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Home , Anne Reid, Father Ted, Yes Minister

November 015 | No. 5 | Bimonthly www.bromleylittletheatre.org

The oFFiCiAL orGAN oF

MiChAeL YorK oBe PRESIDENT: • Reviews: Yes, Prime Minister | Invincible | Anne Reid charity evening • Previews: Good People | Doubt: A Parable | The Ladykillers + events Diary • Noticeboard 1 Kerrin Roberts and Bruce Wallace in BLT chair Key contacts BLT’s September 2015 production of Yes, Prime Minister.

For quite a long time now, we have been Key contact areas: able to help many deserving charities raise funds by opening our final dress rehearsals [email protected] - [email protected] on the Thursday before the first night of our main house productions to an audi ence invited by the charity. Alison Dunkley Chairman: [email protected] has been in charge of the organisation of Key: Jane Buckland these events for a number of years and- Photo: Tim Hinchliffe (www.timhinchliffe.com) Tim Hinchliffe Photo: has worked very hard with the charities to make these evenings such an enjoy Finance: able and productive part of BLT life. We are very grateful to her. She has decided Key: Howard Binysh [email protected] to step down and Emma Kerby-Evans will take over the running of the charity nights. Artistic: Thank you very much Alison and thank you Emma for picking up the baton. Keys:[email protected] Pauline Armour / Jane Buckland W I hope you’ve had a chance to look at our Tel: 07984 722308 e are very fortunate at BLT in that Spotlights 2016 season which was published in the- the revenue generated from ticket last edition of . It’s one of our Youth group: sales and membership fees covers the most interesting ones to date in my opin cost of putting on our productions and the ion. Our artistic director, Pauline Armour, - general running of the theatre. This happy [email protected] has chosen some works by wellOne known Man, Two situation of being able to live within our Membership: - Guvnorswriters, Coward, Hardy, Wilde, Pinter, Rat means is only possible because of the tens, tigan, a blockbuster comedy, or even perhaps over a whole season, hun , and a range of newer and more - [email protected] dreds, of people who give their time and Key: Christina Jeremiah challenging plays. Here at BLT we have Tel: 07871 155216 expertise for free. The actors and directors, always been delighted by the way our audi front-of-house, bar, coffee and ticket office ences will come and see less well known Box office: volunteers are perhaps the most visible, productions and this means we can offer but every production requires someone to a much more varied programme. We leave [email protected] operate the sound and lights each night, a ten-year gap before repeating any play, Key: Paul Ackroyd Tel: 079178 53621 someone to organise props and help with but if there is something you would really quick changes backstage, build the set etc.- like to see on the stage in 2017 please get Spotlights magazine: If a loo or gutter gets blocked, someone has in touch with Pauline with your suggestion [email protected] to deal with the problem; every member and she will consider it. ship application (over 900 in a typical Key: Stevie Hughes year) needs to be processed; the costumes Our membership period runs from January [email protected] have to be kept organised and in good to December but you can start renewing your membership now (see page 6). Please repair; the wine, ice cream, paper towels Website: have to be bought and replaced; someone encourage friends to join, as the price of has to organize all our publicity and charity membership is very quickly recouped from Key: Stevie Hughes [email protected] nights and I haven’t even mentioned youth lower ticket prices (members get a third off of the full ticket price). From January group, finance, building maintenance“Some and- 2016, there will also be priority booking Publicity: onemany ought other to jobs. … ” So if you find yourself at BLT thinking or saying the phrase: for members. The details of our new Key: Pat Jones , why not become that arrangements can be found on page 4. [email protected] someone? New people and new ideas are Finally, do join our Facebook group for essential if we are to continue to thrive. more informal news and comment about Bar: Key: Peter Yolland I’m afraid you may have seen the odd BLT. It is a closed group, so you may need bucket around the theatre in bad weather to wait a day or two for approval but it is catching leaks. We are in quite complex another useful way of staying in touch with negotiations with our landlords about our little community and sharing thoughts – Jane Buckland, BLT chair major roof repairs and are not ignoring and ideas. the problem but it may take some time to Bromley Little Theatre resolve. It is important that we find the right way to repair but also to develop this Registeredwww.BromleyLittleTheatre.org Charity No. 1132561 unique building so that it continues to be at President: Michael York OBE the heart of Bromley’s artistic life for many years to come. Spotlights COVER: ‘Spotlights’ is designed and typeset by: Bob Etherington and Kerrin Roberts in is published by Bromley Little BLT’s September 2015 production of Theatre Ltd., NorthSpotlights Street, Bromley, Kent 07789 123719 BR1 1SB. Any views or opinions expressed Yes, Prime Minister graphic design • web design • sound design by individuals in are done so Call: [email protected] www.triocreative.com Photo: Phil Cairns (http://philcairns.zenfolio.com) independently and are not necessarily the   opinions of Bromley Little Theatre Ltd. or  its directors. Review September 2015 Diary Noticeboard & Dates Latest News important changes to Playgoers’ chair’s address: 015/01 ticket sales Fri 6 - Sat 