Different Dance Forms of India (Part I)

Total Page:16

File Type:pdf, Size:1020Kb

Different Dance Forms of India (Part I) Different Dance Forms Of India (Part I) 1. Dance forms in Andhra Pradesh are:- • Kuchipudi: This danced was originated in the village of Krishna district of the modern era. It is a dance with drama act & has its roots in “Natya Shastra”. • Kolakattam: it is the type of the dance form which is performed with sticks & is an exact replica of a dance form performed in Gujarat known as dandia. • Veeranatyam: This dance form is related to Lord Shiva. When Lord Shiva got humiliated at the death of Sati. • Burrakatha: This is the unique dance form in Andhra Pradesh also known as Jangam Katha. In this dance performance, the main artist recites a tale, plays the music, and then dances on the tunes. • Butta Bommalu: a dance form performed where dancers wear mask portraying different characters. • Dappu: Dancers perform on the beat of tabla, harmonium & Cymbals while wearing colourful & attractive dresses. • Tappeta Gullu: This is a devotional dance form invokes the RainGod. • Lambadi: This dance style is performed to celebrate the agriculture section such as the sowing of seeds or loaded harvest. 2. Dance forms in Assam are:- • Bagurumba: A folk dance performed by the people of Bodos. Women’s wearing colourful dresses & this is performed in the festival known as Vishuva Sankranti in mid-April. In this festival, cows are being worshipped. • Bihu: It is the popular folk dance of Assam. This dance is an integral part of the Bihu festival of Assam & is celebrated in mid-April, during the harvesting time and lasts for about a month. Other dances being performed are: • Bodo's Bagurumba • Tea Folk's Jumur Nach • Barpeta's Bhortal Nritya • Satriya Nritya 3. Dance forms in Bihar are:- • Seraikella Chau: it is a popular folk dance of Bihar. Since masks form an important feature of this dance it is called “chhau” which means mask. • Kajari Dance: This dance form is accompanied during the monsoon season & lasts for the entire duration of rain. • Jhijhian: This dance form is a ritualistic dance form performed usually on no rain day to make the god of rain happy. • Paika: This is another dance form which shows the courage & excitement as the theme of this dance form is swords & shields. • Bidesia: This dance is the most popular folk dance of Bihar. This dance was originated in the 20th century & is revealed by the Bhojpuri speaking. Thakur is believed to be the father of this dance style. 4. Dance forms in Jammu & Kashmir are:- • Rouf: Most popular dance form in the Kashmir valley & is only performed by women during harvesting season. • Dhamali: This is a devotional dance performed by men in Kashmir to invoke the blessing of the gods. The flag bearer leads the dancing party in procession. • Hikkat: This is a playful dance form of boys & girls in Kashmir. The young ones form couples and the partners, interlocking their arms, hold each other's hands. Joining their feet close, they bend their bodies and heads backwards. Facing each other, they go round and round with perfect precision in a fast dizzy spin. • Bhacha Nagma: This dance form is a folk version of Hafiz-Nagma. This dance is a popular form of entertainment for the common masses. 5. Dance forms in Jharkhand are:- • Santhal: This dance form is performed by the santhal tribe. • Phagua: This dance form is performed by the males during holi festival. • Jhumar: This dance form is performed during the harvesting season. • Agni: This dance form is described as the god of fire. This dance is performed on the occasion of Bipu or Manda worship. 