Issa,Cuttack

Total Page:16

File Type:pdf, Size:1020Kb

Issa,Cuttack THE HIGH COURT OF ORISSA,CUTTACK PRE-CONCILIATION ON 25/01/2020 (NEW CONFERENCE HALL OF THE OLD HIGH COURT BUILDING) AT 11.00 A.M. (The following cases will be taken up for Pre-Conciliation for reference to National Lok Adalat to be held on 08/02/2020) NATIONAL INSURANCE CO. CASES ---------------------------- 1. MACA 512/2007 NAMITA MOHAPATRA M/S.L.BHUYAN V/S K.NAYAK BISIKESHAN BEHARI M/S SRINIBAS MAOHANTY,M/S P.K.MAHALI,P.K.PANDA,J.PRAHARA J 2. MACA 685/2007 SK.AJEM M/S.BIRANCHI N.RATH V/S M.K.SAHOO,M.K.SAHOO,M.K.SAHOO, M.K.SAHOO,M.K.SAHOO MD.NOYEEM KAUSAR MR.P.K.MAHALI,P.K.PANDA 3. MACA 378/2011 DEBANANDA BEHERA M/S.PATITAPABAN MISHRA V/S P.K.MISHRA KISAN KU.AGARWAL M/S.S.K.MOHANTY B.K.MOHANTY,B.MOHAPATRA,M/S.N. K.MISHRA,P.DASH,S.PRADHAN,D.K. PANI,A.K.ROY,P.MISHRA 4. MACA 1153/2012 BALARAM CHAPADI M/S.SUKANTA CHARAN PRADHA V/S K.C.NAYAK,R.C.PRADHAN,K.C.NAYA K,R.C.PRADHAN,K.C.NAYAK,R.C.PR ADHAN,K.C.NAYAK,R.C.PRADHAN SANJAY KU.PADHY AND ANR 5. MACA 1167/2012 NIROJA CHOUDHURY M/S.SUKANTA CH.PRADHAN V/S K.C.NAYAK,K.C.NAYAK,K.C.NAYAK M.SEETHARAMAIAH 6. MACA 987/2013 NARENDRA KU.SATAPATH M/S.PRADEEP KU.MISHRA V/S P.P.MISHRA,P.P.MISHRA,P.P.MISH RA ABHAYA KU.NATH 7. MACA 473/2014 ARUN K.PARIJA M/S.DILLIP K.MOHAPATRA V/S L.KABI,S.N.BISWAL DM,N.I.CO.LTD MR.P.K.MAHALI,M/S GAJENDRANATH ROUT,J.P.DAS,R.K.DASH 2 Pre-Conciliation(Lok-Adalat) 8. MACA 845/2014 ARUN KU.DAS M/S.BIKRAM PARIJA V/S A.BARAL,A.PARIJA,N.C.SINGH,P.C .PATTNAIK BIJAYANANDA MOHANTY M/S.B.N.UDGATA, A.K.SARANGI 9. MACA 1087/2014 SANTOSH BHITIRIA MR.A.K.DASH V/S PRADEEP KU.NAIK MISS SAVITRI RATHO 10. MACA 942/2015 BIBEKANANDA@DEBANANDA DASHM/S.ANUP KU.JENA V/S B.PR.MOHANTY RAJENDRA KU.PANIGRAHI M/S.P.K.MAHALI, P.SINHA 11. MACA 128/2016 RAKESH KU.BARIK M/S.ANANGA KU.OTTA V/S R.K.MOHANTY NATIONAL INSURANCE CO.LTD. M/S SANATAN KU.SARANGI,S.K.SARANGI,G.RAI 12. MACA 264/2016 PRAKASH KU.SAHOO M/S.PRADEEP KR.MISHRA V/S J.R.D.RAYASINGH,P.P.MISHRA JAYA KRUSHNA PATEL M/S.P.K.PANDA P.K.MAHALI,S.R.JENA 13. MACA 354/2016 KANCHAN [email protected] SAHU V/S TANKADHAR DORA 14. MACA 382/2016 GANGA RANI DALEI M/S.BIRANCHI NARAYAN RATH V/S A.K.JENA,M.K.PANDA,A.K.JENA,M. K.PANDA MUNA BEHERA 15. MACA 386/2016 PUJARINI DAS M/S.BIRANCHI NARAYAN RATH V/S A.K.JENA,N.C.MOHAPATRA,A.K.JEN A,N.C.MOHAPATRA SATYABAN PATRA M/S P.K.MAHALI,P.SINHA 16. MACA 405/2016 M/S.NATIONAL