The Areopagos Oval Building Reconsidered*
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CLIL Multikey Lesson Plan LESSON PLAN
CLIL MultiKey lesson plan LESSON PLAN Subject: Art History Topic: The Athenian acropolis Students' age: 14-15 Language level: B1 Time: 2 hours Content aims: Art History (and a bit of History) on ancient Greece and the poleis. To describe an artistic element of an ancient city To understand the political role of Art and Religion in Ancient Greece Language aims: - Listening activity - Learn and use new vocabulary - Knowledge of technical art and history vocabulary Pre-requisites: - Geographical and cartographical skill - Knowledge of Greek history from the Persian wars to Pericles; - The role of the city in the world Materials: - Personal computer - handouts Procedure steps: Teacher starts explaining the geographical asset: where is Greece in Europe, where is Athens, arriving to the map that shows the metropolis in the details. Then after a short brainstorming activity about the poleis, (birth and main characters) arrives to the substantial continuity of the word polis in English. Which are the words deriving from polis? acropolis, necropolis, metropolis, metropolitan; megalopolis, cosmopolitan; Politics Policy Police T. shows map and asks: 1 CLIL MultiKey lesson plan Where are the acropolis and the necropolis of Athens? Then t. shows a video, inviting students to understanding the following items: - Which was the Athenian political role? - Which politicians are quoted? Why? When do they live? - Which are the most relevant urban changes for Athens? Finally teacher invites students to complete the handout 2 CLIL MultiKey lesson plan HANDOUT a) Sites references: Image coins: http://www.ancientresource.com/lots/greek/coins_athens.html http://blogs-images.forbes.com/stephenpope/files/2011/05/300px-1_euro_coin_Gr_serie_1.png Athena's birth: http://galeri7.uludagsozluk.com/282/zeus_454246.png b) vvideos's transcripts 1) https://www.khanacademy.org/humanities/ancient-art-civilizations/greek-art/classical/v/parthenon Transcript Voiceover: We're looking at the Parthenon. -
Applying Modern Immunology to the Plague of Ancient Athens
Pursuit - The Journal of Undergraduate Research at The University of Tennessee Volume 10 Issue 1 Article 7 May 2020 Applying Modern Immunology to the Plague of Ancient Athens Juhi C. Patel University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/pursuit Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Disease Modeling Commons, and the Epidemiology Commons Recommended Citation Patel, Juhi C. (2020) "Applying Modern Immunology to the Plague of Ancient Athens," Pursuit - The Journal of Undergraduate Research at The University of Tennessee: Vol. 10 : Iss. 1 , Article 7. Available at: https://trace.tennessee.edu/pursuit/vol10/iss1/7 This Article is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Pursuit - The Journal of Undergraduate Research at The University of Tennessee by an authorized editor. For more information, please visit https://trace.tennessee.edu/pursuit. Applying Modern Immunology to the Plague of Ancient Athens Cover Page Footnote The author would like to thank Dr. Aleydis Van de Moortel at the University of Tennessee for research supervision and advice. This article is available in Pursuit - The Journal of Undergraduate Research at The University of Tennessee: https://trace.tennessee.edu/pursuit/vol10/iss1/7 1.1 Introduction. After the Persian wars in the early fifth century BC, Athens and Sparta had become two of the most powerful city-states in Greece. At first, they were allies against the common threat of the Persians. -
Athens Guide
