Channel Four Television Corporation Report and Financial Statements 2012
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Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
A Quiet Revolution
A quiet revolution The moral economies shaping journalists’ use of NGO-provided multimedia in mainstream news about Africa Katherine Wright Goldsmiths, University of London A thesis submitted for the degree of PhD in Media and Communications 2014 1 Declaration I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person, nor material which has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. 2 Acknowledgements With grateful thanks to my study participants for their time, trust and candour - without you there would be no study. I also want to thank my supervisor, Natalie Fenton, who manages to combine the sharpest of minds with the warmest of hearts. Your support has meant so much to me over the past few years. The encouragement and constructive criticism of others at Goldsmiths has also been invaluable, especially Aeron Davis, Des Freedman and Gholam Khiabany, who all kindly read drafts of chapters for me. Next, I want to note my debt to my dear colleagues in Journalism at the University of Roehampton. I especially want to thank Ros Coward, whose passionate belief that practitioners should ‘get into’ research started me off down this route in the first place. In addition, the words of advice and support from colleagues at other institutions have been really helpful, especially those of Mel Bunce, Lilie Chouliaraki, Glenda Cooper, Nick Couldry, Shani Orgad, Chris Paterson, Martin Scott, Helen Yanacopulos and Silvio Waisbord. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Father Ted 5 Entertaining Father Stone 6 the Passion of Saint Tibulus 7 Competition Time 8 and God Created Woman 9 Grant Unto Him Eternal Rest 10 SEASON 2
TABLE OF CONTENTS INTRODUCTION PAGE Introduction 3 SEASON 1 Good Luck, Father Ted 5 Entertaining Father Stone 6 The Passion of Saint Tibulus 7 Competition Time 8 And God Created Woman 9 Grant Unto Him Eternal Rest 10 SEASON 2 Hell 13 Think Fast, Father Ted 14 Tentacles of Doom 15 Old Grey Whistle Theft 16 A Song for Europe 17 The Plague 18 Rock A Hella Ted 19 Alcohol and Rollerblading 20 New Jack City 21 Flight into Terror 22 SEASON 3 Are You Right There, Father Ted 25 Chirpy Burpy Cheap Sheep 26 Speed 3 27 The Mainland 28 Escape from Victory 29 Kicking Bishop Brennan Up the Arse 30 Night of the Nearly Dead 31 Going to America 32 TABLE OF CONTENTS SPECIAL EPISODES PAGE A Christmassy Ted 35 ULTIMATE EPISODE RANK 36 - 39 ABOUT THE CRITIC 40 3 INTRODUCTION Father Ted is the pinnacle of Irish TV; a much-loved sitcom that has become a cult classic on the Emerald Isle and across the globe. Following the lives of three priests and their housekeeper on the fictional landmass of Craggy Island, the series, which first aired in 1995, became an instant sensation. Although Father Ted only ran for three seasons and had wrapped by 1998, its cult status reigns to this very day. The show is critically renowned for its writing by Graham Linehan and Arthur Mathews, which details the crazy lives of the parochial house inhabitants: Father Ted Crilly (Dermot Morgan), Father Dougal McGuire (Ardal O'Hanlon), Father Jack Hackett (Frank Kelly), and Mrs Doyle (Pauline McLynn). -
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008
