Gack Camui Is Een Songwriter, Vocalist En Multi-Instrumen- Talist
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Haruomi Hosono, Shigeru Suzuki, Tatsuro Yamashita
Haruomi Hosono Pacific mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Pacific Country: Japan Released: 2013 Style: Fusion, Electro MP3 version RAR size: 1618 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1396 mb Rating: 4.1 Votes: 218 Other Formats: AA ASF VQF APE AIFF WMA ADX Tracklist Hide Credits 最後の楽園 1 Bass, Keyboards – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 4:03 SakamotoWritten-By – Haruomi Hosono コーラル・リーフ 2 3:45 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノスタルジア・オブ・アイランド~パート1:バード・ウィンド/パート2:ウォーキング・オン・ザ・ビーチ 3 9:37 Keyboards – Ryuichi SakamotoWritten-By – Tatsuro Yamashita スラック・キー・ルンバ 4 Bass, Guitar, Percussion – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 3:02 SakamotoWritten-By – Haruomi Hosono パッション・フラワー 5 3:35 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノアノア 6 4:10 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki キスカ 7 5:26 Written-By – Tatsuro Yamashita Cosmic Surfin' 8 Drums – Yukihiro TakahashiKeyboards – Haruomi Hosono, Ryuichi SakamotoWritten-By – 5:07 Haruomi Hosono Companies, etc. Record Company – Sony Music Direct (Japan) Inc. Credits Remastered By – Tetsuya Naitoh* Notes 2013 reissue. Album originally released in 1978. Track 8 is a rare early version of the Yellow Magic Orchestra track. Translated track titles: 01: The Last Paradise 02: Coral Reef 03: Nostalgia of Island (Part 1: Wind Bird, Part 2: Walking on the Beach 04: Slack Key Rumba 05: Passion Flower 06: Noanoa 07: Kiska Barcode and Other Identifiers Barcode: 4582290393407 -
Get Ebook « Visual Kei Artists
QDKRCRTPLZU6 \ PDF « Visual kei artists Visual kei artists Filesize: 4.12 MB Reviews This pdf is indeed gripping and interesting. It is definitely simplistic but shocks within the 50 percent of your book. Once you begin to read the book, it is extremely difficult to leave it before concluding. (Michael Spinka) DISCLAIMER | DMCA ZVKPJW8WNMMZ // Kindle \\ Visual kei artists VISUAL KEI ARTISTS Reference Series Books LLC Apr 2013, 2013. Taschenbuch. Book Condition: Neu. 246x189x7 mm. Neuware - Source: Wikipedia. Pages: 121. Chapters: X Japan, Buck-Tick, Dir En Grey, Alice Nine, Miyavi, Hide, Nightmare, The Gazette, Glacier, Merry, Luna Sea, Ayabie, Rentrer en Soi, Versailles, D'espairsRay, Malice Mizer, Girugamesh, Psycho le Cému, An Cafe, Penicillin, Laputa, Vidoll, Phantasmagoria, Mucc, Plastic Tree, Onmyo- Za, Panic Channel, Blood, The Piass, Megamasso, Tinc, Kagerou, Sid, Uchuu Sentai NOIZ, Fanatic Crisis, Moi dix Mois, Pierrot, Zi:Kill, Kagrra, Doremidan, Anti Feminism, Eight, Sug, Kuroyume, 12012, LM.C, Sadie, Baiser, Strawberry song orchestra, Unsraw, Charlotte, Dué le Quartz, Baroque, Silver Ash, Schwarz Stein, Inugami Circus-dan, Cali Gari, GPKism, Guniw Tools, Luci'fer Luscious Violenoue, Mix Speakers, Inc, Aion, Lareine, Ghost, Luis-Mary, Raphael, Vistlip, Deathgaze, Duel Jewel, El Dorado, Skin, Exist Trace, Cascade, The Dead Pop Stars, D'erlanger, The Candy Spooky Theater, Aliene Ma'riage, Matenrou Opera, Blam Honey, Kra, Fairy Fore, BIS, Lynch, Shazna, Die in Cries, Color, D=Out, By-Sexual, Rice, Dio - Distraught Overlord, Kaya, Jealkb, Genkaku Allergy, Karma Shenjing, L'luvia, Devil Kitty, Nheira. Excerpt: X Japan Ekkusu Japan ) is a Japanese heavy metal band founded in 1982 by Toshimitsu 'Toshi' Deyama and Yoshiki Hayashi. -
