Graphic Arts Club's Valentine Booth Was a Success!

Total Page:16

File Type:pdf, Size:1020Kb

Graphic Arts Club's Valentine Booth Was a Success! HARPER NEWS ... .....HARPER HUB Monday, February 25, 2013 471H ISSUE FLEVEN I FREE [email protected] YEAR. GRAPHIC ARTS CLUB'S VALENTINE BOOTH WAS A SUCCESS! By Jennifer Colllna In one weekend, John Sansilippo contacted 25 companies, choosing Ed1tor-m-Ch1if the company. Within about a week With couples spending this past of asking Chris George of Student Valentine's Day having a romantic Activities, they got approval. The time, Graphic Arts Club offered a flyer was designed by Angie X in a festively themed photo booth with weekend. Because her design was sweethearts candy for purchase. simple yet unique, the club was This event was sponsored by able to be used for the design for the "Photo Booth of the Stars" the backdrop in the photobooth. company. They allowed us to have Faith Ringor, Suzanne Darmofel, the photo booth here to raise Tatsuya, without preparation and funds for the Graphic Arts Design a team effort, this really allowed Club. This money will be used for us to shine as a team. purchasing supplies to produce In the past we worked more as pieces that the club creates. The individuals on projects. Because amount raised by the event was we have the constant struggle in $106. our club of having a lot of begin­ The photobooth was set up in ners, we really have to work as a the corridor of Avante, with an team to accomplish it. array of whimsical hats and sun­ Using each other's strengths glasses to wear. Options for the helped to produce something they photo strip were either color or were all proud of. Amanda Yama­ AARONWAGNER ENTERTAININGAT THE BOOTll. black and white. Costing one dol­ mae worked with Matt Sadler to lar, the booth took three photos. help sell additional sweethearts photostrips for 2/$1. By haggling, The sweethearts were sold for to the students by walking around we were able to get more students fifty cents a box. campus. Sadler said that he involved." The President of Graphic Arts enjoyed walking around campus In promoting the event, flyers Club, Aaron Wagner, says that selling candy and talking to stu- were handed out around campus. the event went well. He thinks dents. He thinks the event went Wagner wore a robot head-like that the experience of helping well and would do it again. box. He also gave students the Accordln to Wa er,-t'On wear the hox if run h h booth helped th Ir e��- opportunity to members m learning how to run struggle in business is being they wanted, and walked around willing to compromise and adjust e � an event and take care of money. with the box to get attention for Jfappy Va.kn Vay I The club members are designing to one's consumers. The goal, the event.Photo Booth of the Stars ... templates for Photo Booth of the of course, as a fundraiser is to has been in the Chicagoland area ::: � Stars in exchange for using the make the money, so many times since 2007. booth. Graphic Arts is considering compromising on price is needed. In addition to fundraisers, they niversaries, and parties, to name dingWire Bride's Choice Awards® using the booth in the future for We were willing to sacrifice a also do events such as weddings, a few. 2013 for Photo Booth Companies future events. few extra dollars by selling the corporate events. biJthdays, an- They won the prestigious Wed- in Chicago Illinois! Harper College Clubs: Money Used Well or Put to Waste? By Anthony Broderick this club will stay attendant, and and all of it must be used by the rita keep the club running all year end of the school year. S1.ifJlf long. If a club fails to submit this The accounts are then cleared Each year, Harper College shows ITBA Form, this will cause the out, which allows them to submit students a variety of different club to fail to be recogmzed, and a new Budget Request the follow· clubs and organizations which they will not receive their $100 ing year. In students' eyes, could they can join, in order to meet grant. Organizations like the Har­ these methods of funds be seen new people, learn new skills,.a.nd binger. CAB, and Student Senate as useful or wasteful? It should be develop their leadship abilities. participate in the yearly budget known that each of Harper's clubs After CAB featured an expensive process by submitting budget and organizations have different ice sculpture last year, the ques­ request forms, which ask for funds needs and interests for how they tions that tight-budgeted students to cover the yearly operating entertain and supply their stu­ have are: How is money used to expenses. dents. Ernie Kimlin said that some