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J 6515 Paper III Performing Art-Dandratheatre.Pmd Signature and Name of Invigilator OMR Sheet No. : .......................................................... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) Roll No. J 6515 PAPER - III (In words) Time : 2½ hours] DANCE [Maximum Marks : 150 Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ÙÕÚU çÜç¹°Ð this page. 2. This paper consists of seventy five multiple-choice type of 2. §â ÂýàÙ-Âæ ×𢠿ãæÚU Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð questions. 3. ÂÚUèÿææ ÂýæÚUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çÙÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð will be given to you. In the first 5 minutes, you are requested ÁæØð¢»ð, çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ to open the booklet and compulsorily examine it as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ÂéçSÌ·¤æ ÂÚU Ü»è ·¤æ»Á ·¤è âèÜ ·¤æð (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept ȤæǸ Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢UÐ a booklet without sticker-seal and do not accept an open (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è booklet. â¢Øæ ·¤ô ¥ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂêæü ÂéçSÌ·¤æ (ii) Tally the number of pages and number of questions in çÁÙ×ð¢ ÂëDU/ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ the booklet with the information printed on the cover ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è æéçÅUÂêæü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ page. Faulty booklets due to pages/questions missing or duplicate or not in serial order or any other ©âè â×Ø ©âð ÜUõÅUæ·¤ÚU ©â·ð¤ SÍæÙ ÂÚU ÎêâÚUè âãè ÂýàÙ-ÂéçSÌ·¤æ Üð discrepancy should be got replaced immediately by a Üð¢Ð U §â·ð¤ çÜ° ¥æ·¤ô Âæ¡¿ ç×ÙÅU çÎØð ÁæØð¢»ðÐ ©â·ð¤ ÕæÎ Ù Ìô correct booklet from the invigilator within the period ¥æ·¤è ÂýàÙ-ÂéçSÌ·¤æ ßæÂâ Üè ÁæØð»è ¥õÚU Ù ãè ¥æ·¤ô ¥çÌçÚUQ¤ of 5 minutes. Afterwards, neither the Question Booklet â×Ø çÎØæ ÁæØð»æÐ will be replaced nor any extra time will be given. (iii) §â Áæ¡¿ ·ð¤ ÕæÎ ÂýàÙ-ÂéçSÌ·¤æ ·¤æ Ù´ÕÚU OMR Âæ·¤ ÂÚU ¥¢ç·¤Ì ·¤Úð¢U (iii) After this verification is over, the Test Booklet Number ¥UõÚU OMR Âæ·¤ ·¤æ Ù´ÕÚU §â ÂýàÙ-ÂéçSÌ·¤æ ÂÚU ¥¢ç·¤Ì ·¤ÚU Îð¢Ð should be entered on the OMR Sheet and the OMR Sheet Number should be entered on this Test Booklet. 4. ÂýØð·¤ ÂýàÙ ·ð¤ çÜ° ¿æÚU ©æÚU çß·¤Ë (1), (2), (3) ÌÍæ (4) çÎØð »Øð ãñ¢Ð 4. Each item has four alternative responses marked (1), (2), (3) ¥æ·¤ô âãè ©æÚU ·ð¤ ßëæ ·¤ô ÂðÙ âð ÖÚU·¤ÚU ·¤æÜæ ·¤ÚUÙæ ãñ Áñâæ ç·¤ Ùè¿ð and (4). You have to darken the circle as indicated below on çιæØæ »Øæ ãñÐ the correct response against each item. ©ÎæãÚUæ Ñ ÁÕç·¤ (3) âãè ©æÚU ãñÐ Example : where (3) is the correct response. 