14 Nov 2015 at 7.45pm F y apologies for not reporting to you rom January 2016, we are changing for some time. I seemed to keep Good People our premises licence which will enable missing the deadline while I was away trav- non-members (ie the general public) to buy elling. However,Spotlights. I know that my colleagues Directed by Hilary Cordery have kept you informed of all the changes by David Lindsay-Abaire tickets for our productions. Anyone will be able to purchase a full price £12 ticket throughM Thu 19 - Sun 22 Nov 2015 at 7.45pm for a main house show and guests of mem- Doubt: A Parable bers will no longer need to be signed in. As you may know, BLT is changing to a Ticket prices will remain the same. Public Licence which means that we can sell tickets to the public, and it is the I� T�� B�� I� T�� Directed by Mike Darbon by John Patrick Shanley We’ve outlined the new system below but if intention to start doing this in the New you have any questions, please contact our Fri 4 - Sat 12 Dec 2015 at 7.45pm What has changed? Year. In order for this to run smoothly, box office. training is already in progress for volunteers The Ladykillers in all aspects of front-of-house. More are needed, so please consider whether there • A priority booking system for members Directed by Mike Savill is an area in which you could help. Please by will be introduced: non-members will get in touch as soon as possible – we would be able to buy full price tickets for our love to have you. 2016 shows one month before the show opens – after the members’ priority I decided early on, when it became clear Fri 15 - Sat 23 Jan 2016 at 7.45pm booking period ends, that the Public Licence required the way Blithe Spirit • Guests of members will no longer need the bar was managed needed to change, Whatto be stays signed the in. same? that it was time for me to retire. I welcome Directed by Stevie Hughes the freedom that this has given me to follow by Noël Coward other interests and do some more travel- Thu 28- Sun 31 Jan 2016 at 7.45pm • Members will be able to book tickets for ling among other things. I wish the new The Believers themselves and for their non-member bar manager and his team every success. guests as soon as booking opens for a It has been a pleasure looking after your show, ie approximately three months in watering hole and meeting some really I� T�� B�� I� T�� Directed by Jessica-Ann Jenner by Bryony Lavery advance. great people. Speaking of which, we have Spotlights some really great people on the Playgoers Fri 12 - Sat 20 Feb 2016 at 7.45pm • Members will continue to receive six A charity evening with Committee; they all work incredibly hard editions of a year. When The rain to keep the theatre running. My thanks to Stops Falling • ‘In The Bar’ shows: only members may them all for their continued support. purchase tickets for themselves and non-member guests. I shall still be around from time to time, Anne reid Directed by Jane Lobb must although doing something less arduous. by Andrew Bovell • If you act, direct, or work on a show Fri 11 - Sat 19 Mar 2016 at 7.45pm backstage, you be a member. Our actors are still doing us proud with Anne’s approach to acting is refreshingly simple: “It’s a knack,” Far From The Please spread the word that anyone can some amazing performances. You all do such a good job – not forgetting the directors she said, “you can either do it or you can’t!” (she didn’t feel that now buy tickets for shows at BLT. RADA taught her very much) and Anne’s philosophy if you Madding Crowd Blithe Spirit and backstage crews, so thank you so much. Tickets for January 2016’s production of go wrong: “Well it’s only show business, they can’t kill you!” Best wishes to you all and thank you for Directed by Kay O’Dea will soon be on sale for BLT Now, at the age of 80 (which I was astonished to hear), by Thomas Hardy. Adapted by Mark Healy members, and the general public will your continued support and just a reminder Anne said she was amazed to find herself in greater Fri 8 - Sat 16 Apr 2016 at 7.45pm to be thinking about renewing your member- demand than ever before and how grateful she is that be able to buy full price seats from 15th fter the success of last year’s BLT’s charity evening with Sir ship- Pauline (see page Pead, 6). Playgoers Chairman scripts now come to her and that she no longer needs The Lieutenant December 2015, once members’ priority , I was greatly looking forward to a similar evening to audition – something that she hates with a passion! of booking ends. in the company of Anne Reid, Derek Jacobi’s co-star in ITV’s enormously If you are an existing member please popular . Having been stuck in horrendous central And we learnt that it’s never too late in life to expand your renew your membership and continue to Spotlights deadline traffic, the conversation with Anne began late, but it was repertoire! Anne has recently begun performing in cabaret, (her Directed by Paul Campion A by Martin McDonagh enjoy all its benefits. • well worth the wait. love of singing equalling her passion for acting) and she told us that she is currently having a fantastic time touring with her Thu 21-Sun 24 Apr 2016 at 7.45pm Spotlights Our own Pat Jones, positively resplendent in a fabulous crystal An evening with … ? T own show. I would have loved to have heard her sing a song! 12he December deadline for 2015. contributions • for the evening gown, very ably and sensitively prompted Anne to talk The Long road next edition of (#54/Jan 2016) We also learnt that the charity to whom the evening was candidly both about her experiences as an actress andCoronation aspects is dedicated, the Motor Neurone Disease Association, is close F Streetof her personal life. Anne spoke honestly (and very amusingly)

