DOCSLIB.ORG

Pax Vesania Album Download Pax Vesania Album Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pax Vesania Album Download Pax Vesania Album Download pax vesania album download Pax vesania album download. 01. Do you Believe that THE FAIRY exists? 02. SHINING 03. Shiroi Hane 04. EVOLUTION 05. Re born 06. GLASS HEART 07. Hoshi ni Negai o 08. CHAOTIC 09. BLUE ICE 10. Confusion 11. MOONLIGHT MAGIC UT. MOMO NO MORI [Album] (08.06.1998) 01. imperialism 02. Dear my favorite… 03. Kill me 04. Memory of… 05. MARS (DIGITAL HARD CORE ReMIX) 06. Forest 07. Shiroi Hane (TRANS TECHNO ReMIX) 08. NO MORE 09. ENDLESS EMOTION 10. Momo 11. Mudai UT. TSUI NO YAKATA [Mini Album] (20.08.2004) 01. Hitohira no Shizuku 02. Tsukiyo no Senritsu 03. Ikusen no Kioku 04. Labyrinth 05. Rinne no Asa UT. Mai-HiME Unmei no Keitouju ORI [Album] (21.07.2005) 10. Tamashii no Kikan 11. Hime Koroshi. 12. Kourin 13. Dai-tenshi no Ibuki 14. Owarigeki no Ushiro de UT. STIGMA [Album] (02.11.2005) 01. Fee 02. Stigma 03. Torikago 04. Haru he 05. Gekka Kyousou 06. Deep Sea 07. Chinmoku no Mayu 08. Pray In the Darkness 09. Garden UT. ASHITA WO YURUSHITE [Single] (08.03.2006) 01. Ashita wo Yurushite 02. Vermilion Tiara 03. memini 04. Ashita wo Yurushite (off vocal) 05. Vermilion Tiara (off vocal) 06. memini (off vocal) UT. SENKETSU NO CHIKAI [Single] (26.04.2006) 01. Senketsu no Chikai 02. Ira 03. Kokou no Sousei 04. Senketsu no Chikai (instr.) 05. Ira (instr.) 06. Kokou no Sousei (instr.) UT. NOBLE ROAR [Single] (26.07.2006) 01. Noble Roar 02. Patriot Anthem 03. Canary 04. Noble Roar (off vocal) 05. Patriot Anthem (off vocal) 06. Canary (off vocal) UT. VALKYRJA [Single] (04.10.2006) 01. Valkyrja 02. Michibiki no ao 03. Valkyrja (off vocal) UT. SHIJUN NO ZANKOKU [Single] (07.02.2007) 01. Shijun no Zankoku 02. Akai Tobira 03. Shijun no Zankoku (instrumental) 04. Akai Tobira (instrumental) UT. GOTHIC LOLITA PROPAGANDA [Album] (25.04.2007) 01. Gothic Lolita Propaganda 02. last moment 03. Valkyrja 04. Noble Roar 05. Labyrinth 06. Canary 07. Ashita wo Yurushite 08. Vermilion Tiara 09. Fortuna 10. Senketsu no Chikai 11. Ira 12. Kokou no Sousei 13. Patriot Anthem FH. METANOIA [Mini Album] (07.11.2007) 01. Wahrheit 02. Hades: The rise 03. Eternal waltz 04. Haitoku no Hana 05. Purify 06. Heisoku Shinkon 07. hidden truth UT. SCHWARZER SARG [Single] (09.07.2008) 01. Schwarzer Sarg 02. Wisdom 03. Schwarzer Sarg (instrumental) 04. Wisdom (instrumental) UT. HADES: THE BLOODY RAGE [Single] (06.08.2008) 01. Hades: The bloody rage 02. Kegare Naki Tsuki no Doku 03. Hades: The bloody rage (off vocal) 04. Kegare Naki Tsuki no Doku (instrumental) UT. Weiβ Flügel [Single] (10.09.2008) 01. Weiβ Flügel 02. Michibiki no Kikai Shoujo Gensou 03. Weiβ Flügel (instrumental) 04. Michibiki no Kikai Shoujo Gensou (instrumental) UT. IRODORI NO NAI SEKAI [Single] (14.01.2009) 01. Iro no Nai