ATHENS GUIDE Made by Dorling Kindersley 27. May 2010 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Athens guide Top 10 Acropolis The temples on the “Sacred Rock” of Athens are considered the most important monuments in the Western world, for they have exerted more influence on our architecture than anything since. The great marble masterpieces were constructed during the late 5th-century BC reign of Perikles, the Golden Age of Athens. Most were temples built to honour Athena, the city’s patron goddess. Still breathtaking for their proportion and scale, both human and majestic, the temples were adorned with magnificent, dramatic sculptures of the gods. Herodes Atticus Theatre Top 10 Sights 9 A much later addition, built in 161 by its namesake. Acropolis Rock In summer it hosts the Athens Festival (see Festivals 1 As the highest part of the city, the rock is an ideal and Events). place for refuge, religion and royalty. The Acropolis Rock has been used continuously for these purposes since Dionysus Theatre Neolithic times. 10 This mosaic-tiled theatre was the site of Classical Greece’s drama competitions, where the tragedies and Propylaia comedies by the great playwrights (Aeschylus, 2 At the top of the rock, you are greeted by the Sophocles, Euripides) were first performed. The theatre Propylaia, the grand entrance through which all visitors seated 15,000, and you can still see engraved front-row passed to reach the summit temples. marble seats, reserved for priests of Dionysus. Temple of Athena Nike (“Victory”) 3 There has been a temple to a goddess of victory at New Acropolis Museum this location since prehistoric times, as it protects and stands over the part of the rock most vulnerable to The Glass Floor enemy attack. -
Planning Development of Kerameikos up to 35 International Competition 1 Historical and Urban Planning Development of Kerameikos
INTERNATIONAL COMPETITION FOR ARCHITECTS UP TO STUDENT HOUSING 35 HISTORICAL AND URBAN PLANNING DEVELOPMENT OF KERAMEIKOS UP TO 35 INTERNATIONAL COMPETITION 1 HISTORICAL AND URBAN PLANNING DEVELOPMENT OF KERAMEIKOS CONTENTS EARLY ANTIQUITY ......................................................................................................................... p.2-3 CLASSICAL ERA (478-338 BC) .................................................................................................. p.4-5 The municipality of Kerameis POST ANTIQUITY ........................................................................................................................... p.6-7 MIDDLE AGES ................................................................................................................................ p.8-9 RECENT YEARS ........................................................................................................................ p.10-22 A. From the establishment of Athens as capital city of the neo-Greek state until the end of 19th century. I. The first maps of Athens and the urban planning development II. The district of Metaxourgeion • Inclusion of the area in the plan of Kleanthis-Schaubert • The effect of the proposition of Klenze regarding the construction of the palace in Kerameikos • Consequences of the transfer of the palace to Syntagma square • The silk mill factory and the industrialization of the area • The crystallization of the mixed suburban character of the district B. 20th century I. The reformation projects -
On the Original of Two Piece of Glass Amphoriskos in Resun Museum*
KARADEN Z, 2018; (38) ON THE ORIGINAL OF TWO PIECE OF GLASS AMPHORISKOS IN RESUN MUSEUM* RESUN MÜZES ’NDEK CAM AMPHOR SKOS’UN ORJ NALL ÜZER NE Fevziye EKER** ABSTRACT The study includes observations on two glass amphoriskos in the group of archeological vessels in Giresun Museum. The artifacts that are gained to the museum by way of purchasing are protected in the storage. Amphoriskos were produced by using the core-formed technique. At first step, their photographs have been taken, the inventory information has been recorded and the catalog has been prepared. After the examination on these works, it has been tried to reach information about the production places of such glass vessels or the way of arriving to the city by considering the form and appearance characteristics. Furthermore, it has been emphasized whether the studied works are original or not. Key words: Giresun Museum, Glass, Amphoriskos, Core-Formed Technique, Fake Glass Vessels. ÖZ Çal ma, Giresun Müzesi’ndeki arkeolojik eserler grubunda yer alan 2 adet cam amphoriskos üzerine yap lan gözlemleri kapsamaktad r. Sat n alma yolu ile müzeye kazand lan eserler depoda korunmaktad r. Amphoriskoslar iç kal p tekni i kullan larak üretilmi tir. Eserlerin ilk olarak foto raf çal mas yap lm , envanter bilgileri al nm ve katalog haz rlanm r. Bu eserler üzerinde yap lan inceleme sonras nda form ve bezeme özellikleri göz önünde tutularak bu tip cam kaplar n üretim yerleri veya kente geli ekli konusunda bilgilere ula lmaya çal lm r. Ayr ca incelenen eserlerin orijinal olup olmad klar üzerinde durulmu tur. Anahtar Kelimeler: Giresun Müzesi, Cam, Amhoriskos, ç Kal p Tekni i, Sahte Cam Kaplar. -