5. ÂýàÙæ𴠷𤠩æÚU ·ð¤ßÜ ÂýàÙ ÂéçSÌ·¤æ ·ð¤ ¥ÎÚU çÎØð »Øð OMRU Âæ·¤ ÂÚU ãè 5. Your responses to the items are to be indicated in the OMR ¥´ç·¤Ì ·¤ÚUÙð ãñ´Ð ØçÎ ¥æ OMRU Âæ·¤ ÂÚU çÎØð »Øð ßëæ ·ð¤ ¥Üæßæ ç·¤âè Sheet given inside the Booklet only. If you mark your response at any place other than in the circle in the OMR ¥Ø SÍæÙ ÂÚU ©æÚU ç¿ãæ¢ç·¤Ì ·¤ÚUÌð ãñ´, Ìô ©â·¤æ ×êËUØ梷¤Ù Ùãè¢ ãô»æÐ Sheet, it will not be evaluated. 6. ¥ÎÚU çÎØð »Øð çÙÎðüàæô¢ ·¤ô ØæÙÂêßü·¤ Âɸð¢UÐ 6. Read instructions given inside carefully. 7. ·¤ææ ·¤æ× (Rough Work) §â ÂéçSÌ·¤æ ·ð¤ ¥çÌ× ÂëDU ÂÚU ·¤Úð¢UÐ 7. Rough Work is to be done in the end of this booklet. 8. ØçÎ ¥æ OMR Âæ·¤ ÂÚU çÙØÌ SÍæÙ ·ð¤ ¥Üæßæ ¥ÂÙæ Ùæ×, ÚUæðÜ ÙÕÚU, 8. If you write your Name, Roll Number, Phone Number or ȤæðÙ ÙÕÚU Øæ ·¤æð§ü Öè °ðâæ ç¿q çÁââð ¥æ·¤è Âã¿æÙ ãæð â·ð¤, ¥´ç·¤Ì ·¤ÚUÌð put any mark on any part of the OMR Sheet, except for the space allotted for the relevant entries, which may disclose ãñ´ ¥Íßæ ¥ÖÎý Öæáæ ·¤æ ÂýØæð» ·¤ÚUÌð ãñ´, Øæ ·¤æð§ü ¥Ø ¥Ùéç¿Ì âæÏÙ ·¤æ your identity, or use abusive language or employ any other ÂýØæð» ·¤ÚUÌð ãñ´, Áñâð ç·¤ ¥´ç·¤Ì ç·¤Øð »Øð ©æÚU ·¤æð ç×ÅUæÙæ Øæ âÈð¤Î SØæãè âð unfair means, such as change of response by scratching or ÕÎÜÙæ Ìæð ÂÚUèÿææ ·ð¤ çÜØð ¥ØæðØ ææðçáÌ ç·¤Øð Áæ â·¤Ìð ãñ´Ð using white fluid, you will render yourself liable to 9. ¥æ·¤ô ÂÚUèÿææ â×æ# ãôÙð ¤ÂÚU ×êÜ OMR Âæ·¤ çÙÚUèÿæ·¤ ×ãôÎØ ·¤ô ÜUõÅUæÙæ disqualification. ¥æßàØ·¤ ãñ ¥õÚU ÂÚUèÿææ â×æç# ·ð¤ ÕæÎ ©âð ¥ÂÙð âæÍ ÂÚUèÿææ ÖßÙ âð ÕæãÚU 9. You have to return the original OMR Sheet to the invigilators Ù Üð·¤ÚU ÁæØð¢Ð ãæÜæ´ç·¤ ¥æ ÂÚUèÿææ â×æç# ÂÚU ×êÜ ÂýàÙ-ÂéçSÌ·¤æ ÌÍæ OMR at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are Âæ·¤ ·¤è ÇéUÜè·ð¤ÅU ÂýçÌ ¥ÂÙð âæÍ Üð Áæ â·¤Ìð ãñ´Ð however, allowed to carry original question booklet and 10. ·ð¤ßÜ ÙèÜð/·¤æÜð ÕæÜU ßæ§ZÅU ÂðÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ duplicate copy of OMR Sheet on conclusion of examination. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻淤 (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñÐ 11. Use of any calculator or log table etc., is prohibited. 12. »ÜÌ ©æÚUæð´ ·ð¤ çÜ° ·¤æð§ü Ù·¤æÚUæ×·¤ ¥´·¤ Ùãè´ ãñ´Ð 12. There are no negative marks for incorrect answers. 13. In case of any discrepancy in the English and Hindi versions, 13. ØçÎ ¥´»ýðÁè Øæ çã´Îè çßßÚUæ ×ð´ ·¤æð§ü çßâ´»çÌ ãæð, Ìæð ¥´»ýðÁè çßßÚUæ ¥´çÌ× English version will be taken as final. ×æÙæ Áæ°»æÐ J-6515 !J-6715-PAPER-III! 1 P.T.O. DANCE PAPER - III Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All questions are compulsory. 