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The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
PATTO – the JOHN HALSEY INTERVIEW
PATTO – the JOHN HALSEY INTERVIEW Patto, apart from being one of the finest (purely subjective, of course) bands this country ever produced, were not blessed with good fortune. Forever on the verge of making it really big, they broke up after six years of knocking on the door and finding no-one home. Subsequently, two of their number died while the other two were involved in a terrible car smash which left one with severe physical injuries and the other with severe mental problems. Drummer John Halsey is now the only Patto member who could possible give us an interview. Mike Patto and Ollie Halsall are both gone, while bassist Clive Griffiths apparently doesn't even recall being in a band! Despite bearing the scars of the accident (Halsey walks with a pronounced limp), John was only too pleased to submit to a Terrascopic grilling - an interview which took place in the wonderful Suffolk pub he runs with his wife Elaine. Bancroft and I spent a lovely afternoon and evening with the Halseys, B & B'd in the shadow of a 12th Century church cupboard and returned to London the next morning with one of the most enjoyable interviews either of us has ever done. John Halsey: I started playing drums because two mates who lived in my road in North Finchley (N. London), where I'm from, wanted to form a group. This was years and years ago, 1958, 1959. Want to see the photo? PT: Oh, look at that! 1959! Me, with a microphone inside me guitar that used to go out through me Mum's tape recorder, and if you put 'Record' and 'Play' on together, it'd act like an amplifier. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Simon Mcbride and Hugh Cornwell
Waterloo Street, St. Helens WA10 1PX www.citadel.org.uk Box Office: 01744 735436 Press Release: Tuesday 2nd July 2013 FOR IMMEDIATE RELEASE This week at The Citadel Arts Centre, St Helens Simon McBride and Hugh Cornwell The Citadel Arts Centre will be welcoming Simon McBride on Thursday 4 July and Hugh Cornwell of the Stranglers fame on Saturday 6 July 2013. Predicted to be the next Irish blues guitar hero in the footsteps of Rory Gallagher and Gary Moore, former Young Guitarist of the Year Simon McBride has undeniable guitar artistry combined with a fine voice and a real knack for creating memorable hooks and great melodies. His latest CD Crossing The Line is a fiery amalgam of guitar skills, songcraft and character-soaked vocals, spinning tales of girls, gambling and corporate avarice. Recorded in Northern Ireland and The USA, mixing of the album was placed in the experienced hands of New York-based Peter Denenberg, the veteran producer and engineer whose CV takes in everyone from Deep Purple to the Spin Doctors and Robert Cray. Rewind to the early-’90s, and you didn’t have to squint to spot future greatness in the unassuming kid from Belfast, who picked up his first guitar at ten and eschewed formal lessons to bend his fingers around the music of Free, Jeff Beck and Hendrix. Aged 15, Simon won Guitarist’s hotly-contested Young Guitarist of the Year competition in a Wembley Conference Centre showdown, and at 16, he turned pro, leaving education behind to wow the world as a hired gun in projects than ranged from metal with Sweet Savage, to R&B and soul with ex-Commitments vocalist Andrew Strong. -
A Folkrocker's Guide
A FOLKROCKER’S GUIDE – FOLKROCKENS FRAMVEKST 1965–1975 «The eletricifcation of all this stuf was A FOLKROCKER’S GUIDE some thing that was waiting to happen» TO THE UNIVERSE •1965–1975 – Martin Carthy «Folkrock» ble først brukt i 1965 som betegnelse på på Framveksten av folkrock i USA I Storbritania, i motsetning til i USA, kom «folkrock» til amerikanske musikere som The Byrds, den elektrifserte Bob og UK i tiåret 65–75 skapte Dylan, Simon & Garfunkel og – pussig nok – Sonny & Cher. mye av inspirasjonen for den å betegne elektrisk musikk basert på tradisjonell folke- Likevel er det i større grad møtet mellom rock og folkemusikk moderne visebølgen i Norden. musikk. i Storbritannia ca 1969–70 som ble bestemmende for hva vi Vi har bedt Morten Bing om å skrive om dette. Han er kon- på 1970-tallet kom til å legge i begrepet her hjemme. servator ved Norsk Folkemu- som hadde bakgrunn i folkrevivalen, en sanger og en felespiller – Sandy seum og var initiativtaker til men som allerede hadde forlatt Denny og Dave Swarbrick – som MORTEN BING Norges første folkrock gruppe tradisjonell folkemusikk til fordel for begge hadde bakgrunn i den Folque i 1973. egenskrevne låter. britiske folkrevivalen. Det var denne rdet «folke-rock» kombinasjonen, og resultatet, LP’n ble brukt første gang Dylan og Byrds Gruppa har sin kanskje siste På mange måter kan en si at den konsert på Rockefeller i Oslo Liege & Lief (1969), som var begyn- i Billboard 12.06.1965, engelske utviklingen gikk mot- nelsen på den britiske folkrocken. i en artikkel om Bob En viktig katalysator for framveksten 18. -