The Athenian Empire
Week 8: The Athenian Empire Lecture 13, The Delian League, Key Words Aeschylus’ Persians Plataea Mycale Second Ionian Revolt Samos Chios Lesbos Leotychidas Xanthippus Sestos Panhellenism Medizers Corinth Common Oaths Common Freedom Asia Minor Themistocles Pausanias Dorcis Hegemony by Invitation Aristides Uliades of Samos Byzantium Hybris Delos Ionia Hellespont Caria Thrace NATO UN Phoros Hellenotamias Synod Local Autonomy 1 Lecture 14, From League to Empire, Key Words Eion Strymon Scyros Dolopians Cleruchy Carystus Naxos Eurymedon Caria Lycia Thasos Ennea Hodoi Indemnity Diodorus Thucydides Athenian Imperial Democracy Tribute Lists Garrisons 2 Chronological Table for the Pentekontaetia 479-431 481/0 Hellenic League, a standard offensive and defensive alliance (symmachia), formed with 31 members under Spartan leadership. 480/79 Persian War; battles under Spartan leadership: Thermopylae (King Leonidas), Artemesium and Salamis (Eurybiades), Plataea (Pausanias), and Mycale (King Leotychides). 479 Thank-offerings dedicated at Delphi for victory over Persia including serpent column listing 31 cities faithful to “the Hellenes”. Samos, Chios, and Lesbos, and other islanders enrolled in the Hellenic League. Sparta, alarmed by the growth of Athenian power and daring, send envoys to urge the Athenians not to rebuild their walls, but Themistocles rejects the idea and tricks the envoys; Athenians rebuild walls using old statues as ‘fill’, while Themistocles is on diplomatic mission to Sparta. Following the departure of Leotychides and the Peloponnesian contingents, Xanthippus and the Athenians cross over to Sestos on the European side of the Hellespont, lay siege to the town, and capture the Persian fortress. Themistocles persuades the Athenians to complete fortifications at Piraeus, begun in 492; while Cimon promotes cooperation with Sparta, Themistocles hostile to the hegemon of the Peloponnesian and Hellenic leagues; attempts to rouse anti-Spartan feelings. -
CMC-7332 the Social and Cultural Contexts of Historic Writing Practices.Indb
This pdf of your paper in The Social and Cultural Contexts of Historic Writing Practices is from the open-access on-line version of this book, available at: http:// books.casematepublishing.com/The_Social_and_Cultural_Contexts_of_Historic_ Writing_Practices.pdf. The work is licensed under the Creative Commons Attribution 3.0 Unported Licence. To view a copy of this license, visit http://creativecommons.org/licenses/ by/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for copying any part of the online work for personal and commercial use, providing author attribution is clearly stated. Materials provided by third parties remain the copyright of their owners. AN OFFPRINT FROM The Social and Cultural Contexts of Historic Writing Practices edited by Philip J. Boyes, Philippa M. Steele and Natalia Elvira Astoreca Hardback Edition: ISBN 978-1-78925-478-5 Digital Edition: ISBN 978-1-78925-479-2 (ePub) Oxford & Philadelphia Chapter 14 Why με? Personhood and agency in the earliest 1 Greek inscriptions (800–550 BC) James Whitley Introduction: the view from Methana The archaeological museum in Poros is not much visited. In summer, the harbours and jetties of Poros are crowded with yachts on their way from Athens to the islands of the Saronic Gulf and the Southern Argolid – Aegina, Poros, Hydra and Spetses. Few, however, stop to go to the museum. If you do you may very well miss this epigram (Fig. 14.1). Unlike the marble inscribed bases from Attica, where the inscriptions are highlighted in red (such as that of Kroisos2 that addresses a passer-by; see Table 14.3) the letters here are very hard to read, and the stone itself (volcanic trachyte) very unsuitable for an inscription.3 It does not aid legibility (or at least our notions of legibility) that the letters are inscribed ‘boustrophedon’, as the ox ploughs. -
GAR Volume 7 Issue 21 Cover and Front Matter
