Robert Creeley to Rod Smith, who was then hard at work on the volume in question, Creeley’s Selected Letters, “will certainly ‘tell a story.’” Now that the text of that book has emerged from Smith’s laptop and rests between hard covers, it’s a good time to ask just what story those letters tell. Certainly it isn’t a personal one. Creeley was a New Englander, through and through, and of the silent generation to boot. Yankee reticence blankets the letters too thickly for us to feel much of the texture of Creeley’s quotidian life, beyond whether he feels (to use his favored idiom) he’s “mak- ing it” through the times or not. Instead, the letters, taken together, tell an intensely literary story—and, as the plot develops, an institutional, academic one. Call this story “From the Outside In,” maybe. Or, better, treat it as one of the many Rashomon-like eyewitness accounts of that contentious epic that goes by the title The Poetry Wars. If, like me, you entered the little world of American poetry in the 1990s, you found the Cold War that was ending in the realm of politics to be in full effect in poetry. What had begun as a brushfire conflict between rival journals and anthologies in the fifties and early sixties had settled into an institutionalized rivalry, with an Iron Curtain drawn between the mutu- ally suspicious empires of Iowa City and Buffalo. -
Selections in Alcheringa, 1975
Editors: Dennis Tedlock and Jerome Rothenberg Editorial Assistant: Paul Kahn Contributing Editors: David Antin, Kofi Awoonor, Ulli Beier, Stanley Diamond, Charles Doria, Dell Hymes, Harris Lenowitz, David McAllester, William Mullen, .Simon Ortiz, Gary Snyder, Nathaniel Tarn. ALCHERINGA: ETHNOPOETICS, "A First Magazine of the World's Tribal Poetries," is published biannually by Boston Uni versity. Designed by the Boston University Graphics Office. Annual subscription rates are $7.00 for individuals and $10.00 for institutions (outside the U.S.A., add $1.00 for postage). Single copies of current issues are $3.50 each; back issues (Numbers 1-5 in the old series, 1970-73) are available in limited supply at $5.00 each. Subscription orders, single copy and bulk purchase orders, claims, and notices of change of address should be sent to: Sub scription Department, Boston University Scholarly Publications, 775 Commonwealth Avenue, Boston, MA 02215. Requests for advertising and distribution information should be sent to The Coordinator, Boston University Scholarly Publications, 775 Com monwealth A venue, Boston, MA 02215. Manuscripts and illustrations (accompanied by a stamped, self addressed envelope) should be sent to The Editors at ALCHERINGA, Boston University, 270 Bay State Road, Bos ton, MA 02215. Contributors are paid a nominal fee at the time of publication. Publication and payment of fees are made possible, in part, by a grant from the Coordinating Council of Literary Magazines. Copyright © 1975 by the Editors and by the Trustees of -
Front Matter, Vol. 37, Issue 2
Studies in 20th & 21st Century Literature Volume 37 Issue 2 Centroamericanidades Article 1 6-1-2013 Front matter, vol. 37, issue 2 Follow this and additional works at: https://newprairiepress.org/sttcl This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (2013) "Front matter, vol. 37, issue 2," Studies in 20th & 21st Century Literature: Vol. 37: Iss. 2, Article 1. https://doi.org/10.4148/2334-4415.1801 This Introductory Material is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Front matter, vol. 37, issue 2 Abstract Editorial board and Advisory Council, masthead, contents, and an index to published articles of vols. 1 - 37, issue 1 This introductory material is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/ vol37/iss2/1 et al.: Front matter, vol. 37, issue 2 Special Issue Centroamericanidades Guest Editor: Arturo Arias Articles Abstracts 4 Arturo Arias: Centroamericanidades: Imaginative Reformulation 11 and New Configurations of Central Americanness Ana Patricia Rodríguez: Diasporic Reparations: Repairing the 27 Social Imaginaries of Central America in the Twenty-First Century Regan Boxwell: The Disembodied Subject: Resistance to Norms 44 of Hegemonic Identity Construction in Carmen Naranjo’s Diario de una multitud Junyoung -
A Voice Full of Cities / Robert Kelly