6. Dance forms in Uttrakhand are:- Uttrakhand is full of diverse cultures & traditions. Also, it has its roots in different folk dances performed on different festivals with colourful costumes. These dance forms are: • Barada Nati • Bhotiya Dance • Chancheri • Chhapeli • Langvir Dance • Langvir Nritya 7. Dance forms in West Bengal are:- • Gambhira: This dance form is originated from hindu community & the theme of dance is based on the fakeness & selfishness of the people. • Kalikapatadi: In this dance form the theme showed is based on when lord shiva comes down angrily after killing asura. • Nanci: This dance form is performed by the female members in rural areas. • Alkap: This is the popular& the oldest dance form of Bengal, started in late 19th It is associated with the festival of lord shiva which is celebrated in the mid of April. • Domni: Domni is the prayer or dedication to God. 8. Dance forms in Puducherry are:- • Garadi: This dance form is the most popular folk dance & was originated from Hindu mythological epic of Ramayana. This dance theme is based on the Vanar or monkeys from Ramayana. In dance sticks are used as prop. 9. Dance forms in Andaman and Nicobar Islands are:- • Andaman and Nicobar is the home to many indigenous tribes Thus this place has an amalgamation of different cultures. And dances of these tribes represent the distinctness in cultures. • Nicobari dance is one the most important and oldest traditional dances of Andaman & Nicobar. It is practiced by the Nicobari tribe, who live in the Car Nicobar Island. • One can witness the Nicobari dance during the Ossuary Feast, which is more commonly known as the Pig Festival as it is the way of showing one's respect to the departed head of the family. • It is generally performed during the full moon, under the swinging palm trees. • The dancers wearing coconut leaves sway to the rhythm of traditional songs sung by the leader. 10. Dance forms in Dadar and Nagar Haveli are:- • Tarpa is the dance form which is performed on moonlit nights. Mask dance is another colourful form. 11. Dance forms in Daman and Diu are:- • The major festivals of Daman & Diu are Garba Festival and Folk Dance Festival. Usually the young generation participate in the garba festival. • The Folk Dance Festival is very significant part of the cultural life of Daman and Diu. The dance forms associated with the Folk Dance Festival in Daman and Diu are Mando Dance, Verdigao Dance and Vira Dance. People of all age-groups take part in the Folk Dance Festival. 12. Dance forms in Lakshadweep are:- • Lava Dance: This dance is performed specially on the festive occasions of this Island. • Kolkali Dance: This dance form is performed only by men’s using sticks in a round circle. • Parichakali Dance: In this dance form the bravery of the soldiers is being showed by the theme of this dance. It is performed with the shields & swords & thus also known as Shield dance. Famous Dancers 1. Raja & Radha reddy: They have given a new dimension to the old-age art of kuchipudi. Thus, the unique art was awarded by the PADMA SHREE in 1984, the Sahitya Kala Parishad Award in 1990 and the prestigious Sangeet Natak Award in 1992. They have also had the honour of being awarded with the 2nd highest civilian award in India, the Padma Bhushan award of the new millennium, individually but simultaneously in the year 2000. 2. Yamini reddy: Yamini has toured the United Kingdom, France, the United States and Dubai. In Dublin(Ireland) and Fort Lauderdale (USA), the Mayors presented her with the golden key to the cities. She has been awarded the 'Yuva Ratna Award' Youth Vocational Excellence award, FICCI young achiever's award, Devadasi National Award and Sangeet Natak Akademi Bismillah Khan Yuva Puraskar for dedication towards Kuchipudi Dance. 3. Pandit Birju Maharaj: Birju Maharaj has won many accolades, including Padma Vibhushan in 1986, Sangeet Natak Akademi Award and the Kalidas Samman. He also received honorary Doctorate degrees from Banaras Hindu University (Varanasi) and Khairagarh University. Filmfare Award for Best Choreography for song 'Mohe Rang Do Laal' from 'Bajirao Mastani' in 2016. He was the recipient of the Lata Mangeshkar Puraskaar in 2002. Bharat Muni Sammaan, 2012 National Film Award for Best Choreography. 