GREECE & ROME VOLUME VII OXFORD : AT THE CLARENDON PRESS PUBLISHED FOR THE CLASSICAL ASSOCIATION Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.219, on 02 Oct 2021 at 04:56:59, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0017383500005532 CONTENTS Number 19 (OCT. 1937) APROPOS OF TRANSLATION. By Randall Swingler . 1 THE DIRECT METHOD. By Alice M. Croft . .11 GEOMETRIC MAN. By R. P. Austin . .18 CATULLUS IN GEYSERLAND. By E. M. Blaiklock . 25 NEC ME TACEBIT BILBILIS. By H. Mattingly . 28 PARTY POLITICS AND FREE SPEECH IN DEMO- CRATIC ATHENS. By Lionel Pearson . 41 LATIN CROSSWORD SOLUTION—PROPER NAMES . 50 DOWN THE HIGH STREET. By W. F. Gosling . 51 LUDUS ELEGIACUS. By L. E. Eyres 56 VERSION. By H.Rackham . .58 LATIN CROSSWORD 59 REVIEWS ....... 60 DESCRIPTION OF SUPPLEMENTARY ILLUSTRA- TIONS. Plates XXV-XXVIII . 63 Number 20 (FEB. 1938) PERSEPOLIS. By G. Stott . 65 VERSIONS. ByK.D.R.. -75 THE PUBLIC GAMES OF THE ROMANS. By J. B. Poynton ....... 76 TRANSLATING POETRY. By W. H. Oldak* • . 86 HORACE'S CRITICISM OF LIFE. By Donald A. Mac- Naughton ........ 101 SOLUTION TO LATIN CROSSWORD 'LUDUS—A NONLUDENDO' . .114 HERESIES. VI—THE THIRD CONCORD. By J. W. Haime . .115 GREEK CROSSWORD . .118 READERS'QUERIES - - . - .119 VERSION. By A. D. Nightingale . .120 REVIEWS ....... 122 BOOKS RECEIVED . 126 DESCRIPTION OF SUPPLEMENTARY ILLUSTRA- TIONS. Plates XXIX-XXXII . .127 Downloaded from https://www.cambridge.org/corePrinted. IP address: in Great 170.106.40.219 Britain, on 02 Oct 2021 at 04:56:59, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. -
Rhetoric and the Architecture of Empire in the Athenian Agora
Rhetoric and the Architecture of Empire inthe Athenian Agora Submitted by John Vandenbergh Lewis B.Arch., University of Arizona Tucson, Arizona May, 1992 Submitted to the Department of Architecture in partial fulfillment of the requirements for the degree Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 1995 John Vandenbergh Lewis, 1995. All rights reserved. The author hereby grants to the Massachusetts Institute of Technology permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. I A A Signature of the Author Jo Vandenbergh Lewis Depa* ent of Architecture, May 12, 1995 Certified by IrP u Julian Beinarl Professor of Architecture I Accepted by I I Roy Strickland Chairman, Department of Architecture Committee on Graduate Students MASSACHUSETTS INSTJTUTE OF TECHNOLOGY JUL 251995 4ROtd Rhetoric and the Architecture of Empire inthe Athenian Agora by John Vandenbergh Lewis Submitted to the Department of Architecture May 12, 1995 in partial fulfillment of the requirements for the degree of Master of Science inArchitecture Studies Abstract The various political regimes of ancient Athens established and legitimated their power through civic architecture and public rhetoric in the agora. A study of the parallel developments of architectural and rhetorical form, supported by previously published archaeological evidence and the well documented history of classical rhetoric, demonstrates that both served to propel democracy and, later, to euphemize the asymmetrical power structures of the Hellenistic and Roman empires. In addition, civic architecture and rhetoric worked in unison following analogous patterns of presentation in civic space. Civic imperial architecture in the agora may be thus understood to function as the stageset and legitimator of imperial political rhetoric in the agora. -
Introduction to Sleep Under Stone
Stones of Contradiction: An Introduction to Sleep Under Stone Artist’s rendering of Homeric Troy In the summer of 2002, I went on a writing retreat in Oregon to try to finish a novel, or what I hoped was a novel, which I had started some eight years earlier. It was the story of the fall of Troy, certainly among the oldest and most frequently retold tales in Western literature. Why, any thoughtful reader might ask, revisit such an old story? What relevance does a dusty war-myth have in the contemporary world? Troy level VI (Homeric period)excavated by Heinrich Schleimann The short answer is, I don’t know. Stories exist in the air all around us, and why we pluck one and not another when we reach up in an idle or desperate moment, I can’t say. But the long answer, if you have the time 1 to explore this with me, is that no matter what we are writing, every poem or story is a lifetime in the making, and this one stretches back a number of years. My interest in the Trojan War is an old one, inspired partly by a trip to Greece and Crete in May of 1975 when I first saw the archeological sites of the Mycenaean and Minoan cultures. That summer, I also had the chance to work on an Etruscan dig at Artimino, a village outside Florence where I was studying. But even before that, my fascination with the interface between history and mythology probably was kindled by my first reading of Homer’s and Virgil’s epics and the Oresteian Trilogy when I was in high school. -