INSURANCE CO.LTD.M/S.G.P.DUTTA V/S B.K.SAHOO,B.SINGH,S.K.MOHANTY, S.PASAYAT MAMATA PRADHAN M/S. P.B.SINHA,P. DANDAPAT WITH MACA 468/2016 MAMATA PRADHAN M/S.B.B.SINGH V/S P.DANDAPAT,P.B.SINHA RAJENDRA PR.MAHESWARI M/S.G.P.DUTTA S.PARWEEN,S.K.MOHANTY,B.K.SAHO O 17. MACA 686/2016 PUSPANJALI SASMAL M/S.BIJAY KU.MOHANTY V/S C.R.KANUNGO,S.K.NAYAK,C.R.KANU NGO,S.K.NAYAK,C.R.KANUNGO,S.K. NAYAK S.ELANGOVAN 18. MACA 702/2016 NATIONAL INSURANCE CO.LTD.M/S.V.NARASINGH V/S S.DAS,S.DEVI,S.DAS,S.DEVI,S.DA S,S.DEVI MITA RAJENDRA TAUNK 3 Pre-Conciliation(Lok-Adalat) 19. MACA 912/2016 SAMIMA BIBI M/S.PRADEEP KU.MISHRA V/S P.P.MISHRA,P.P.MISHRA,P.P.MISH RA NARENDRA KU.SWAIN 20. MACA 914/2016 SANATAN SETHY M/S.PRADEEP KU.MISHRA V/S P.P.MISHRA,P.P.MISHRA,P.P.MISH RA KESHAB CH.JENA M/S AMIT PRASAD BOSE,MRS V.KAR,D.J.SAHOO,S.K.HOTA 21. MACA 925/2016 SACHIDANANDA PANIGRAHIM/S.PRADEEP KU.MISHRA V/S P.P.MISHRA,P.P.MISHRA,P.P.MISH RA RATNA GIRI 22. MACA 938/2016 FIRODOSHI KHANAM M/S.PATITAPABAN MISHRA V/S P.K.MISHRA,P.K.MISHRA MANAGOBIND NAYAK MR.K.K.PADHI 23. MACA 940/2016 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.SUBRAT SATPATHY V/S J.PRAHARAJ,J.PRAHARAJ,J.PRAHAR AJ MANU BEHERA M/S S.DAS,B.K.MAYA 24. MACA 945/2016 GANGADHAR ROUT M/S.K.C.NAYAK V/S P.R.SAMAL,P.R.SAMAL,P.R.SAMAL LILIN ROUT 25. MACA 993/2016 GANGADHAR SWAIN M/S.PRADEEP KU.MISHRA V/S P.P.MISHRA HARSH MOHAN GUPTA M/S.GITIMAYA MISHRA P.K.MAHALI 26. MACA 1047/2016 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.P.K.PANDA V/S P.K.MAHALI,P.K.PADHI,S.R.JENA, P.K.MAHALI,P.K.PADHI,S.R.JENA, P.K.MAHALI,P.K.PADHI,S.R.JENA MAMINI GOUD 27. MACA 1385/2016 BRANCH MANAGER,NATIONAL INSURANCE CO.LTD. M/S.MAHITOSH SINHA V/S P.K.MAHALI,P.R.SINHA,P.SINHA,P .K.MAHALI,P.R.SINHA,P.SINHA,P. K.MAHALI,P.R.SINHA,P.SINHA MAMATA NAHAK 28. MACA 73/2017 NATIONAL INSURANCE CO.LTD.M/S.AMITAV DAS V/S H.K.MAHALI,MISS S.MOHANTY,M.M.DAS,P.K.SAHOO HARA NAIK@BENTKAR M/S P.K.MISHRA,S.K.ROUT 29. MACA 315/2017 SANTOSH KU.SAHU M/S.B.N.SAMANTARAY V/S D.PATTNAIK,P.JENA PRAMOD CH.RATH 4 Pre-Conciliation(Lok-Adalat) 30. MACA 349/2017 NATIONAL INSURANCE CO.LTD.M/S.SABITA RANJAN PATTNAIK V/S D.PRADHAN,MRS.P.PATTNAIK,N.SEN APATI RUKMANI MOHANTA M/S B.SINGH,P.B.SINHA 31. MACA 440/2017 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.SUBRAT SATPATHY V/S J.PRAHARAJ,J.PRAHARAJ,J.PRAHAR AJ PRAHALLAD KEJRIWAL M/S. PABITRA KU NAYAK, H.B.DASH,A.C.R.DAS WITH MACA 