October 12, 2017: (Full-Page Version) Close Window “Don't Be Too Timid and Squeamish About Your Actions
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Turismus V Bydhošti. Kulturní a Jazykové Bariéry
VYSOKÁ ŠKOLA POLYTECHNICKÁ JIHLAVA Obor: Cestovní ruch Turismus v Bydhošti. Kulturní a jazykové bariéry bakalářská práce Autor: Miroslav Danko Vedoucí práce: RNDr. Jitka Ryšková Jihlava 2013 Prohlašuji, že předložená bakalářská práce je původní a zpracoval jsem ji samostatně. Prohlašuji, že citace použitých pramenů je úplná, že jsem v práci neporušil autorská práva (ve smyslu zákona č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů, v platném znění, dále též „AZ“). Souhlasím s umístěním bakalářské práce v knihovně VŠPJ a s jejím užitím k výuce nebo k vlastní vnitřní potřebě VŠPJ . Byl jsem seznámen s tím, že na mou bakalářskou práci se plně vztahuje AZ, zejména § 60 (školní dílo). Beru na vědomí, že VŠPJ má právo na uzavření licenční smlouvy o užití mé bakalářské práce a prohlašuji, že s o u h l a s í m s případným užitím mé bakalářské práce (prodej, zapůjčení apod.). Jsem si vědom toho, že užít své bakalářské práce či poskytnout licenci k jejímu využití mohu jen se souhlasem VŠPJ, která má právo ode mne požadovat přiměřený příspěvek na úhradu nákladů, vynaložených vysokou školou na vytvoření díla (až do jejich skutečné výše), z výdělku dosaženého v souvislosti s užitím díla či poskytnutím licence. V Jihlavě dne 10. května 2013 ...................................................... Podpis I would like to express my gratitude towards my supervisor RNDr. Jitka Ryšková for her help with my bachelor thesis. I am greatful for the time she spent supervising my work and all of the advice she give me. I wish to thank Mr. Jan Karol Słowinski who supervised and helped me with my thesis during my stay in Poland. -
Nicole Mieske Knab for IMMEDIATE RELEASE Marketing & Communications Coordinator Piano Cleveland 216-707-5397 [email protected]
Contact: Nicole Mieske Knab FOR IMMEDIATE RELEASE Marketing & Communications Coordinator Piano Cleveland 216-707-5397 [email protected] Piano Cleveland’s Highly Viewed Virtual Competition Concludes with Top Winners Announced at Awards Ceremony After 12 days of brilliant performances and over $62,000 raised for artists, Martin James Bartlett has been named First Prize Winner of Virtu(al)oso. CLEVELAND, OH – August 10, 2020 After a total of 12 days, 36 performances, and 72 hours of streamed content, Martin James Bartlett has been named the First Prize Winner of Virtu(al)oso, Piano Cleveland’s global competition for artist relief presented in artistic partnership with Steinway & Sons. The six-member jury of leaders in the piano world gathered virtually over the weekend to select the top three prize winners, and the announcement was broadcast during the Awards Ceremony on August 9, 2020. The decision came after 30 contestants hailing from 18 different countries recorded two short programs of their choice with contrasting styles from Steinway locations in Cleveland, New York, London, Hamburg, and Beijing. Six pianists advanced to the Final Round where they performed 30-minute recitals, vetted by a remote jury of renowned artists including Libby Abrahams, Darrell Ang, Adam Gatehouse, Steinway Artist Olga Kern, Gabriela Montero, and Steinway Artist Pierre van der Westhuizen. “What a thrill to be involved with this brave, unique venture!” said Adam Gatehouse, Competition Juror and Artistic Director of the Leeds International Piano -
557981 Bk Szymanowski EU
570723 bk Szymanowski EU:570723 bk Szymanowski EU 12/15/08 5:13 PM Page 16 Karol Also available: SZYMANOWSKI Harnasie (Ballet-Pantomime) Mandragora • Prince Potemkin, Incidental Music to Act V Ochman • Pinderak • Marciniec Warsaw Philharmonic Orchestra and Choir • Antoni Wit 8.557981 8.570721 8.570723 16 570723 bk Szymanowski EU:570723 bk Szymanowski EU 12/15/08 5:13 PM Page 2 Karol SZYMANOWSKI Also available: (1882-1937) Harnasie, Op. 55 35:47 Text: Karol Szymanowski (1882-1937) and Jerzy Mieczysław Rytard (1899-1970) Obraz I: Na hali (Tableau I: In the mountain pasture) 1 No. 1: Redyk (Driving the sheep) 5:09 2 No. 2: Scena mimiczna (zaloty) (Mimed Scene (Courtship)) 2:15 3 No. 3: Marsz zbójnicki (The Tatra Robbers’ March)* 1:43 4 No. 4: Scena mimiczna (Harna i Dziewczyna) (Mimed Scene (The Harna and the Girl))† 3:43 5 No. 5: Taniec zbójnicki – Finał (The Tatra Robbers’ Dance – Finale)† 4:42 Obraz II: W karczmie (Tableau II: In the inn) 6 No. 6a: Wesele (The Wedding) 2:36 7 No. 6b: Cepiny (Entry of the Bride) 1:56 8 No. 6c: Pie siuhajów (Drinking Song) 1:19 9 No. 7: Taniec góralski (The Tatra Highlanders’ Dance)* 4:20 0 No. 8: Napad harnasiów – Taniec (Raid of the Harnasie – Dance) 5:25 ! No. 9: Epilog (Epilogue)*† 2:39 Mandragora, Op. 43 27:04 8.557748 Text: Ryszard Bolesławski (1889-1937) and Leon Schiller (1887-1954) @ Scene 1**†† 10:38 # Scene 2†† 6:16 $ Scene 3** 10:10 % Knia Patiomkin (Prince Potemkin), Incidental Music to Act V, Op. -