Sekai 02. Destrudo 03. Valtica 04. Tooi Maboroshi 05. Alte Burg 06. Iro no Nai Sekai (Instrumental) UT. GEKKOU NO CHIGIRI [Single] (27.05.2009) 01. Gekkou no Chigiri 02. Sacrifice 03. Simulacra 04. Gekkou no Chigiri (instrumental) UT. GOTHIC LOLITA DOCTRINE [Album] (26.08.2009) 01. Gothic Lolita Doctrine 02. Valtica 03. Kikai Shoujo Gensou 04. Akai Tobira 05. Schwarzer Sarg 06. Hades: The bloody rage 07. Wisdom 08. Destrudo 09. Iro no Nai Sekai 10. Shijun no Zankoku 11. Simulacra 12. Tamakui 13. Alte Burg 14. Weiβ Flügel FH. ONE [Single] (23.12.2009) 01. one 02. Gekkakou 03. one (instrumental) 04. Gekkakou (instrumental) UT. BAPTIZE [Single] (21.04.2010) 01. Baptize 02. call my name 03. Baptize (off vocal) 04. call my name (off vocal) UT. REBELLION ANTHEM [Single] (25.08.2010) 01. rebellion anthem 02. still alive 03. rebellion anthem (instrumental) 04. still alive (instrumental) UT. GOTHIC LOLITA AGITATOR [Album] (22.12.2010) 01. Asgard 02. still alive 03. one 04. Baptize 05. keep existing 06. Gekkou no Chigiri 07. Call my name 08. Sacrifice 09. Gekkakou 10. rebellion anthem 11. Viscum album 12. gothic lolita agitator FH. MISCHIEVOUS OF ALICE [Single] (27.07.2011) 01. Mischievous of Alice 02. emergence 03. Mischievous of Alice (instrumental) 04. emergence (instrumental) UT. KUUSOU MESOROGI [Single] (26.10.2011) 01. Kuusou Mesorogi 02. The Creator 03. Kuusou Mesorogi (instrumental) 04. The Creator (instrumental) UT. FILAMENT [Single] (08.02.2012) 01. filament 02. Zetsubou plantation 03. filament (instrumental) 04. Zetsubou plantation (instrumental) UT. Kami Para Gakuten [Mini Album] (23.01.2013) 01. Kami, Nozomu Sekai to Hakoniwa Gensou 02. Kenran Tenge, Kokuu ni Kiyu 03. Genwaku Kochou 04. Kanzen Houkai Paradox 05. Gisou Sekai Agartha 06. ending note UT. PAX VESANIA [Album] (27.03.2013) 01. Jo 02. Astral Dogma 03. Solitude 04. Kyouki Chinden 05. Kokoro Sanctuary 06. Gekkyou Hangon Cinerarium 07. Siege oder sterben 08. missing 09. The Creator 10. Herrscher 11. Kuusou Mesorogiwi 12. Soushi 13. Kikai UT. SHITO KAKUSEI [Single] (07.03.2014) 01. Shito Kanadeshi Hametsu no Tategoto 02. Kakusei, Iteru Tamashii to Unmei no Kyoukaisen 03. Shinken Ranbu 04. Shito Kanadeshi Hametsu no Tategoto (instrumental) 05. Kakusei, Iteru Tamashii to Unmei no Kyoukaisen (instrumental) 06. Shinken Ranbu (instrumental) UT. PAX VESANIA / Yousei Teikoku / PAX VESANIA / 妖精帝國 / PAX VESANIA / Yousei Teikoku. Yousei Teikoku are YUI (Dictator for Life), Takaha Tachibana, Nanami, Shiren, and Gight. M-01 Composer/Arranger: Takaha Tachibana. M-02 Composer: Takaha Tachibana Arranger: Takaha Tachibana, Yousei Teikoku Lyricist: YUI. M-03 Composer: Shiren Arranger: Shiren, Yousei Teikoku Lyricist: YUI. M-04 Composer: Takaha Tachibana Arranger: Takaha Tachibana Lyricist: YUI. M-05 Composer: Nanami Arranger: Nanami, Yousei Teikoku Lyricist: YUI. M-06 Composer: Nanami