Fairport Convention Beyond the Ledge (Filmed Live at Cropredy '98) Mp3, Flac, Wma
Fairport Convention Beyond The Ledge (Filmed Live At Cropredy '98) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Beyond The Ledge (Filmed Live At Cropredy '98) Country: UK Released: 1999 Style: Folk Rock MP3 version RAR size: 1379 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1127 mb Rating: 4.2 Votes: 845 Other Formats: ASF MP4 WMA DXD MOD APE MIDI Tracklist Hide Credits Programme Start : Meet On The Ledge 1 1:50 Arranged By, Performer – Ric SandersWritten-By – Richard Thompson The Lark In The Morning 2 6:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Traditional Life's A Long Song 3 3:00 Written-By – Ian Anderson Woodworm Swing 4 3:18 Written-By – Ric Sanders Crazy Man Michael 5 5:03 Written-By – Dave Swarbrick, Richard Thompson Dangerous 6 5:29 Written-By – Kristina Olsen The Flow 7 5:13 Arranged By – Ric SandersWritten-By – Chris Leslie Close To You 8 4:24 Written-By – Chris Leslie The Naked Highwayman 9 4:56 Written-By – Steve Tilston The Hiring Fair 10 6:57 Written-By – Ralph McTell Jewel In The Crown 11 3:31 Written-By – Julie Matthews Cosmic Intermezzo 12 5:29 Written-By – Ric Sanders The Bowman's Retreat 13 3:08 Written-By – Ric Sanders Who Knows Where The Time Goes 14 7:11 Featuring – Chris WhileWritten-By – Sandy Denny Come Haste 15 4:36 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* Spanish Main 16 4:40 Written-By – Chris Leslie, Maartin Allcock* John Gaudie 17 6:03 Written-By – Chris Leslie Matty Groves 18a 11:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* The Rutland Reel / Sack The Juggler 18b Written-By – Ric Sanders Meet On The Ledge Guest – Anna Ryden*, Chas McDevitt, Chris Knibbs, Chris While, Dave Cousins, David 19 7:10 Hughes , Rabbit*, Maartin Allcock*, P.J. -
Cassandra Music Credits
Music Trevor Lucas Ian Mason Post Sync and Music Recording Engineer Tony Buettel 'Stimulation' 'Sugar Free' Performed by Wa Wa Nee Courtesy of CBS and Epic Records Written by Paul Gray Published by MCA Gilbey 'Land of the Free' Written and Published and Performed by Bluey and Curly 'She's a Mystery' Written and Performed by John Brewster and Allan Lancaster Published by Rondor Music Co-composer Trevor Lucas: Richie Unterberger at Allmusic provides this brief profile of Trevor Lucas, here: Trevor Lucas was a secondary but notable figure in the British folk- rock scene of the late 1960s and 1970s, principally as a member of Fotheringay and the mid-'70s version of Fairport Convention. Originally from Australia, he came to the UK in the mid-1960s to work on the traditional folk circuit, and made an obscure and run- of-the-mill traditional folk solo album in 1966, Overlander. From late 1967 to late 1969, the singer-guitarist was in Eclection, a little- known British folk-rock group that made recordings with Elektra. Lucas became romantically involved with Fairport Convention singer Sandy Denny in the late 1960s, and together the pair formed Fotheringay, who made a good folk-rock album in 1970. Despite the group's considerable promise, it folded after that sole LP, when Denny, the biggest talent in the band by far, left for a solo career. Lucas joined Fairport Convention, who at that point had been shorn of all their original members, in mid-1972, with Denny (whom Lucas married in 1973) rejoining the band in early 1974. -
Worldmags.Net - ■
WorldMags.net - ■ . of thethe Church.Church. Some peoplepeople objectobject to this,this, but therethere isis nothingnothing one cancan writewrite thatthat is not offensive toto somebody.somebody. YouYou couldcould make aa referencereference to the Black DeathDeath inin a sketchsketch andand somebodysomebody mightmight have aa relative who had just died of Black Death relative who had just died of Black Death 1 N L out inin thethe East.East. 1I did did that that sketch sketch about about thethe .wVA stupid boxer, andyouand you couldcould say,'Thinksay, 'Think ofof all thethe peoplepeople with idiotidiot sons.' ButBut youyou N \ can't make fun out ofof normality.normality. NormalNormal people are nono funfun atat all.all. The The principle principle is is- - if it's funny, it's acceptable. if it's funny, it's acceptable. \ "Four millionmillion peoplepeople watch the show, and after aa timetime it getsgets anan audienceaudience of fansfans iV and those whowho don'tdon't like like it, don'tdon't switchswitch on. Ninety perper centcent of of thosthose e whowho areare goinggoing toto be offendedoffended aren't going to bebe watching."watching." ManycompareMany compare thethe CircusC/rcnsto to thethe radioradio tradition of oflTMA, ITMA, Goon ShowShow andand I'mI'm Sorry, I'll Read That Again. Says John, Sorry, Read That Again. Says John, ! ^ \ * ^ "Monty Python was not born from radio. "Monty Python was not born from radio. * Ml RubRubbish. bish. II think think itit came came from from three three sources, firstly The Goon Show-all of the -