Vaughan Williams a Cotswold Romance • the Death of Tintagiles
VAUGHAN WILLIAMS A Cotswold Romance • The Death of Tintagiles London Philharmonic Choir Rosa Mannion soprano London Symphony Orchestra Thomas Randle tenor Matthew Brook baritone Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Ralph Vaughan Williams (1872 – 1958) premiere recordings A Cotswold Romance* 39:34 Adapted from Hugh the Drover by Maurice Jacobson (1896 – 1976) in collaboration with the composer 1 1 The Men of Cotsall 3:47 2 2 Sweet Little Linnet 1:27 3 3 Hugh’s Song of the Road 4:06 4 4 Love at First Sight 6:05 5 5 The Best Man in England 2:22 6 6 Alone and Friendless 2:24 7 7 The Fight and its Sequel 4:48 8 8 Hugh in the Stocks 1:51 9 9 Mary Escapes 4:28 10 10 Freedom at Last 7:52 3 The Death of Tintagiles 14:48 11 Prelude. Largo – Andantino – Adagio – 5:37 12 1 Lento – 1:10 13 2 Allegro – 0:42 14 3 Lento – Andante tranquillo – Lento – 2:51 15 4 Moderato – 1:09 16 41/2 Allegro – 1:00 17 5 Lento 2:15 TT 54:34 Rosa Mannion soprano (Mary)* Thomas Randle tenor (Hugh)* Matthew Brook baritone* London Philharmonic Choir* London Symphony Orchestra Richard Hickox 4 Vaughan Williams: A Cotswold Romance / The Death of Tintagiles Vaughan Williams composed his ‘ballad-opera’ and ‘The Roadside Fire’ from the earlier Hugh the Drover, from which A Cotswold setting of Robert Louis Stevenson’s poetry in Romance is adapted, between 1910 and 1914. Songs of Travel. Writing to his librettist, the journalist Harold Hugh the Drover was first performed in Child, in 1910, he said: public on 14 July 1924 by forces of the British I have an idea for an opera written to real National Opera Company at His Majesty’s English words, with a certain amount of Theatre, London, conducted by Malcolm real English music… Sargent. -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
Anna Gutowska
Anna Gutowska was born in Rzeszow. From the age of seven, she attended the music school from which she graduated with honors. After attending the piano class of Prof. L. Strzelecka for one year, she started to learn to play the violin at the violin class of Prof. D.Sendłak. After graduation, Anna continued teaching in the Music School Association in Rzeszow in the class of Prof. R. Naściszewski, while at the same time, she was a student at the Conservatoire de Lausanne in Switzerland in the class of Prof. J. Jaquerod. She also graduated from this course with distinction. From 2001 she studied at the University of Music and Performing Arts Vienna in the violin class - concert subject of o.Univ. Prof. Edward Zienkowski. In 2007 she received her diploma with distinction and a prize from the Minister for Culture and Art and acquired the title Mag. Art. In 2008/2009, she completed postgraduate studies at the same university under supervision of Prof. Edward Zienkowski. Anna took part in the International Z.Brzewski Master Classes in Łańcut, the Verbier Festival Academy, the Vienna Master Classes and others, each under supervision of valued virtuosos and educators such as I. Haendel, I. Ojstrach, M. Jaszwili, H .Krebbers, KAKulka, P.Urstein, J.Kaliszewska, M.Ławrynowicz, P.Farulli (Quartetto Italiano). She is the winner of numerous Polish and international competitions, such as: - Special prize of the Henryk Wieniawski Society at the Polish St. Serwaczyński Violin Competition in Lublin (1996) - first prize in the young talent competition in -
Sports in Bydgoszcz Bydgoszcz Specialties
N i e c a ł a C z Kąpielowa R a ó Wr r żan ocław n a ska a D r o g a Old Bydgoszcz Canal Stary Kanał Bydgoski Stary Kanał S z u Canal Bydgoszcz b J a Bydgoski Kanał i sn ń a s 26 k a Bydgoszcz Specialties SportsŻ in Bydgoszcz e g l a r s k G a ra nic L S zn udw t a ro Grunw m P i a k R It should be added that a new, modern marina with a hotel was built on Mill During your stay in Bydgoszcz, it’s worth fi nding time to try local specialties. oznański K ow r Plac u s z w ondo a i c k Bread with potatoes aldzkie o Island, in the city centre. The Regional Rowing Association LOTTO-Bydgostia There is something for everyone, including chocolates, goose meat, locally Beer from the local brewery Potato rye bread is one of the oldest culinary recipes from the Bydgoszcz The traditions of Bydgoszcz brewing date back to the origins of the city. In the (RTW), the successor of the Railway Rowing Club, is a prominent rowing orga- brewed beer, and bread with potatoes … area. In the past, bread was baked from fl our processed at a farm or pur- 14th century, every townsman, owner of a lot within the city walls, had the right H. Dąbrowskiego nization. RTW is a 25-time (until 2013) Team Champion of Poland. It has been S iem ira chased from the mill. -
