LIST of MEMBERS (EX-EMPLOYEES) ENROLLED in BASE POLICY AS on 20.04.2020 for FY 2020-21 S.NO EMPCODE Name Relation LOCATION Policyno Card Number 1 PRMB22 MR
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School of Cultural Texts and Records, Jadavpur University)
4.2. SELF APPRAISAL REPORT ON DOCUMENTATION OF CULTURAL TEXTS (SCHOOL OF CULTURAL TEXTS AND RECORDS, JADAVPUR UNIVERSITY) 4.2.1 Contributing Faculty Members (PI/direct supervision of research projects) 1. PROFESSOR AMLAN DAS GUPTA, PROFESSOR OF ENGLISH Digitization of Cultural Material Digital Music Archiving Electronic Editing 2. DR ABHIJIT GUPTA, ASSOCIATE PROFESSOR OF ENGLISH Early Bengali Books Location Register Physical Culture in Bengal 3. SHRI RAJESWAR SINHA, ASST. PROFESSOR OF BENGALI Travel Literature in Bengal Database Advisory Faculty 1. PROFESSOR SUKANTA CHAUDHURI (PROFESSOR EMERITUS, JADAVPUR UNIVERSITY) 2. PROFESSOR SUPRIYA CHAUDHURI (PROFESSOR EMERITA, JADAVPUR UNIVERSITY) 3. PROFESSOR SWAPAN CHAKRAVORTY, PROFESSOR OF ENGLISH 4. PROFESSOR MOINAK BISWAS, PROFESSOR OF FILM STUDIES 5. PROFESSOR SAMANTAK DAS, ASSOCIATE PROFESSOR OF COMPARATIVE LITERATURE 6. DR RIMI B CHATTERJEE, ASSOCIATE PROFESSOR OF ENGLISH Project Staff under UPE 2 as on 1 January 2014 1. Sri Subrata Sinha, Research Fellow 2. Dr Spandana Bhowmik, Research Fellow 3. Dr Debapriya Basu, Research Fellow 4. Dr Sudeshna Datta Chaudhuri Basu, Project Fellow 5. Ms Purbasha Auddy, Project Fellow 6. Dr Deeptanil Roy, Project Fellow 7. Sri Nikhilesh Bhattacharya, Project Fellow 8. Ms Moumita Haldar, Project Fellow 9. Ms Asmita Chaudhuri, Project Fellow 4.2.2 Relevant Projects in Last 10 years including the Ongoing Projects (MAJOR PROJECTS ONLY) Project Title Sponsoring Members Grant Value Duration Agency (Rs in Lakh) DOCUMENTATION OF UGC ‐ UPE 1 SUKANTA CHAUDHURI, -
Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
List of Members (Ex-Employee) Enrolled in Base Policy As on 11.05.2020 for Fy 2020-21
LIST OF MEMBERS (EX-EMPLOYEE) ENROLLED IN BASE POLICY AS ON 11.05.2020 FOR FY 2020-21 Sr. EMP No. LOCATION CODE Insured name Relation PolicyNo Card_Number 1 CO 00016G MS. REENA JHINGAN WIFE 130200/130132028120000030 0611070000000103 2 CO 00016G MR. K K JHINGAN EMPLOYEE 130200/130132028120000030 0611070000000126 3 DELHI 00030B MS. PRITPAL KAUR VIJ WIFE 130200/130132028120000030 0611070000000203 4 DELHI 00030B MR. ANOOP SINGH VIJ EMPLOYEE 130200/130132028120000030 0611070000000226 5 DELHI 00037K MS. ASHA RANI PURI WIFE 130200/130132028120000030 0611070000000303 6 DELHI 00037K MR. D D PURI EMPLOYEE 130200/130132028120000030 0611070000000326 7 DELHI 00041H MS. VIDYAWATI RANGRA WIFE 130200/130132028120000030 0611070000000403 8 DELHI 00041H MR. BIDHU RAM RANGRA EMPLOYEE 130200/130132028120000030 0611070000000426 9 AHMEDABAD 00042A MS. CHANDER TANEJA WIFE 130200/130132028120000030 0611070000000503 10 AHMEDABAD 00042A MR. VAS DEV TANEJA EMPLOYEE 130200/130132028120000030 0611070000000526 11 CO 00043D MS. LALTHANZAUVI WIFE 130200/130132028120000030 0611070000000603 12 CO 00043D MR. SAJEEVAN LAL EMPLOYEE 130200/130132028120000030 0611070000000626 13 DELHI 00045L MR. SRI KRISHAN GANDHI EMPLOYEE 130200/130132028120000030 0611070000000726 14 CO 00050G MS. KANAK CHAUHAN WIFE 130200/130132028120000030 0611070000000803 15 CO 00050G MR. K S CHAUHAN EMPLOYEE 130200/130132028120000030 0611070000000826 16 DELHI 00051E MR. K K SACHDEVA EMPLOYEE 130200/130132028120000030 0611070000000926 17 DELHI 00055H MS. SAROJ BALA NAGPAL WIFE 130200/130132028120000030 0611070000001003 18 DELHI 00055H MR. VINOD KUMAR NAGPAL EMPLOYEE 130200/130132028120000030 0611070000001026 19 CHANDIGARH 00064G MS. VEENA PURI WIFE 130200/130132028120000030 0611070000001103 20 CHANDIGARH 00064G MR. V K PURI EMPLOYEE 130200/130132028120000030 0611070000001126 21 CO 00065E MS. KAMLESH SHARMA WIFE 130200/130132028120000030 0611070000001203 22 CO 00065E MR. BADRI NATH SHARMA EMPLOYEE 130200/130132028120000030 0611070000001226 23 DELHI 00069H MS. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