397/2017 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.SUBRAT SATPATHY V/S J.PRAHARAJ VINOY KU.KEJIRWAL M/S. PABITRA KU NAYAK, H.B.DASH,A.C.R.DAS 32. MACA 444/2017 SR.DIVISIONAL MANAGER, M/S.NATIONAL INSURANCE CO.LTD.M/S.P.K.PANDA V/S P.K.MAHALI,S.K.VARMA,S.R.JENA, P.K.MAHALI,S.K.VARMA,S.R.JENA JANAKI MALLICK M/S BIJAYA KU MOHANTY WITH MACA 1349/2016 JANAKI MALLICK M/S.BIJAY KU.MOHANTY V/S S.K.NAYAK DAYAL SINGH 33. MACA 575/2017 SENIOR DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.B.N.UDGATA V/S A.K.SARANGI,M.T.BAIG,R.K.SAHU INDUMATI PRADHAN M/S K.K.DAS,A.TRIPATHY 34. MACA 688/2017 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.P.K.PANDA V/S P.K.MAHALI,S.K.VARMA,P.K.MAHAL I,S.K.VARMA JAGMOHAN BADAIK M/S P.K.NAYAK,H.B.DASH,A.C.R.DAS 35. MACA 690/2017 ALEKHA KHUNTIA M/S.K.C.NAYAK V/S P.R.SAMAL,P.R.SAMAL RAJIB KU.MAITI 36. MACA 708/2017 PUSPANJALI KHADANGA MR.KALPATARU PANIGRAHI V/S MAHENDRAPAL SINGH M/S P.K.MAHALI,J.PRAHARAJ 37. MACA 723/2017 SUKANTI SAHOO M/S.K.C.NAYAK V/S N.K.TRIPATHY PANKAJ KU.PANDA M/S B.N.UDGATA,R.R.DAS,M.SAHOO 38. MACA 724/2017 SANTOSH KU.SAHOO M/S.K.C.NAYAK V/S N.K.TRIPATHY PANKAJ KU.PANDA M/S B.N.UDGATA,R.R.DAS,M.SAHOO 39. MACA 738/2017 MURALIDHAR NAYAK M/S.K.C.NAYAK V/S B.K.MOHANTY,R.R.SAMANTA,B.K.MO HANTY,R.R.SAMANTA KEDARNATH SWAIN 5 Pre-Conciliation(Lok-Adalat) 40. MACA 780/2017 DIVISIONAL MANNAGER, NATIONAL INSURANCE CO.LTD.M/S.NITISH KU.MISHRA V/S A.K.ROY,A.MISHRA,S.BEHERA CHAITU NAIK M/S. P.K.MISHRA,P.P.MISHRA S.ROUT 41. MACA 839/2017 GANESH BHOSAGAR MR.JAGABANDHU SAHU V/S ADHIKARI PRADHAN 42. MACA 854/2017 NATIONAL INSURANCE CO.LTD.M/S.B.N.UDGATA V/S A.K.SARANGI,M.T.BAIG,S.PADHI,A .K.SARANGI,M.T.BAIG,S.PADHI TAPASWINI RANA M/S B.N.RATH,B.DASH,A.K.JENA 43. MACA 864/2017 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.SUBRAT SATPATHY V/S J.PRAHARAJ,J.PRAHARAJ,J.PRAHAR AJ,J.PRAHARAJ,J.PRAHARAJ,J.PRA HARAJ KALPANA PATRA MR.K.P.PANIGRAHI 44. MACA 905/2017 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.R.M.MOHANTY V/S P.K.MAHALI,P.K.MAHALI KAMINI BEWA M/S R.P.BHAGAT,A.K.MOHAPATRA 45. MACA 996/2017 NATIONAL INSURANCE COMPANY LTD.M/S.GAUTAM MISRA V/S A.DASH,D.K.PATRA,J.R.DEO KUNI SAHU M/S.P.K.MISHRA, P.P.MISHRA 46. MACA 1036/2017 DIVISIONAL MANAGER, NATIONAL INSURANCE CO.LTD.M/S.SABITA RANJAN PATTNAIK V/S D.PRADHAN,MRS.P.PATTNAIK,N.K.S ENAPATI,D.PRADHAN,MRS.P.PATTNA IK,N.K.SENAPATI SATYABHAMA ROUT MR.L.BHUYAN 47.