THE MAESTRO in OUR MIDST Prominent Polish Conductor Antoni Wit Has Striven to Keep the Polish Repertory Alive Throughout His Illustrious Career
Antoni Wit THE MAESTRO IN OUR MIDST Prominent Polish conductor Antoni Wit has striven to keep the Polish repertory alive throughout his illustrious career. We take a look at the achievements of the acclaimed conductor, ahead of his performances with the Symphony Orchestra of India. By Beverly Pereira MESSIAS JOÃO | MÚSICA DA CASA hen the Warsaw Philharmonic ensemble performed close to 600 concerts, embarked Having managed and conducted a host of renowned with the Silver Cross of Merit in Poland and had the Orchestra made its debut at on international tours and contributed an astonishingly Polish and international orchestras, one wonders distinction of being named Chevalier of the French the BBC Proms, in August large catalogue of recordings – almost 100 albums – whether Wit has observed any obvious differences in Legion of Honour for his services in the promotion of 2013, the evening was charged to the Naxos recording label. Between 1987 and 1992, orchestral personalities. “When I was much younger, French music. with a sense of serendipity and he was simultaneously engaged with the Orquesta I was able to see more differences in orchestras, first Come this year, the maestro says he has plans to synchronicity. The orchestra Filarmónica de Gran Canaria as its artistic director. of all because of the nationalities of their musicians. record Catalan music. Besides recording in Barcelona performed Witold Lutosławski’s He also taught conducting at the Fryderyk Chopin Now, with globalisation, there in 2018, he is looking forward Concerto for Orchestra – University of Music in Warsaw from 1998 through 2014. are fewer differences. Orchestras to the release of a recording W incidentally composed for the All this, while actively embracing the schedules and are more international, but some A champion of Polish of Brahms concertos (violin very same orchestra, albeit from 1950-1954. -
Ralph Vaughan Williams' Long Journey out Of
Philip Beidler Ralph Vaughan Williams’ Long Journey Out of War ied some,” intones the narrator of Pound’s Hugh Selwyn Mauberly, “pro patria, / non ‘dulce’ non ‘et décor’ . / walked-eye deep in hell / believing in old men’s lies, then unbelieving / came home, home to a “Dlie, home to many deceits, / home to old lies and new infamy.” Thus reads one of the most celebrated post-World War I anthems for doomed youth. (The latter phrasing, as will be recognized, is that of the young British soldier-poet Wilfred Owen, aged 25, himself killed in Flanders a week before the German surrender) Such poetic expressions of generational protest, written by contemporaries or by slightly older figures like Pound, comprise one of the great genres of the war, and are reflected as well in a larger history of survivorship writing, Anglo-European and American: Robert Graves’s Good Bye to all That, Vera Brittain’s Testament of Youth, Erich Maria Remarque’s All Quiet on the Western Front, Ernest Hemingway’s A Farewell to Arms. “You are all a lost generation:” Hemingway claimed to have gotten the famous line—used as an epigraph to his 1925 novel of war-ruined expatriates in Paris, The Sun Also Rises—from a conversation with Gertrude Stein, who in turn is said to have heard it originally it from a French garage-owner, complaining of the curious anomie of a young mechanic assistant who had survived the war. Thus in life and art alike, the experience of fighting and dying young became a signature motif of World War I on the western front and elsewhere, as did frequently also that of perhaps surviving the war but in the process returning home too physically or psychologically damaged to resume anything resembling the patterns of peacetime existence. -
The Poisoned Kiss
