Laconian Clay and Bronze Oinochoae with Plastic Decora- Tions
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Attic Pottery of the Later Fifth Century from the Athenian Agora
ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art. -
A Protocorinthian Aryballos with a Myth Scene from Tegea
SVENSKA INSTITUTEN I ATHEN OCH ROM INSTITUTUM ATHENIENSE ATQUE INSTITUTUM ROMANUM REGNI SUECIAE Opuscula Annual of the Swedish Institutes at Athens and Rome 13 2020 STOCKHOLM Licensed to <[email protected]> EDITORIAL COMMITTEE Prof. Gunnel Ekroth, Uppsala, Chairman Dr Lena Sjögren, Stockholm, Vice-chairman Mrs Kristina Björksten Jersenius, Stockholm, Treasurer Dr Susanne Berndt, Stockholm, Secretary Prof. Christer Henriksén, Uppsala Prof. Anne-Marie Leander Touati, Lund Prof. Peter M. Fischer, Göteborg Dr David Westberg, Uppsala Dr Sabrina Norlander-Eliasson, Stockholm Dr Lewis Webb, Göteborg Dr Ulf R. Hansson, Rome Dr Jenny Wallensten, Athens EDITOR Dr Julia Habetzeder Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] SECRETARY’S ADDRESS Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] DISTRIBUTOR eddy.se ab Box 1310 SE-621 24 Visby For general information, see http://ecsi.se For subscriptions, prices and delivery, see http://ecsi.bokorder.se Published with the aid of a grant from The Swedish Research Council (2017-01912) The English text was revised by Rebecca Montague, Hindon, Salisbury, UK Opuscula is a peer reviewed journal. Contributions to Opuscula should be sent to the Secretary of the Editorial Committee before 1 November every year. Contributors are requested to include an abstract summarizing the main points and principal conclusions of their article. For style of references to be adopted, see http://ecsi.se. Books for review should be sent to the Secretary of the Editorial Committee. ISSN 2000-0898 ISBN 978-91-977799-2-0 © Svenska Institutet i Athen and Svenska Institutet i Rom Printed by TMG Sthlm, Sweden 2020 Cover illustrations from Aïopoulou et al. -
Perfume Vessels in South-East Italy
Perfume Vessels in South-East Italy A Comparative Analysis of Perfume Vessels in Greek and Indigenous Italian Burials from the 6th to 4th Centuries B.C. Amanda McManis Department of Archaeology Faculty of Arts University of Sydney October 2013 2 Abstract To date there has been a broad range of research investigating both perfume use in the Mediterranean and the cultural development of south-east Italy. The use of perfume was clearly an important practice in the broader Mediterranean, however very little is known about its introduction to the indigenous Italians and its subsequent use. There has also been considerable theorising about the nature of the cross-cultural relationship between the Greeks and the indigenous Italians, but there is a need for archaeological studies to substantiate or refute these theories. This thesis therefore aims to make a relevant contribution through a synthesis of these areas of study by producing a preliminary investigation of the use of perfume vessels in south-east Italy. The assimilation of perfume use into indigenous Italian culture was a result of their contact with the Greek settlers in south-east Italy, however the ways in which perfume vessels were incorporated into indigenous Italian use have not been systematically studied. This thesis will examine the use of perfume vessels in indigenous Italian burials in the regions of Peucetia and Messapia and compare this use with that of the burials at the nearby Greek settlement of Metaponto. The material studied will consist of burials from the sixth to fourth centuries B.C., to enable an analysis of perfume use and social change over time. -
Ancient Mediterranean Gallery Labels