Recommended publications
  • Odissi Dance
    ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing
    [Show full text]
  • Odisha Review Dr
    Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive ..
    [Show full text]
  • List of Members (Ex-Employee) Enrolled in Base Policy As on 11.05.2020 for Fy 2020-21
    LIST OF MEMBERS (EX-EMPLOYEE) ENROLLED IN BASE POLICY AS ON 11.05.2020 FOR FY 2020-21 Sr. EMP No. LOCATION CODE Insured name Relation PolicyNo Card_Number 1 CO 00016G MS. REENA JHINGAN WIFE 130200/130132028120000030 0611070000000103 2 CO 00016G MR. K K JHINGAN EMPLOYEE 130200/130132028120000030 0611070000000126 3 DELHI 00030B MS. PRITPAL KAUR VIJ WIFE 130200/130132028120000030 0611070000000203 4 DELHI 00030B MR. ANOOP SINGH VIJ EMPLOYEE 130200/130132028120000030 0611070000000226 5 DELHI 00037K MS. ASHA RANI PURI WIFE 130200/130132028120000030 0611070000000303 6 DELHI 00037K MR. D D PURI EMPLOYEE 130200/130132028120000030 0611070000000326 7 DELHI 00041H MS. VIDYAWATI RANGRA WIFE 130200/130132028120000030 0611070000000403 8 DELHI 00041H MR. BIDHU RAM RANGRA EMPLOYEE 130200/130132028120000030 0611070000000426 9 AHMEDABAD 00042A MS. CHANDER TANEJA WIFE 130200/130132028120000030 0611070000000503 10 AHMEDABAD 00042A MR. VAS DEV TANEJA EMPLOYEE 130200/130132028120000030 0611070000000526 11 CO 00043D MS. LALTHANZAUVI WIFE 130200/130132028120000030 0611070000000603 12 CO 00043D MR. SAJEEVAN LAL EMPLOYEE 130200/130132028120000030 0611070000000626 13 DELHI 00045L MR. SRI KRISHAN GANDHI EMPLOYEE 130200/130132028120000030 0611070000000726 14 CO 00050G MS. KANAK CHAUHAN WIFE 130200/130132028120000030 0611070000000803 15 CO 00050G MR. K S CHAUHAN EMPLOYEE 130200/130132028120000030 0611070000000826 16 DELHI 00051E MR. K K SACHDEVA EMPLOYEE 130200/130132028120000030 0611070000000926 17 DELHI 00055H MS. SAROJ BALA NAGPAL WIFE 130200/130132028120000030 0611070000001003 18 DELHI 00055H MR. VINOD KUMAR NAGPAL EMPLOYEE 130200/130132028120000030 0611070000001026 19 CHANDIGARH 00064G MS. VEENA PURI WIFE 130200/130132028120000030 0611070000001103 20 CHANDIGARH 00064G MR. V K PURI EMPLOYEE 130200/130132028120000030 0611070000001126 21 CO 00065E MS. KAMLESH SHARMA WIFE 130200/130132028120000030 0611070000001203 22 CO 00065E MR. BADRI NATH SHARMA EMPLOYEE 130200/130132028120000030 0611070000001226 23 DELHI 00069H MS.