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript and are unavailable from the author or university. The manuscript was scanned as received. Pages 25-27, and 66 This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Cybercultures from the East: Japanese Rock Music Fans in North America By An Nguyen, B.A. A thesis submitted to The Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Sociology and Anthropology Carleton University Ottawa, Ontario April 2007 © An Nguyen 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-26963-3 Our file Notre reference ISBN: 978-0-494-26963-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. -
El Visual Kei Como Producto Cultural Y Su Huella En La Cultura Popular
FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN GRADO EN ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2015-2016 EL VISUAL KEI COMO PRODUCTO CULTURAL Y SU HUELLA EN LA CULTURA POPULAR Cecilia Isabel Sanz Martínez 1244795 TUTOR Roberto Figliulo Barcelona, junio de 2016 DATOS DEL TFG El Visual Kei como producto cultural y su huella en la cultura popular. El Visual Kei com a producte cultural i la seva empremta en la cultura popular. Visual Kei as a cultural product and its imprint on popular culture. Autor: Cecilia Isabel Sanz Martínez. Tutor: Roberto Figliulo. Centro: Facultad de Traducción e Interpretación. Universidad Autónoma de Barcelona. Estudios: Estudios de Asia Oriental. Curso Académico: 2015-2016 Palabras clave // Paraules clau // Key words Visual Kei, cultura popular, Japón, música, rock, metal // Visual Kei, cultura popular, Japó, música, rock, metal // Visual Kei, popular culture, Japan, music, rock, metal. Resumen del TFG El Visual Kei es una escena musical nacida en y casi exclusiva de Japón, cuya característica principal es que el componente visual o estético tiene tanto peso como el componente musical. Se trata de una escena muy activa y con mucha variedad tanto musical como estética. En este TFG se analiza el Visual Kei como producto cultural, siguiendo un esquema histórico. Empezando desde los movimientos musicales y culturales que han contribuido a su surgimiento como el heavy metal, el glam y el punk; observando la escena que sería su caldo de cultivo, hasta su nacimiento; y viendo las claves de cada etapa de su evolución, desde los años 90 hasta hoy. Además, se observa cuál ha sido el impacto del Visual Kei en la cultura popular japonesa, y cuál ha sido su recepción en el resto del mundo. -
Visual Kei a Kultura Estetyzacji ■ ■ ■ Visual Kei and Aesthethic Culture
Pobrane z czasopisma Artes Humanae http://arteshumanae.umcs.pl Data: 27/09/2021 05:05:32 Artes Humanae ■ Vol. 3 ■ 2018 ARTYKUŁY DOI: 10.17951/artes.2018.3.47- 59 EMMANUELLA ROBAK Uniwersytet Jana Kochanowskiego w Kielcach [email protected] Visual kei a kultura estetyzacji ■ ■ ■ Visual kei and aesthethic culture Streszczenie: Visual kei to nazwa określająca styl ubioru, oryginalny makijaż, wymyślną fryzurę, specyficzny rodzaj muzyki, różnorodność, dowolność, mieszanie i łączenie gatunków. Visual kei to kreacja siebie, coś więcej niż tylko odgrywanie roli, teatralizacja czy chęć wyróżnienia się w tłumie – to styl życia inspirowany nieprzebranym