Channel Four Television Corporation Report and Financial Statements 2008 Channel Four Television Corporation Report and Financial Statements 2008 Broadcasting Act 1990 Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Contents Introduction Scale and impact Chairman’s introduction 04 Viewer impact 60 Chief Executive’s introduction 06 Top tens 64 Output and spend 66 Channel 4’s public impact 08 Creative economy impact 68 Talent ladder 70 Nurture Partnerships 71 Awards 72 Film4 Productions and Slumdog Millionaire 12 Comedy Lab 14 Final comments on public impact report 76 The Devil’s Whore 16 Assurance statement 77 City of Vice 18 Key measures 20 Finance Challenge Operating and financial review 80 Report of the members 84 Saving Africa’s Witch Children 24 Report of the auditors 86 Dispatches and Unreported World 26 Consolidated income statement 88 Channel 4 News 28 Balance sheets 89 The Family 30 Cashflow statements 90 Key measures 32 Significant accounting policies 91 Notes to the financial statements 95 Champion Corporate governance 121 Members 127 Islam Unveiled 36 Report on members’ remuneration 128 Big Brother 38 Programmes and the licence 132 Hunger 40 Historical record 134 Disarming Britain 42 Key measures 44 Inspire Secret Millionaire 48 Embarrassing Bodies and The Sex Education Show 50 Big Food Fight 52 Battlefront 54 Key measures 56 Chairman’s introduction Luke Johnson Chairman The media establishment is undergoing its most violent In recent months, Channel 4 has demonstrated its creative upheaval since Channel 4 was founded 26 years ago. The credentials in spades. With Slumdog Millionaire, Film4 won digital revolution, combined with a severe economic downturn, a spectacular array of Oscars and BAFTAs, and enjoyed a true means all commercial broadcasters are under significant international box office smash. -
Borders in Perspective Unigr-CBS Thematic Issue. Bordering in Pandemic Times: Insights Into the COVID-19 Lockdown, Vol
BORDERS IN PERSPECTIVE UniGR-CBS Thematic Issue 4/2020 BORDERING IN PANDEMIC TIMES Insights into the COVID-19 Lockdown UNIVERSITY OF LUXEMBURG & TRIER UNIVERSITY Christian Wille & Rebekka Kanesu (Eds.) Christan Wille Faculty of Humanities, Education and Social Sciences Department of Geography and Spatial Planning University of Luxemburg Rebekka Kanesu Governance & Sustainability Lab Geography Department Trier University UniGR-Center for Border Studies Luxembourg/Trier 2020 DOI: https://doi.org/10.25353/ubtr-xxxx-b825-a20b 2 UniGR-Center for Border Studies EUROPEAN CENTER FOR BORDER STUDIES EN The UniGR-CBS is a thematic cross-border network of approximately 80 researchers within the university grouping University of the Greater Region (UniGR) conducting research on borders, their meanings and chal- lenges. Due to its geographical position in the “heart of Europe”, its expertise and disciplinary diversity, the UniGRCBS has the best prerequisites for becoming a European network of excellence. For the creation of a “European Center for Competence and Knowledge in Border Studies”, the Interreg VA Greater Region pro- gram provides the UniGR-CBS network with approximately EUR 2 million ERDF funding between 2018 and 2020. Within this project, the UniGR-CBS aims at developing harmonized research tools, embedding Border Studies in teaching, promoting the dialogue on cross-border challenges between academia and institutional actors and supporting the spatial development strategy of the Greater Region. FR L’UniGR-CBS est un réseau transfrontalier et thématique qui réunit environ 80 chercheuses et chercheurs des universités membres de l’Université de la Grande Région (UniGR) spécialistes des études sur les fron- tières, leurs significations et enjeux. -
Sam Castleton