4. Uday Shankar: Best known for fusion style of dance & was popularised in Europe & United States too in 1920s. In 1962, he was awarded by Sangeet Natak Akademi, India's The National Academy for Music, Dance and Drama, with its highest award, the Sangeet Natak Akademi Fellowship for lifetime achievement, and in 1971, the Govt. of India, awarded him with its second highest civilian award the Padma Vibhushan. 5. Sonal Mansingh: An Indian Classical Dancer & choreographer of odissi dancing style. She was awarded by Padma Bhushan (1992), Sangeet Natak Akademi Award in 1987, and the Padma Vibhushan, also India's second highest civilian award, in 2003; making her the second woman dancer in India to receive such an honour after Balasaraswati. 6. Balasaraswati: An Indian dancer rendering Bharat Natyam & was awarded the Padma Bhushan in 1957 and the Padma Vibhushan in 1977, the third and the second highest civilian honours given by the Government of India. In 1981 she was awarded the Sangeetha Kalasikhamani award of The Indian Fine Arts Society, Chennai. The New York Times dance critic Anna Kisselgoff described her as one of the "supreme performing artists in the world". She was classified as one of the 100 prominent Indians who has shaped the destiny of India. 7. Rukmini Devi Arundale: She was known as the theosophist dancer. She was honoured with the Padma Bhushan, the third highest civilian award of India, in 1956, for her contribution to arts. The Sangeet Natak Akademi Puraskar (Akademi Award), the highest Indian recognition given to practising artists, was bestowed upon her in 1967 by the Sangeet Natak Akademi, India's National Academy of Music, Dance & Drama. The Animal Welfare Board of India presented her with ‘Prani Mitra’ award in 1968 for her work as an animal rights activist.
Recommended publications
  • List of Indian Folk Dances - State Wise
    STUDENT'S SENA ​ ​ New resolution for banking aspirants List of Indian Folk Dances - State Wise List of Folk dances, important for general awareness section of bank exams. Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma, Danga, Bidesia, Sohrai. Uttarakhand Garhwali, Pandav Nritya, Kumaoni, Kajari, Chancheri, Jhora, Raslila, Chhapeli. Andhra Kuchipudi (Classical), Ghanta mardala, Vilasini Pradesh Natyam, Andhra Natyam, Burrakatha, Veeranatyam, Butta bommalu, Tholu Bommalata, Dappu. Chhattisgarh Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Arunachal Mask dance (Mukhauta Nritya), War dance. Pradesh Himachal Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Pradesh Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance etc. Goa Mandi, Jhagor, Khol, Dakni etc. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan etc. Kerala Kathakali (Classical), Ottamthullal, Mohiniyattam, Kaikottikali, Tappeti Kali, Kali Attam. Meghalaya Laho, Baala etc. Manipur Manipuri (Classical), Rakhal, Nat Rash, Maha Rash, Raukhat etc. 1 STUDENT'S SENA ​ ​ New resolution for banking aspirants Nagaland Chong, Lim, Nuralim etc. Orissa Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau, Chadya Dandanata etc. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dashavatar or Bohada, Tamasha, Mouni, Powara, Gauricha etc. Karnataka Yakshagana, huttar, Suggi, Kunitha, Karga, Lambi Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai. Punjab Bhangra, Giddha, Daff, Dhaman etc. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Panihari, Ginad etc. Mizoram Khanatm, Pakhupila, Cherokan etc. Jammu Rauf, Hikat, Mandjas, kud Dandi nach, Damali. & Kashmir Tamil Nadu Bharatanatyam, Kummi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Bihar Jata-Jatin,Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc.