Arranger: Nanami, Yousei Teikoku Lyricist: YUI. M-07 Composer: Takaha Tachibana Arranger: Takaha Tachibana Lyricist: YUI. M-08 Composer: Shiren Arranger: Shiren, Yousei Teikoku Lyricist: YUI. M-09 Composer: Takaha Tachibana Arranger: Takaha Tachibana Lyricist: YUI. M-10 Composer: Takaha Tachibana Arranger: Takaha Tachibana Lyricist: YUI. M-11 - TV Anime "Mirai Nikki" 1st Opening Theme Composer: Takaha Tachibana Arranger: Takaha Tachibana Lyricist: YUI. M-12 Composer: Nanami Arranger: Nanami, Yousei Teikoku Lyricist: YUI. M-13 - Kinniku Shoujo Tai (King-Show) Album "Kirakira to Kagayaku Mono" M-03 Cover Composer: Toshiaki Honjo, King-Show Arranger: Takaha Tachibana, Yousei Teikoku Lyricist: Kenji Otsuki ©1996 by UNIVERSAL MUSIC PUBLISHING LLC / SPIRAL ARTS Inc. Produced by TEAM FAIRITHM Artist Management: Include Inc. Production Coordinate: Lantis Producer: Shigeru Saito (Lantis) A&R: Yukie Iwashita (Lantis) Manager: 安本信太郎 (Include Inc.) Narration: Hiroko Uchida (Stardas・21) Recording Engineer: Takehiko Naito, Satoshi Nakazawa Mix Engineer: Takehiko Naito, Katsuhiko Asano Mastering Studio: ann's sound Drum Tech: Shuntaro Kado, MASUO Recording Studio: Studio A-tone Yotsuya, Sound City Annex, green bird, AZ studio. Design: Toshiya Nakamura (antenna g.d.s.) Photographer: Hironobu Onodera Hair & Make-up: Yoshiko Kimura Costume Designer: Tomoko Atarashi Stylist: Yoshimi Nishide. Executive Producer: Yoshiyuki Ito. Special Thanks: King-Show, ESP Co., Ltd., 清水由多可 (ESP Musical Academy), Kazutoshi Matsumura. Pax vesania album download. gennial venia buscando esta discagrafia hace bastante tiempo te agradesco infinitamente. Irodori no Nai Sekai and 彩の無い世界 (2009.01.14) is the same album?? the song "Kagerou no Shita de" from Hades: The Other World is wrong.. at 1:30 it starts a stupid chineze pop song. Gran aporte muy agradecido. ۞† Datos personales †۞ ۞† Etiquetas †۞ [zo;diaek] (1) 「囀り…」～さえずり～ (1) †deal† (1) †Juzika† (1) +La'Death:flower+ (1) 44Magnum (1) 9GOATS BLACK OUT (1) A Doom (South Korea) (1) A.q.u.a (1) A+b No.0 9P (1) Acid Bell (1) Actweed (1) Adeil (1) Admiral (1) After Effect (1) After Image (1) Agito (1) Agnus∻Dei (1) Aikaryu (1) aile clind'oeil (1) Ainsi Soit Je. (1) Aioria (1) Akado (RUSIA) (1) AKIRA (1) Akumu (MEXICO) (1) Alc〈αA〉dia (1) Aldious (1) Ali'ze Mis Ra'ill (1) Aliene Maφriage (1) Aliment de La Vie (1) Aliza Marie (1) Allure Idea (1) Alpha (1) AlteMissioN (1) Altermalice (1) Alucard (1) Amadeus (1) Ambrosia -NEO GOTHIC OPERA- (1) Amphibian (1) Anachro Clock (1) Ancestral (1) Anchor (CHILE) (1) Ancient Myth (1) Angel Heart (South Korea) (1) Angel†Dust (1) Angelique (1) Animadness (1) Animetal (1) Another Cell (1) Anthelion (CHINA) (1) Anti-Alice (1) Antique Doll (1) Anubis (1) Aoi (1) Arachnida (CHILE) (1) Arc-turus (1) Area51 (1) Arege (1) Ares (South Korea) (1) Arhazard (1) Ark Storm (1) Armistis (Indonesia) (1) Army