1 Geometric & Corinthian Pottery Greek, ca. 700 BCE Oinochoe (pitcher) Friezes of riders, warriors, and birds with geometric patterns Red slip painted on earthenware; Geometric style Museum Purchase through the Harlan E. Moore Charitable Trust Fund 1972-13-6 Greek, ca. 700 BCE Oinochoe (pitcher) Friezes of diamonds and dots, stars and swastikas (sun symbols) Red slip painted on earthenware; Geometric style Museum Purchase through the Harlan E. Moore Charitable Trust Fund 1972-13-4 2 Geometric & Corinthian Pottery (cont.) Greek, Corinthian, ca. 580 BCE Kotyle (stemless drinking cup) Banded decoration with aquatic birds, panthers, and goats Black and red slip painted on earthenware; “Wild Style” Museum Purchase through the Harlan E. Moore Charitable Trust Fund 1970-9-1 Greek, Corinthian, ca. 600 BCE Olpe (pitcher) Banded decoration of swans, goats, panthers, boars, and sirens Black, red, and white slip painted on earthenware; Moore Painter Museum Purchase through the Harlan E. Moore Charitable Trust Fund 1970-9-2 3 Geometric & Corinthian Pottery (cont.) Greek, Corinthian, ca. 600–590 BCE Oinochoe (pitcher) Banded decoration of owl, sphinx, aquatic bird, panthers, and lions Black, red, and white slip painted on earthenware Museum Purchase through the Harlan E. Moore Charitable Trust Fund 1970-9-4 4 Greek Black-figure Pottery Greek, Attic, ca. 550 BCE Amphora (storage jar) Equestrian scenes Black-figure technique; Pointed Nose Painter (Tyrrhenian group) Museum Purchase through the Harlan E. Moore Charitable Trust Fund 1970-9-3 Greek, Attic, ca. 530–520 BCE Kylix (stemmed drinking cup) Exterior: Apotropaic eyes and Athena battling Giants Interior medallion: Triton Black-figure technique on earthenware; after Exekias Museum Purchase through the Harlan E. -
On the Original of Two Piece of Glass Amphoriskos in Resun Museum*
KARADEN Z, 2018; (38) ON THE ORIGINAL OF TWO PIECE OF GLASS AMPHORISKOS IN RESUN MUSEUM* RESUN MÜZES ’NDEK CAM AMPHOR SKOS’UN ORJ NALL ÜZER NE Fevziye EKER** ABSTRACT The study includes observations on two glass amphoriskos in the group of archeological vessels in Giresun Museum. The artifacts that are gained to the museum by way of purchasing are protected in the storage. Amphoriskos were produced by using the core-formed technique. At first step, their photographs have been taken, the inventory information has been recorded and the catalog has been prepared. After the examination on these works, it has been tried to reach information about the production places of such glass vessels or the way of arriving to the city by considering the form and appearance characteristics. Furthermore, it has been emphasized whether the studied works are original or not. Key words: Giresun Museum, Glass, Amphoriskos, Core-Formed Technique, Fake Glass Vessels. ÖZ Çal ma, Giresun Müzesi’ndeki arkeolojik eserler grubunda yer alan 2 adet cam amphoriskos üzerine yap lan gözlemleri kapsamaktad r. Sat n alma yolu ile müzeye kazand lan eserler depoda korunmaktad r. Amphoriskoslar iç kal p tekni i kullan larak üretilmi tir. Eserlerin ilk olarak foto raf çal mas yap lm , envanter bilgileri al nm ve katalog haz rlanm r. Bu eserler üzerinde yap lan inceleme sonras nda form ve bezeme özellikleri göz önünde tutularak bu tip cam kaplar n üretim yerleri veya kente geli ekli konusunda bilgilere ula lmaya çal lm r. Ayr ca incelenen eserlerin orijinal olup olmad klar üzerinde durulmu tur. Anahtar Kelimeler: Giresun Müzesi, Cam, Amhoriskos, ç Kal p Tekni i, Sahte Cam Kaplar. -
CMC-7332 the Social and Cultural Contexts of Historic Writing Practices.Indb