Laconian Clay and Bronze Oinochoae with Plastic Decora- Tions
BaBesch 74 (1999) Laconian clay and bronze oinochoae with plastic decora- tions Paola Pelagatti and Conrad Stibbe Part 1 shown to have a Laconian provenance in the survey recently conducted in Sicily. Fragments of the same ware were also reported by D. Williams at Aegina, INTRODUCTION. in the sanctuary of Aphaia, and by R. Catling fol- lowing an extensive survey in Laconia itself1. When Arthur Lane wrote his fundamental study on The presence of this form2 – until recently almost Laconian pottery, published in BSA 34 (1933-'34) unattested outside Sparta – had already been 99-189, he did not have much to tell about Laconian reported by Boardman and Hayes on the other side oinochoae. Just half a page was enough for the of the Western Mediterranean, at Tocra (ancient whole story (p. 145). The shape was “very common Taucheira) in Libya3. at Sparta, but few were exported”, he noted. Some years earlier, E. Kunze and B. B. Shefton, Since then the situation has changed considerably. publishing material respectively from Olympia and Now we know that in fact many Laconian trefoil- Perachora4, had recognized two tiny palmettes with mouthed oinochoae, black-figured and, above all, snake finials as belonging to Laconian oinochoae, black-glazed, were exported from the second half of in the plastically decorated version. They had con- the seventh century, through most of the sixth B.C. nected them with some equally miniscule fragments With the help of bronze oinochoae, which recently from the sanctuary of Artemis Orthia at Sparta, have been identified as Laconian, the story of the where complete plain black forms are lacking. -
National Hellenic Civilization Exam Study Guide (All Levels)
National Hellenic Civilization Exam Study Guide (All Levels) This guide was arranged by Connor Harrison using Justin Byrd’s Hellenic History & Greek Literature Study Guides and Paul Chong’s Greek Life & Literature Notes. Greek Alphabet Capitals Α Β Γ Δ Ζ Η Θ Ι Κ Λ Μ Ν Ξ Ο Π Ρ Σ Τ Υ Φ Χ Ψ Ω Lower Case α β γ δ ζ η θ ι κ λ μ ν ξ ο π ρ σ/ς τ υ φ χ ψ ω Unusual letters: Digamma: igamma or Wau (uppercase/lowercase Ϝ ϝ ς) was an old letter of the Greek alphabet. It was used before the alphabet converted its classical standard form. It looked like a Latin "F", but it was pronounced like "w". In the 5th century BC, people stopped using it because they could no longer pronounce the sound "w" in Greek. However, they kept it as a sign for the number "6" in the system of Greek numerals (Wikipedia). Koppa: Koppa or Qoppa (uppercase/lowercase Ϙ ϙ) was a letter of the Greek alphabet that was used in some Greek cities before the alphabet got its classic standard form. It is no longer used in normal writing today. It was pronounced as "k", just like Kappa (Κ). In the 5th century BC, people stopped using it and it fell out of use. Kappa then replaced it (Wikipedia). History Minoans & Mycenaeans (Pre-Hellenic) Minoans ● Crete, double ax (labyrinth), paintings, bulls ● Main Cities: Knossos (main palace complex), Phaestos (Phaistos disk), Kata Zakro, Mallia Mycenae ● Cyclopean masonry, a relieving triangle, The Lion’s Gate Political offices ● wanax: king ● lawagetas: general ● koreter: governor ● prokoreter: vice governor ● damokoros: record keeper Circle A: Burial Tholos tombs: "Beehive tombs", tomb of Agamemnon (there's a golden death mask, Schliemann: "I have gazed upon the face of Agamemnon") Phoenicians ● writing after Dark Age, became Greek alphabet in 8th century BC ● worked together with Greeks to colonize the Mediterranean Colonies and Early History of City States ● Hellenic history officially begins in 776, with the first Olympics (Olympiad.