of Jade Kirin (CHINA) (1) Arouge (1) Arousal si Madness (1) Art cube (1) Art Marju Duchain (1) Arte Alice (1) Asagi (1) Aural vampire (1) Aushvitz (1) Avalon Project (1) Az:Madius (1) Azalea (1) Azrael (1) Azur:Musée (1) BAAL (1) BABYMETAL (1) Baiser (1) Balflare (1) Balsamic (1) Band Maid (1) Be Persecuted (CHINA) (1) Beauty Rays (CHINA) (1) Belle Vue (1) Belle-Risque (1) BELLES (1) Bespa Kumamero (1) BILLY ＆ THE SLUTS (1) Blam Honey (1) Blanc Chaine (1) Blanc Neige (1) Blood (1) BLOODSOM IN SILENCE (1) Blue Berry (1) Brother (1) BURNING FIRE (1) BY-SEXUAL (1) Cains : Feel (1) CalorZe (1) Cannival Method (1) CANTA (1) Capitan Memo (1) Cascade (1) Castlevania (1) Cecil:Rose (1) Celestia Le Ciel / Merveille Magique (1) Celestial Garden (1) Chanton L'amour (1) Chaos†System (1) Chateau La tour (1) Chelsea (1) Chillkey Labemds (1) Chocolate Rubber'sole (1) Chthonic (Taiwan) (1) Cilter (1) Cinemaglam (1) Cirque De La Lune (1) Cla vi us (1) Cloche (1) Clothoid÷Doll (1) Couple D'Ange (1) Crack Brain (1) Crecien de Rona (1) Cristal Eye's (1) Croix (1) Croix Allcine (1) Croix Chevalier (1) Cross Cradle (1) Crow (1) Crowley
Load more

Recommended publications
  • Willieverbefreelikeabird Ba Final Draft
    Háskóli Íslands Hugvísindasvið Japanskt mál og menning Fashion Subcultures in Japan A multilayered history of street fashion in Japan Ritgerð til BA-prófs í japönsku máli og menningu Inga Guðlaug Valdimarsdóttir Kt: 0809883039 Leðbeinandi: Gunnella Þorkellsdóttir September 2015 1 Abstract This thesis discusses the history of the street fashion styles and its accompanying cultures that are to be found on the streets of Japan, focusing on the two most well- known places in Tokyo, namely Harajuku and Shibuya, as well as examining if the economic turmoil in Japan in the 1990s had any effect on the Japanese street fashion. The thesis also discusses youth cultures, not only those in Japan, but also in North- America, Europe, and elsewhere in the world; as well as discussing the theories that exist on the relation of fashion and economy of the Western world, namely in North- America and Europe. The purpose of this thesis is to discuss the possible causes of why and how the Japanese street fashion scene came to be into what it is known for today: colorful, demiurgic, and most of all, seemingly outlandish to the viewer; whilst using Japanese society and culture as a reference. Moreover, the history of certain street fashion styles of Tokyo is to be examined in this thesis. The first chapter examines and discusses youth and subcultures in the world, mentioning few examples of the various subcultures that existed, as well as introducing the Japanese school uniforms and the culture behind them. The second chapter addresses how both fashion and economy influence each other, and how the fashion in Japan was before its economic crisis in 1991.