function these clubs and activities, Though some might wonder... clubs put their money to good use, and where do they get it? Accord­ how exactly do these clubs put but he has also witnessed clubs ing to the Director of Student their funds to use? The use of that do not take use of any of the Activities at Harper College Ernie the funds can vary between the money that is funded for them. Kimlin, the process goes with each different clubs and organizations. Though he made it clear that it is year, every one of these clubs and Usually the clubs' primary uses of not Students Activities' role to tell JACK MIKOLACZYK HARPER HAWKICE SCULPTURE FROM WINTERWONDER NEARLY COST organizations are given $100 that the funds are to purchase: food, these clubs and organizations how BASHTHAT $200. is deposited into their club ac­ club t-shirts, events, or confer­ they should spend their money, it count that they must open. ences for the clubs. If the clubs do is part of the learnmg process for following college policies and and some don't use any. It can be This is considered contingent not use all the money they were these club leaders to learn how procedures when spending their inferred, though, that these clubs upon the completion and submis­ given, by the end of the year, the to budget and become fiscally funds. So overall, it could seem as work hard for their well-earned sion of their Intent to Be Active remaining funds are rolled-over in responsible. if these clubs and organizations funds, and put them to good use Form at the beginning of the year. the account, and are available for Students Activities is only can vary with how they use the so Harper students can enjoy The ITBA form is an agreement the follow year. Funds for organi­ responsible for making sure funds that they are given. Some attending, while taking classes at to the school that anyone leading zations, however, do not roll-over that clubs and organizations are take full advantage of the money, the same time. Comments & Reactions? Index Contact us Clubs& Orgs F1,D ls o' r\<,urn >1.: Harper News 1 s ll It v Have a good story? To Have us write about your club THI Write us a letter about Harper; The with story or organization. Have an event HARBl,Gl R provide us (J Harbinger, or current events and I r Editorial 11 ideas, news tips, or for comll!g Want to advertise 1 up? we'll publish it! (anonymously, if you us at: to gain members? We can hel Fou.o\l. cs 01' inquiries, email p Tw1rnR prefer) Review 6 artoon Strips 12 with that too! H [email protected] @H.\RPER \Rllll'<Gr.R 2 The Harbinger CLUB EXPO harperharbin mail.com 25 FEBRUARY 2012 @ ntExpo Today Avante 11 AM 1 PM By JenniferCollins even /.,./1/or-111-C'h"j' stu­ dents Any returning student should already know about the over 50 not join clubs on campus that they can were join. For those who are new or able to rusty, there was a Club Expo at ask ques­ Harper to spread awareness about tions and the opportunities of each. Of all learn more the clubs on campus, 30 partiri­ about what VAL is pated. Each had a table situated and what they do on along the corridor of Avante build­ campus. ing. Last year, and the previous Astronomy Club had a page full years, the Expo was held in the of emails from students interested Student Center located in A build­ m joining or learning more about ing. The change occurred because Astronomy Club. To attract at­ there is greater traffic in Avante tention, they took out their space build mg. Chris George. Coordina­ balls and a poster for display on tor, said about the new location the table. Models of Mars and a this that "The Avante concourse was celestial sphere d1splaymg the spring. much better location than the stars as they appear to Earth With Student Center that we used in the donned the table. According to the pa5t and we will continue to use Vice President of Astronomy Club, this location until the new Student Robbie Leah, students interested campus to Center 1s here." m their club also seemed to be join, there's It is speculated that 300 stu­ interested m Sci-Fi Fantasy and something dents attended the Expo. Gaming Club which were situated for everyone. Young Americans for Lib- conveniently next to them. If there is not erty (YAL) said that they had an Alister Rivas of Film Club says one that tickles your incredible 60 people sign up for they was better prepared this fancy, start your own! their club They had 6-7 new year to show what they wanted They are a great place to meet people show up at their meeting, to do this semester and had new people, learn new things, and which they attributed to the suc­ material to show.She feels that it develop leadership skills.