    [Show full text]
  • National Testing Agency
    National Testing Agency Question Paper Name: N65 Performing Art Dance Drama Theatre 20th June S1 SET2 Subject Name: N65 Performing Art (Dance Drama Theatre) Creation Date: 2019-06-20 15:04:59 Duration: 180 Total Marks: 300 Display Marks: Yes Share Answer Key With Delivery Yes Engine: Actual Answer Key: Yes N65 Performing Art (Dance Drama Theatre) Group Number : 1 Group Id : 646350175 Group Maximum Duration : 0 Group Minimum Duration : 180 Revisit allowed for view? : No Revisit allowed for edit? : No Break time: 0 Group Marks: 300 PART I General Aptitude Section Id : 646350305 Section Number : 1 Section type : Online Mandatory or Optional: Mandatory Number of Questions: 42 Number of Questions to be attempted: 42 Section Marks: 100 Display Number Panel: Yes Group All Questions: No Sub-Section Number: 1 Sub-Section Id: 646350545 Question Shuffling Allowed : Yes Question Number : 1 Question Id : 64635011560 Question Type : MCQ Option Shuffling : No Display Question Number : Yes Single Line Question Option : No Option Orientation : Vertical Correct Marks : 2 Wrong Marks : 0 \Vhlch of the follo\vi:ng is a social characteristic of a learner'! (1) Power of sensory perception (2) Thinking ability (3) Power of .syn thetic imagination ( 4) Ability to relate oneselhvith othei-s Options : 64635045499. 1 64635045500. 2 Examrace www.examrace.com 64635045501. 3 64635045502. 4 Question Number : 1 Question Id : 64635011560 Question Type : MCQ Option Shuffling : No Display Question Number : Yes Single Line Question Option : No Option Orientation : Vertical Correct Marks : 2 Wrong Marks : 0 Rl-lf.tft!ia .'i セ@ セ@ mセ@ e/;t e,q,f-;iij, Riw ~? (1) セ@ セセ@ e1;t oo (2) RRR セ@ (3) ,,;~.:i-•11<'1if, セ@ oo (4) m q;1 ¥fU it;~ <fPlr.1 eF.f.r e1;t <ihRrr Options : 64635045499.
    [Show full text]
  • IJRESS Volume 6, Issue 2
    International Journal of Research in Economics and Social Sciences (IJRESS) Available online at: http://euroasiapub.org Vol. 7 Issue 7, July- 2017 ISSN(o): 2249-7382 | Impact Factor: 6.939 | Thomson Reuters Researcher ID: L-5236-2015 Dissemination of social messages by Folk Media – A case study through folk drama Bolan of West Bengal Mr. Sudipta Paul Research Scholar, Department of Mass Communication & Videography, Rabindra Bharati University Abstract: In the vicinity of folk-culture, folk drama is of great significance because it reflects the society by maintaining a non-judgemental stance. It has a strong impact among the audience as the appeal of Bengali folk-drama is undeniable. ‘Bolan’ is a traditional folk drama of Bengal which is mainly celebrated in the month of ‘Chaitra’ (march-april). Geographically, it is prevalent in the mid- northern rural and semi-urban regions of Bengal (Rar Banga area) – mainly in Murshidabad district and some parts of Nadia, Birbhum and Bardwan districts. Although it follows the theatrical procedures, yet it is different from the same because it has no female artists. The male actors impersonate as females and play the part. Like other folk drama ‘Bolan’ is in direct contact with the audience and is often interacted and modified by them. Primarily it narrates mythological themes but now-a-days it narrates contemporary socio-politico-economical and natural issues. As it is performed different contemporary issues of immense interest audiences is deeply integrated with it and try to assimilate the messages of social importance from it. And in this way Mass (traditional) media plays an important role in shaping public opinion and forming a platform of exchange between the administration and the people they serve.