The Collected Essays of Robert Kelly It is no exaggeration to suggest that Robert Kelly may well be America’s most L A prolific poet,& certainly one of the most singular& ceaselessly innovative writers RK1 L nd CITIES the country produced in the 2 part of the past century. To date, he has writ- F U A Pierre Pierre Joris ten more than 70 books of poetry and fiction — books that reveal a breathtaking O Voice Full of Full Cities: Voice The CollectedEssays of range, from freshly minted trobar clus and contemporized sonnet forms, to epic- F VOICE length narratives and non-narratives — such as Axon Dendron Tree, The Loom, or the first two installments of a recent trilogy,Fire Exit & Uncertainties. & Just as compelling are the volumes of shorter lyric forms, such as Finding the Peter Cockelbergh ( , – , , and , or his even more ex- Measure. Songs I X X X Not this Island Music Lapis perimental work, such as Sentence, The Flowers of Unceasing Coincidence, or his writing-through of Shelley’s poem, Mont Blanc. The deeper unity of the work is unavoidably present in the voice that underlies the multiplicity of forms. As Guy Davenport wrote : “A Kelly poem is a Kelly poem. It dances in his way, sings in his in- tonations, insisting on its style. No American poet except perhaps Wallace Stevens has his sense of balance in a line. [...] Kelly has nothing to hide : the untiltable eds balance is there to begin with.” ) Less visible than the poetry, but certainly no less important, incisive, worth pre- serving & circulating anew, are the trove of essayistic materials disseminated throughout numerous small & not so small magazines of the second half of the 20th C & beyond. -
AK Ramanujan
®ÜNGTIO|ß JSBkES, ffifflß, W IMS The newest addition to Pantheon s “splendid folklore series.’’ — The Washington Post FOLKTALES FROM INDIA A Selection of Oral Tales from Twenty-two Languages Edited and With an Introduction hy A.K. Ramanujan These 110 tales from India’s magnificent oral tradition — ranging from Bengali to Kashmiri — provide a richly diverse glimpse of Indian culture through the ages. Illustrated throughout with original line drawings. Edited hy a master storyteller... Marvelous... a provocative world a marvelous collection of wit, wisdom of wily and witty grandmothers, and humor in folktales from twenty- wives, pandits, fools and beasts. two languages and as many —Barbara Stoler Miller, different regions. Milbanh Professor of Asian — Milton B. Singer, Cultures, Barnard College Paul Klapper Professor of the Unparalleled in its scope of Social Sciences, sources...infused with the University of author s unique sense of Chicago and sense of beauty.” Erdman —Wendy Doniger, author of Women, Joan of Androgynes, and Other Mythical Beasts courtesy scroll, storyteller's Rajasthani from Details Illustration: Contemporary American and European Painting and Sculpture HIRSCHL& ADLER MODERN 851 Madison New York 10021 212 744-6700 Fax 212 737-2614 CONJUNCTIONS Bi-Annual Volumes of New Writing Edited by Bradford Morrow Contributing Editors Walter Abish John Ashbery Mei-mei Berssenbrugge Guy Davenport Elizabeth Frank William H. Gass Susan Howe Kenneth Irby Robert Kelly Ann Lauterbach Patrick McGrath Nathaniel Tarn Quincy Troupe John Edgar Wideman Bard College distributed by Random House, Inc. EDITOR: Bradford Morrow MANAGING EDITOR: Dale Cotton SENIOR EDITORS: Susan Bell, Martine Bellen, Karen Kelly, Kate Norment ART EDITOR: Anthony McCall ASSOCIATE EDITORS: Eric Darton, Marlene Hennessy, Yannick Murphy EDITORIAL ASSISTANTS: Patrick Doud, Jonathan Miller, Cathleen Shattuck CONJUNCTIONS is published in the Spring and Fall of each year by Bard College, Annandale-on-Hudson, NY 12504. -
“Too Philosophical for a Poet”: a Conversation with Charles Bernstein
b2 Interview “Too Philosophical for a Poet”: A Conversation with Charles Bernstein Andrew David King ADK: I wanted to start by asking about the phenomenon of the book—as object and as commodity. In 2010, you spoke with Thom Donovan about the process and rationale behind putting together your selected poems, All the Whiskey in Heaven. Certain types of work (nonpoems; this is, of course, a tricky distinction) were excluded: the essays and libretti, for instance, whose presentations alongside poems in My Way unsettle more mainstream, big- publishing- house attitudes toward the compilation of written work. You said that the final product “has a very strong connection from beginning to end,” but that “it’s not in the way that the poems look, or the tone, or the style”: a connection, instead, in the “potentiating recombinations among parts,” which, at the same time, were linearly fused via your decision to exclude book titles from the text proper (making “a kind of text opera”—and there’s your libretto!) from the chronological selections, or, as the case may be, excerpts (Donovan 2010: n.p.). You recently released Recalculating, your first full- length volume of new poems in seven years, and so I wanted to Andrew David King and Charles Bernstein conducted this exchange by email from December 20, 2012, to March 7, 2015. boundary 2 44:3 (2017) DOI 10.1215/01903659- 3898094 © 2017 by Duke University Press Downloaded from http://read.dukeupress.edu/boundary-2/article-pdf/44/3/17/498982/BOU44_3_03King_Fpp.pdf by guest on 30 September 2021 18 boundary 2 / August 2017 know if there was anything significantly different for you about the act of putting a collection together now, after curating All the Whiskey in Heaven— or, alternatively, if there’s anything significantly different about the project of assembling a “new” collection versus a selected poems.