I� T�� B�� I� T�� ollowing the two fantastic evenings Directed by Nikki Packham about her early days as Valerie Tatlock / Barlow in to Anne’s heart. Anne spoke very movingly of the loss of her by Shelagh Stephenson with Sir Derek Jacobi CBE and Dr Anne , after which she took a long break from the stage and brother to MND. The evening raised £1396.24 for the MNDA. Fri 6 - Sat 14 May 2016 at 7.45pm Reid MBE (see opposite page), we are won- screen to bring up her son. Her career resumed in the 1980’s and Anne was funny, modest, compassionate and down-to-earth. dering who you would like to see on BLT’s Dinnerladies other Desert Cities [email protected] highlights have included appearing as Jean in ’s The audience loved her, as did I. Hats off and huge thanks to Pat Jones stage next year. The Mother wonderful , and in the 2003 film, the title role of for organising and running the event so well. Here’s to the next one! - Hilary Cordery Directed by Jane Buckland Email with with ,Last Tango (for which In Halifax she was nominated by Jon Robin Baitz your ideas and we will see what we can do. for a Best Actress BAFTA). Most recently, Anne played Celia Except for I� T�� B�� shows, We don’t guarantee anything – it all in ITV’s huge hit series, , (one of my “The evening was fun! A great audience - I hope the one in New York is there are no performances on a Sunday. depends on the actor’s willingness and personal favourites!) for which she received aLTIH secondyay! British). as responsive. It was a very happy experience for me.” - Anne Reid.• Academy TV Award nomination for Best Actress (and Anne 4 availability, but we will certainly try! • 5 Noticeboard confirmed that there will be another series of – Patrick Neylan , Ruth Makepeace Previews and Stevie Hughes rehearsing for Fri 6 – Sat 14 Nov 2015 at 7.45pm Thu 19-Sun 22 Nov 2015 at 7.45pm Fri 4-Sat 12 Oct 2015 at 7.45pm BLT’s September 2015 ‘In The Bar’ (not Sun 8) (not Sun 6) production of Invincible In The Bar