    [Show full text]
  • LIST of MEMBERS (EX-EMPLOYEES) ENROLLED in BASE POLICY AS on 20.04.2020 for FY 2020-21 S.NO EMPCODE Name Relation LOCATION Policyno Card Number 1 PRMB22 MR
    LIST OF MEMBERS (EX-EMPLOYEES) ENROLLED IN BASE POLICY AS ON 20.04.2020 FOR FY 2020-21 S.NO EMPCODE Name Relation LOCATION PolicyNo Card_Number 1 PRMB22 MR. SWAPAN KUMAR ROY EMPLOYEE KOLKATA :130200/130132028120000030 :0611070000283626 2 PRMB22 MS. DIPALI ROY WIFE KOLKATA :130200/130132028120000030 :0611070000283603 3 PRMB19 MR. M AKBARSHA EMPLOYEE BANGALORE :130200/130132028120000030 :0611070000283526 4 PRMB19 MS. A HAMIDA BANU WIFE BANGALORE :130200/130132028120000030 :0611070000283503 5 PRMB09 MR. T S VIJAYAKUMAR EMPLOYEE CHENNAI :130200/130132028120000030 :0611070000283426 6 PRMB09 MS. V KALAIVANI WIFE CHENNAI :130200/130132028120000030 :0611070000283403 7 14819J MR. P N PATRI EMPLOYEE BHUBANESHWAR :130200/130132028120000030 :0611070000283326 8 14819J MS. GEETANJALI PATRI WIFE BHUBANESHWAR :130200/130132028120000030 :0611070000283303 9 14027J MR. JATINDERJIT SINGH EMPLOYEE CHANDIGARH :130200/130132028120000030 :0611070000283226 10 14027J MS. JASWANT KAUR WIFE CHANDIGARH :130200/130132028120000030 :0611070000283203 11 13346J MS. D RAMADEVI EMPLOYEE HYDERABAD :130200/130132028120000030 :0611070000283126 12 13314L MS. P SABIRUNNISA EMPLOYEE HYDERABAD :130200/130132028120000030 :0611070000283026 13 12435D MR. H C RAJPUT EMPLOYEE MUMBAI :130200/130132028120000030 :0611070000282926 14 12435D MS. MANJU RAJPUT WIFE MUMBAI :130200/130132028120000030 :0611070000282903 15 12363C MR. N R DAS EMPLOYEE MUMBAI :130200/130132028120000030 :0611070000282826 16 12358G MR. BHIM CHANDRA HALDER EMPLOYEE KOLKATA :130200/130132028120000030 :0611070000282726
    [Show full text]
  • A Musical Fair
    - J 2 . T was no different from other music MUSIC FESTIVAL people realised the benefits of punc­ festivals that Bombay is treated to tuality.” It was decided that those who during the peak music season, except I came first would get the better seats in that it was organised by Protima Bedi, A their block. “I wanted to train the and her Odissi Dance Centre students. audience to be on time,” explains Pro­ And since Protima is a commercial Musical tima. Unfortunately, the earliest arriv- password when it comes to all things ers took to the first few rows, which cultural, the festival drew to its had been reserved for VIPs—like V.P. charmed circle, big names. As a result, Fair Sathe, Minister of Information & contrary to a few thousand rupees that Broadcasting, Frank Simoes, who in­ a more modest organisation would cidentally took a load off the organis­ collect on such an occasion, Protima’s ers’ shoulders by collecting all the rough estimate stood at Rs 2 lakh. “We advertisements for the brochure and had aimed at about Rs 5 lakh. Let’s surprisingly enough, Kabir Bedi. Bedi, see—maybe some more contributions who sat in the third row, was easily one will come in,” says a disappointed head taller than the rest of the audience Protima. forcing the luckless spectators behind The proceeds are to go towards the him to crane their necks. At the end Odissi Dance Centre, initiated two everyone had been seated to his years ago to “celebrate, preserve and satisfaction and the session was 45 perpetuate” Odissi, which as a dance minutes behind schedule.
