Revolting Cocks Linger Ficken' Good ...And Other Barnyard Oddities Mp3, Flac, Wma

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Revolting Cocks Linger Ficken' Good ...And Other Barnyard Oddities mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Linger Ficken' Good ...And Other Barnyard Oddities Country: Australia Released: 1993 Style: Industrial MP3 version RAR size: 1734 mb FLAC version RAR size: 1835 mb WMA version RAR size: 1300 mb Rating: 4.9 Votes: 961 Other Formats: MMF MP3 AC3 AIFF AAC VQF TTA Tracklist A1 Gila Copter 5:58 A2 Creep 8:50 A3 Mr. Lucky 4:39 A4 Crackin' Up 6:26 A5 Sergio 6:32 B1 Da Ya Think I'm Sexy? 5:34 B2 The Rockabye 7:19 B3 Butcher Flower's Woman 4:57 B4 Dirt 5:07 B5 Linger Ficken' Good 9:12 Companies, etc. Marketed By – Reprise Records Phonographic Copyright (p) – Sire Records Company Copyright (c) – Sire Records Company Credits Artwork [Cover] – Rick Buscher Engineer – Critter*, Paul Manno, Steve Spapperi Management – Jon Zazula, Marsha Zazula Mastered By – Tom Baker Performer [The Revolting Cocks] – Al Jourgensen, Chris Connelly, Luc Van Acker, Paul Barker, William Rieflin Performer [The Revolting Pussies] – Kim Assaley, Patty Jourgensen Performer [The Revolving Cocks] – Timothy Leary*, Duane Buford, Duane Denisen*, Louis Svitek, Mike Scaccia, Roland Barker Producer – The Revolting Cocks* Written-By – The Revolting Cocks* (tracks: 1 to 5, 7 to 10), Rod Stewart (tracks: 6) Barcode and Other Identifiers Barcode: 0 9362-45407-4 8 Other versions Category Artist Title (Format) Label Category Country Year Linger Ficken' Good... Revolting Sire, Reprise 9 45407-2 And Other Barnyard 9 45407-2 US 1993 Cocks Records Oddities (CD, Album) Linger Ficken' Good... Revolting Sire, Reprise WPCP-5693 And Other Barnyard WPCP-5693 Japan 1993 Cocks Records Oddities (CD, Album) Linger Ficken' Good Revolting CDW 45462 ...And Other Barnyard Sire CDW 45462 Canada 1993 Cocks Oddities (CD, Album) Linger Ficken' Good... Not On Label Revolting And Other Barnyard A0106 (Revolting A0106 Russia Unknown Cocks Oddities (CD, Album, Cocks) Unofficial) Linger Ficken' Good... Revolting Sire, Reprise 4-45407 And Other Barnyard 4-45407 US 1993 Cocks Records Oddities (Cass, Promo) Related Music albums to Linger Ficken' Good ...And Other Barnyard Oddities by Revolting Cocks Revolting Cocks - Da Ya Think I'm Sexy? Revolting Cocks - Linger Ficken' Good... And Other Barnyard Oddities Revolting Cocks - You Goddamned Son Of A Bitch - Live At The Metro Chicago A/B Revolting Cocks - Stainless Steel Providers Revolting Cocks - Cocked And Loaded Revolting Cocks - (Let's Get) Physical Revolting Cocks - Beers, Steers & Queers Revolting Cocks - Live! You Goddamned Son Of A Bitch.

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
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SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
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