Good People Doubt: A Parable The Ladykillers

Directed by Hilary Cordery Directed by Mike Darbon Directed by Mike Savill by David Lindsay-Abaire by John Patrick Shanley by Graham Linehan Doubt: A Parable avid Lindsay-Abaire’s sharply observed, , is the most decorated - ased on the Ealing comedy, and since acerbic but tender play explores the play on Broadway, with a total of 24 - reworked by the Coen Brothers in lives of the haves and the have-nots in awards to its name. Three years later, it be 2005, this Olivier-nominated adaptation present-day , USA. Single-mother came a major film, earning Oscar nomina by Graham Linehan infuses theFather classic Ted 50s Margie comes from the wrong side of the tions for actors, as well as the writer film with a modern day pace, punch and Doubt The IT Crowd tracks,D where making ends meet is a daily for Best Adapted Screenplay. sensibility.B Being the writer of struggle. When she loses her job as a cashier It is almost impossible to think about and (amongst many others), Membership application form at the ‘dollar store’, she becomes desperate. Linehan does not skimp on the comic lines without being aware of the context in which Learning that her old flame Mike is back it is written - post-9/11 America. Shanley and situations, and there is plenty for (Office use only) in town, she seeks him out, hopeful that as actors to sink their teeth into in terms of New application: q Renewal: q Chkd: Date: sets his play in 1964, when an equally a now affluent, well-respected doctor, he traumatised America is still trying to come verbal byplay and physical humour. might be the key to turning her life around...... to terms with the assassination of President The plot is, at least on the surface, very £16: q Couple £25: q £35: q £6: q £6: q £ What happens ultimately is comic, tragic Good People Kennedy the year before. straightforward: posing as musicians, a Subscriptions apply to the period from January to December Are you interested in taking an active part in the theatre? and extremely poignant. gang rent rooms in the house of a sweet Couples:Adult 2 adults at the same address (please list all below)Family Junior PleaseStudent tick below any activitiesDonation: that may interest you Sister Aloysius Beauvier believes in the use premiered originally on of fear and discipline to control both her little old lady, plotting to involve her as an Family: membership for 2 adults and under 16s at the same address (please list all below) (no experience necessary!) Broadway in 2011, when it won the New unwitting stooge in a heist job. As is often Juniors: under 16s at start of the year of membership pupils and staff. Parish priest and popular Students: full-time, over 16 (evidence may be required) York Drama Critics’ Circle Award for best teacher, Father Flynn, has a more relaxed the case, things go very wrong and events play, amongst others, and was nominated unravel with darkly hilarious results. Office approached to education. When a junior “A lunatic farce that’s as black as a policeman’s Title use only for two Tony awards. It premiered in sister shares her suspicion with Sister Date of Birth ActingDirectingBackstageWardrobeLightingSoundPropsSet BuildingBox OfficeFrontCoffee/Ice of HouseBar CreamPublicityAdmin London at the Hampstead Theatre last year hat, is as irresistible as ever.” Rabbit Aloysius that Father Flynn might be paying First name Last name (if under 16) with Imelda Staunton in the leading role. - Time Out Hole too much attention to a 12-year-old boy, The Ladykillers David Lindsay-Abaire’s earlier play, she sets off a battle of wills that becomes a , received the Pulitzer Prize for Drama. full-on crusade on the part of the hard-line “Thoughtful, moving and richly Doubt entertaining” – USA Today Sister to rid the school of the liberal Father. Constable Macdonald : Mark Dempsey The backdrop of is the Catholic sex CAST: “Abrasive, dark and viciously funny” abuse scandals of the last two decades, but Mrs Wilberforce : Jan Greenhough – . Shanley’s characters cannot be so easily Professor Marcus : Stephen Gray pegged. Only one thing is for certain: the Major Courtney : Steve Williams audience will leave the theatre filled with Margie : as much doubt as to the conclusion as the One-Round : Giles Tebbitts CAST: Debbie Griffiths Your contact details for Spotlights magazine delivery etc. Please enclose a cheque and a stamped, self-addressed envelope characters in it. Harry Robinson : Stevie : Piers Newman Paul Johnson (NB: we cannot accept cash) CAST:Father Flynn : Matthew Platt Jean : Roxana Graves Loius Harvey : Howie Ripley Sister Aloysius : Julie Binysh Mrs Tromleyton : Name: Dottie : Trish Osborne-King Penny Cullen • Tel: Sister James : Megan McGery Address: Post Code: Mike : David Lucas Mrs. Muller : Maxine Edwards • Mobile: Date: £ Kate : Lorraine Anim-Addo • PleaseEmail: send your cheque (made payable to ) and SAE to: Membership, Bromley LittleCheque Theatre, enclosed North Street, for: Bromley BR1 1SB   Bromley Little Theatre www.TicketSource.co.uk/BromleyLittle [email protected] • 0333 666 3366