    [Show full text]
  • Current Affairs 40  40 MCQ of Computer 52
    MONTHLY ISSUE - MAY - 2015 CurrVanik’s ent Affairs Banking | Railway | Insurance | SSC | UPSC | OPSC | PSU A Complete Magazine for all Competitive ExaNEmsW SECTIONS BLUE ECONOMY Vanik’s Page Events of the month 200 Updated MCQs 100 One Liners 40 MCQs on Computers 100 GK for SSC & Railway Leading Institute for Banking, Railway & SSC New P u b l i c a t i o n s Vanik’s Knowledge Garden VANIK'S PAGE Cultural Dances In India Andhra Pradesh Ÿ Ghumra Ÿ Kuchipudi Ÿ Karma Naach Ÿ Kolattam Ÿ Keisabadi Arunachal Pradesh Puducherry Ÿ Bardo Chham Ÿ Garadi Assam Punjab Ÿ Bihu dance Ÿ Bhangra Ÿ Jumur Nach Ÿ Giddha Ÿ Bagurumba Ÿ Malwai Giddha Ÿ Ali Ai Ligang Ÿ Jhumar Chhattisgarh Ÿ Karthi Ÿ Panthi Ÿ Kikkli Ÿ Raut Nacha Ÿ Sammi Ÿ Gaur Maria Dance Ÿ Dandass Gujarat Ÿ Ludi Ÿ Garba Ÿ Jindua Ÿ Padhar Rajasthan Ÿ Raas Ÿ Ghoomar Ÿ Tippani Dance Ÿ Kalbelia Himachal Pradesh Ÿ Bhavai Ÿ Kinnauri Nati Ÿ Tera tali Ÿ Namgen Ÿ Chirami Karnataka Ÿ Gair Ÿ Yakshagana Sikkim Ÿ Bayalata Ÿ Singhi Chham Ÿ Dollu Kunitha Tamil Nadu Ÿ Veeragaase dance Ÿ Bharatanatya Kashmir Ÿ Kamandi or Kaman Pandigai Ÿ Dumhal Ÿ Devarattam Lakshadweep Ÿ Kummi Ÿ Lava Ÿ Kolattam Madhya Pradesh Ÿ Karagattam or Karagam Ÿ Tertal Ÿ Mayil Attam or Peacock dance Ÿ Charkula Ÿ Paampu attam or Snake Dance Ÿ Jawara Ÿ Oyilattam Ÿ Matki Dance Ÿ Puliyattam Ÿ Phulpati Dance Ÿ Poikal Kudirai Attam Ÿ Grida Dance Ÿ Bommalattam Ÿ Maanch Ÿ Theru Koothu Maharashtra Tripura Ÿ Pavri Nach Ÿ Hojagiri Ÿ Lavani West Bengal Manipur Ÿ Gambhira Ÿ Thang Ta Ÿ Kalikapatadi Ÿ Dhol cholom Ÿ Nacnī Mizoram Ÿ Alkap Ÿ Cheraw Dance Ÿ Domni Nagaland Others Ÿ Chang Lo or Sua Lua Ÿ Ghoomar (Rajasthan, Haryana) Odisha Ÿ Koli (Maharashtra and Goa) Ÿ Ghumura Dance Ÿ Padayani (Kerala) Ÿ Ruk Mar Nacha (& Chhau dance) North India Ÿ Goti Pua Ÿ Kathak Ÿ Nacnī Ÿ Odissi Ÿ Danda Nacha Ÿ Baagh Naach or Tiger Dance Ÿ Dalkhai Ÿ Dhap MAGAZINE FOR THE MONTH OF MAY - 2015 VANIK’S MAGAZINE FOR THE MONTH OF MAY - 2015 B – 61 A & B, Saheed Nagar & Plot-1441, Opp.
    [Show full text]
  • Wedding Videos
    P1: IML/IKJ P2: IML/IKJ QC: IML/TKJ T1: IML PB199A-20 Claus/6343F August 21, 2002 16:35 Char Count= 0 WEDDING VIDEOS band, the blaring recorded music of a loudspeaker, the References cries and shrieks of children, and the conversations of Archer, William. 1985. Songs for the bride: wedding rites of adults. rural India. New York: Columbia University Press. Most wedding songs are textually and musically Henry, Edward O. 1988. Chant the names of God: musical cul- repetitive. Lines of text are usually repeated twice, en- ture in Bhojpuri-Speaking India. San Diego: San Diego State abling other women who may not know the song to University Press. join in. The text may also be repeated again and again, Narayan, Kirin. 1986. Birds on a branch: girlfriends and wedding songs in Kangra. Ethos 14: 47–75. each time inserting a different keyword into the same Raheja, Gloria, and Ann Gold. 1994. Listen to the heron’s words: slot. For example, in a slot for relatives, a wedding song reimagining gender and kinship in North India. Berkeley: may be repeated to include father and mother, father’s University of California Press. elder brother and his wife, the father’s younger brother and his wife, the mother’s brother and his wife, paternal KIRIN NARAYAN grandfather and grandmother, brother and sister-in-law, sister and brother-in-law, and so on. Alternately, in a slot for objects, one may hear about the groom’s tinsel WEDDING VIDEOS crown, his shoes, watch, handkerchief, socks, and so on. Wedding videos are fast becoming the most com- Thus, songs can be expanded or contracted, adapting to mon locally produced representation of social life in the performers’ interest or the length of a particular South Asia.