2012-01-17 23:39:27 UTC+05:30 1. Name the Rashtriya Lok Dal (RLD) Leader Who Was Inducted Into the Union Cabinet As Civil Aviation Minister on 18 December 2011
CURRENT AFFAIRS MCQs FOR APPSC EXAMS Posted: 2012-01-17 23:39:27 UTC+05:30 1. Name the Rashtriya Lok Dal (RLD) leader who was inducted into the Union Cabinet as civil aviation minister on 18 December 2011. a. Ajit Singh b. Jayant Chaudhary c. Devendra Nagpal d. Sanjay Singh Chauhan Answer: (a) 2. Popularly known as Adam Gondvi, this Hindi poet who wrote revolutionary poetry focusing on the pathetic state of dalits and the poor breathed his last in Lucknow on 18 December 2011. Name the poet. a. Bharat Bhusan b. Ram Nath Singh c. Uday Prakash d. Shail Chaturvedi e. Naresh Mehta Answer: (b) 3. Which world renowned architect was bestowed with Goa's highest civilian honour, the Gomant Vibhushan, on the eve of the Golden Jubiliee of Goa's Liberation on 18 December 2011? a. Michael Hopkins b. Kengo Kuma c. Charles Correa d. Kevin Kennon Answer: (c) 4. The Union cabinet of India on 22 December 2011 approved __ percent share for minorities within the 27% OBC quota in jobs and university seats. a) 4.5 b) 5.6 c) 3.4 d) 5 Answer: (a) 4.5 5. The Manipur Legislative Assembly passed the Manipur Lokayukta Bill, 2011. Manipur will be the __state in North-Eastern India to have alegislation of Lokayukta. a) Second b) Third c) First d) Fourth Answer: (b) Third 6. Oman Investment Fund (OIF), the Sultanate of Oman’s sovereign wealth fund, filed application with the government to buy a stake in which of the software solutions company, IT People promoted exchange? a. -
A Musical Fair
- J 2 . T was no different from other music MUSIC FESTIVAL people realised the benefits of punc festivals that Bombay is treated to tuality.” It was decided that those who during the peak music season, except I came first would get the better seats in that it was organised by Protima Bedi, A their block. “I wanted to train the and her Odissi Dance Centre students. audience to be on time,” explains Pro And since Protima is a commercial Musical tima. Unfortunately, the earliest arriv- password when it comes to all things ers took to the first few rows, which cultural, the festival drew to its had been reserved for VIPs—like V.P. charmed circle, big names. As a result, Fair Sathe, Minister of Information & contrary to a few thousand rupees that Broadcasting, Frank Simoes, who in a more modest organisation would cidentally took a load off the organis collect on such an occasion, Protima’s ers’ shoulders by collecting all the rough estimate stood at Rs 2 lakh. “We advertisements for the brochure and had aimed at about Rs 5 lakh. Let’s surprisingly enough, Kabir Bedi. Bedi, see—maybe some more contributions who sat in the third row, was easily one will come in,” says a disappointed head taller than the rest of the audience Protima. forcing the luckless spectators behind The proceeds are to go towards the him to crane their necks. At the end Odissi Dance Centre, initiated two everyone had been seated to his years ago to “celebrate, preserve and satisfaction and the session was 45 perpetuate” Odissi, which as a dance minutes behind schedule. -