    [Show full text]
  • Monthly Report of Sr. Dps Nalconagar October
    DELHI PUBLIC SCHOOL NALCONAGAR MONTHLY REPORT OF SR. DPS NALCONAGAR OCTOBER- 2017 HIGHLIGHTS OF THE MONTH 2ND OCTOBER : GANDHI JAYANTI CELEBRATION “Peace is the most powerful weapon of mankind. It takes more courage to take a blow than to give one.” M. K. Gandhi. India‟s third National Festival, Gandhi Jayanti, is celebrated by the entire nation to commemorate the birth anniversary of the father of our nation- Mahatma Gandhi. Delhi Public School celebrated 148th Gandhi Jayanti on 2nd October at Community Centre Nalco Nagar initiated by Nalco with great zeal, enthusiasm and great feeling of citizenship. The programme began at 7.30 a.m. with heartfelt tribute offered by the dignitaries and students to the great leader „Mahatma Gandhi. A pledge on Swachh Bharat was taken in all the three languages i.e. English, Hindi and Odia. Mr. R. K. Mishra, Executive Director of Nalco(S&P Complex) and other dignitaries present addressed on the occasion with their inspiring words. The assembly wound up with the beautiful rendition of favourite bhajans of beloved Bapuji- “Payo Ji Mainey Ram Rattan Dhan Payo”, “Raghu Pati Raghav Raja Ram” & “Vaishnavo Janato” by Class IV & V students of DPS Nalco Nagar under the guidance of Mrs. Sanjukta Pattnaik Then a short verse on „Sawachh Bharat “ was presented by Arzoo Nayak, (Class IV) a student of our school which was appreciated by all present. It was followed by a small skit by class X students which presented an effective point to audience about “Sawach Bharat mission” the main agenda of our country today. The skit was presented under the guidanceof Mrs.
    [Show full text]
  • TEA-STO-30..TEA-STO-30.1 .. Page1
    Ashish Mohan Khokar INDIAN DANCE TODAY. AN HISTORICAL OVER-VIEW [Ashish Mohan Khokar è probabilmente il più importante critico e studioso di danza in India. Ha studiato danza, ha lavorato in diverse accademie di danza, è critico del principale quotidiano indiano, «The Times of India», collabora con diversi altri quotidiani, è il direttore dell’unico Annale di danza in India, «Attendance». Ha scritto molti li- bri sulla danza. E` figlio di Mohan Khokar, senz’altro il più grande stu- dioso di danza indiano dell’ultima generazione. Sta creando il primo Archivio di Danza in India, partendo dall’immensa collezione del pa- dre. Per maggiori dettagli si possono vedere: www.attendance- india.com e www.dancearchivesofindia.com.] Indian classical dance traditions have been borne out of a sense of propitiation of the divinity. A certain spiritual content has always been its mainstay. It has also been essentially the art of a soloist, ex- cept in dance-theatre forms. Over two thousand unbroken years, it has grown to become the longest continuous dance culture, afford- ing an interesting insight into man and his relationship to stage in general and dance art, in particular. Its classical nature comes through by a set of code of grammar, content and concept. Thus, if in one form, the knees are to be bent while performing and a half-sitting position maintained all through, then it cannot be altered. The position of hands, the use of eyes, neck, torso and feet, all go towards making dance units, which be- come strings of movements, through which individual characteristics and a grammar is set which makes each form distinct and thus, with age and tradition, classical.
    [Show full text]
  • Module 1 Dance in India Today an Overview
    PAPER 6 DANCE IN INDIA TODAY, DANCE-DRAMAS, CREATIVITY WITHIN THE CLASSICAL FORMS, INDIAN CLASSICAL DANCE IN DIASPORA (USA, UK, EUROPE, AUSTRALIA, ETC.) MODULE 1 DANCE IN INDIA TODAY AN OVERVIEW Indian classical dance traditions have been borne out of a sense of propitiation of the divinity. A certain spiritual content has always been its mainstay. It has also been essentially the art of a soloist, except in dance-theatre forms. Over two thousand unbroken years, it has grown to become the longest continuous dance culture, affording an interesting insight into man and his relationship to stage in general and dance art, in particular. Its classical nature comes through by a set of code of grammar, content and concept. Thus, if in one form, the knees are to be bent while performing and a half-sitting position maintained all through, then it cannot be altered. The position of hands, the use of eyes, neck, torso and feet, all go towards making dance units, which become strings of movements, through which individual characteristics and a grammar is set which makes each form distinct and thus, with age and tradition, classical. The content is mostly mythological. These forms evolved over centuries, and it is believed, these were created to please gods and their representatives on earth. The myth goes that the gods were bored and asked the wisest amongst them – Brahma, the creator, - to create some form of entertainment that would involve and engage all. Brahma enlisted the help of sages, of whom Bharata, was given the specific task of writing a new Veda, (the holy treatises of which four existed already - Rig, Saama / साम, Yajur / यजुर and Atharva / अथ셍व) the fifth Veda called the Natyashastra, and through this work, the details of modern dramaturgy in India were born.