Journal of the No.26 February 2003 EDITOR Stephen Connock RVW (see address below) Society Healthy Finances In this issue... - but more members needed! The Poisoned Kiss G From Polly to The Wasps The RVW Society’s Eighth AGM on 13 at least an increase, but the Trustees The musical context October 2002, at Charterhouse School, would like to see membership growth presented the best set of accounts since accelerate to allow us to achieve our Page . 2 the formation of the Society. Total target of 1,000 members by our 10th funds raised in the year were over anniversary in 2004. All members are G “It will be alright in the £18,000 and a healthy surplus of urged to help us achieve our goal and a £6,000 was carried forward. This membership application form is end” - the complex surplus was achieved after expenditure enclosed with the journal. evolution of the libretto on the permanent RVW Exhibition at All Saints Church, Down Ampney and Page . 4 after the costs of publishing Ursula Eric Parkin Vaughan Williams’s autobiography A highlight of the AGM was a superb G “Once upon a time . .” Paradise Remembered. Income from lecture/recital by the distinguished book sales was also up 538%, largely pianist Eric Parkin. He provided us An analysis of the due to Ursula’s book. Funds were with fascinating insights into such opera improved by donations of more than composers as John Ireland, E J Moeran Page . 9 £2,000 under gift aid. As John Francis, and Billy Mayerl. His playing of the our Treasurer, put it at the AGM “an music of these composers, together excellent year”. -
VW Biography
The symphonies of Vaughan Williams Vaughan Williams, Ralph (b Down Ampney, Glos., 12 Oct. 1872; d London, 26 Aug. 1958). English composer. He was a leading figure in the so-called renaissance of English musical life—creative, executive, and musicological—which began in the last years of the 19th century coincident with Elgar’s rise to fame. 1. The early years Descended from Darwins and Wedgwoods, Vaughan Williams had a conventional upper-middle-class education in which music played a surprisingly prominent part. He played the violin in the Charterhouse school orchestra. He began to compose when he was six and continued until the day of his death. In 1890 he went, unconventionally, direct to the Royal College of Music as a composition pupil of Parry. In 1892 he entered Trinity College, Cambridge, to read history and for the B.Mus. degree, continuing weekly lessons at the RCM and studying composition at Cambridge with Charles Wood. In 1895 he re-entered the RCM as a pupil of Stanford. During this briefer spell he formed a mutually enriching friendship with Gustav Holst. In 1897, after his marriage to Adeline Fisher, he went to Berlin, where he had lessons and encouragement from Bruch. His compositions at the turn of the century were mainly chamber music (later withdrawn) and songs, including Linden Lea (1901). He edited the Welcome Songs for the Purcell Society, wrote articles for periodicals, and contributed to the second edition (1904) of Grove’s Dictionary of Music and Musicians. In 1904 his Songs of Travel, settings of R. L. Stevenson, were sung in London. -
572032 Bk Penderecki
GÓRECKI Concerto-Cantata Little Requiem for a Certain Polka • Three Dances Harpsichord Concerto (piano version) Anna Górecka, Piano • Carol Wincenc, Flute Warsaw Philharmonic Orchestra • Antoni Wit Henryk Mikołaj Górecki (1933-2010): Little Requiem for a Certain Polka presence as the work heads to a rapt close with just the The first movement opens with a coursing motion for Concerto-Cantata • Harpsichord Concerto (piano version) • Three Dances quietest of discords on piano then bells to recall earlier unison strings with piano providing a no less intensive events. accompaniment. This continues on its purposeful course Henryk Mikołaj Górecki was born on 6th December 1933 followed by the monumental Miserere for unaccompanied Completed barely a year before, Concerto-Cantata with just the occasional pause until reaching a held in Czernica, Silesia. He studied music at the High School voices (1981), written in support of the Polish trade union (1992) for flute and orchestra was given a first hearing in cadential chord from which the second movement sets off (now Academy) of Music in Katowice, graduating with Solidarity, while chamber music was represented by such Amsterdam on 28th November 1992 by Carol Wincenc with a vaunting idea for the soloist against mock-Classical distinction in 1960 from the class of Bolesław Szabelski pieces as Lerchenmusik (1986) and three string quartets with the Netherlands Radio Philharmonic Orchestra and figuration on strings. This duly takes in passages of (who had been taught by Szymanowski). Górecki gave his composed for the Kronos Quartet between 1988 and Eri Klas. The hybrid title is explained by its movements contrasting harmonic profile without disrupting the début concert as a composer in 1958 in Katowice, which 1995.