źródłem możliwości. W artykule zwracam szczególną uwagę na gotycką odmianę Visual kei, której twórcą jest popularny muzyk Mana. Artysta stworzył zupełnie nowyUMCS świat, który bardzo szybko zainspirował fanów gatunku. Pokazał, w jaki sposób można łączyć japońską muzykę alternatywną (j-rock) z gotyckimi inspiracjami. Stworzył także rozpoznawalny wizerunek, który fani mogą bez problemu odtwarzać (styl Lolita Fashion). Chcę również wskazać, jak wygląda recepcja Visual kei w Polsce. Dlaczego nurt ten nie jest popularny? Czy do fanów przemawia fuzja muzyczna czy tylko specyficzny wizerunek? A może obecny odbiór jest utrudniony przez fakt, że spore zmiany zaszły w obrębie samego Visual kei – czasami trudno określić, jaki konkretnie styl kei prezentuje dany zespół i czy jest to jeszcze jakiś konkretny gatunek muzyczny, czy już tylko osobliwy wizerunek. Słowa kluczowe: Visual kei, Malice Mizer, Japonia, gotyk, epoka wiktoriańska, j-rock, steampunk, gothic lolita Muzyczna scena w Japonii jest bardzo zróżnicowana i wielowymiarowa. Jedno z ciekawszych zjawisk, jakie można na niej zaobserwować, stanowi Visual kei – fenomen japońskiej kultury, który do dziś inspiruje Europę. -
Rage in Eden Records, Po Box 17, 78-210 Bialogard 2, Poland [email protected]
RAGE IN EDEN RECORDS, PO BOX 17, 78-210 BIALOGARD 2, POLAND [email protected], WWW.RAGEINEDEN.ORG Artist Title Label HAUSCHKA ROOM TO EXPAND 130701/FAT CAT CD RICHTER, MAX BLUE NOTEBOOKS, THE 130701/FAT CAT CD RICHTER, MAX SONGS FROM BEFORE 130701/FAT CAT CD ASCENSION OF THE WAT NUMINOSUM 13TH PLANET RECORDS CD MINISTRY COVER UP 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS LTD MINISTRY RIO GRANDE BLOOD 13TH PLANET RECORDS CD MINISTRY RIO GRANDE DUB YA 13TH PLANET RECORDS CD PRONG POWER OF THE DAMAGER 13TH PLANET RECORDS CD REVOLTING COCKS COCKED AND LOADED 13TH PLANET RECORDS CD REVOLTING COCKS COCKTAIL MIXXX 13TH PLANET RECORDS CD BERNOCCHI, ERALDO/FE MANUAL 21ST RECORDS CD BOTTO & BRUNO/THE FA BOTTO & BRUNO/THE FAMILY 21ST RECORDS CD FLOWERS OF NOW INTUITIVE MUSIC LIVE IN COLOGNE 21ST RECORDS CD LOST SIGNAL EVISCERATE 23DB RECORDS CD SEVENDUST ALPHA 7 BROS RECORDS CD SEVENDUST CHAPTER VII: HOPE & SORROW 7 BROS RECORDS CD A BLUE OCEAN DREAM COLD A DIFFERENT DRUM MCD A BLUE OCEAN DREAM ON THE ROAD TO WISDOM A DIFFERENT DRUM CD B!MACHINE ALTERNATES AND REMIXES A DIFFERENT DRUM CD B!MACHINE EVENING BELL, THE A DIFFERENT DRUM CD B!MACHINE FALLING STAR, THE A DIFFERENT DRUM CD B!MACHINE MACHINE BOX A DIFFERENT DRUM BOX BLUE OCTOBER ONE DAY SILVER, ONE DAY GOLD A DIFFERENT DRUM CD BLUE OCTOBER UK INCOMING 10th A DIFFERENT DRUM 2CD CAPSIZE A PERFECT WRECK A DIFFERENT DRUM CD COSMIC ALLY TWIN SUN A DIFFERENT DRUM CD COSMICITY ESCAPE POD FOR TWO A DIFFERENT DRUM CD DIGNITY -
Malice Mizer Album Download Malice Mizer Album Download
malice mizer album download Malice mizer album download. ki were unknown until he briefly resurfaced in 2004 as lyricist for Közi's solo release "MEMENTO". In 2010, the band had a brief revival during a Moi Dix Mois and Közi coupling tour. The line-up for this short revival only consisted of Mana, Közi, and Yu. ki, with Moi Dix Mois' drummer as a support member. Klaha did not show up to the performance, so Közi sang while playing guitar. "Beast of Blood" was one of the songs played. Currently Mana is still in Moi Dix Mois, Yu. ki still keeps to himself outside of the visual-kei scene, and Közi recently joined the new wave band XA-VAT. Members: Vocal: Klaha [[artist]PRIDE OF MIND(春名真樹) → MALICE MIZER(Klaha) → ソロ → [[artist]個人/状況不明] Guitar/ Synthesizer: mana [[artist]Ves:tearge → GIRL'e → 摩天楼 → MALICE MIZER(mana) → Moi dix Mois(Mana)] Guitar/ Synthesizer: kozi [[artist]Girl → 摩天楼 → MALICE MIZER → Eve of Destiny!