Sam Castleton CREDIT LIST DUBBING MIXER Asian Provocateur Comedy – 6x30” – BBC Three – BBC Comedy Flat TV Comedy – 4x22” – BBC – BBC Comedy A Gert Lush Christmas Sitcom - 60’ –AvAlon Motion Pictures Come Dine With Me Champions Factual–20 x 60’– Channel 4 - Shiver Hemsley & Hemsley Factual–10 x 30’– Fresh Ones Paul O’ Grady For the Love of Dogs Factual–8 x 60’– ITV - ITVplc Till Death Do Us Part Factual - BBC One – BBC FActual Sky at Night Factual - BBC One – BBC FActual Secrets of China Factual - 3 x 60’ – BBC Three – BBC FActual Horrible Science Children’s Comedy – 10 x 30’ – ITV – Hat trick Production And Off MediA Seven Day With… Factual– 6 x 60’– itvBe Nightmare Tenants Factual– 6x60’- Channel 5 – Britespark Films Murder In Successville Comedy - 6 x 30’ – BBC Three – Tiger Aspect Some Girls Sr 3 Comedy DrAmA - 6 x 30’ – BBC3 – Hattrick David Attenborough’s Kingdom of Plants 3D 1 x 60’ – Sky Atlantic – AtlAntic Productions The Mimic Sr 1 Sitcom - 5 x 30’ – Channel 4 – Running Bare Animals Guide to Survival Factual - 5 x 60’ – Nat Geo AnimAl PlAnet Nominated for ‘Best Sound for Documentary’: Conch Awards 2009 Bo Selecta: Michael Jackson Tribute Comedy - 1 x 60’ – Channel 4 – Running Bare Horizon Factual - Various x 60’ – BBC – BBC Dispatches Factual - Various x 60’ – Channel 4 – BlAkewAy Catastrophe Comedy DrAmA - 1 x 30' – Channel 4 – AvAlon History of the World DrAmA DocumentAry - 5 x 60’ – BBC – BBC Morgana Comedy - 4 x 30’ – Channel 4 – Running Bare Panorama Factual - Various x 30’ – BBC – BBC Current AffAirs James May’s Toy Stories -
Introduction Chapter 1
Notes Introduction 1. For The Economistt perpetuating the Patent Office myth, see April 13, 1991, page 83. 2. See Sass. 3. Book publication in 1906. 4.Swirski (2006). 5. For more on eliterary critiques and nobrow artertainment, see Swirski (2005). 6. Carlin, et al., online. 7. Reagan’s first inaugural, January 20, 1981. 8. For background and analysis, see Hess; also excellent study by Lamb. 9. This and following quote in Conason, 78. 10. BBC News, “Obama: Mitt Romney wrong.” 11. NYC cabbies in Bryson and McKay, 24; on regulated economy, Goldin and Libecap; on welfare for Big Business, Schlosser, 72, 102. 12. For an informed critique from the perspective of a Wall Street trader, see Taleb; for a frontal assault on the neoliberal programs of economic austerity and political repression, see Klein; Collins and Yeskel; documentary Walmart. 13. In Kohut, 28. 14. Orwell, 318. 15. Storey, 5; McCabe, 6; Altschull, 424. 16. Kelly, 19. 17. “From falsehood, anything follows.” 18. Calder; also Swirski (2010), Introduction. 19. In The Economist, February 19, 2011: 79. 20. Prominently Gianos; Giglio. 21. The Economistt (2011). 22. For more examples, see Swirski (2010); Tavakoli-Far. My thanks to Alice Tse for her help with the images. Chapter 1 1. In Powers, 137; parts of this research are based on Swirski (2009). 2. Haynes, 19. 168 NOTES 3. In Moyers, 279. 4. Ruderman, 10. 5. In Krassner, 276–77. 6. Green, 57; bottom of paragraph, Ruderman, 179. 7. In Zagorin, 28; next quote 30; Shakespeare did not spare the Trojan War in Troilus and Cressida. -
Annex 2: Providers Required to Respond (Red Indicates Those Who Did Not Respond Within the Required Timeframe)
Video on demand access services report 2016 Annex 2: Providers required to respond (red indicates those who did not respond within the required timeframe) Provider Service(s) AETN UK A&E Networks UK Channel 4 Television Corp All4 Amazon Instant Video Amazon Instant Video AMC Networks Programme AMC Channel Services Ltd AMC Networks International AMC/MGM/Extreme Sports Channels Broadcasting Ltd AXN Northern Europe Ltd ANIMAX (Germany) Arsenal Broadband Ltd Arsenal Player Tinizine Ltd Azoomee Barcroft TV (Barcroft Media) Barcroft TV Bay TV Liverpool Ltd Bay TV Liverpool BBC Worldwide Ltd BBC Worldwide British Film Institute BFI Player Blinkbox Entertainment Ltd BlinkBox British Sign Language Broadcasting BSL Zone Player Trust BT PLC BT TV (BT Vision, BT Sport) Cambridge TV Productions Ltd Cambridge TV Turner Broadcasting System Cartoon Network, Boomerang, Cartoonito, CNN, Europe Ltd Adult Swim, TNT, Boing, TCM Cinema CBS AMC