    [Show full text]
  • The Role of Indian Dances on Indian Culture
    www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts.
    [Show full text]
  • Szcc Annual Report 2016-2017
    ANNUAL ACTIVITY REPORT 2016-2017 The South Zone Cultural Centre at Thanjavur, Tamil Nadu was established as a Society under the Ministry of Culture, Government of India, came into existence on 31st January 1986 with the objective to integrate people of India through Culture, art and heritage. The Centre has jurisdiction over the states of Andhra Pradesh, Telangana, Karnataka, Kerala, Tamil Nadu and Union Territories of Andaman and Nicobar Islands, Lakshadweep and Puducherry. During the year 2016-17 SZCC, in association with the Member States, has arranged around 169 programmes. More than 10,414 artistes from various parts of the country have been paid for their participation in various programmes conducted during the year. These programmes could be conducted successfully with the active participation and support of each Member State. Some of the programmes organised are highlighted below: ANNUAL ACTIVITY REPORT AND REVIEW OF THE PROGRAMMES CONDUCTED DURING THE YEAR 2016-2017 During the Year 2016-17 the South Zone Cultural Centre, Thanjavur has conducted 169 Cultural Programmes in which 10414 artistes have participated. The following is a comparative statement of programmes conducted in various States/Union Territories during the last 7 years. Sl. 2010- 2011- 2012- 2013- 2014- 2015- 2016- State/UT No 11 12 13 14 15 2016 2017 01 Andaman &Nicobar Islands 1 1 1 5 2 01 01 02 Andhra Pradesh 1 3 3 7 4 07 07 03 Karnataka 1 4 4 9 20 09 17 04 Kerala 5 3 6 27 25 14 11 05 Lakshadweep 1 1 0 0 1 0 0 06 Puducherry 5 2 7 18 10 21 22 07 Tamil Nadu 26 51 71 70 86 110 92 08 Telangana 0 0 0 0 1 04 05 09 Other Zones 4 0 3 9 10 11 14 10 Programmes Abroad 0 0 0 5 1 0 0 Total 44 65 95 150 160 177 169 Further, the number of artistes from the Member States and also from other States performed in various programmes organised by SZCC during the past 7 years is shown below 175 Artistes from Member States performed during the years from 2010-2011 to 2016-2017 2015-2016 2016-2017 Sl.
    [Show full text]
  • India Presentation
    WTC Mumbai Presents India’s Diversity A Unique Business Opportunity CONTENTS Pg. No Preface - India's Diversity - A Unique Business Opportunity 3 Maharashtra - An Overview 4-9 The Known and Unknown of India 10-11 India - A Brief Overview 12-15 North Eastern States - Cultural Overview 16-17 Eastern India - Cultural Overview 18-19 South India - Cultural Overview 20-23 Central India - Cultural Overview 24-25 Western India - Cultural Overview 26-27 North India - Cultural Overview 28-33 State-wise Contribution to Indian Economy 34-35 Indian Economy At a Glance 36-37 Major Export Destinations 38-39 Major Sources of Import 40-41 Major Source of FDI 42-43 MSMEs Sector: Engine of Economic Growth 44-45 State-wise Distribution of MSME Clusters 46-47 State-wise Mega Food Parks in India 48-49 Women in Business / Women Entrepreneurship 50-51 Major Industrial Belts of India 52-53 Other Industrial Centres in India 54-55 Major and Non Major Ports in India 56-57 India Road Infrastructure 58-59 Key Infrastructure Projects 60-61 Proposed Industrial Corridors 62-63 Government of India’s Ambitious Programmes 64-65 Key Policy Steps Taken in Last 2 Years 66-67 Promising Sectors for Investors 68-69 Goods and Services Tax 70-71 India Economic Outlook 72-74 Preface - India's Diversity – A Unique Business Opportunity ndia's diversity in geography, ethnicity, culture, language and religion has remained the bedrock of its dynamic and resilient economy. IDiversity in geographical regions has supported occupations as diverse as agriculture, forestry, weaving, jewellery, travel and tourism, healthcare and so on.