Monthly Report of Sr. Dps Nalconagar October
DELHI PUBLIC SCHOOL NALCONAGAR MONTHLY REPORT OF SR. DPS NALCONAGAR OCTOBER- 2017 HIGHLIGHTS OF THE MONTH 2ND OCTOBER : GANDHI JAYANTI CELEBRATION “Peace is the most powerful weapon of mankind. It takes more courage to take a blow than to give one.” M. K. Gandhi. India‟s third National Festival, Gandhi Jayanti, is celebrated by the entire nation to commemorate the birth anniversary of the father of our nation- Mahatma Gandhi. Delhi Public School celebrated 148th Gandhi Jayanti on 2nd October at Community Centre Nalco Nagar initiated by Nalco with great zeal, enthusiasm and great feeling of citizenship. The programme began at 7.30 a.m. with heartfelt tribute offered by the dignitaries and students to the great leader „Mahatma Gandhi. A pledge on Swachh Bharat was taken in all the three languages i.e. English, Hindi and Odia. Mr. R. K. Mishra, Executive Director of Nalco(S&P Complex) and other dignitaries present addressed on the occasion with their inspiring words. The assembly wound up with the beautiful rendition of favourite bhajans of beloved Bapuji- “Payo Ji Mainey Ram Rattan Dhan Payo”, “Raghu Pati Raghav Raja Ram” & “Vaishnavo Janato” by Class IV & V students of DPS Nalco Nagar under the guidance of Mrs. Sanjukta Pattnaik Then a short verse on „Sawachh Bharat “ was presented by Arzoo Nayak, (Class IV) a student of our school which was appreciated by all present. It was followed by a small skit by class X students which presented an effective point to audience about “Sawach Bharat mission” the main agenda of our country today. The skit was presented under the guidanceof Mrs. -
TEA-STO-30..TEA-STO-30.1 .. Page1
Ashish Mohan Khokar INDIAN DANCE TODAY. AN HISTORICAL OVER-VIEW [Ashish Mohan Khokar è probabilmente il più importante critico e studioso di danza in India. Ha studiato danza, ha lavorato in diverse accademie di danza, è critico del principale quotidiano indiano, «The Times of India», collabora con diversi altri quotidiani, è il direttore dell’unico Annale di danza in India, «Attendance». Ha scritto molti li- bri sulla danza. E` figlio di Mohan Khokar, senz’altro il più grande stu- dioso di danza indiano dell’ultima generazione. Sta creando il primo Archivio di Danza in India, partendo dall’immensa collezione del pa- dre. Per maggiori dettagli si possono vedere: www.attendance- india.com e www.dancearchivesofindia.com.] Indian classical dance traditions have been borne out of a sense of propitiation of the divinity. A certain spiritual content has always been its mainstay. It has also been essentially the art of a soloist, ex- cept in dance-theatre forms. Over two thousand unbroken years, it has grown to become the longest continuous dance culture, afford- ing an interesting insight into man and his relationship to stage in general and dance art, in particular. Its classical nature comes through by a set of code of grammar, content and concept. Thus, if in one form, the knees are to be bent while performing and a half-sitting position maintained all through, then it cannot be altered. The position of hands, the use of eyes, neck, torso and feet, all go towards making dance units, which be- come strings of movements, through which individual characteristics and a grammar is set which makes each form distinct and thus, with age and tradition, classical. -
Module 1 Dance in India Today an Overview