、ソロ → DALLE → XA-VAT] Bass: YU. KI [[artist]ze:ro → MALICE MIZER → [[artist]個人/状況不明] Ex-Members: Drums: GAZ [[artist]DATURA → MALICE MIZER → KneuKlid Romance(サポート) → KneuKlid Romance → the Night Breeze Zinnia → DOVERMAN、BUZZ BONE、The VELETTA(サポート) → DOVERMAN、Pandemic(サポート)] Vocal: tetsu [[artist]MALICE MIZER → MEGA 8 BALL → nil → ZIGZO(tetsu) → nil(高野哲)] Drums: kami [[artist]3Pマヨネーズ → Kneuklid Romance(右狂) → MALICE MIZER(右京→kami) → 死去] Vocal: Gackt [[artist]cains:feel! (Dr.→Vo.) → MALICE MIZER → ソロ → ソロ(Gackt→GACKT)] Drums: 愁(ex.Virus)(サポート) [Virus(Shue) → 女的 → AION(愁) → Virus → AION → MALICE MIZER(サポート) → CRAVE、S.Q.F → CRAVE] Keyboard(Support): KAZUNE [ Brain Hacker →] Vocal/ Guitar: kamijo: [[artist]美辞麗句 → MALICE MIZER → LALIENE(SHOKI)→LAREINE(KAMIJO) → NEW SODMY → LAREINE → Versailles] Guitar: MAYU [[artist]MALICE MIZER → LALIENE → アイリ → LALIENE→LAREINE → NEW SODMY → LAREINE → [[artist]個人/状況不明] Drums: MACHI [[artist]MALICE MIZER → LAREINE → Chanton Lamour] Discography In several cases, the Japanese titles are given first, followed by the romaji titles in square brackets. -
Japanese City Pop Abroad Findings from an Online Music Community Survey Executive Summary
Moritz Sommet, University of Fribourg Japanese City Pop Abroad Findings from an online music community survey Executive summary Fribourg, Switzerland February 2021 To cite this document: music community survey. Fribourg, CH, 2021. Table of contents Research topic and questions 2 Survey outline 3 Main findings 4 Demog raphics 4 Listening patterns and modes of musical engagemen t 6 Popular City Pop artists 8 Nostalgia, escapism, Japan: the meaning of 'City Pop' abroad 10 Conclusions and further research 14 Bibliography 15 Discography 16 1 Research topic and questions City Pop is a loosely defined musical genre that first emerged in Japan in the late 1970s. It combines various styles of Western popular music, such as funk, soul, disco, fusion, boogie, or rock, with Japanese-language lyrics and a set of visual and textual motifs that reflects the rise of a transnational, urban consumer and leisure culture in 1980s Japan. Having undergone several recontextualizations and r evivals in its country of 1 disco tune Plastic Love (1985) have accumulated many millions of views among them between 2016 and 2021 (Calkins 2019), and Miki Mayonaka no Door - Stay With Me (1979) has climbed to the top of the viral charts of music streaming service Spotify in late 2020 (Matsunaga 2020). late 2020, a dozen fan communities on Facebook and Reddit have amassed a combined following of over 60,000 members. At first sight, the community make-up, the aesthetic themes and the listening practices prevalent among City Pop fans appear to share some similarities with other recently emerged Internet- mediated music genres, such as Vaporwave (Schembri/Tichbon 2017), or Lo-fi Hip Hop (Winston/Saywood 2019). -
Lolita Latina an Examination of Gothic and Lolita Style in the Mexican Environment