    [Show full text]
  • What Toyota Has to Say About Wussy-Boys
    What Toyota has to say about wussy-boys How could you doubt the manliness of Japanese men? Yes, I know, poor kid– Kamenashi Kazuya is Secret Garden’s posterchild for all that is confused and confusing in Japan. For the past several months my interest in gender issues in Japanese pop culture have had me following this topic of Soushokukei Danshi Nikushokukei Jyou, translated: Herbivore guys, carnivore girls. “Soushokukei danshi” describes a “trend” of ‘herbivore men’, or a group of young men (typically classified as being metrosexual) who are rejecting the typical guidelines of masculinity, and embracing an alternative style. It’s a type of Otomen syndrome, as it were, for anyone who has read the manga/seen the drama. Otomen follows the story of a young man who, on the outside appears to be a manly-man, but who secretly loves sewing, crochet, stuffed animals, strawberry parfaits and baking beautiful cakes. Soushokukei danshi have been described as being more “family oriented”, and being uninterested in women and dating. Next in line are the carnivorous girls, beautiful, intelligent, ambitious young women displaying all of the characteristics it seems the men should be displaying: charisma, confidence, focus, and guts. These go-getters have been described by the soushokukei danshi as being “scary” (I’m shaking in my boots already…). The typical dynamic spelled out by this phenomenon is a type of gender- role-reversal, where the herbivorous guys seem unable to get up the manly gumption to go after girls, but prefer to wait for the carnivorous beauty (as long as he’s not scared of her, that is) to hunt him down and snatch him up in one fell swoop (sounds okay to me…).
    [Show full text]
  • A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
    Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3].
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • Stardigio Program
    STARdigio チャンネル :４０８ Ｊ－ＰＯＰ アーティスト 特集 1 放送日 ： ２０１１ ／５／９～２０１１ ／５／１５ ｢番組案内 （ ８時間 サイクル ）｣ 開始時間 ： 04 :00 ～12 :00 ～20 :00 ～ 楽曲 タイトル 演奏者名 ■山下達郎 ベスト (1) DOWN TOWN SUGAR BABE 幸せにさよなら （シングル ・バージョン ） ナイアガラ ・トライアングル （ 山下達郎 、伊藤銀次 、大滝詠一 ） ドリーミング ・デイ ナイアガラ ・トライアングル （ 山下達郎 、伊藤銀次 、大滝詠一 ） 永遠 に 山下達郎 LAST STEP 山下達郎 Love Space 山下達郎 翼に乗せて 山下達郎 素敵 な午後 は 山下達郎 Candy 山下達郎 LOVE CELEBRATION 山下達郎 LET'S DANCE BABY 山下達郎 BOMBER 山下達郎 愛を描いて -Let 's Kiss the Sun - 山下達郎 ■山下達郎 ベスト (2) 永遠 のFULL MOON 山下達郎 FUNKY FLUSHIN ' (ファンキー ・フラッシン ) 山下達郎 RIDE ON TIME (ライドオン タイム ) 山下達郎 RAINY DAY (レイニー デイ ) 山下達郎 MY SUGAR BABE (マイ シュガー ベイブ ) 山下達郎 DAYDREAM (デイドリーム ) 山下達郎 パレード ナイアガラ ・トライアングル （ 山下達郎 、伊藤銀次 、大滝詠一 ） あまく 危険 な香り 山下達郎 MUSIC BOOK (ミュージック ・ブック ) 山下達郎 FUTARI (ふたり ) 山下達郎 LOVELAND , ISLAND (ラブランド 、アイランド ) 山下達郎 YOUR EYES (ユア ・アイズ ) 山下達郎 ■SoulJa ベスト (1) DOGG POUND SoulJa rain SoulJa ここにいるよ SoulJa feat . 青山 テルマ ID SoulJa A Song for You SoulJa LIBERTANGO (Pierrot) SoulJa Sotsugyo SoulJa そばにいるね 青山 テルマ feat . SoulJa 記念日 SoulJa × Misslim ONE TIME SoulJa feat . 一星 & 沖仁 Prologue SoulJa feat . 佐藤博 COLORZ of LOVE SoulJa feat . Yukie & 沖仁 ■SoulJa ベスト (2) Hip Nova SoulJa feat . 浜口茂外也 Da Bounce SoulJa feat. Yukie 花、ゆらり SoulJa feat . 高橋幸宏 Road Movie SoulJa feat . 細野晴臣 h o m e SoulJa feat. Misslim ZERO SoulJa Way to Love ～最後 の恋～ SoulJa feat . 唐沢美帆 うまく 言葉 にできないけれど SoulJa feat . 果山 サキ はなさないでよ SoulJa feat . 青山 テルマ 月光 ～GOD 'S CHILD ～ SoulJa feat . 鬼束 ちひろ Breathe ISSA × SoulJa 4 chords ISSA × SoulJa ■矢井田瞳 ベスト (1) How? 矢井田瞳 I like 矢井田瞳 B'coz I Love You 矢井田瞳 my sweet darlin' 矢井田瞳 I'm here saying nothing 矢井田瞳