Recommended publications
  • Old Germanic Heritage in Metal Music
    Lorin Renodeyn Historical Linguistics and Literature Studies Old Germanic Heritage In Metal Music A Comparative Study Of Present-day Metal Lyrics And Their Old Germanic Sources Promotor: Prof. Dr. Luc de Grauwe Vakgroep Duitse Taalkunde Preface In recent years, heathen past of Europe has been experiencing a small renaissance. Especially the Old Norse / Old Germanic neo-heathen (Ásatrú) movement has gained popularity in some circles and has even been officially accepted as a religion in Iceland and Norway among others1. In the world of music, this renaissance has led to the development of several sub-genres of metal music, the so-called ‘folk metal’, ‘Viking Metal’ and ‘Pagan Metal’ genres. Acknowledgements First and foremost I would like to thank my promoter, prof. dr. Luc de Grauwe, for allowing me to choose the subject for this dissertation and for his guidance in the researching process. Secondly I would like to thank Sofie Vanherpen for volunteering to help me with practical advice on the writing process, proof reading parts of this dissertation, and finding much needed academic sources. Furthermore, my gratitude goes out to Athelstan from Forefather and Sebas from Heidevolk for their co- operation in clarifying the subjects of songs and providing information on the sources used in the song writing of their respective bands. I also want to thank Cris of Svartsot for providing lyrics, translations, track commentaries and information on how Svartsot’s lyrics are written. Last but not least I want to offer my thanks to my family and friends who have pointed out interesting facts and supported me in more than one way during the writing of this dissertation.
    [Show full text]
  • Running Head: NATIONAL IMAGERY in FINNISH FOLK METAL 1
    Running head: NATIONAL IMAGERY IN FINNISH FOLK METAL 1 NATIONAL IMAGERY IN FINNISH FOLK METAL: Lyrics, Facebook and Beyond Renée Barbosa Moura Master‟s thesis Digital Culture University of Jyväskylä Department of Art and Culture Studies Jyväskylä 2014 NATIONAL IMAGERY IN FINNISH FOLK METAL 2 UNIVERSITY OF JYVÄSKYLÄ Faculty Department Humanities Art and Culture Studies Author Renée Barbosa Moura Title National Imagery in FFM: Lyrics, Facebook and Beyond Subject Level Digital Culture MA Thesis Month and year Number of pages June 2014 90 pages Abstract Folk metal is a music genre originated from heavy metal music. For many artists and fans, folk metal is more than just music: it is a way of revitalising tradition. Folk metal is then a genre which is closely related to individual‟s cultural identities. As part of popular culture, heavy metal has been investigated for instance in the fields of cultural studies and psychology. Andrew Brown investigates how heavy metal emerged as subject for academic research. Deena Weinstein approaches heavy metal as culture and behaviour that is shared by individuals from different cultural backgrounds. However, subgenres like folk metal have not yet been explored in depth by academics. Analysing folk metal‟s nuances in specific national contexts would provide further knowledge on national cultures and identities. One example of folk metal reflecting elements of national culture is Finnish folk metal. The bands whose works belong to this genre usually draw from Finnish culture to compose their works, which usually feature stories from a variety of traditional sources such as the epic book Kalevala. Such stories are then transposed into new media, disseminating the artists‟ concept of Finnishness.
    [Show full text]
  • Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
    db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.