PAPER 6 DANCE IN INDIA TODAY, DANCE-DRAMAS, CREATIVITY WITHIN THE CLASSICAL FORMS, INDIAN CLASSICAL DANCE IN DIASPORA (USA, UK, EUROPE, AUSTRALIA, ETC.) MODULE 1 DANCE IN INDIA TODAY AN OVERVIEW Indian classical dance traditions have been borne out of a sense of propitiation of the divinity. A certain spiritual content has always been its mainstay. It has also been essentially the art of a soloist, except in dance-theatre forms. Over two thousand unbroken years, it has grown to become the longest continuous dance culture, affording an interesting insight into man and his relationship to stage in general and dance art, in particular. Its classical nature comes through by a set of code of grammar, content and concept. Thus, if in one form, the knees are to be bent while performing and a half-sitting position maintained all through, then it cannot be altered. The position of hands, the use of eyes, neck, torso and feet, all go towards making dance units, which become strings of movements, through which individual characteristics and a grammar is set which makes each form distinct and thus, with age and tradition, classical. The content is mostly mythological. These forms evolved over centuries, and it is believed, these were created to please gods and their representatives on earth. The myth goes that the gods were bored and asked the wisest amongst them – Brahma, the creator, - to create some form of entertainment that would involve and engage all. Brahma enlisted the help of sages, of whom Bharata, was given the specific task of writing a new Veda, (the holy treatises of which four existed already - Rig, Saama / साम, Yajur / यजुर and Atharva / अथ셍व) the fifth Veda called the Natyashastra, and through this work, the details of modern dramaturgy in India were born. -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
Nominations for Padma Awards 2011
c Nominations fof'P AWARDs 2011 ADMA ~ . - - , ' ",::i Sl. Name';' Field State No ShriIshwarappa,GurapJla Angadi Art Karnataka " Art-'Cinema-Costume Smt. Bhanu Rajopadhye Atharya Maharashtra 2. Designing " Art - Hindustani 3. Dr; (Smt.).Prabha Atre Maharashtra , " Classical Vocal Music 4. Shri Bhikari.Charan Bal Art - Vocal Music 0, nssa·' 5. Shri SamikBandyopadhyay Art - Theatre West Bengal " 6: Ms. Uttara Baokar ',' Art - Theatre , Maharashtra , 7. Smt. UshaBarle Art Chhattisgarh 8. Smt. Dipali Barthakur Art " Assam Shri Jahnu Barua Art - Cinema Assam 9. , ' , 10. Shri Neel PawanBaruah Art Assam Art- Cinema Ii. Ms. Mubarak Begum Rajasthan i", Playback Singing , , , 12. ShriBenoy Krishen Behl Art- Photography Delhi " ,'C 13. Ms. Ritu Beri , Art FashionDesigner Delhi 14. Shri.Madhur Bhandarkar Art - Cinema Maharashtra Art - Classical Dancer IS. Smt. Mangala Bhatt Andhra Pradesh Kathak Art - Classical Dancer 16. ShriRaghav Raj Bhatt Andhra Pradesh Kathak : Art - Indian Folk I 17., Smt. Basanti Bisht Uttarakhand Music Art - Painting and 18. Shri Sobha Brahma Assam Sculpture , Art - Instrumental 19. ShriV.S..K. Chakrapani Delhi, , Music- Violin , PanditDevabrata Chaudhuri alias Debu ' Art - Instrumental 20. , Delhi Chaudhri ,Music - Sitar 21. Ms. Priyanka Chopra Art _Cinema' Maharashtra 22. Ms. Neelam Mansingh Chowdhry Art_ Theatre Chandigarh , ' ,I 23. Shri Jogen Chowdhury Art- Painting \VesfBengal 24.' Smt. Prafulla Dahanukar Art ~ Painting Maharashtra ' . 25. Ms. Yashodhara Dalmia Art - Art History Delhi Art - ChhauDance 26. Shri Makar Dhwaj Darogha Jharkhand Seraikella style 27. Shri Jatin Das Art - Painting Delhi, 28. Shri ManoharDas " Art Chhattisgarh ' 29. , ShriRamesh Deo Art -'Cinema ,Maharashtra Art 'C Hindustani 30. Dr. Ashwini Raja Bhide Deshpande Maharashtra " classical vocalist " , 31. ShriDeva Art - Music Tamil Nadu Art- Manipuri Dance 32.