To BOOK: Visit: • Email: Tel: September 2015 Review

Angie Brignell, Bob Etherington and Kerrin Roberts in BLT’s September 2015 production of Yes, Prime Minister. Bruce Wallace, Jim Ward and Kerrin Roberts in BLT’s September 2015 production of Yes, Prime Minister. YES, PRIME MINISTER es, Prime Minister Photography: Phil Cairns Yes, Minister (http://philcairns.zenfolio.com) Y developed from the oil pipeline agreement among his European by Claire to have sex with the ambassador. was wonderfully played by Finally, did this performance do justice to the satirical BBC programme partners with Kumranistan. The two civil But, mistakenly, she thinks it’s with the PM Kerrin Roberts, anxiously trying to please writing and acting in the legendary television written by Sir and Jonathan servants try to hide certain issues, by con- and contacts the media about it. both the PM and Sir Humphrey and not com- series? Well, from this individual, all I can say - Peter Yolland Lynn. The stage play by the same writers cealing the treaty in the very bottom of Jim’s saves the day by getting them arrested. Jim mit any criminal acts whilst doing so. is ‘Yes, Director’! was produced in 2010. pile of red boxes. Fortunately, Jim and Claire decides that with the oil agreement gone, Claire Sutton, played by Angie Brignell, Set principally in the private office of a are wise to this and discover the money the summit still needs to achieve a suc- was the personification of a confident and isn’t going into the . To cessful treaty and is inspired to suggest an British CabinetYes, Minister minister in the (fictional) knowledgeable female working in a senior Department of Administrative Aff airs in get Sir Humphrey to agree to his proposal agreement on climate change. The play ends civil servant role. In my day job, I work with , followed The Rt Hon on the funding, Jim threatens to introduce with a triumphant Jim talking to the BBC similar women, as well as the Bernards and MP, played by , in a new bill to restrict the salaries for civil reporter in the live broadcast on his great Sir Humphreys. servants. The BBC telephone and ask Jim to achievement of bringing about this climate his various struggles to formulate and enact The smaller roles were equally well por- legislation or eff ect departmental changes comment on certain issues and he ends up change treaty and selecting Humphrey to committing himself to a live broadcast. As lead the commission. trayed with Jim Ward playing the Ambas- that are opposed by the British Civil Service, sador with a sense of being aloof from those in particular, his , Sir the evening negotiations proceed, Bernard Under Paul Campion’s skilful direction the announces to Sir Humphrey and Jim that the seeking his assistance. As Jeremy Burnham, , played by Sir Nigel writers’ lines were delivered with clar- the BBC Director General, Steve Williams’ Hawthorne. His Principal , of Kumranistan expects ity and timing. Bob Etherington clearly to be provided with prostitutes. They talk pained expression at times seemed like Alan Bernard Woolley, played by , is showed all the PM’s characteristics; clever, Yentob being asked about his knowledge of usually caught between the two. The sequel through the options of such a request and frustrated, naïve, needy and forceful. In one enlist the advice of the Ambassador of Kidscape (shouldn’t this be Kid’s Company?). followed the events of the premiership of scene, I thought he became almost Basil Finally, Phil Cairns as the TV presenter Jim Hacker after his unexpected elevation to Kumranistan, an old public school friend Fawlty-like in his frustration at the events of of Sir Humphrey’s. His carefully proff ered Simon Chester, clearly conveyed his disap- Number 10. A huge critical and popular suc- the evening. pointment at being thwarted in his attempts cess, the series received a number of awards advice doesn’t really help get the situa- tion resolved. Then the Director-General Bruce Wallace clearly demonstrated the ma- to show the PM in a bad light. and was the favourite television programme nipulative tactics of Sir Humphrey, making of . of the BBC visits and Jim puts pressure on It was satisfying to hear a gasp from several him to change the scheduling by discuss- the audience burst into applause when he members of the audience when expressing The play is set at Chequers and introduces ing future BBC budgets. There is an added spoke at great length in typical Sir Hum- their surprise as the secret door was opened. a new character, Claire Sutton, as the head predicament when it’s discovered that the phrey manner, using obscure and compli- The eff orts of the set team including lighting, of the policy unit at Number Ten. The play cook is an illegal immigrant and matters cated language to confuse others. sound and wardrobe were, as always, to a 8 9 revolves around the PM trying to get a new escalate when her daughter is approached very high standard. Review September 2015