    [Show full text]
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript and are unavailable from the author or university. The manuscript was scanned as received. Pages 25-27, and 66 This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Cybercultures from the East: Japanese Rock Music Fans in North America By An Nguyen, B.A. A thesis submitted to The Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree MASTER OF ARTS Department of Sociology and Anthropology Carleton University Ottawa, Ontario April 2007 © An Nguyen 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-26963-3 Our file Notre reference ISBN: 978-0-494-26963-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats.
    [Show full text]
  • Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
    db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.
    [Show full text]
  • El Visual Kei Como Producto Cultural Y Su Huella En La Cultura Popular
    FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN GRADO EN ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2015-2016 EL VISUAL KEI COMO PRODUCTO CULTURAL Y SU HUELLA EN LA CULTURA POPULAR Cecilia Isabel Sanz Martínez 1244795 TUTOR Roberto Figliulo Barcelona, junio de 2016 DATOS DEL TFG El Visual Kei como producto cultural y su huella en la cultura popular. El Visual Kei com a producte cultural i la seva empremta en la cultura popular. Visual Kei as a cultural product and its imprint on popular culture. Autor: Cecilia Isabel Sanz Martínez. Tutor: Roberto Figliulo. Centro: Facultad de Traducción e Interpretación. Universidad Autónoma de Barcelona. Estudios: Estudios de Asia Oriental. Curso Académico: 2015-2016 Palabras clave // Paraules clau // Key words Visual Kei, cultura popular, Japón, música, rock, metal // Visual Kei, cultura popular, Japó, música, rock, metal // Visual Kei, popular culture, Japan, music, rock, metal. Resumen del TFG El Visual Kei es una escena musical nacida en y casi exclusiva de Japón, cuya característica principal es que el componente visual o estético tiene tanto peso como el componente musical. Se trata de una escena muy activa y con mucha variedad tanto musical como estética. En este TFG se analiza el Visual Kei como producto cultural, siguiendo un esquema histórico. Empezando desde los movimientos musicales y culturales que han contribuido a su surgimiento como el heavy metal, el glam y el punk; observando la escena que sería su caldo de cultivo, hasta su nacimiento; y viendo las claves de cada etapa de su evolución, desde los años 90 hasta hoy. Además, se observa cuál ha sido el impacto del Visual Kei en la cultura popular japonesa, y cuál ha sido su recepción en el resto del mundo.