    [Show full text]
  • A. Aristotle B. Euclid C. Pythagoras D. Kepler Answer: Option B Explanation
    1. Who is the father of Geometry? A. Aristotle B. Euclid C. Pythagoras D. Kepler Answer & Explanation Answer: Option B Explanation: No answer description available for this question. Let us discuss. View Answer Workspace Report Discuss in Forum 2. What is common between Kutty, Shankar, Laxman and Sudhir Dar? A. Film Direction B. Drawing Cartoons C. Instrumental Music D. Classical Dance Answer & Explanation Answer: Option B Explanation: No answer description available for this question. Let us discuss. View Answer Workspace Report Discuss in Forum 3. Who was known as Iron man of India? A. Govind Ballabh Pant B. Jawaharlal Nehru C. Subhas Chandra Bose D. Sardar Vallabhbhai Patel Answer & Explanation Answer: Option D Explanation: No answer description available for this question. Let us discuss. View Answer Workspace Report Discuss in Forum 4. The Indian to beat the computers in mathematical wizardry is A. Ramanujam B. Rina Panigrahi C. Raja Ramanna D. Shakunthala Devi Answer & Explanation Answer: Option D Explanation: No answer description available for this question. Let us discuss. View Answer Workspace Report Discuss in Forum 5. Jude Felix is a famous Indian player in which of the fields? A. Volleyball B. Tennis C. Football D. Hockey Answer & Explanation Answer: Option D 6. Who among the following was an eminent painter? A. Sarada Ukil B. Uday Shanker C. V. Shantaram D. Meherally Answer & Explanation Answer: Option A Explanation: No answer description available for this question. Let us discuss. View Answer Workspace Report Discuss in Forum 7. Professor Amartya Sen is famous in which of the fields? A. Biochemistry B. Electronics C.
    [Show full text]
  • In the High Court of Orissa: Cuttack
    LOK-ADALAT LIST IN THE HIGH COURT OF ORISSA: CUTTACK 10/07/2021 AT 11.00 A.M. THE HON’BLE MR.JUSTICE S.K.MISHRA (THIS BENCH WILL FUNCTION THROUGH VIDEO CONFERENCING. LEARNED COUNSEL ARE REQUESTED TO APPEAR ONLY FROM REMOTE LOCATIONS LIKE RESIDENCE/OFFICES ETC.) NUMBER OF SLOTS AND RESPECTIVE V.C. LINKS FOR THIS BENCH HAVE BEEN PROVIDED IN THE NOTICE. LEARNED COUNSEL ARE REQUESTED TO ASCERTAIN THEIR SLOTS FROM THE NOTICE AND APPEAR BEFORE THIS BENCH BY CLICKING THE LINK(S) PROVIDED FOR THEIR RESPECTIVE SLOTS. ORIENTAL INSURANCE CO. CASES ---------------------------- 1. MACA 23/2005 O.I.CO.LTD M/S.A.K.PANDA V/S MR.SUBRAT SATAPATHY SARASWATI NAIK MR.A.K.NAYAK WITH MACA 9/2005 O.I.CO.LTD M/S.AKSHAYA KU.RATH V/S A.K.RATH JANAKI NAYAK 2. MACA 830/2010 O.I.CO.LTD M/S.P.K.PANDA V/S P.K.PADHI,S.K.BAL BHIKARI PATRA M/S.J.R.DASH B.MISHRA,S.K.RATH,S.MISHRA,S.C .SAMAL,M/S B.P.SATAPATHY,B.K.NAYAK,MR.R.R .PATTNAIK(A.S.C) 3. MACA 182/2011 SAROJINI SAHU M/S.PARTHA SARATHI NAYAK V/S P.K.NAYAK,SK.ZAFARULLA SOMANATH SAHOO M/S.S.SATAPATHY J.PRAHARAJ 4. MACA 363/2011 BHAGYADHAR SETHI M/S.SANJIB SWAIN V/S B.R.RATH,D.RAY,S.C.PANDA PARTHAPRATIMA PAIKRA 5. MACA 389/2013 O.I.CO.LTD. M/S.PAMI RATH V/S J.MOHANTY,J.P.BEHERA SANJUKTA PRADHAN M/S.J.R.DASH B.N.MISHRA,K.L.DASH,S.K.RATH 6.
    [Show full text]
  • Congratulations!