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Lolita Latina An Examination of Gothic and Lolita Style in the Mexican Environment A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Visual and Material Culture College of Creative Arts Massey University Wellington, New Zealand Kathryn Adèle Hardy Bernal 2019 Abstract This thesis, completed for the award of Doctor of Philosophy in Visual and Material Culture, Ph.D., examines the development of the fashion-based Mexican Gothic and Lolita movement, and its evolution from its subcultural Japanese roots. It asks, “What are the cultural conditions that encourage this movement to flourish in the Mexican environment?” In turn, “What does Mexican culture contribute to Mexican Gothic and Lolita style?” And, “What does Mexican Gothic and Lolita style say about Mexican culture, society, and beliefs?” The Gothic and Lolita movement is currently thriving in Mexico as an authentic, independent, creative, handmade fashion industry, yet to be co-opted into mainstream culture. With the do-it-yourself aspect of the movement comes its own, unique, cultural flavour. As such, it transforms and rearranges meanings of the original subcultural style in order to make new statements, which subvert the meanings, and understandings, of the Japanese Lolita identity. Analyses of Mexican Gothic and Lolita styles, in context with the Mexican environment, culture, and belief systems, as well as the operation of the Mexican Gothic and Lolita industry, are major focal points of this study. -
J-Rockers * K-Poppers * C-Poppers Comunicação, Mídia, Cultura E Jovens
J-Rockers * K-Poppers * C-Poppers Comunicação, mídia, cultura e jovens Talita de Cássia Mota J-Rockers * K-Poppers * C-Poppers Comunicação, mídia, cultura e jovens Universidade Estadual Paulista “Júlio de Mesquita Filho” Campus Bauru Bauru 2009 Mota, Talita de Cássia. J-Rockers K-Poppers C-Poppers – Comunicação, mídia, cultura e jovens. / Talita de Cássia Mota, 2009. 97 f. : il. Orientador: Cláudio Bertolli Filho Monografia (Graduação)–Universidade Estadual Paulista “Júlio de Mesquita Filho”. Faculdade de Arquitetura, Artes e Comunicação, Bauru, 2009 1. Neotribalismo. 2. Cultura pop. 3. Iden- tidade. 4.Comunicação. 5.Mídia I. Universidade Estadual Paulista “Júlio de Mesquita Filho”, Faculdade de Arquitetura, Artes e Comunicação II. Título.Comunicação, mídia, cultura e jovens. Dedicado à minha avó Dagmar. [in memoria] Sumário Introdução 11 Parte 1 – A comunicação como instrumento de 13 estruturação social e cultural 1. Eu, eles e nós: um pouco de identificação 15 2. Influências Culturais 21 2.1 Imigração e cultura japonesa no Bra- 21 sil 2.2 A imigração coreana 25 2.3 Imigração chinesa 27 3. Comunicação, mídia e potência asiática no 29 Brasil 4. Comunicação e Cibercultura 39 5. Culturas pop e seus fãs: diferentes e genera- 45 lizados Parte 2 – Você já ouviu esse som? 53 1.Rock & Pop: música é fenômeno global 55 2.J-Music: introdução à música japonesa 59 2.1 J-rock e Visual kei: um histórico das 66 muitas variantes do rock japonês 3.K-pop, a qual geração você pertence? 91 4.C-pop, o som made in China 105 Parte 3 – Nesse nosso mundo paralelo 111 1.Neotribalismo: a cultura na pós-moderni- 113 dade 2.O Japão e o Grupo: a difícil sobrevivência da 119 individualidade 3.“Ei, seu otaku!” 125 3.1 “Vamos Fugir?” 127 4.Eles estão aqui 133 5.Considerações Finais 139 Glossário 141 Para acessar 171 Referências Bibliográficas 181 Lista de Imagens 189 8 Agradeço ao grupão querido, Marisa, Rafael, Bianca, Dani, Natália, Luana, Fouad, Aline, Lucas, Carla e Fábio e aos agregados Pátria, Neto e Tácia pelo apoio. -