    [Show full text]
  • Visual Kei a Kultura Estetyzacji ■ ■ ■ Visual Kei and Aesthethic Culture
    CORE brought to you by Pobrane z czasopisma Artes Humanae http://arteshumanae.umcs.pl Data: 04/08/2020 23:08:50 Artes Humanae ■ Vol. 3 ■ 2018 ARTYKUŁY DOI: 10.17951/artes.2018.3.47- 59 EMMANUELLA ROBAK Uniwersytet Jana Kochanowskiego w Kielcach [email protected] View metadata, citation and similar papers at core.ac.uk Visual kei a kultura estetyzacji ■ ■ ■ Visual kei and aesthethic culture Streszczenie: Visual kei to nazwa określająca styl ubioru, oryginalny makijaż, wymyślną fryzurę, specyficzny rodzaj muzyki, różnorodność, dowolność, mieszanie i łączenie gatunków. Visual kei to kreacja siebie, coś więcej niż tylko odgrywanie roli, teatralizacja czy chęć wyróżnienia się w tłumie – to styl życia inspirowany nieprzebranym źródłem możliwości. W artykule zwracam szczególną uwagę na gotycką odmianę Visual kei, której twórcą jest popularny muzyk Mana. Artysta stworzył zupełnie nowyUMCS świat, który bardzo szybko zainspirował fanów gatunku. Pokazał, w jaki sposób można łączyć japońską muzykę alternatywną (j-rock) z gotyckimi inspiracjami. Stworzył także rozpoznawalny wizerunek, który fani mogą bez problemu odtwarzać (styl Lolita Fashion). Chcę również wskazać, jak wygląda recepcja Visual kei w Polsce. Dlaczego nurt ten nie jest popularny? Czy do fanów przemawia fuzja muzyczna czy tylko specyficzny wizerunek? A może obecny odbiór jest utrudniony przez fakt, że spore zmiany zaszły w obrębie samego Visual kei – czasami trudno określić, jaki konkretnie styl kei prezentuje dany zespół i czy jest to jeszcze jakiś konkretny gatunek muzyczny, czy już tylko osobliwy wizerunek. Słowa kluczowe: Visual kei, Malice Mizer, Japonia, gotyk, epoka wiktoriańska, j-rock, steampunk, gothic lolita Muzyczna scena w Japonii jest bardzo zróżnicowana i wielowymiarowa. Jedno z ciekawszych zjawisk, jakie można na niej zaobserwować, stanowi Visual kei – fenomen japońskiej kultury, który do dziś inspiruje Europę.
    [Show full text]
  • Vendredi - Friday
    Vendredi - Friday...............8/20 Vendredi - Friday...............8/20 ÉVÉNEMENTS EN DIRECT PANELS ÉVÉNEMENTS PRINCIPAUX ÉQUIPE YUKI ÉQUIPE YURIKA ÉQUIPE TOU-CHAN LIVE EVENTS PANELS MAIN EVENTS TEAM YUKI TEAM YURIKA TEAM TOU-CHAN 17:00 17:00 17:10 17:10 17:20 17:20 17:30 Cérémonie d’ouverture 17:30 17:40 Opening Ceremony 17:40 17:50 17:50 18:00 18:00 18:10 18:10 18:20 Idol Club 101 Q&R de Ryōtarō Okiayu 18:20 Q&A with Joe Zieja 18:30 Ryōtarō Okiayu Q&A 18:30 18:40 18:40 18:50 18:50 You Don’t Know Jack Quiplash 3 Gang Beast 19:00 19:00 19:10 CRX Archive Alex Kade - Rave nocturne 19:10 19:20 How to Draw Anime! Alex Kade - Night Rave 19:20 19:30 Hiroshi Shimizu 19:30 19:40 Anime Name That Tune 19:40 19:50 19:50 20:00 20:00 20:10 20:10 Introduction au Otakurock présente Tortuga 20:20 20:20 maquillage de cosplay 20:30 20:30 20:40 20:40 20:50 20:50 Survive the Internet Blather Round Overcooked! 2 21:00 21:00 Défi Pokémon 21:10 21:10 Manga Planet + Futekiya Qu’est-ce que ça fait d’être un 21:20 21:20 Industry Panel VTubeur indépendant au Japon? 21:30 Comment utiliser ta voix : 21:30 21:40 conseil d’un acteur de doublage 21:40 21:50 professionnel japonais. 21:50 22:00 What’s it like being an indie 22:00 Surviving Comiket 22:10 VTuber in Japan? 22:10 The Crash Course 22:20 How to use your voice - Advice 22:20 2020 Anime: Year in Review from a professional Japanese Drawful 2 Trivia Murder Party 2 Ultimate Chicken Horse 22:30 22:30 Voice Actor.