Abigail I Invincible t would beAbigail’s very easy Party (and irresponsibly Admirer as I am of Stevie Hughes’ work, I More punchy in its emotion than lazy) to write off as one of a was initially a little disoriented seeing him then, and more politically aware and more number of clones that has in the role of Alan: this beer-swilling, boor- questioning; with its references to Tonys littered the theatrical landscape since that ish, football-loving lad-about-town was not Benn and Blair, socialism, Afghanistan and seminal play crept out of suburban Essex in typical of his repertoire and it took me a Karl Marx (the least funny of the Broth- 1977. Mismatched couples getting together brief time for me to be convinced. I think ers), there is a political agenda for those for an evening of ‘polite’ conversation this can sometimes be a foible amongst who wished to grapple with it but more im- suff used with an undercurrent of social actors, that difficulty of throwing off one’s portantly there was human drama, comedy tension (and pretension), insightful com- pre-conceptions, but once he had been and tragedy steered with sensitivity and mentary on the human condition, biting established I was ‘there’ throughout and appreciation by Nikki Packham. Appropri- comedy undercut with powerful tragedy: delighted in the humour that he brought ately set and atmospherically lit with some the ingredients are all there. Torben Betts’ to the part and, altogether more challeng- marvellous art by Jan Greenhough and play, however, elevates itself to something ingly, wholly engaged with the pathos. Frankie and Poppy Jarvis, this was perfect far more than a sum of its parts and at the The bitter-sweet scene deconstructing his bar show material in scale but would end of the evening I was firmly convinced paintings of Vince will remain with me for proudly have stood its ground on the main that this is a piece of a very diff erent colour. a long time to come. That said, I never quite stage– Mike in Savill its depth. Truly invincible! Photography: Dave Jones At its heart are the couples - Emily and reconciled myself with his belly. • (www.ashleighvideo.co.uk) Oliver, recently moved to a small town in Completing the quartet in the role of northern England, and their neighbours Dawn, Freya Finnerty was as assured and Alan and Dawn invited over for an evening controlled as ever. Initially portraying the of anchovies, olives and some desultory character with the relish that comes with a chat about abstract art, Karl Marx and brassy bimbo type writ large, she revealed England’s performance in the cup! So far stirring and powerful depths as Dawn’s – soAbigail’s Mike Leigh, Party and the first half is an own tragedies are laid bare on stage, the eff ective (if possibly unwitting) homage key to driving the devastating climax on to , a hilarious collision of which the impact of the show hinges. With cultures, beliefs and personalities, riff s on a conviction and emotional balance that familiar subjects with laughter in abun- left many of the audience visibly moved, dance. But as the end of the first act looms, this was another performance that stuck the pattern begins to deviate and the seeds deep in the soul. that have been sewn take the play in a very Opposite page: diff erent direction leading to a second half Stevie Hughes, Freya Finnerty, Patrick Neylan that, though still filled with laughter – with and Ruth Makepeace in BLT’s September one mistaken identity scene in particular 2015 ‘In The Bar’ production of invincible proving a bitter-sweet masterstroke, leaves a shocking impact with the audience come curtain fall. This is a balance that is hard to get right, but I left the theatre assured of its achievements, through deft direction and a powerful ensemble cast. Playing the recession hit southerners trying to establish themselves ‘oop north’, Ruth Makepeace and Patrick Neylan made a simply marvellous middle class couple. Fresh from success playing Basil Fawlty in Edinburgh, Patrick channelled his energies in measured and modulated fashion, evok- ing a suitably genial soul who for the most part one was wholly sympathetic towards. Even with the revelation of his dark secret as the fate of Vince the cat is revealed I wasn’t swayed, such was the conviction of this characterisation! The yin to his yang was perfectly embodied in Ruth’s Emily. The first time I have had opportunity to see her, I was wholly won over by her commanding performance. Every inch inhabiting the anti-capitalist, Blair-bashing new-ager that has become a wholly recognisable stereotype in contem- porary culture, this role could easily have drifted into caricature but was deftly han- dled by an actor who could elicit laughs but who could equally evoke sympathy and, indeed, a few tears as her own personal tragedy is revealed and the depressing past of her character is exposed to us. The two worked well together, their conversations natural and interaction convincing which 10 set them up nicely in juxtaposition to their 11 counterparts next door. invincibleible Angie Brignell and Bruce Wallace in BLT’s September 2015 production of Yes, Prime Minister

Anne Reid and BLT’s Pat Jones at BLT’s charity evening in aid of the Motor Neurone Disease Association.

Stevie Hughes and Freya Finnerty in BLT’s September 2015 ‘In The Bar’ production of Invincible