    [Show full text]
  • GK Digest 2015 This Was Part of PM Modi’S Visit to Three Indian Ocean Island Countries
    www.BankExamsToday.com www.BankExamsToday.com www.BankExamsToday.com GKBy Ramandeep Singh Digest 2015 my pc [Pick the date] www.BankExamsToday.com GK DigestIndex 2015 List of Prime Minister’s Foreign visits 2-5 MoUs signed between India and Korea 5-14 List of Countries - Their Capital, Currency and Official Language 14-20 Popular Governmentwww.BankExamsToday.com Welfare Schemes 20-21 Awards and Honours in India – 2014 22 Awards and Honours in India 2015 23-30 Appointments 30-40 List of Committees in India 2015 40 International Summits in 2015 List 41-43 People in News During August 2015 43-45 Deaths 45-51 International Military Training Exercises 51-52 List of Cabinet Minister as on 30.11.2014 53-54 Union Budget 2015-16 54-58 Ministers and their constituencies 58-59 Important Indian Organizations and their Heads 59-60 Mergers and Acquisitions - Explained in Simple Language 60-62 List of Latest schemes and apps launched by banks 2015 63 Important Parliamentary Acts related to Banking sector in India 63-65 List of important days for banking and insurance exams 65-66 List of important days, useful for general awareness Section of banking exams 66-68 Important days to remember for August, September and October 68-69 Indian States - Capital - Chief Minister (CM) - Governor 69-72 List of important International Organizations with their headquarters, foundation years, heads and purpose 72-75 Wilf Life Sanctuaries in India 75-81 Indian Cities on the Bank of Important Rivers 82-83 List of national parks of India 83-88 Important Airports 89 IMPORTANT TEMPLES OF INDIA 90-97 LIST OF IMPORTANT CUPS AND TROPHIES – SPORTS 98-99 UNESCO HERITAGE SITES 99-127 Must Know Articles of Indian Constitution 128-132 Important Fairs 133-134 World Major Space Centers 134 www.BankExamsToday.com Page 2 www.BankExamsToday.com List of PrimeGK Minister’sDigest 2015 Foreign visits State Visit to Bhutan (June 15-16, 2014): At the invitation of Shri Jigme Khesar Namgyel Wangchuck, the King of Bhutan, Shri Narendra Modi paid a State Visit to Bhutan from 15-16 June 2014.