With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 12-2017 With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne Follow this and additional works at: https://dc.etsu.edu/honors Part of the American Popular Culture Commons, Children's and Young Adult Literature Commons, and the Women's Studies Commons Recommended Citation Kilbourne, Kylee, "With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics" (2017). Undergraduate Honors Theses. Paper 433. https://dc.etsu.edu/honors/433 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. WITH GREAT POWER: EXAMINING THE REPRESENTATION AND EMPOWERMENT OF WOMEN IN DC AND MARVEL COMICS by Kylee Kilbourne East Tennessee State University December 2017 An Undergraduate Thesis Submitted in Partial Fulfillment For the Midway Honors Scholars Program Department of Literature and Language College of Arts and Sciences ____________________________ Dr. Phyllis Thompson, Advisor ____________________________ Dr. Katherine Weiss, Reader ____________________________ Dr. Michael Cody, Reader 1 ABSTRACT Throughout history, comic books and the media they inspire have reflected modern society as it changes and grows. But women’s roles in comics have often been diminished as they become victims, damsels in distress, and sidekicks. This thesis explores the problems that female characters often face in comic books, but it also shows the positive representation that new creators have introduced over the years. -
January / February 2001
FREE Volume 1 Number 1 January / February 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers Dancing in the Subway MUSIC & DANCE IN UNDERGROUND LA by TERRY SQUIRE STONE ere we are at the birth of a new adventure: were here for a trade show a new newspaper for an old tradition. A downtown and were look- newspaper for those of us who have been ing to kill a few hours around the folk music scene for a while, between seminars. Did as well as one for those who are new to I think they should go this community. And, it is a community in to NoHo or City H the realist sense of the word. Walk? Could I help Which brings me to the LA subway… them? They wanted Bear with me… to know my opinion! I recently had reason to use the Los Angeles Metro Then, there was Link system for the first time. The Metro Link is the LA the Orthodox Jewish version of Paris Metro, the London Tube. And, just like teenager from Woodland Hills LA, it is glitzy and expensive, without much “there,” who was out for his first adventure there. It goes only a short distance with a lot of fanfair, but alone. Everything from the pur- it suited my purposes; to get downtown from the San chasing of a ticket to the art on Fernando Valley while avoiding the traffic and the hassle the walls was a wonder to him. -
Fairport Convention Rosie Mp3, Flac, Wma
Fairport Convention Rosie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Rosie Country: UK Released: 1973 Style: Folk Rock, Country Rock MP3 version RAR size: 1674 mb FLAC version RAR size: 1744 mb WMA version RAR size: 1466 mb Rating: 4.9 Votes: 251 Other Formats: RA WMA MP2 MPC DTS ASF ADX Tracklist Hide Credits Rosie 1 Acoustic Guitar, Guitar – Richard ThompsonDrums – Gerry ConwayVocals – Linda Peters, Sandy DennyWritten-By – Swarbrick* Matthew, Mark, Luke & John 2 Drums – Timi DonaldWritten By – Pegg/Swarbrick/Mattacks/Thompson/Nicol Knights Of The Road 3 Drums – Gerry ConwayWritten By – Lucas/Roche Peggy's Pub 4 Written-By – Pegg* The Plainsman 5 Drums – Gerry ConwayWritten By – Lucas/Roche Hungarian Rhapsody 6 Drums – Timi DonaldWritten-By – Pegg* My Girl 7 Drums – Timi DonaldWritten-By – Swarbrick* Me With You 8 Acoustic Guitar – Ralph McTellVocals – The Swarbrick BrothersWritten-By – Swarbrick* The Hen's March Through The Midden & The Four Poster Bed 9 Arranged By – Fairport ConventionWritten-By – Traditional Furs And Feathers 10 Written-By – Swarbrick* Companies, etc. Manufactured By – PMDC, France Credits Acoustic Guitar, Guitar, Vocals – Jerry Donahue Bass, Mandolin, Vocals – Dave Pegg Drums, Percussion, Piano – Dave Mattacks Engineer – John Wood Fiddle, Mandolin, Vocals – Dave Swarbrick Producer, Acoustic Guitar, Vocals – Trevor Lucas Notes Made in France for European market Barcode and Other Identifiers Barcode: 7 31451 27542 5 Matrix / Runout: 512 754-2 00 L7 Mastering SID Code: IFPI L004 Mould SID Code: IFPI 0240 Rights Society: BIEM STEMRA Label Code: LC 0407 Other versions Category Artist Title (Format) Label Category Country Year Fairport Rosie (LP, Island ILPS 9208 ILPS 9208 UK 1973 Convention Album) Records Rosie (CD, Fairport Album, Ltd, Island UICY-93996 UICY-93996 Japan 2009 Convention Num, RE, RM, Records Pa) Rosie (CDr, 2000 Fairport none Album, Enh, FruitGum none 2007 Convention Unofficial) Corp.