    [Show full text]
  • Anime/Games/J-Pop/J-Rock/Vocaloid
    Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi
    [Show full text]
  • Malice Mizer Album Download Malice Mizer Album Download
    malice mizer album download Malice mizer album download. ki were unknown until he briefly resurfaced in 2004 as lyricist for Közi's solo release "MEMENTO". In 2010, the band had a brief revival during a Moi Dix Mois and Közi coupling tour. The line-up for this short revival only consisted of Mana, Közi, and Yu. ki, with Moi Dix Mois' drummer as a support member. Klaha did not show up to the performance, so Közi sang while playing guitar. "Beast of Blood" was one of the songs played. Currently Mana is still in Moi Dix Mois, Yu. ki still keeps to himself outside of the visual-kei scene, and Közi recently joined the new wave band XA-VAT. Members: Vocal: Klaha [[artist]PRIDE OF MIND(春名真樹) → MALICE MIZER(Klaha) → ソロ → [[artist]個人/状況不明] Guitar/ Synthesizer: mana [[artist]Ves:tearge → GIRL'e → 摩天楼 → MALICE MIZER(mana) → Moi dix Mois(Mana)] Guitar/ Synthesizer: kozi [[artist]Girl → 摩天楼 → MALICE MIZER → Eve of Destiny!、ソロ → DALLE → XA-VAT] Bass: YU. KI [[artist]ze:ro → MALICE MIZER → [[artist]個人/状況不明] Ex-Members: Drums: GAZ [[artist]DATURA → MALICE MIZER → KneuKlid Romance(サポート) → KneuKlid Romance → the Night Breeze Zinnia → DOVERMAN、BUZZ BONE、The VELETTA(サポート) → DOVERMAN、Pandemic(サポート)] Vocal: tetsu [[artist]MALICE MIZER → MEGA 8 BALL → nil → ZIGZO(tetsu) → nil(高野哲)] Drums: kami [[artist]3Pマヨネーズ → Kneuklid Romance(右狂) → MALICE MIZER(右京→kami) → 死去] Vocal: Gackt [[artist]cains:feel! (Dr.→Vo.) → MALICE MIZER → ソロ → ソロ(Gackt→GACKT)] Drums: 愁(ex.Virus)(サポート) [Virus(Shue) → 女的 → AION(愁) → Virus → AION → MALICE MIZER(サポート) → CRAVE、S.Q.F → CRAVE] Keyboard(Support): KAZUNE [ Brain Hacker →] Vocal/ Guitar: kamijo: [[artist]美辞麗句 → MALICE MIZER → LALIENE(SHOKI)→LAREINE(KAMIJO) → NEW SODMY → LAREINE → Versailles] Guitar: MAYU [[artist]MALICE MIZER → LALIENE → アイリ → LALIENE→LAREINE → NEW SODMY → LAREINE → [[artist]個人/状況不明] Drums: MACHI [[artist]MALICE MIZER → LAREINE → Chanton Lamour] Discography In several cases, the Japanese titles are given first, followed by the romaji titles in square brackets.
    [Show full text]