    CONGRATULATIONS! JUNE 2021 - NEW WORLD TEAM • A NOORDEEN , PATHANAPURAM • A RAGHAVENDRA & NETHRAVATHI R, DAVANGERE • A V REMYA , BANGALORE • AAKULA MOUNIKA & LAKKAM SRINIVASULU, MEDAK • ABDUL SHARIF SHAIK , MACHERLA • ACHARY SANTHOSH BABU & DEEPA SOMAN, ALAPPUZHA WEST • ACHARYA AJAY VISHVAS , BHILWARA • AGARWAL SHAILI , HANUMANGARH • AGRAWAL NEHA , KOLKATA • AHMED RAZIYA & ANSAR AHMED, DHARWAD • AJITH KUMAR KV , THIRUVANANTHAPURAM • ALAMELU B & BALAN, TIRUVALLUR • ALEKHYA VUNYALE , KVRANGAREDDY • ALI ILYAS , HYDERABAD • ALI MAHAMMAD , DAKSHINA KANNADA • AMANDEEP , KURUKSHETRA • AMBIKA N C & SRINIVAS, KRISHNAGIRI • AMIDYALA MEENUGA SWETHA VAHANA & SIROMANI AMIDYALA MEENUGA, ANANTHAPUR • AMMAJAN S & S NAZEER SAB, CHITTOOR • AMRUTHA H P & VASANTHA KRISHNA V, BANGALORE • ANAND SHEETAL & AMIT VERMA, JAMMU • ANANT JOSHI SADICHCHHA , THANE • ANIL KUMAR J & SHRI VATSALA, HOSPET • ANITHA EMURU & EMURU NAGABHUSHANAM, RAMACHANDRAPURAM CHITTOOR • ANJUMAN SHAIK & MOHAMMAD SHAFI, DHARWAD • ANURADHA RAMISETTY & YEDDU GOPI, GUNTUR • ANUSHA CHINNAPAREDDY , NARASARAOPET • AQUEEL AHMED SHAIK & RAHEEM UNNISA, HYDERABAD • ARATHI N & K P SHANMUKHA, MALUR • ARIRAMAKRISHNAN VINAYAGAMOORTHI , TUTICORIN • ARORA ANU , NEW DELHI • ARPITHA MJ , BANGALORE • ARUNA TANNERU , MEDAK • ASHWINI C & N BALAKRISHNA, BANGALORE • AUJLA AMRINDER SINGH , FATEHGARH SAHIB • AWAD ZEESHA & MOHAMMED ABDUL JALEEL SIDDIQUE, KVRANGAREDDY • AYESHA SIDDIQA P K & IRFAN ULLA AKBAR PR, CHITTOOR • AZEEM MOHAMMED , NIZAMABAD • BADGE NUPUR NAHUSH & NAHUSH AVINASH BADGE, NAGPUR • BADIGER LAXMI
    [Show full text]
  • The Debaprasad Das Tradition: Reconsidering the Narrative of Classical Indian Odissi Dance History Paromita Kar a Dissertation S
    THE DEBAPRASAD DAS TRADITION: RECONSIDERING THE NARRATIVE OF CLASSICAL INDIAN ODISSI DANCE HISTORY PAROMITA KAR A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN DANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2013 @PAROMITA KAR, 2013 ii Abstract This dissertation is dedicated to theorizing the Debaprasad Das stylistic lineage of Indian classical Odissi dance. Odissi is one of the seven classical Indian dance forms recognized by the Indian government. Each of these dance forms underwent a twentieth century “revival” whereby it was codified and recontextualized from pre-existing ritualistic and popular movement practices to a performance art form suitable for the proscenium stage. The 1950s revival of Odissi dance in India ultimately led to four stylistic lineage branches of Odissi, each named after the corresponding founding pioneer of the tradition. I argue that the theorization of a dance lineage should be inclusive of the history of the lineage, its stylistic vestiges and philosophies as embodied through its aesthetic characteristics, as well as its interpretation, and transmission by present-day practitioners. In my theorization of the Debaprasad Das lineage of Odissi, I draw upon Pierre Bourdieu's theory of the habitus, and argue that Guru Debaprasad Das's vision of Odissi dance was informed by the socio-political backdrop of Oriya nationalism, in the context of which he choreographed, but also resisted the heavy emphasis on coastal Oriya culture of the Oriya nationalist movement. My methodology for the project has been ethnographic, supported by original archival research.
    [Show full text]