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Trautonium

The T rautonium is a monophonic electronic invented[1] about 1929 by Friedrich Trautwein in Berlin at the Musikhochschule's music and radio lab, the Rundfunkversuchstelle.[2] Soon joined him, continuing development until Sala's death in 2002.

Contents Telefunken Volkstrautonium, 1933 (Telefunken Trautonium Ela T 42 (1933–35)) a Description product version of the Trautonium co-developed by Telefunken, Friedrich Trautwein and Oskar Sala Manufacturers since 1931. Present Trautonium performers Gallery See also Notes Sources External links

Description

Instead of a keyboard, its manual is made of a resistor wire over a metal plate, which is pressed to create a sound. Expressive playing was possible with this wire by gliding on it, creating vibrato with small movements. Volume was controlled by the pressure of the finger on the wire and board. The first were marketed by Telefunken from 1933–35 (200 were made).

The sounds were at first produced by neon-tube relaxation oscillators [3] (later, thyratrons, then transistors), which produced sawtooth-like waveforms.[4] The pitch was determined by the amount of resistive wire chosen by the performer (allowing vibrato, quarter-tones, and portamento). The oscillator output was fed into two parallel resonant filter circuits. A footpedal controlled the volume ratio of the output of the two filters, which was sent to an amplifier.[5]

On 20 June 1930 Oskar Sala and Paul Hindemith gave a public performance at the Berliner Musikhochschule Hall called “ Berlin 1930″ to introduce the Trautonium. Later, Oskar Sala toured Germany with the Trautonium; in 1931 he was the soloist in a performance of Hindemith's Concert for Trautonium with .[1] He also soloed in the debut of Hindemith's student Harald Genzmer's “Concert for Trautonium AND ”.[3]

https://en.wikipedia.org/wiki/Trautonium 1/4 18/2/2018 Trautonium - Wikipedia Paul Hindemith wrote several short trios for three Trautoniums with three different tunings: bass, middle, and high voice. His student, Harald Genzmer, wrote two with orchestra, one for the monophonic Trautonium and, later, one for Oskar Sala's "-Trautonium". One of the first additions of Sala was to add a switch for changing the static tuning. Later he added a noise generator and an envelope generator (so called 'Schlagwerk'), formant filter (several bandpass filters) and the subharmonic oscillators. These oscillators generate a main pitch and several subharmonics, which are not multiples of the fundamental tone, but fractions of it. For any of the now two manuals, four of these waves can be mixed and the player can switch through these predefined settings. Thus, it was called the "Mixtur- Trautonium". Oskar Sala composed music for industrial films, but the most famous was the bird noises for Alfred Hitchcock's The Birds. The Trautonium was also used in the Dresden première of Richard Strauss's Japanese Festival Music in 1942 for emulating the gongs- and bells-parts and in the 1950s in Bayreuth for the Monsalvat bells in Wagner's Parsifal.

Manufacturers

The German manufacturer Doepfer sells some devices for the commercial market to allow for Trautonium-like control.[6]

The German manufacturer trautoniks sells custom made Trautoniums. [7]

Present Trautonium performers

Although Oskar Sala developed the Trautonium further, he did not teach his art to any pupil. However, Peter Pichler, a Munich musician and artist, had heard the sound of the Trautonium when he was a young man and was fascinated by its emotional impact and dynamic range. Pichler found he could not forget the unique sound; he searched obsessively for anyone who could help him understand the instrument and he finally tracked down Sala. In 1996 the two met in Sala's studio in Berlin, and the result was the preservation of much of Sala's knowledge.

Pichler was transformed by the experience but he had to wait fifteen long years before he could afford to commission his own Mixturtrautonium from the company Trautoniks. He wrote a musical theater piece about the fathers of the Trautonium, "Wiedersehen in Trautonien", which was performed at the German Museum in Munich, for the 100th birthday of Oskar Sala in 2010. For this theater piece Pichler commissioned three "Volkstrautonien" (a smaller version of the instrument), one of which was bought by the German Museum later for its permanent collection. Pichler is still cooperating closely with the German Museum in Munich that is administering Sala's estate.