1. Match the List - I with List - II : List - I List - II (a) Nritta (i) Muscular Dance (b) Tandava (ii) Communication (c) Lasya (iii) Abstract (d) Abhinaya (iv) Feminine Codes : (a) (b) (c) (d) (1) (i) (ii) (iii) (iv) (2) (iii) (i) (iv) (ii) (3) (iv) (ii) (i) (iii) (4) (ii) (i) (iii) (iv) 2. Write in the correct sequence : (1) Tiraschina, Sundari, Parivartita, Prakampita (2) Prakampita, Tiraschina, Parivartita, Sundari (3) Sundari, Tiraschina, Parivartita, Prakampita (4) Tiraschina, Sundari, Prakampita, Parivartita, 3. Pick the odd one out : (1) Shira (2) Adhara (3) Bhru (4) Drasti 4. Which is the training manual followed by dancers ? (1) Natyashastra (2) Sangitratnakara (3) Abhinaya Darpanam (4) Nrittaratnabali J-6515 !J-6715-PAPER-III! 2 Paper-III ÙëØ ÂýàÙÂæ - III çÙÎðüàæ Ñ §â ÂýàÙÂæ ×ð´ ¿ãæÚU (75) Õãé-çß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØüU ãñ´Ð 1. âê¿è - I ·¤æ âê¿è - II âð ç×ÜæÙ ·¤Úð´U : âê¿è - I âê¿è - II (a) Ùëæ (i) ÂðàæèØ ÙëØ (b) Ìæ´ÇUß (ii) â´ßæÎ (c) ÜæSØ (iii) ¥×êÌü (d) ¥çÖÙØ (iv) ÙæÚUè âéÜÖ ·ê¤ÅU : (a) (b) (c) (d) (1) (i) (ii) (iii) (iv) (2) (iii) (i) (iv) (ii) (3) (iv) (ii) (i) (iii) (4) (ii) (i) (iii) (iv) 2. âãè ·ý¤× ×ð´ çܹð´ Ñ (1) ÌèÚpèÙæ, âé´ÎÚUè, ÂçÚUßÌèüÌæ, Âý·´¤çÂÌæ (2) Âý·´¤çÂÌæ, ÌèÚpèÙæ, ÂçÚUßÌèüÌæ, âé´ÎÚUè (3) âê´ÎÚUè, ÌèÚpèÙæ, ÂçÚUßÌèüÌæ, Âý·¤´çÂÌæ (4) ÌèÚpèÙæ, âé´ÎÚUè, Âý·´¤çÂÌæ, ÂçÚUßÌèüÌæ 3. âãè ·ý¤× ×ð´ çܹð´ Ñ (1) çâÚU (2) ¥ÏÚU (3) Öýê (4) ÎëçcÅU 4. ÙëØ·¤æÚUæð´ mæÚUæ ·¤æñÙ âæ Âýçàæÿææ ×ñØé¥Ü ¥ÂÙæØæ »Øæ? (1) ÙæÅ÷UØàææSæ (2) â´»èÌ ÚÙæ·¤æÚU (3) ¥çÖÙØ ÎÂüæ (4) ÙëæÚÙæßÜè J-6515 !J-6715-PAPER-III! 3 Paper-III 5. Assertion (A) : A Dance historian searches for links between art, society and religion. Reason (R) : It is the duty of the historian to establish and find the highly developed Indian traditions. (1) Both (A) and (R) true (2) Both (A) and (R) false (3) (A) true (R) false (4) (A) false (R) true 6. Match the List - I with List - II : List - I List - II (a) Ramachandra-Gunachandra (i) Sangitopanishadasarodhara (b) Someswar (ii) Manasollasa (c) Parsvadeva (iii) Natyadarpana (d) Sudhakalash (iv) Sangitasamayasara Codes : (a) (b) (c) (d) (1) (iii) (ii) (iv) (i) (2) (ii) (i) (iv) (iii) (3) (i) (iii) (ii) (iv) (4) (iv) (iii) (ii) (i) 7. Write in the correct sequence : (1) Abhisarika, Vasakasajja, Vipralabdha, Khandita (2) Khandita, Vipralabdha, Vasakasajja, Abhisarika (3) Abhisarika, Khandita, Vasakasajja, Vipralabdha (4) Vasakasajja, Khandita, Abhisarika, Vipralabdha 8. Pick the odd one out : (1) Uttama (2) Madyama (3) Samanya (4) Adhama 9. The Vritti is : (1) The style of action (2) The style of costume design (3) The style of theatre (4) The style of movement J-6515 !J-6715-PAPER-III! 4 Paper-III 5.
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