This pdf of your paper in The Social and Cultural Contexts of Historic Writing Practices is from the open-access on-line version of this book, available at: http:// books.casematepublishing.com/The_Social_and_Cultural_Contexts_of_Historic_ Writing_Practices.pdf. The work is licensed under the Creative Commons Attribution 3.0 Unported Licence. To view a copy of this license, visit http://creativecommons.org/licenses/ by/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for copying any part of the online work for personal and commercial use, providing author attribution is clearly stated. Materials provided by third parties remain the copyright of their owners. AN OFFPRINT FROM The Social and Cultural Contexts of Historic Writing Practices edited by Philip J. Boyes, Philippa M. Steele and Natalia Elvira Astoreca Hardback Edition: ISBN 978-1-78925-478-5 Digital Edition: ISBN 978-1-78925-479-2 (ePub) Oxford & Philadelphia Chapter 14 Why με? Personhood and agency in the earliest 1 Greek inscriptions (800–550 BC) James Whitley Introduction: the view from Methana The archaeological museum in Poros is not much visited. In summer, the harbours and jetties of Poros are crowded with yachts on their way from Athens to the islands of the Saronic Gulf and the Southern Argolid – Aegina, Poros, Hydra and Spetses. Few, however, stop to go to the museum. If you do you may very well miss this epigram (Fig. 14.1). Unlike the marble inscribed bases from Attica, where the inscriptions are highlighted in red (such as that of Kroisos2 that addresses a passer-by; see Table 14.3) the letters here are very hard to read, and the stone itself (volcanic trachyte) very unsuitable for an inscription.3 It does not aid legibility (or at least our notions of legibility) that the letters are inscribed ‘boustrophedon’, as the ox ploughs. -
GAR Volume 7 Issue 21 Cover and Front Matter
GREECE & ROME VOLUME VII OXFORD : AT THE CLARENDON PRESS PUBLISHED FOR THE CLASSICAL ASSOCIATION Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.219, on 02 Oct 2021 at 04:56:59, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0017383500005532 CONTENTS Number 19 (OCT. 1937) APROPOS OF TRANSLATION. By Randall Swingler . 1 THE DIRECT METHOD. By Alice M. Croft . .11 GEOMETRIC MAN. By R. P. Austin . .18 CATULLUS IN GEYSERLAND. By E. M. Blaiklock . 25 NEC ME TACEBIT BILBILIS. By H. Mattingly . 28 PARTY POLITICS AND FREE SPEECH IN DEMO- CRATIC ATHENS. By Lionel Pearson . 41 LATIN CROSSWORD SOLUTION—PROPER NAMES . 50 DOWN THE HIGH STREET. By W. F. Gosling . 51 LUDUS ELEGIACUS. By L. E. Eyres 56 VERSION. By H.Rackham . .58 LATIN CROSSWORD 59 REVIEWS ....... 60 DESCRIPTION OF SUPPLEMENTARY ILLUSTRA- TIONS. Plates XXV-XXVIII . 63 Number 20 (FEB. 1938) PERSEPOLIS. By G. Stott . 65 VERSIONS. ByK.D.R.. -75 THE PUBLIC GAMES OF THE ROMANS. By J. B. Poynton ....... 76 TRANSLATING POETRY. By W. H. Oldak* • . 86 HORACE'S CRITICISM OF LIFE. By Donald A. Mac- Naughton ........ 101 SOLUTION TO LATIN CROSSWORD 'LUDUS—A NONLUDENDO' . .114 HERESIES. VI—THE THIRD CONCORD. By J. W. Haime . .115 GREEK CROSSWORD . .118 READERS'QUERIES - - . - .119 VERSION. By A. D. Nightingale . .120 REVIEWS ....... 122 BOOKS RECEIVED . 126 DESCRIPTION OF SUPPLEMENTARY ILLUSTRA- TIONS. Plates XXIX-XXXII . .127 Downloaded from https://www.cambridge.org/corePrinted. IP address: in Great 170.106.40.219 Britain, on 02 Oct 2021 at 04:56:59, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. -
The Areopagos Oval Building Reconsidered*
The Areopagos Oval Building Reconsidered* Floris van den Eijnde, Michael Laughy Introduction The Areopagos Oval Building (AOB) provides a rare insight into Athenian architecture during the Geometric period, a time in which the archaeological record is mostly confined to graves . Dorothy Burr’s original 1933 publication of the building remains an exemplary and exhaustive presentation of the archaeological evidence (Burr 1933) . Burr identified the structure as a house (e .g . Burr 1933, 637) . In 1968, however, Homer Thompson suggest- ed that the structure served a cult for the dead rather than a domestic house (Thompson 1968, 58-60; 1978) . He based his theory on the seemingly isolated position of the