    [Show full text]
  • State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi
    BHARAT SCHOOL OF BANKING STATIC GK Indian Cultural/Classical Dances - Folk Dances in India State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi. Arunachal Pradesh Bardo Chham Assam Bihu, Ali Ai Ligang, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. Bihar Chhau,Jata-Jatin, Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. Chhattisgarh Panthi, Raut Nacha, Gaur Maria, Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Goa Tarangamel, Dashavatara, Dekhni, Dhalo, Dhangar, Fugdi, Ghodemodni, Goff, Jagar, Kunbi, Mando, Musal Khel, Perni Jagar, Ranamale, Romta Mel, Divlyan Nach (Lamp dance), Veerabhadra, Morulo, Tonayamel , Mandi, Jhagor, Khol, Dakni, , Koli Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai. Haryana Saang, Chhathi, Khoria, Ras Leela, Dhamal, Jhumar, Loor, Gugga, Teej Dance, Phag, Daph, Gagor Himachal Pradesh Kinnauri, Mangen, Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance Jammu & Kashmir Kud, Dumhal, Rauf, Hikat, Mandjas, Damali Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma , Munda, Danga, Bidesia, Sohrai. Karnataka Yakshagan, Bayalatta, Dollu Kunitha, Veeragasse, Huttar, Suggi, Kunitha, Karga, Lambi Kerala Mohiniyattam, Kathakali, Thirayattam, Theyyam, Thullal, Koodiyattam, Duffmuttu / Aravanmuttu, Oppana, Kaikottikali, Thiruvathirakali, Margamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Nadakam, Padayani
    [Show full text]
  • Background Material on Service Tax- Entertainment Sector
    Background Material on Service Tax- Entertainment Sector The Institute of Chartered Accountants of India (Set up by an Act of Parliament) New Delhi © The Institute of Chartered Accountants of India All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means, electronic mechanical, photocopying, recording, or otherwise, without prior permission, in writing, from the publisher. DISCLAIMER: The views expressed in this book are of the author(s). The Institute of Chartered Accountants of India may not necessarily subscribe to the views expressed by the author(s). The information cited in this book has been drawn from various sources. While every effort has been made to keep the information cited in this book error free, the Institute or any office of the same does not take the responsibility for any typographical or clerical error which may have crept in while compiling the information provided in this book. Edition : February, 2015 Committee/Department : Indirect Taxes Committee Email : [email protected] Website : www.idtc.icai.org Price : ` 90/- ISBN No. : 978-81-8441-759-3 Published by : The Publication Department on behalf of the Institute of Chartered Accountants of India, ICAI Bhawan, Post Box No. 7100, Indraprastha Marg, New Delhi - 110 002. Printed by : Sahitya Bhawan Publications, Hospital Road, Agra 282 003 February/2015/1,000 Foreword The introduction of Service Tax was recommended by Dr. Raja Chelliah Committee in early 1990s which pointed out that the indirect taxes at the Central level should be broadly neutral in relation to production and consumption of goods and should, in course of time cover commodities and services.
    [Show full text]
  • State-Wise List of Folk Dances of India
    State-wise List of Folk Dances of India Folk Dances are performed on various occasions like festivals, weddings, the arrival of the season, etc. These dances are full of energy and vitality. Some are performed by men and women separately while in others they perform together. Each of these dance forms has a specific costume, extensive jewellery, sometimes headgears, etc. offering a unique identity to it. India is a land of diversities and festivals where folk dances are a way of expression and holds great importance in ancient history. There are various folk dances performed in India, the table below mentions some of the famous folk dances of Indian states. You May Also Check: Updated All Topic wise Static GK PDF (E-Book) – Click Here to Download Page 1 Follow us: Official Site, Telegram, Facebook, Instagram, Instamojo State Folk Dances Andhra Bhamakalpam, Veeranatyam, Dappu, Tappeta Gullu, Pradesh Kuchipudi, Vilasini Natyam, Andhra Natyam, Lambadi, Dhimsa, Kolattam, Butta Bommalu Arunachal Ponung, Popir, Bardo Chham, Buiya, Chalo, Wancho, Pasi Pradesh Kongki Assam Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Canoe, Jhumura Hobjanai Bihar Panwariya, Sama Chakwa, Bidesia, Jata-Jatin, Bakho- Bakhain Chhattisgarh Gaur Maria, Panthi, Raut Nacha, Pandwani, Vedamati, Kapalik, Bharthari Charit, Chandaini Goa Tarangamel, Modni, Samayi nrutya, Jagar, Koli, Dekhni, Fugdi, Shigmo, Ghode, Ranmale, Gonph, Tonnya mell Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai Haryana Jhumar, Phag, Daph, Dhamyal,
    [Show full text]