Karaoken Presenteras Av Sveriges J-Rock-Förening
Karaoken presenteras av Sveriges J-rock-förening Karaokelista – Innehåll s. 3 Animé & Live Action s. 20 J-rock s. 26 J-pop s. 31 Spel & VN s. 33 Parodier & Fanlåtar s. 37 Vocaloid s. 39 Koreanskt & Kinesiskt s. 44 Västerländskt s. 51 Film & TV s. 54 Musikal & Opera Scanna QR-koden – få karaokelistan digitalt! Listan senast uppdaterad 2021-06-10 Karaoken presenteras av I samarbete med Hikari-kai, Sveriges J-rock-förening Raison d’être Pecena Piperka och Feed Me Kpop Den här är rejäl Jag minns inte exakt när det var jag tog över karaokelistan och databasen. När det var jag som började vara ansvarig för uppdateringarna. Det allra tidigaste beviset jag kan finna på en lista som det med hundraprocentig säkerhet var jag som stod för är från december 2014. Så jag har inte riktigt gjort det i ett decennium än. Men jag är rätt säker på att det här är den absolut största uppdateringen jag har gjort. I alla fall är det, utan minsta tvivel, den största uppdateringen på så här kort tid, eftersom det inte ens var två månader sedan den förra listan. Vi hade nämligen förra månaden ett litet event. En karaokemakartävling som löpte över fyra veckor. Summa summarum: Över hundra nya låtar i listan. Plus ett gäng uppdaterade versioner av sånt vi redan hade. Själv har jag se’n sist i princip bara gjort One Piece och Nichijou-låtar, så där finns det diverse nytt att hämta. Högst takt höll Nea, som dessutom fokuserade mycket på nyare populära serier. Så häri kan ni numera hitta musik från Tensei Shitara Slime Datta Ken, Re:Zero kara Hajimeru Isekai Seikatsu, Dr. -
Adobe Photoshop
NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 23134-0054-2 BRADLEY, CHARLES Black Velvet Redeye / DaptoneSoul / Fun 823134005426 CD$ 12.10 9-Nov-18 DAPT054 BRADLEY, CHARLES Black Velvet Redeye / DaptoneSoul / Fun 823134005419 LP$ 18.58 9-Nov-18 DAPT054LE BRADLEY, CHARLES Black Velvet (Limited edition LRedeye / DaptoneSoul / Fun 823134805415 LPx2+$ 46.51 9-Nov-18 98787-1260-2 FLEET FOXES First Collection 2006-2009 Sub Pop Rock-Pop 098787126020 CDx4 $23.00 9-Nov-18 SP1260 FLEET FOXES First Collection 2006-2009 Sub Pop Rock-Pop 098787126013 LP+3x$ 63.50 9-Nov-18 98787-1270-2 MASCIS, J Elastic Days Sub Pop Rock-Pop 098787127027 CD$ 12.80 9-Nov-18 SP1270 MASCIS, J Elastic Days Sub Pop Rock-Pop 098787127010 LP$ 18.00 9-Nov-18 SP1270LOSERMASCIS, J Elastic Days (LOSER edition oSub Pop Rock-Pop 098787127065 LP$ 18.00 9-Nov-18 SP1270CS MASCIS, J Elastic Days Sub Pop Rock-Pop 098787127041 CS 7.60$ 9-Nov-18 82388-1160-2 VNV NATION Noire Metropolis Electronic 782388116022 CD$ 11.00 9-Nov-18 MET1160 VNV NATION Noire Metropolis Electronic 782388116015 LPx2$ 28.00 9-Nov-18 82388-1152-2 ASH CODE Perspektive Metropolis Punk 782388115223 CD$ 11.00 9-Nov-18 MET1152 ASH CODE Perspektive Metropolis Punk 182388115216 LP$ 21.00 9-Nov-18 82388-1145-2 EISBRECHER Ewiges Eis Metropolis Rock-Pop 782388114523 CDx2$ 13.25 9-Nov-18 82388-1154-2 MOVING UNITS This Is Six Metropolis Rock-Pop 782388115421