building, its superposition directly over an EG I child’s burial, and its proximity to nearby burials (fig. 1) . Thompson also suggested that “a thin, low stone socle for the bounding wall, a clay floor cobbled in part, and traces of burning on the floor, would be equally and perhaps more ap- propriate to a temenos open to the sky” (Thompson 1968, 60) . A large PA votive deposit covered much of the building’s collapsed remains . This depos- it included fine pottery, figurines of horses and chariots, rectangular pinakes, and miniature terracotta shields . Burr suggested that the deposit was not associated with the AOB, but rather was refuse from a nearby sanctuary (Burr 1933, 636-640) . For Thompson, the depos- it secured the AOB’s identity as a shrine, for he considered the votive assemblage “closely matched in the votive deposit found in the dromos of the Mycenaean tholos tomb at Meni- dhi,” and therefore suitable for a “cult of the dead” (Thompson, 1968, 60) . -
Introduction to Sleep Under Stone
Stones of Contradiction: An Introduction to Sleep Under Stone Artist’s rendering of Homeric Troy In the summer of 2002, I went on a writing retreat in Oregon to try to finish a novel, or what I hoped was a novel, which I had started some eight years earlier. It was the story of the fall of Troy, certainly among the oldest and most frequently retold tales in Western literature. Why, any thoughtful reader might ask, revisit such an old story? What relevance does a dusty war-myth have in the contemporary world? Troy level VI (Homeric period)excavated by Heinrich Schleimann The short answer is, I don’t know. Stories exist in the air all around us, and why we pluck one and not another when we reach up in an idle or desperate moment, I can’t say. But the long answer, if you have the time 1 to explore this with me, is that no matter what we are writing, every poem or story is a lifetime in the making, and this one stretches back a number of years. My interest in the Trojan War is an old one, inspired partly by a trip to Greece and Crete in May of 1975 when I first saw the archeological sites of the Mycenaean and Minoan cultures. That summer, I also had the chance to work on an Etruscan dig at Artimino, a village outside Florence where I was studying. But even before that, my fascination with the interface between history and mythology probably was kindled by my first reading of Homer’s and Virgil’s epics and the Oresteian Trilogy when I was in high school. -
Corpus Vasorum Antiquorum, Fascicule 5
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 29 The J. Paul Getty Museum, Malibu, Fascicule 5 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Mycenaean, Faience, East Greek, Proto-Corinthian, Corinthian, Laconian, Euboean, Chalcidian, Attic geometric, Attic black-figure, Attic network, Attic black body, Attic black glaze, Apulian, Gnathia, Daunian, Lucanian, Campanian, Sicilian, Lead glaze, and Arretine MARIT R. JENTOFT-NILSEN in collaboration with A. D. TRENDALL THE J. PAUL GETTY MUSEUM FASCICULE 5 • [U.S.A. FASCICULE 29] 1994 LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23, 29) At head of title : Union académique internationale. Includes bibliographical references and indexes. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes / Andrew J. Clark—[etc.]— fasc. 5. Molly and Walter Bareiss Collection: Mycenaean, Faience, East Greek, Proto-Corinthian, Corinthian, Laconian, Euboean, Chalcidian, Attic geometric, Attic black-figure, Attic network, Attic black body, Attic black glaze, Apulian, Gnathia, Daunian, Lucanian, Campanian, Sicilian, Lead glaze and Arretine/ Marit R. Jentoft-Nilsen in collaboration with A. D. Trendall. 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu— Catalogs. I.J. Paul Getty Museum—Catalogs. II. Clark, Andrew J., 1949- III. Jentoft-Nilsen, Marit R., 1938- . IV. -