Networks EMEA CBS Reality, CBS Drama, CBS Action, Channels Partnership CBS Europe CBS AMC Networks UK CBS Reality, CBS Drama, CBS Action, Channels Partnership Horror Channel Estuary TV CIC Ltd Channel 7 Chelsea Football Club Chelsea TV Online LocalBuzz Media Networks chizwickbuzz.net Chrominance Television Chrominance Television Cirkus Ltd Cirkus Classical TV Ltd Classical TV Paramount UK Partnership Comedy Central Community Channel Community Channel Curzon Cinemas Ltd Curzon Home Cinema Channel 5 Broadcasting Ltd Demand5 Digitaltheatre.com Ltd www.digitaltheatre.com Discovery Corporate Services Discovery Services Play -
NOMINATIONS in 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall
NOMINATIONS IN 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall – BBC Two STEPHEN GRAHAM This is England ’90 – Channel 4 LEADING ACTRESS CLAIRE FOY Wolf Hall – BBC Two RUTH MADELEY Don’t Take My Baby – BBC Three SHERIDAN SMITH The C Word – BBC One SURANNE JONES Doctor Foster – BBC One SUPPORTING ACTOR ANTON LESSER Wolf Hall – BBC Two CYRIL NRI Cucumber – Channel 4 IAN MCKELLEN The Dresser – BBC Two TOM COURTENAY Unforgotten - ITV SUPPORTING ACTRESS CHANEL CRESSWELL This is England ’90 – Channel 4 ELEANOR WORTHINGTON-COX The Enfield Haunting LESLEY MANVILLE River – BBC One MICHELLE GOMEZ Doctor Who – BBC One ENTERTAINMENT PERFORMANCE GRAHAM NORTON The Graham Norton Show – BBC One LEIGH FRANCIS Celebrity Juice – ITV2 ROMESH RANGANATHAN Asian Provocateur – BBC Three STEPHEN FRY QI – BBC Two FEMALE PERFORMANCE IN A COMEDY PROGRAMME MICHAELA COEL Chewing Gum – E4 MIRANDA HART Miranda – BBC One SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer SHARON HORGAN Catastrophe – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME HUGH BONNEVILLE W1A – BBC Two JAVONE PRINCE The Javone Prince Show – BBC Two PETER KAY Peter Kay’s Car Share –BBC iPlayer TOBY JONES Detectorists – BBC Four House of Fraser British Academy Television Awards – Nominations Page 1 SINGLE DRAMA THE C WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4 DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie, -
Best Practices Re Regulatory Regimes and Incentives to Develop the Audiovisual Sector in the Caribbean
Best Practices re Regulatory Regimes and Incentives to Develop the Audiovisual Sector in the Caribbean Draft Report on World Best Practices in Legislation, Regulatory Regimes and Incentives Juillet 2009 Best Practices re Regulatory Regimes and Incentives to Develop the Audiovisual Sector in the Caribbean Contrat Nr: 042/2009/WP2/ Project no 28.1-1.048 Cariforum Region By : Yvon Thiec Fernando Labrada Submitted by Altair Asesores S.L. Les opinions exprimées dans ce rapport n’engagent que les auteurs et ne reflètent pas nécessairement celles de la Commission Européenne / The Views expressed in this report do not necessarily reflect the views of the European Commission TABLE OF CONTENTS Executive Summary ........................................................................... 3 I. Foreword ..................................................................................... 7 II. Introduction: Audiovisual regulation for cinema and television programs ........................................................................................ 11 III. The origin of audiovisual regulation ............................................ 13 IV. Quota requirements ................................................................. 15 1. Quota Requirements for theatrical exhibition ............................ 15 1.1. International rules related to quota requirements for theatrical exhibition .................................................................................. 15 1.2. Application of quota requirements for theatrical exhibitions in Western