    [Show full text]
  • Complete Catalog
    Complete Catalog NOTA SOBRE ATACADO A BlackMetalStore.com disponibilizou uma área especial de vendas para lojistas. Sigam as instruções abaixo: - Faça seu cadastro em: https://blackmetalstore.com/minha-conta/ - Envie um email para [email protected] solicitando alteração da conta para lojista. - Após alteração, com sua conta de lojista acesse o link abaixo: https://blackmetalstore.com/categoria-produto/exclusives/ Condições para compras no atacado (Leia com atenção): – Valor mínimo para cada compra: R$500.00 – Sem quantidade mínima! – Frete incluso – É possível misturar itens de atacado com itens de varejo ATENÇÃO: O pedido deve ser realizado somente pelo site sem exceção, não serão aceitos pedido por outros meios, pois o pedido realizado é integrado ao sistema dos Correios, onde automaticamente será gerado o seu código de rastreamento e o seguro do valor total do seu pedido. Dúvidas não mencionadas nas instruções acima, contate-nos em: Email: [email protected] Whatsapp: (11) 99463-6786 Agradecemos seu contato, equipe BMS Complete Catalog 10”MLPS Produto Preço MANZER / HEXECUTOR – Pictavian Hexecution (Gatefold 10″MLP) R$75,00 HELGEDOM – Svartkonst R$100,00 BANDEIRAS Produto Preço ABSURD - Death from the Forest (flag) R$80,00 Complete Catalog BATUSHKA STORE Produto Preço BATUSHKA - Hospodi (Deluxe Digibook CD) R$50,00 BATUSHKA - Litourgiya (Digipack CD) R$35,00 BATUSHKA - Litourgiya (Digipack CD) (Witching R$60,00 Hour) BATUSHKA - Litourgiya (Witching Hour) R$60,00 BATUSHKA - Pilgrim (cinza) R$85,00 BATUSHKA - Pilgrim (preta)
    [Show full text]
  • Viking, Pagan Or Folk? Distinguishing Possibilities for Metal Sub-Genres
    ČLANCI ALEXANDER HOFMANN VIKING, PAGAN OR FOLK? DISTINGUISHING POSSIBILITIES FOR METAL SUB-GENRES Izvorni znanstveni članak / Original Scholarly Paper UDK: 78.036 "19/20" aBStraCt The different sub-genres of metal music, which have formed in the last decades, are not only of interest due to their diverse and unique characteristics, but also evidence a variety in metal music whereby its clichéd black and gloomy world gains a bit of color. This multitude of sub-genres will inevitably lead to musicians, fans and even researchers no longer being able to differentiate between the genres. With Viking, pagan, and folk metal, this interesting process of fusion is already taking place, although it is possible to distinguish Viking and pagan at least from folk metal. Keywords: instrumentation, metal sub-genres, musical analysis, popular music introDuCtion During the last few decades many different metal sub-genres have developed, from the classic, and especially from the extreme, metal genre. Comprising bands such as Ensiferum, Finntroll, Korpiklaani and Turisas – surprisingly only Finnish bands – so-called folk metal is one of these sub-genres, which became part of the metal mainstream during the 2000s.1 For Spracklen the popularity of Finnish folk metal is based on commercialization, while other possible reasons could be the national distinction from Norwegian black and Swedish death metal, or, at least in Finland, a phase of increased inclusion of folk elements in popular music. “The combination of a nationally institutionalized folk tradition and the transnational genre of […] metal”2 is also mentioned by Neilson as a reason for the success of Finnish folk metal.
    [Show full text]
  • 10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
    Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9
    [Show full text]
  • Contact Between Scandinavia and Byzantium in the Albums »The Varangian Way« (2007) and »Stand up and Fight« (2011) by the Finnish Band Turisas
    Antje Bosselmann-Ruickbie Heavy Metal Meets Byzantium! Contact between Scandinavia and Byzantium in the Albums »The Varangian Way« (2007) and »Stand Up and Fight« (2011) by the Finnish Band Turisas »Diversity is what unites us!« Turisas: »The March of the Varangian Guard« Byzantium as a research subject fi lls entire libraries, but has not had as much impact on popular culture as, for example, the Classical world or the Vikings. Particularly in music, there is hardly any echo of this empire, which existed for more than a thousand years as the continuation of the Roman Empire, thus being the longest existing medieval empire (4th-15th centuries). The Finnish Heavy Metal band Turisas has focused on the subject of Byzantium and its relations with Scandinavia. They have not only devoted a song to Byzantium but created two concept albums on the migration of the »Eastern Vikings«, the Varangians, to Constantinople (today Istanbul) and their ex- periences with the Byzantine Empire 1 : »The Varangian Way« 2 (2007, fi g. 1-2), and »Stand Up and Fight« 3 (2011, fi g. 3). The fi rst album describes the journey of a group of Scan- dinavians along the »Way of the Varangians to the Greeks«, as it was called in a 12th-century chronicle 4 , to Constantino- ple via Holmgard (Novgorod), the waterways and the feared Dnieper Rapids (see cover art on the album’s back, fi g. 2). The fi rst album ends with the magnifi cent epic hymn on Fig. 1 Cover of the album »The Varangian Way« by Turisas (2007). – (© Century the capital of the Byzantine Empire, the »Miklagard Over- Media Records, with kind permission).
    [Show full text]
  • 313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
    NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER.
    [Show full text]
  • Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
    UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker.
    [Show full text]