Revista Romaneasca Pentru Educatie Multidimensionala
Revista Romaneasca pentru Educatie Multidimensionala Romanian Journal for Multidimensional Education ISSN: 2066 – 7329 (print), ISSN: 2067 – 9270 (electronic) Covered in: Index Copernicus, Ideas RePeC, EconPapers, Socionet, Ulrich Pro Quest, Cabbel, SSRN, Appreciative Inquiry Commons, Journalseek, Scipio, EBSCO, DOAJ Aspecte ale ceramicii antichităţii pe teritoriul României: de la olăria profană la cea paleocreştină/ Aspects of Ancient Ceramics in Romania: from Secular to Paleo-Christian Pottery Ioana-Iulia OLARU Revista Romaneasca pentru Educatie Multidimensionala, 2013, Volume 5, Issue 1, June, pp:59-77 The online version of this article can be found at: http://revistaromaneasca.ro Published by: Lumen Publishing House On behalf of: Lumen Research Center in Social and Humanistic Sciences Aspecte ale ceramicii antichităţii pe teritoriul României: de la olăria profană la cea paleocreştină/ Aspects of Ancient Ceramics in Romania: from Secular to Paleo-Christian Pottery 1 Ioana-Iulia OLARU Abstract In the two border provinces – Dacia Traiana and Scythia Minor – ceramic pots prove the spreading of the Roman Empire’s art on the territory of our country today. One of the debated problems of the present paper is the propagandistic importance of this field of ornamental arts which, more easily and more rapidly than sculpture and architecture, brought the Roman features in all corners of the conquered world. Forms and decorations, and even their presence in the provinces was a proof of the existence of the Roman way of living in that area, in connection with the autochthonous basis and then, a proof of the spreading of the new religion, Christianity. Moreover, the present paper records the general aspects of pottery, and also the evolution of the technique used (from the procedures through which common pottery was used, to those of obtaining luxury ceramics – terra sigilata, terra estampata), but also the evolution of forms and their decor, from amphorae and big cley pots with two lugs, to cups and plates. -
The Symposium in Context (Hesp.Suppl. 46): Sample
the symposium in context the symposium Kathleen Lynch is Associate Profes- This book presents the first well- sor in the Department of Classics at the preserved set of sympotic pottery recov- University of Cincinnati. She has worked “The major objectives of the study are excellent ered from a household near the Athenian on sites in Italy, Greece, Albania, and ones, and reflect the best current directions of Agora. The deposit contains utilitarian Turkey. pottery studies . [They] demonstrate deci- and fine-ware pottery, nearly all the -fig ured pieces of which are forms associated sively how much greater the whole is than the with communal drinking. The archaeo- sum of its parts.” logical context allows the iconography of the figured wares to be associated — Nicholas D. Cahill, Professor of Art History, with a specifically Athenian worldview, University of Wisconsin-Madison in contrast to Attic figured pottery made the symposium for export markets. Since it comes from in context a single house, the pottery reflects the purchasing patterns and thematic prefer- Pottery from a Late Archaic House ences of the homeowner. The multifac- near the Athenian Agora eted approach adopted here shows that meaning and use are inherently related, and that through archaeology we can restore a context of use for a class of objects frequently studied in isolation. “[This book] contributes valuable information about what an Athenian family was actually using, which helps us make inferences about their behavior. Readers will find it useful and interesting to examine a household assem- blage, especially to be able to study an Athenian house’s well-preserved assortment of pottery KATHLEEN M.