Since then Pichler has been making regular appearances with the Mixturtrautonium in various musical genres. The classical music composed for this instrument by Paul Hindemith, Harald Genzmer and Oskar Sala for instance is extremely challenging for even an experienced musician to play.

Pichler is one of the very few musicians in the world who has mastered this instrument and is also composing for it.

Gallery

https://en.wikipedia.org/wiki/Trautonium 2/4 18/2/2018 Trautonium - Wikipedia

Mixtur-Trautonium, 1952. Mixtur-Trautonium, 1955. Max Brand Synthesizer (1968),[8] aka Moogtonium, is Austrian composer Max Brand's own version of Mixture Trautonium built by during 1966–68.

Doepfer A-198 Trautonium Manual / Ribbon Controller with modular synth.

See also

Subharchord Swarmatron

Notes

1. "ELECTRICITY, ETHER AND INSTRUMENTS; Some Considerations, Reflections and Inferences Regarding https://en.wikipedia.org/wiki/Trautonium 3/4 18/2/2018 Trautonium - Wikipedia the Modern Cult of Vitamineless Art and the Synthetic Esthetic" (https://select.nytimes.com/gst/abstract.ht ml?res=F00A1EFF355E157A93C4A91782D85F458385F9). New York Times. Sep 6, 1931. p. 90. Retrieved 12 July 2010. ""Trautonium," the creation of one Dr. Friedrich Trautwein" 2. Christopher Hailey, Franz Schreker, 1878-1934: a cultural biography. CUP Archive, 1993, pp.232–34. Hindemith and Max Butting were also active there 3. Hans-Joachim Braun (1982). "Music Engineers. The Remarkable Career of Winston E.Kock, Electronic Organ Designer and NASA Chief of Electronics" (http://www.ieee.org/portal/cms_docs_iportals/iportals/about us/history_center/conferences/che2004/Braun.pdf) (PDF). CHE2004 of IEEE. Example of a similar early neon keyboard invention by Winston E. Kock 4. Thom Holmes, Electronic and experimental music: technology, music, and culture. Routledge, 2008, p.31-2. 5. Jörg Spix, The digital Trautonium. (http://www.informatik.uni-oldenburg.de/~jgspix/TRpaperEngl/TRpaperEng l.html) 6. "A-198 Trautonium Manual / Ribbon Controller" (http://www.doepfer.de/a198.htm). Doepfer Musikelektronik GmbH. Retrieved 2008-06-12. 7. "trautoniks: Custom made Trautoniums" (http://www.trautoniks.com). 8. "Moogtonium" (http://moogfoundation.org/2010/from-the-archives-moogtonium-discovered/). Moog Foundation.

Sources

Klaus Ebbeke, Paul Hindemith und das Trautonium. HJb 11 (1982) Peter Donhauser, Elektrische Klangmaschinen. Die Pionierzeit in Deutschland und Österreich. Böhlau, Vienna et al. 2007, ISBN 3-205-77593-7.

External links

http://www.peterpichler-trautonium.com The Trautonium History: The Beginning (http://www.trautonium.com/history1.htm) Neumixturtrautonium VST (http://extra.schematron.com) Oskar Sala, My Fascinating Instrument (http://music.hyperreal.org/labels/fax/info/my-fascinating-instrument. html). 1990 recording (Erdenklang 90340) Perfect Sound Forever, Oskar Sala 1910-2002 (http://www.furious.com/Perfect/ohm/oskarsala.html). Website Wolfgang Müller (http://www.trautonium2000.de) Pablo Freire (2003). Oscar Sala biography (http://usuarios.multimania.es/audionautas/Audiografias/oskarsal abio.htm) (in Spanish) The Trautonium (http://120years.net/wordpress/the-trautoniumdr-freidrich-trautweingermany1930/) the Trautonium on '120 years Of '

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